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266:. The architect Branislav Kojić won the first prize at the competition, the second one won the architect Milan Zloković and the third won the architect Мihailo Radovanović. After the competition, the Belgrade Municipality decides to concede the building plot to the association, yet not in the site next to the Konak, but in Little Kalemegdan. Due to this change, Branislav Kojić had to change the awarded design in order to harmonize it with the new circumstances, since his design was related to the Konak. Something completely different, contemporary and modern, was expected from Kojić.
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were emphasized, but the windows are not accentuated. Ionian columns at the expected place at the entrance are kind of unusual. The elements of the classic architecture were incorporated in a completely new architectural concept. All of that indicates that the author found inspiration in popular art deco architecture. In 1936, the fountain was built in front of the pavilion. Named the "Awakening" and sculptured by
337:, Petar Palavičini, Тоma Rosandić and others. Among the first manifestations held in the pavilion was the Salon of Architecture, the exhibition prepared by newly founded Group of Architect of Modern Movement. At the time of erection, the artistic pavilion was the only cultural edifice built purposely as an exhibition space, and had such a huge impact on the cultural life of
395:, it is in the form of the naked female figure, standing on the pedestal between the pigeons, with water streams pouring from their beaks. Until the big reconstruction of the Pavilion in the 1930s, above the main door there was the allegoric representation of the art, done in the stained glass technique, the work of the painter
226:, since the space specially intended for this kind of concept and content did not exist. With the aim of collecting donations for the construction of the art pavilion, in February 1923, the ball called “Thousand and Second Night” was organized in the Hotel "Kasina" by Nušić. The rich individuals, such as
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visited the exhibition, along with the other members of the
Architects Club. The great impression that the exhibition had on him, can easily be noticed in the architecture of the pavilion. The building is indented in volume, with flat surfaces on the facades, without rich ornamentation. The cornices
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addressed the guests, thanking everyone for their donations. The first "Autumn
Exhibition" of Belgrade painters and sculptors was opened on 30 December 1928. Proper exhibition season began in 1929. Every exhibition was starting at Sundays, at 11:00. On average, there were 18 exhibitions per year.
345:. At one point, the general rule in the artistic circled was that a painter doesn't deserve any attention, unless some of his works have been exhibited in the pavilion, at least as a part of a group exhibition. Nowadays, the building is the site of the Association of the Fine artists of Serbia.
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trees were planted in the green area in front of the pavilion on 23 September 2020. They were the first palms planted in
Belgrade's public green area. Authorities said the palms will survive the weather as the Belgrade's climate is getting warmer due to the climate change.
286:, with signatures of the members of the association (all female), was built into the foundations. The charter was placed in the bottle filled with oil which was then placed in a tin box. The foundations were consecrated by the Bishop of Timok,
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female poet and art admirer from the 16th century. The association suggested construction of the pavilion in
Belgrade, exclusively for the exhibition of works of art. Till that time, these were exhibited in Gymnasium halls and gala hall of
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At the time of the construction of the object, art deco style was very topical in the
European architecture, as an echo of the Paris exhibition held in 1925, called Exposition Internationale des Arts Décoratifs et Industriels Modernes.
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Two years later, at the end of 1925, the Art
Division of the Ministry of Education announced the competition for the construction of the new exhibition space. The pavilion should have been erected the immediate vicinity of
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A combined artistic-documentary exhibition "Historical moments from the life of the Art
Pavilion Cvijeta Zuzorić 1928-1945", from December 2018 to January 2019, marked the 90th anniversary of the gallery.
341:, that it was identified with the artistic life and artistic events of that time. It also played an important role on spreading the artistic culture and maintaining the artistic life in Serbia during the
213:, painter Branko Popović and writer Todor Manojlović, he threw in the conversation an idea of forming an artistic female society and construction of an art pavilion. The association of Friends of Art "
254:. The association continued with the organization of charity balls, tea parties and lotteries. The events continued to have fairytale themes like “Midwinter's night dream”, “Golden age”, “Wedding in
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The building was declared a cultural monument in 1973. (The
Decision of the Cultural Heritage Protection Institute of the City of Belgrade no. 68/3, from 22 February 1973)
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Dragan Perić (25 March 2018). "Политикин времеплов - Било једном јеѕеро на Калемегдану" [Politika's chronicles - Once upon a time there was a lake in
Kalemegdan].
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Miloš Lazić (16 December 2018). "Политикин времеплов - Јубилеј павиљона на Калемегдану" [Politika chronicles - Jubilee of the
Kalemegdnan pavilion].
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and the representatives of the Academy, government, Belgrade Municipality, University etc. Sculptor
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Some of the most important names of Belgrade artistic scene appeared at the exhibition, such as
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Area at the top of the Little Kalemegdan, which is occupied by the pavilion today, was an open
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architectural style. It was the first venue built specifically as an exhibition space, or an
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The Artistic Pavilion is opening today, Politika, 23 December 1925. The archive of Politika
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The Artisti Pavilion „Cvijeta Zuzorić“, Politika, 26 January 1925. The archive of Politika.
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For the Artistic Pavilion in Belgrade, Politika, 1 November 1925. The archive of Politika
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579:"Politika", 24 December 1928. p. 6. digitalna.nb.rs (retrieved on 26 September 2015.)
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Zavod za zaštitu spomenika kulture Beograd/Umetnički paviljon „Cvijeta Zuzorić“
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The foundation stone was laid on 6 November 1927. A charter written in the
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Artistic pavilion, Politika, 14 December 1927. The archive of Politika
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The pavilion was opened on 23 December 1928 in the presence of
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for a long time. Tents were placed, with numerous attractions:
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Drawing of the Pavilion by architect Branislav Kojić
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488:[Nine decades of "Cvijeta Zuzorić"].
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454:"Cvijeta Zuzorić" u decembru u starom sjaju"
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693:Buildings and structures in Belgrade
143:Umetnički paviljon "Cvijeta Zuzorić"
593:[Six palms in Kalemegdan].
138:Уметнички павиљон "Цвијета Зузорић"
365:After the design of the architect
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16:Art pavilion in Belgrade, Serbia
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688:Protected Monuments of Culture
130:„Cvijeta Zuzorić“ Art Pavilion
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533:(in Serbian). pp. 27–29.
264:Princess Ljubica's Residence
22:Cvijeta Zuzorić Art Pavilion
591:"Šest palmi na Kalemegdanu"
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207:Ministry of Education
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83:Construction started
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40:General information
634:2021-02-06 at the
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58:art pavilion
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343:Interbellum
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164:art gallery
682:Categories
655:20°27′14″E
652:44°49′21″N
423:References
403:Protection
256:Skadarlija
185:panoptikum
181:fairground
152:Kalemegdan
238:and king
219:Dubrovnik
632:Archived
595:Politika
490:Politika
459:Politika
411:See also
339:Belgrade
305:Pavilion
197:Voždovac
160:Art Deco
148:Belgrade
67:Belgrade
63:Location
258:, etc.
170:History
134:Serbian
112:Website
91:Opening
73:Country
250:, and
189:okular
175:Origin
77:Serbia
45:Status
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