Knowledge (XXG)

Cumberland Gap (song)

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raisin' Hell in the Cumberland Gap," somewhat echoing the lyrics transcribed by Kephart a quarter-century earlier. Fuson's version also mentions key historical events in the Cumberland Gap's pioneer period and the battle for control of the gap during the Civil War. His last stanza ends with the line "Fourteen miles to the Cumberland Gap." This last line would appear again in a 1933 field recording of the song by an obscure
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Kephart simply wrote that the song was of "modern and local origin." Kentucky ballad collector H. H. Fuson published a lengthy version of "Cumberland Gap" in 1931, with the first three lines in the opening stanza reading "Lay down, boys, an' take a little nap" and the last line reading "They're all
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released a version somewhat similar to Guthrie's in 1954. Donegan's 1957 skiffle version, which reached No. 1 on the charts in the United Kingdom, also resembled Guthrie's Folkways version, although his chorus uses "fifteen miles" rather than "seventeen miles."
221:. While waiting for weather conditions to improve, members of the hunting party sang "ballets" to pass the time. Kephart transcribed the opening stanzas to several of these songs, including a version of "Cumberland Gap" sung by 1229:, used by Dock Boggs, Hobart Smith, and Kyle Creed, is sometimes called the "Cumberland Gap tuning". It allows banjo players to play the tune in D, the same as a fiddler would, by extending the bass range of the instrument. 160:. The gap was used in the latter half of the 18th century by westward-bound migrants travelling from the original 13 American colonies to the Trans-Appalachian frontier. During the 272:. Tanner's lyrics bear little resemblance to Fuson's, although Tanner's chorus uses the line "Me and my wife and my wife's pap," which resembles a line in one of Fuson's stanzas. 1713: 1251: 260:(1853–1926). The first singing and solo banjo version was recorded by Land Norris in August, 1924 by Okeh Records. Then, in September 1924, fiddle-and-guitar duo 1775: 1432: 1705: 105:
or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book,
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label, containing the chorus, "Cumberland Gap, Cumberland Gap/Seventeen miles to the Cumberland Gap" and a stanza referring to the gap's distance from
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folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on
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in 1959. The song has since been recorded and performed by dozens of bluegrass, country, and folk musicians, including the
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in March 1949, suggested that "Cumberland Gap" may be a "sped up" version of the tune that once accompanied the ballad
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fiddler known as "Blind" James Howard, and published by John Lomax (who conducted the recording) in his 1934 book,
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won first prize (although accounts vary) with his rendering of "Cumberland Gap", ousting rivals Stuart,
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The earliest known recording of "Cumberland Gap" was a 1924 instrumental version by Tennessee fiddler
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sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of
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Bascom Lamar Lunsford: Ballads, Banjo Tunes, and Sacred Songs of Western North Carolina
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One of the earliest references to "Cumberland Gap" (the song) was published by author
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recorded the song, and would re-record the song again in 1926 with their band, the
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Juneberry78s.com — Luther Strong's 1937 Library of Congress Recordings
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Catalog entry for "Cumberland Gap/Blind James Howard (sound recording)
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The Johnson County Fiddlers' Convention at Laurel Bloomery, Tennessee
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delivered a memorable performance of "Cumberland Gap" at the
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Hobart Smith: In Sacred Trust – The 1963 Fleming Brown Tapes
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Pre-war commercial recording details are from Rusell (2004)
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Performed during the internationally broadcast TV special
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Cumberland Gap and Cumberland Gap National Historic Park
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Fleming Brown sessions; virtuosic banjo instrumental
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Plays "Bonnie George Campbell" and "Cumberland Gap"
