310:
men are fused into a single writhing mass. As they intended, Albert is horrified at the sight and kills the thing with an axe, but unknown to them, he destroys the teleportation equipment in the process. Wan, angry at what they have done to Judith, sometimes releases her, ensuring that Pat sees her, but her husband and father in law insist she has had a nightmare. However, Martin finally admits the truth when Pat fears she really is insane. Wan releases Judith again, telling her Pat is in her, Judith's, bedroom, but Judith locks her in the cell and goes after Pat. Pat runs to the lab where Tai is working, and as Pat escapes, Tai tries to stop Judith. She attacks him and he kills her in self defence. Tai releases Wan and tells her what has happened, and they rid themselves of a possible murder charge by teleporting Judith's body. But now, Tai and Wan have had enough and leave the Quebec estate.
958:
302:
two men who had worked as the
Delambres' assistants. Martin's brother Albert mans the London receiving station but wishes to terminate the teleportation project and escape the obsession that has driven his grandfather, his father and his brother. Wan and Tai, a Chinese couple who work for the Delambres in the house as well as in the lab complete the household.
297:
one night when he sees a young girl by the name of
Patricia Stanley running in her underwear. They fall in love and are soon married. However, they both hold secrets: she has recently escaped from a mental asylum; he and his father Henri are engaged in radical experiments in teleportation, which have
309:
As the police begin to close in, a mixture of callousness and madness afflicts the
Delambres, and they decide to abandon their work and eliminate the evidence of their failures. They subdue and teleport Samuels and Dill, deliberately sending them together so that upon reintegration in London the two
301:
In a rambling mansion in rural Quebec, Martin and Henri have successfully teleported people between there and London, but the previous failures resulted in horribly disfigured and insane victims who are locked up in the stables. Martin's first wife Judith is one of them, as well as
Samuels and Dill,
516:
looks very promising for a time: the first glimpses of the
Delambre laboratory and experiments, the uneasy courtship of Martin and Patricia, and their return to the quietly sinister Delambre mansion. After that, though, the rather desperately inventive script takes over, and Don Sharp can do little
317:
Inspector Ronet arrives at the estate, passing Tai and Wan as they drive away. Patricia awakens in the teleportation chamber but escapes before the transmission sequence is complete. Martin pursues her but starts aging again. Without his serum he quickly dies, sprawled across the front seat of his
313:
On their return from another interview with the police, Henri convinces Martin that they must send the unconscious
Patricia to London and then follow in order to escape from the police. Martin resists, afraid that she might be harmed, so Henri volunteers to go first. Martin sends Henri to London,
529:, with a Chinese Mrs. Danvers driving the second wife mad while the first one plays mad music in the moonlight on the piano downstairs. Unfortunately the dialogue is so banal, and the acting (with the exception of Carole Gray) so stolid, that it isn't nearly as much fun as it might have been."
305:
The police and the headmistress of the asylum trace
Patricia to the Delambre estate, where they learn that she has married Martin, but it is soon discovered that he had a previous wife whom he did not divorce. Inspector Charas, who had investigated Andre Delambre and is now an old man in the
537:
wrote: "Below-average thriller fare. ...The pseudo-scientific mumbo-jumbo is effective, but repeated too often, and there are far too many loose ends. There are, however, some moments of suspense and excitement and the three stars ... do their best with their mediocre material."
449:. Andre's invention of a teleportation device and subsequent accidental integration with a housefly remain within the backstory. However, his resultant assisted suicide is removed. Instead, his son, apparently a different character from the boy Philippe Delambre depicted in
517:
but run with the tide. Not content with mad scientists, monsters, oriental servants, and a romance between a neurotic girl and a man liable to break out all over in decomposing pustules at the slightest provocation, the script tries to cap the lot by throwing in echoes of
31:
476:
Spalding later said: "It wasn't all that bad a script. As a matter of fact, Don Sharp said the opening ten pages, where the girl is coming out of the insane asylum, was the best opening he'd ever had on film".
314:
unaware that Albert has destroyed the reintegration equipment. Henri does not rematerialize and is lost. Realizing what has happened, Albert leaves the lab, sobbing, and is not seen again.
1443:
453:, was able to put both the altered man and the altered fly back into the teleportation chamber and successfully reverse the integration, as was done with an adult Philippe in
490:
Don Sharp later said he felt the script "wasn't good enough" and that he only took the job because he had been working for a long time as a second unit director on
1358:
1378:
1343:
1348:
298:
already had horrific consequences. Martin also suffers recessive fly genes which cause him to age rapidly and he needs a serum to keep him young.
