22:
164:
became important; the name is misleading as it actually originated from Paros. This style shows a strong
Corinthian influence and is characterised by daring ornamental and figural compositions covering the whole vase body. The workshop is best known for its broad and tall grave
132:
became dominant. Once that had happened, floral and other ornaments became very popular. There was experimentation with polychrome effects (adding red and white paint), and to a more limited extent with figural motifs (animals and humans). Influences came from
160:. It is not clear where their production centre or centres were located, scholarly discussion revolves around Paros, Naxos and some smaller islands. Later, the so-called
51:
254:
124:
that had developed their own stylistic forms in terms of material, vase shapes, and ornamental decoration. This was followed by a considerable duration of the
672:
667:
472:
247:
208:
73:
398:
148:
In the early 7th century BC, several highly innovative groups of potters/painters were active in the
Cyclades. These were the
240:
34:
593:
44:
38:
30:
184:
626:
442:
389:
263:
55:
429:
419:
138:
490:
282:
101:
563:
545:
523:
480:
414:
287:
153:
500:
485:
447:
409:
353:
125:
631:
452:
384:
368:
358:
307:
157:
437:
129:
105:
90:
394:
325:
277:
161:
315:
641:
611:
292:
204:
149:
462:
457:
297:
170:
142:
531:
219:
196:
661:
553:
513:
363:
606:
571:
508:
333:
636:
232:
179:
646:
94:
166:
174:
134:
121:
117:
113:
109:
108:. In the late Geometric phase, there is evidence for workshops on
141:, rather than from the actual centre of the orientalising style,
236:
15:
619:
600:
584:
562:
544:
522:
499:
471:
428:
377:
346:
324:
306:
270:
229:, In: Der Neue Pauly, Vol. 9 (2000), cols. 23-26
43:but its sources remain unclear because it lacks
100:Especially in its early and middle phases, the
248:
8:
104:of the Cyclades was strongly influenced by
496:
425:
303:
255:
241:
233:
203:. Theiss, Stuttgart 2002, p. 80f., 88-90.
201:Griechische Vasenmalerei. Eine Einführung
74:Learn how and when to remove this message
7:
673:Ancient Greek vase-painting styles
187:, in relatively small quantities.
14:
668:Ancient Greece in art and culture
20:
227:Orientalisierende Vasenmalerei
222:, vol. 4 (1998), cols. 935-938
1:
594:List of Greek vase painters
264:Ancient Greek vase painting
130:Orientalising vase painting
689:
169:, painted with polychrome
627:Corpus vasorum antiquorum
216:Geometrische Vasenmalerei
89:was a regional style of
29:This article includes a
102:Geometric vase painting
58:more precise citations.
185:black-figure technique
87:Cycladic vase painting
632:East Greek Bird Bowl
154:Linear Island Group
106:Attic vase painting
91:Greek vase painting
378:Stylistic regions
278:Three-phase firing
225:Johannes Schwind:
214:Gerald P. Schaus:
126:Subgeometric style
93:, produced in the
31:list of references
655:
654:
642:Kalos inscription
612:Adolf Furtwangler
580:
579:
540:
539:
399:Pseudo-Chalkidian
347:Stylistic periods
342:
341:
293:Black-glazed Ware
84:
83:
76:
680:
497:
426:
304:
257:
250:
243:
234:
95:Cycladic islands
79:
72:
68:
65:
59:
54:this article by
45:inline citations
24:
23:
16:
688:
687:
683:
682:
681:
679:
678:
677:
658:
657:
656:
651:
615:
596:
576:
558:
536:
518:
495:
467:
463:Caeretan hydria
424:
373:
338:
320:
302:
298:West Slope Ware
266:
261:
193:
173:scenes. Later,
80:
69:
63:
60:
49:
35:related reading
25:
21:
12:
11:
5:
686:
684:
676:
675:
670:
660:
659:
653:
652:
650:
649:
644:
639:
634:
629:
623:
621:
620:Special topics
617:
616:
614:
609:
604:
602:
598:
597:
592:
590:
589:
588:
582:
581:
578:
577:
575:
574:
568:
566:
560:
559:
557:
556:
550:
548:
542:
541:
538:
537:
535:
534:
532:Centuripe ware
528:
526:
520:
519:
517:
516:
511:
505:
503:
494:
493:
488:
483:
477:
475:
469:
468:
466:
465:
460:
455:
450:
445:
440:
434:
432:
423:
422:
417:
412:
407:
402:
392:
387:
381:
379:
375:
374:
372:
371:
366:
361:
359:Protogeometric
356:
350:
348:
344:
343:
340:
339:
337:
336:
330:
328:
322:
321:
319:
318:
312:
310:
301:
300:
295:
290:
285:
280:
274:
272:
268:
267:
262:
260:
259:
252:
245:
237:
231:
230:
223:
220:Der Neue Pauly
212:
197:Thomas Mannack
192:
189:
158:Heraldic Group
82:
81:
39:external links
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
685:
674:
671:
669:
666:
665:
663:
648:
645:
643:
640:
638:
635:
633:
630:
628:
625:
624:
622:
618:
613:
610:
608:
605:
603:
599:
595:
591:
587:
586:
583:
573:
570:
569:
567:
565:
561:
555:
554:Kabiria Group
552:
551:
549:
547:
543:
533:
530:
529:
527:
525:
521:
515:
514:Gnathia vases
512:
510:
507:
506:
504:
502:
498:
492:
489:
487:
484:
482:
479:
478:
476:
474:
473:South Italian
470:
464:
461:
459:
456:
454:
451:
449:
446:
444:
441:
439:
436:
435:
433:
431:
427:
421:
418:
416:
413:
411:
408:
406:
403:
400:
396:
393:
391:
388:
386:
383:
382:
380:
376:
370:
369:Orientalizing
367:
365:
362:
360:
357:
355:
354:Sub-Mycenaean
352:
351:
349:
345:
335:
332:
331:
329:
327:
323:
317:
314:
313:
311:
309:
305:
299:
296:
294:
291:
289:
286:
284:
281:
279:
276:
275:
273:
269:
265:
258:
253:
251:
246:
244:
239:
238:
235:
228:
224:
221:
217:
213:
210:
209:3-8062-1743-2
206:
202:
198:
195:
194:
190:
188:
186:
182:
181:
176:
172:
168:
163:
159:
155:
151:
146:
144:
140:
136:
131:
127:
123:
119:
115:
111:
107:
103:
98:
96:
92:
88:
78:
75:
67:
57:
53:
47:
46:
40:
36:
32:
27:
18:
17:
607:John Beazley
572:Pontic Group
509:Canosa vases
404:
308:Black-figure
288:White-ground
226:
215:
200:
191:Bibliography
178:
171:mythological
162:Melian Style
147:
99:
86:
85:
70:
64:October 2011
61:
50:Please help
42:
443:Klazomenian
139:East Greece
56:introducing
662:Categories
637:Hadra vase
430:East Greek
420:Thessalian
395:Chalkidian
326:Red-figure
271:Techniques
647:Name vase
585:Painters
491:Campanian
458:Wild Goat
364:Geometric
283:Bilingual
180:alabastra
177:produced
128:, before
601:Scholars
564:Etruscan
546:Boeotian
524:Sicilian
481:Lucanian
415:Laconian
405:Cycladic
167:amphorae
156:and the
150:Ad Group
501:Apulian
486:Paestan
448:Rhodian
410:Euboean
183:in the
143:Corinth
52:improve
453:Samian
385:Argive
218:, In:
207:
175:Andros
135:Attica
438:Ionic
390:Attic
334:Kerch
316:Six's
122:Melos
118:Paros
114:Thera
110:Naxos
37:, or
205:ISBN
152:the
137:and
120:and
145:.
97:.
664::
199::
116:,
112:,
41:,
33:,
401:)
397:(
256:e
249:t
242:v
211:.
77:)
71:(
66:)
62:(
48:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.