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Folk musician and folk music scholar 27: 1730:Paint Creek–Cabin Creek strike of 1912 557:As "Cumberland Gap on a Bucking Mule" 327:'s rendition of the Civil War lyrics. 117:recorded a version of the song at his 7: 1192:Appears as "Cumberland Application" 211:(1862–1931) in his 1913 book, 2124:UK singles chart number-one singles 1167:(2012); a live version appears on 688:UK no. 1 (five weeks), April–May. 554:Old-time fiddle, guitar, mandolin 14: 1390:U.S. Library of Congress – 1379:Ballads of the Kentucky Highlands 252:Early recordings and performances 225:bear hunter "Little John" Cable: 148:at the juncture of the states of 1617:Eastern Band of Cherokee Indians 1501:British Hit Singles & Albums 1463:, 2004. Retrieved: 9 June 2009. 1330:, 2002. 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Retrieved: 8 July 2009. 1236:is also used in the movie, 1027:Old-time banjo with guitar 1004:Old-time fiddle with vocal 509:Old-time guitar with vocal 446:Riley Puckett plays guitar 127:American folk music revival 39:June 1924 (first recording) 2145: 1926:Cumberland Gap (folk song) 1455:The Essential Earl Scruggs 1406:. Retrieved: 9 June 2009. 1288:. 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Accompanied by band 237: 202:Bonnie George Campbell 1781:Appalachian Americans 1639:Kanawha Valley people 1623:Chestnut Ridge people 1593:Appalachian Mountains 1548:fiddler Luther Strong 1472:Russell, Tony (2004) 1461:Louisville Music News 1232:The song recorded by 1213:Poor David's Almanack 603:Bascom Lamar Lunsford 321:Newport Folk Festival 315:. 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B. Grayson 302: 297: 294: 290: 286: 282: 278: 277:Woody Guthrie 273: 271: 267: 266:Riley Puckett 263: 259: 251: 249: 247: 243: 236: 226: 224: 220: 216: 215: 210: 205: 203: 199: 195: 191: 184: 179: 177: 175: 171: 167: 163: 159: 155: 151: 147: 143: 138: 136: 132: 128: 124: 120: 116: 115:Woody Guthrie 112: 108: 104: 100: 96: 92: 82: 79: 78:Songwriter(s) 74: 70: 66: 63: 59: 55: 51: 48: 46: 42: 38: 34: 31: 22: 19: 2064: 2060:Redneck joke 2027: 1977:Daniel Boone 1941:In the Pines 1865:Shucky beans 1840:apple butter 1633:Scotch-Irish 1525: 1520: 1500: 1493: 1473: 1468: 1460: 1454: 1448: 1440: 1424: 1416: 1411: 1399: 1386: 1378: 1374: 1373:John Lomax, 1358: 1340: 1335: 1327: 1318: 1299: 1293: 1285: 1237: 1231: 1226: 1224: 1212: 1197: 1178: 1168: 1162: 1155:Independent 1145: 1125: 1115: 1096: 1078: 1057: 1032: 1008: 991: 970: 952: 930:Cuje Bertram 928: 910: 900: 883: 877: 858:Hobart Smith 856: 836: 826: 811: 793:Earl Scruggs 791: 787:Lester Flatt 785: 764: 752:Recorded by 734: 716: 693: 670: 648: 642: 622: 601: 581: 562: 541: 535: 516: 496: 473:Dick Burnett 471: 451: 430: 424: 404: 398: 384:August 1924 379: 358: 334: 317:Earl Scruggs 298: 274: 255: 245: 238: 228: 212: 206: 188: 180:Song history 139: 106: 97:3413) is an 90: 88: 18: 2079:hill people 2029:Deliverance 2002:Belle Starr 1855:country ham 1822:Affrilachia 1608:Black-Dutch 1114:Appears on 1111:Indie Rock 1047:Indie Rock 1001:County 967 903:The Beatles 624:Pete Seeger 387:OKeh 40212 380:Land Norris 293:Pete Seeger 223:Hazel Creek 170:Confederate 99:Appalachian 83:Traditional 2093:Categories 2050:Poor White 1936:Hootenanny 1875:soup beans 1771:Appalachia 1583:Appalachia 1258:References 972:Kyle Creed 879:P.J. Proby 838:Dock Boggs 804:Bluegrass 754:Alan Lomax 704:Parlophone 663:Bluegrass 650:Red Smiley 537:Gid Tanner 426:Gid Tanner 400:Gid Tanner 365:July 1924 303:, fiddler 262:Gid Tanner 111:John Lomax 2035:Hillbilly 1850:chow-chow 1706:Baltimore 1637:formerly 1628:Melungeon 1158:Alt Folk 1135:Alt Folk 1089:Old-time 1070:Old-time 1051:Ruby Trax 980:Heritage 896:Pop-Rock 866:Folkways 846:Folkways 801:Columbia 736:Wade Ward 632:Folkways 591:Folkways 464:Old-time 390:Old-time 192:songster 150:Tennessee 123:bluegrass 62:bluegrass 1916:Clogging 1613:Cherokee 1433:Archived 1278:Archived 1246:See also 819:Polydor 727:Skiffle 708:Skiffle 685:Skiffle 644:Don Reno 285:Folkways 281:Moe Asch 158:Kentucky 154:Virginia 125:and the 119:Folkways 36:Recorded 2055:Redneck 1832:Cuisine 1805:Culture 1764:Society 1714:Detroit 1710:Chicago 1660:History 1647:Shawnee 1643:Koasati 1173:(2017) 1120:(2010) 1098:Xiu Xiu 901:Around 341:Artist 135:skiffle 58:skiffle 54:country 1649:, and 1508:  1484:  1306:  1227:f#BEAD 437:1928, 353:Notes 350:Genre 347:Issue 311:, and 156:, and 68:Length 1651:Yuchi 1221:Music 1208:Folk 1202:2017 1183:2021 1170:Alive 1132:2012 1103:2010 1083:2009 1064:2001 1039:1992 1019:1979 998:1978 977:1977 957:1971 935:1970 915:1967 890:1964 882:with 863:1963 843:1963 829:' 816:1961 798:1961 769:1961 741:1959 721:1957 700:1957 677:1957 655:1956 635:Folk 629:1954 608:1949 594:Folk 567:1937 548:1934 521:1933 503:1929 483:1928 458:1926 344:Year 166:Union 103:banjo 45:Genre 1506:ISBN 1482:ISBN 1439:." 1304:ISBN 893:N/A 790:and 756:and 659:King 647:and 540:and 429:and 403:and 264:and 168:and 95:Roud 50:Folk 30:Song 1459:. 1326:. 1284:. 1211:LP 1007:LP 825:LP 681:Pye 283:'s 93:" ( 2095:: 1712:, 1708:, 1645:, 1641:, 1480:, 1476:, 1366:^ 1348:^ 1266:^ 1242:. 475:, 248:. 176:. 152:, 113:. 60:, 56:, 52:, 1716:) 1704:( 1693:) 1689:( 1619:) 1615:( 1575:e 1568:t 1561:v 1514:. 1488:. 1381:. 1312:. 89:"

Index

Song
Genre
Folk
country
skiffle
bluegrass
Songwriter(s)
Roud
Appalachian
banjo
John Lomax
Woody Guthrie
Folkways
bluegrass
American folk music revival
Lonnie Donegan
skiffle
Cumberland Gap
Appalachian Mountains
Tennessee
Virginia
Kentucky
U.S. Civil War
Union
Confederate
struggle for control of the gap
North Carolina
Bascom Lamar Lunsford
Archive of American Folk Song
Bonnie George Campbell

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