1368:
1438:
1388:
1398:
1169:
996:
285:
release. It did not receive its home video premiere until 2007, when it was released in a boxed set with the original series of films.
1418:
1393:
1249:
830:
587:
461:
contains no mention of
Philippe, although a photograph shown in the film, which is supposed to be of Andre in his altered form from
439:
does not match the continuity of the first two films, but it does build its narrative on elements and characters from those films.
1353:
783:
1413:
1373:
1363:
512:
wrote: "Beginning with a stylishly eerie pre-credit sequence of
Patricia's flight from the asylum projected in slow motion,
1428:
1383:
1333:
1239:
1049:
577:
1433:
1423:
1408:
1403:
1079:
962:
334:
99:
487:
kind of guy" and was unhappy to get Brian
Donlevy. Spalding thought this affected Don Sharp's confidence in the film.
318:
car. Soon after, Ronet finds him reduced to a skeleton, and he escorts the badly shaken Patricia back into the house.
445:
centres on Henri and Martin Delambre, identified as the son and grandson of the Andre Delambre character depicted in
1338:
1089:
938:
702:
508:
603:
1209:
1159:
1039:
989:
1109:
1099:
399:
364:
1279:
1139:
1129:
840:
823:
656:
637:
253:
1149:
519:
239:
1328:
1323:
1189:
1019:
891:
856:
721:
697:
525:
64:
1259:
982:
259:. Unlike the other films in the series it was produced in the United Kingdom. It was written by
1289:
1179:
1059:
864:
767:
583:
427:
390:
248:
79:
1269:
943:
816:
153:
69:
1229:
1069:
1029:
933:
579:
Double Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews
494:
and was desperate to direct again. Despite it, he said there were some strong sequences.
480:
415:
376:
260:
54:
1317:
1219:
370:
328:
142:
91:
675:
917:
802:
484:
127:
109:
678:(Interview). Interviewed by Teddy Darvas and Alan Lawson. London: History Project
641:
306:
hospital, tells Inspector Ronet about the Delambre family and their experiments.
1299:
1199:
726:
533:
352:
340:
236:
95:
974:
899:
466:
346:
792:
1006:
432:
404:
394:
278:
274:
243:
44:
30:
778:
397:. He used an English producer, Jack Parsons. Parsons had previously made
294:
772:
761:
418:
says he was reluctant to do it but Lippert said "you handle it, kid".
282:
797:
269:
was rarely seen for many years, as it was the only entry in the
978:
812:
808:
393:
was making in England, in order to take advantage of the
926:
910:
883:
848:
220:
212:
204:
194:
159:
149:
133:
123:
115:
105:
87:
75:
60:
50:
40:
23:
734:(3043): 18. 27 January 1966 – via ProQuest.
657:"Unsung Aussie Filmmakers: Don Sharp – A Top 25"
710:(384): 42. 1 January 1966 – via ProQuest.
492:Those Magnificent Men in Their Flying Machines
1444:English-language science fiction horror films
990:
824:
8:
550:, the film was a box office disappointment.
414:Lippert wanted to make a third "Fly" movie.
746:The British Independent Horror Film 1951-70
548:The British Independent Horror Film 1951-70
997:
983:
975:
831:
817:
809:
29:
20:
608:British Film Institute Collections Search
571:
569:
567:
565:
563:
559:
546:According to John Hamilton, writing in
389:The film was one of a series of movies
1359:American science fiction horror films
7:
1379:British science fiction horror films
273:film trilogy that did not receive a
252:(1959), as the third installment in
407:for Lippert and used them again on
1344:1960s science fiction horror films
469:from Philippe's transformation in
14:
358:Michael Graham as Albert Delambre
1170:Jules Verne's Rocket to the Moon
957:
956:
748:, Hemlock Books, 2013, p 132-136
576:Weaver, Tom (19 February 2003).
1349:American black-and-white films
674:Sharp, Don (2 November 1993).
655:Vagg, Stephen (27 July 2019).
483:said he wrote the lead for "a
361:Mary Manson as Judith Delambre
293:Martin Delambre is driving to
16:1966 British film by Don Sharp
1:
1369:British black-and-white films
1439:Films scored by Bert Shefter
1389:1960s English-language films
1399:Films directed by Don Sharp
636:(384): 42. 1 January 1966.
1460:
582:. McFarland. p. 335.
1419:Films about teleportation
1394:Films about shapeshifting
1013:
952:
703:The Monthly Film Bulletin
628:"CURSE OF THE FLY, The".
509:The Monthly Film Bulletin
35:Theatrical release poster
28:
1354:American monster movies
1160:The Brides of Fu Manchu
1040:The Adventures of Hal 5
1414:20th Century Fox films
1374:British monster movies
1110:The Devil-Ship Pirates
457:. The dialogue within
1364:American sequel films
1250:The Thirty Nine Steps
1140:Rasputin the Mad Monk
1130:The Face of Fu Manchu
630:Monthly Film Bulletin
421:Although a sequel to
403:(1964) with director
1429:1960s American films
1384:British sequel films
1334:1960s monster movies
1150:Our Man in Marrakesh
514:The Curse of the Fly
240:science-fiction film
1434:1960s British films
1424:The Fly (franchise)
1409:Mad scientist films
1404:Films set in Quebec
1190:Taste of Excitement
1090:Kiss of the Vampire
1020:The Stolen Airliner
367:as Inspector Charas
343:as Patricia Stanley
1080:It's All Happening
1005:Films directed by
805:by Dennis Schwartz
722:"Curse of the Fly"
698:"Curse of the Fly"
676:"Don Sharp Side 4"
604:"Curse of the Fly"
379:as Madame Fournier
373:as Inspector Ronet
337:as Martin Delambre
235:is a 1965 British
1339:1965 horror films
1311:
1310:
1290:Tears in the Rain
1240:The Four Feathers
1180:The Violent Enemy
1050:The Professionals
972:
971:
865:Return of the Fly
471:Return of the Fly
455:Return of the Fly
428:Return of the Fly
391:Robert L. Lippert
331:as Henri Delambre
249:Return of the Fly
228:
227:
168:January 1966
80:Robert L. Lippert
1451:
1304:
1294:
1284:
1274:
1270:What Waits Below
1264:
1254:
1244:
1234:
1224:
1214:
1204:
1194:
1184:
1174:
1164:
1154:
1144:
1134:
1124:
1120:Curse of the Fly
1114:
1104:
1094:
1084:
1074:
1064:
1054:
1044:
1034:
1024:
999:
992:
985:
976:
960:
959:
944:George Langelaan
873:Curse of the Fly
833:
826:
819:
810:
793:Curse of the Fly
785:Curse of the Fly
774:Curse of the Fly
763:Curse of the Fly
749:
742:
736:
735:
718:
712:
711:
694:
688:
687:
685:
683:
671:
665:
664:
652:
646:
645:
625:
619:
618:
616:
614:
600:
594:
593:
573:
467:production still
465:, is actually a
459:Curse of the Fly
443:Curse of the Fly
437:Curse of the Fly
409:Curse of the Fly
267:Curse of the Fly
246:and a sequel to
232:Curse of the Fly
186:
184:
175:
173:
154:20th Century Fox
70:George Langelaan
33:
24:Curse of the Fly
21:
1459:
1458:
1454:
1453:
1452:
1450:
1449:
1448:
1314:
1313:
1312:
1307:
1297:
1287:
1277:
1267:
1257:
1247:
1237:
1227:
1217:
1207:
1197:
1187:
1177:
1167:
1157:
1147:
1137:
1127:
1117:
1107:
1097:
1087:
1077:
1070:Two Guys Abroad
1067:
1057:
1047:
1037:
1030:The Golden Disc
1027:
1017:
1009:
1003:
973:
968:
948:
922:
906:
879:
849:Original series
844:
837:
758:
753:
752:
744:John Hamilton,
743:
739:
720:
719:
715:
696:
695:
691:
681:
679:
673:
672:
668:
654:
653:
649:
627:
626:
622:
612:
610:
602:
601:
597:
590:
575:
574:
561:
556:
544:
505:
500:
387:
382:
324:
291:
197:
190:
182:
180:
171:
169:
162:
145:
138:
136:
98:
94:
82:
67:
36:
17:
12:
11:
5:
1457:
1455:
1447:
1446:
1441:
1436:
1431:
1426:
1421:
1416:
1411:
1406:
1401:
1396:
1391:
1386:
1381:
1376:
1371:
1366:
1361:
1356:
1351:
1346:
1341:
1336:
1331:
1326:
1316:
1315:
1309:
1308:
1306:
1305:
1295:
1285:
1275:
1265:
1255:
1245:
1235:
1225:
1215:
1205:
1195:
1185:
1175:
1165:
1155:
1145:
1135:
1125:
1115:
1105:
1095:
1085:
1075:
1065:
1055:
1045:
1035:
1025:
1014:
1011:
1010:
1004:
1002:
1001:
994:
987:
979:
970:
969:
967:
966:
953:
950:
949:
947:
946:
941:
936:
930:
928:
924:
923:
921:
920:
914:
912:
908:
907:
905:
904:
896:
887:
885:
881:
880:
878:
877:
869:
861:
852:
850:
846:
845:
838:
836:
835:
828:
821:
813:
807:
806:
800:
789:
781:
770:
757:
756:External links
754:
751:
750:
737:
713:
689:
666:
647:
620:
595:
588:
558:
557:
555:
552:
543:
540:
504:
501:
499:
496:
481:Harry Spalding
416:Harry Spalding
386:
383:
381:
380:
377:Rachel Kempson
374:
371:Jeremy Wilkins
368:
365:Charles Carson
362:
359:
356:
350:
344:
338:
332:
325:
323:
320:
290:
287:
261:Harry Spalding
226:
225:
222:
218:
217:
214:
210:
209:
208:United Kingdom
206:
202:
201:
198:
195:
192:
191:
189:
188:
177:
165:
163:
160:
157:
156:
151:
150:Distributed by
147:
146:
141:
139:
134:
131:
130:
125:
121:
120:
117:
113:
112:
107:
106:Cinematography
103:
102:
89:
85:
84:
77:
73:
72:
62:
58:
57:
55:Harry Spalding
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1456:
1445:
1442:
1440:
1437:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1390:
1387:
1385:
1382:
1380:
1377:
1375:
1372:
1370:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1350:
1347:
1345:
1342:
1340:
1337:
1335:
1332:
1330:
1327:
1325:
1322:
1321:
1319:
1302:
1301:
1296:
1292:
1291:
1286:
1282:
1281:
1276:
1272:
1271:
1266:
1262:
1261:
1256:
1252:
1251:
1246:
1242:
1241:
1236:
1232:
1231:
1226:
1222:
1221:
1216:
1212:
1211:
1206:
1202:
1201:
1196:
1192:
1191:
1186:
1182:
1181:
1176:
1172:
1171:
1166:
1162:
1161:
1156:
1152:
1151:
1146:
1142:
1141:
1136:
1132:
1131:
1126:
1122:
1121:
1116:
1112:
1111:
1106:
1102:
1101:
1096:
1092:
1091:
1086:
1082:
1081:
1076:
1072:
1071:
1066:
1062:
1061:
1056:
1052:
1051:
1046:
1042:
1041:
1036:
1032:
1031:
1026:
1022:
1021:
1016:
1015:
1012:
1008:
1000:
995:
993:
988:
986:
981:
980:
977:
965:
964:
955:
954:
951:
945:
942:
940:
937:
935:
932:
931:
929:
925:
919:
916:
915:
913:
909:
902:
901:
897:
894:
893:
889:
888:
886:
884:Remake series
882:
875:
874:
870:
867:
866:
862:
859:
858:
854:
853:
851:
847:
843:
842:
834:
829:
827:
822:
820:
815:
814:
811:
804:
801:
799:
795:
794:
790:
787:
786:
782:
780:
776:
775:
771:
769:
765:
764:
760:
759:
755:
747:
741:
738:
733:
729:
728:
723:
717:
714:
709:
705:
704:
699:
693:
690:
677:
670:
667:
662:
658:
651:
648:
643:
639:
635:
631:
624:
621:
609:
605:
599:
596:
591:
589:9780786482153
585:
581:
580:
572:
570:
568:
566:
564:
560:
553:
551:
549:
541:
539:
536:
535:
530:
528:
527:
522:
521:
515:
511:
510:
502:
497:
495:
493:
488:
486:
482:
478:
474:
472:
468:
464:
460:
456:
452:
448:
444:
440:
438:
434:
430:
429:
424:
419:
417:
412:
410:
406:
402:
401:
396:
392:
384:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
336:
333:
330:
329:Brian Donlevy
327:
326:
321:
319:
315:
311:
307:
303:
299:
296:
288:
286:
284:
280:
276:
272:
268:
264:
262:
258:
256:
251:
250:
245:
241:
238:
234:
233:
223:
219:
215:
211:
207:
203:
199:
193:
179:May 1965
178:
167:
166:
164:
161:Release dates
158:
155:
152:
148:
144:
143:Lippert Films
140:
132:
129:
126:
122:
119:Robert Winter
118:
114:
111:
108:
104:
101:
97:
93:
92:Brian Donlevy
90:
86:
81:
78:
74:
71:
66:
63:
59:
56:
53:
49:
46:
43:
39:
32:
27:
22:
19:
1298:
1288:
1278:
1268:
1258:
1248:
1238:
1228:
1218:
1208:
1198:
1188:
1178:
1168:
1158:
1148:
1138:
1128:
1119:
1118:
1108:
1098:
1088:
1078:
1068:
1058:
1048:
1038:
1028:
1018:
961:
918:Seth Brundle
898:
890:
872:
871:
863:
855:
839:
791:
784:
773:
762:
745:
740:
731:
725:
716:
707:
701:
692:
680:. Retrieved
669:
660:
650:
633:
629:
623:
611:. Retrieved
607:
598:
578:
547:
545:
532:
531:
524:
518:
513:
507:
506:
491:
489:
485:Claude Rains
479:
475:
470:
462:
458:
454:
450:
446:
442:
441:
436:
426:
422:
420:
413:
408:
398:
388:
335:George Baker
316:
312:
308:
304:
300:
292:
270:
266:
265:
254:
247:
242:directed by
231:
230:
229:
196:Running time
128:Bert Shefter
110:Basil Emmott
100:George Baker
83:Jack Parsons
18:
1300:Act of Will
1260:Bear Island
1210:Dark Places
1200:Psychomania
939:Short story
727:Kine Weekly
534:Kine Weekly
353:Yvette Rees
341:Carole Gray
257:film series
187: (U.S.)
96:Carole Gray
76:Produced by
41:Directed by
1329:1965 films
1324:1966 films
1318:Categories
1100:Witchcraft
911:Characters
900:The Fly II
642:1305825739
554:References
542:Box office
400:Witchcraft
385:Production
347:Burt Kwouk
200:86 minutes
135:Production
51:Written by
1007:Don Sharp
498:Reception
435:used for
433:backstory
405:Don Sharp
395:Eady Levy
279:laserdisc
275:videotape
244:Don Sharp
176: (UK)
116:Edited by
45:Don Sharp
1280:Tusitala
1230:Hennessy
963:Category
779:AllMovie
638:ProQuest
520:Gaslight
503:Critical
295:Montreal
224:$ 90,000
213:Language
124:Music by
88:Starring
61:Based on
1293:(1988)
892:The Fly
857:The Fly
841:The Fly
682:14 July
661:Filmink
526:Rebecca
463:The Fly
451:The Fly
447:The Fly
423:The Fly
255:The Fly
216:English
205:Country
183:1965-05
181: (
172:1966-01
170: (
137:company
65:The Fly
1303:(1989)
1283:(1986)
1273:(1985)
1263:(1979)
1253:(1978)
1243:(1978)
1233:(1975)
1223:(1974)
1220:Callan
1213:(1973)
1203:(1973)
1193:(1970)
1183:(1969)
1173:(1967)
1163:(1966)
1153:(1966)
1143:(1966)
1133:(1965)
1123:(1965)
1113:(1964)
1103:(1964)
1093:(1963)
1083:(1963)
1073:(1962)
1063:(1960)
1053:(1960)
1043:(1958)
1033:(1958)
1023:(1955)
903:(1989)
895:(1986)
876:(1965)
868:(1959)
860:(1958)
803:Review
788:at BFI
640:
613:11 May
586:
431:, the
355:as Wan
349:as Tai
283:online
237:horror
221:Budget
1060:Linda
934:Opera
927:Other
798:TCMDB
768:IMDb
684:2021
615:2024
584:ISBN
523:and
425:and
322:Cast
289:Plot
796:at
777:at
766:at
732:583
281:or
271:Fly
68:by
1320::
730:.
724:.
708:33
706:.
700:.
659:.
634:33
632:.
606:.
562:^
473:.
411:.
277:,
263:.
998:e
991:t
984:v
832:e
825:t
818:v
686:.
663:.
644:.
617:.
592:.
185:)
174:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.