2210:, sex difference and race. For instance, a description of the concept described it as a struggle to be aware of the impact of new technologies on the lives of women as well as the so-called insidious gendering of technoculture in everyday life. It also sees technology as a means to link the body with machines. This is demonstrated in the way cyberfeminism—as maintained by theorists such as Barbara Kennedy—is said to define a specific cyborgian consciousness concept, which denotes a way of thinking that breaks down binary and oppositional discourses. There is also the case of the renegotiation of the
2115:, as one that coagulated and sparked in the reject-outsider mutiny, trauma-jouissance and fast hard beat of queer punk. It found visible existence and a manifesto, through VNS Matrix in the (typical) Adelaide heat wave of 1991…Cyberfeminism, as blurred edge range, entangles carnality with code; machines, blood and bad language; poetry and disdain; executables, theft and creative fabrication. It incites and follows lines of flight powered by contradiction, relatedness, transgression, and misbehaviour. It simultaneously embraces logic and unreason, giving the finger to binaries as it ravishes them."
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struggle must continue until currently racialized characteristics are no more a basis of discrimination than the color of one's eyes. Ultimately, every emancipatory abolitionism must incline towards the horizon of class abolitionism, since it is in capitalism where we encounter oppression in its transparent, denaturalized form: you're not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited.
2180:. A myth is a story of unidentifiable origin, or of different origins. A myth is based on one central story which is retold over and over in different variations. A myth denies one history as well as one truth, and implies a search for truth in the spaces, in the differences between the different stories. Speaking about Cyberfeminism as a myth, is not intended to mystify it, it simply indicates that Cyberfeminism only exists in plural.
2279:</ref> Cyberfeminism is not just the subject matter, but is the approach taken to examine subject matter. For example: Cyberfeminism can be a critique of equality in cyberspace, challenge the gender stereotype in cyberspace, examine the gender relationship in cyberspace, examine the collaboration between humans and technology, examine the relationship between women and technology and more.
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2398:(1991). Haraway's essay states that cyborgs are able to transcend the public and private spheres, but they do not have the ability to identify with their origins or with nature in order to develop a sense of understanding through differences between self and others. Haraway had ideals based on making individuals androgynous, and wanted society to move beyond biology by improving technology.
2593:. This means that the movement contradicts naturalist ideals that state that there are only two genders and aims toward the abolition of the "binary gender system". Xenofeminism differs from cyberfeminism because while it has similar ideals, it is inclusive to the queer and transgender communities. The manifesto states:
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enacted in her queer identity through memory. The story is written as a reflection diary of the interconnected memories of childhood, adolescence, and adulthood. It consists of an associated multi-modal collection of nodes includes linked text, still and moving images, manipulable images, animations,
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argues that cyberfeminism in the 21st century has taken many new forms and focuses on the different aspects of women's participation online. It also includes the promotion of feminist ideals on more modernized technology. This included the emergence of several feminist blogs. They find cyberfeminists
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One of the major critiques of cyberfeminism, especially as it was in its heyday in the 1990s, was that it required economic privilege to get online: "By all means let have access to the
Internet, just as all of us have it—like chocolate cake or AIDS," writes activist Annapurna Mamidipudi. "Just let
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Cyberfeminism arose partly as a reaction to "the pessimism of the 1980s feminist approaches that stressed the inherently masculine nature of techno-science", a counter-movement against the 'toys for boys' perception of new
Internet technologies. According to a text published by Trevor Scott Milford,
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much more viewed
Cyberfeminism as a project which sought to uncover the history linking femininity and technology and how traits which were feminine were both useful to technology while still being in the same historical position as technology, objectified and to serve the ends of men, but for Plant
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devised a performance of the bed-sheet-flag, unfurling ribbons of quotes from the stains of their sisterhood kin: "A genealogical record, it bears smears and stains from productive encounters, convergences and brush pasts. The sheet has been endlessly folded, scrunched, wrung out or smoothed flat in
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Many young amateur critiques of cyberfeminism have focused on its lack of intersectional focus, its utopian vision of cyberspace, but instead of encouraging cyberstalking and cyber-abuse, which often seems to portray a gamergate style whiteness and elite community building this is very far from the
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Xenofeminism is gender-abolitionist. 'Gender abolitionism' is shorthand for the ambition to construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power. 'Race abolitionism' expands into a similar formula – that the
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counter the lack of women's work presented at international festivals. Faces-l was created as a means for the artists, curators, DJs, designers, activists, programmers, and technologists to meet at festivals to share their work and discuss gender and media with an international community of women.
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The practice of cyberfeminist art is inextricably intertwined with cyberfeminist theory. The 100 anti-theses make clear that cyberfeminism is not just about theory, while theory is extremely important, cyberfeminism requires participation. As one member of the cyberfeminist collective the Old Boys
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The decline in the volume of cyberfeminist literature in early 2010s would suggest that cyberfeminism has somewhat lost momentum as a movement; however, it's explosion in terms of artists and artworks, not only is cyberfeminism still taking place, but its artistic and theoretical contribution has
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has been named as a precursor to
Haraway's work in cyberfeminism. Firestone's work focuses reproductive technology and advancing it to eliminate the connection of the feminine identity being connected to childbirth. Firestone believed that gender inequality and oppression against women could be
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FACES – The FACES-l.net mailing list started in the spring of 1997 partly out of a series of concurrent dinner conversations known as the Face
Settings Project. The initial goal of the project was to bring together women working at the intersections of art and media to share their work and to
2585:, the collective argues against nature as desirable and immutable in favor of a future where gender is dislodged from power and in which feminism destabilizes and uses the master's tools for its own rebuilding of life. The movement has three main characteristics: it is techno-materialist,
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argued: "If feminism is to be adequate to its cyberpotential then it must mutate to keep up with the shifting complexities of social realities and life conditions as they are changed by the profound impact communications technologies and techno science have on all our lives. It is up to
2108:. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general.
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While there are writing on black cyberfeminism which argue that not only is race not absent in our use of the internet, but race is a key component in how we interact with the internet. However, women of colour generally do not associate with cyberfeminism, and rather re-frame
2323:(1991). Haraway's essay states that cyborgs are able to transcend the public and private spheres, but they do not have the ability to identify with their origins or with nature in order to develop a sense of understanding through differences between self and others.
2462:, the first Cyberfeminist International, organized by the Old Boys Network in Germany, in 1997, refused to define the school of thought, but drafted the "100 Anti-Theses of Cyberfeminism" instead. Guertin says that cyberfeminism is a celebration of
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Authors
Hawthorne and Klein explain the different analyses of cyberfeminism in their book: "Just as there are liberal, socialist, radical and postmodern feminists, so too one finds these positions reflected in the interpretations of cyberfeminism."
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cyberfeminists to use feminist theoretical insights and strategic tools and join them with cybertechniques to battle the very real sexism, racism, and militarism encoded in the software and hardware of the Net, thus politicizing this environment."
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spawning, connecting and adulterating across feminist time and creative persuasions." Initially Dement mapped a non-linear terrain of punk, cyberfeminism, rebellious aberration and corporeal digital transgression as a rumpled unclean bedsheet.
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An important part of the generation of cyberfeminist theory and critique was the emergence of a few critical listserves that served as the basis for the organization of three international cyberfeminist events and several major publications.
2581:, or the movement that incorporates technology into the abolition of gender, is a concept that is intersectional to cyberfeminism. It is an offshoot of cyberfeminism established by the feminist collective Laboria Cuboniks. In its manifesto,
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created the foundation for many cyberfeminist activities. In her book, Firestone explores the possibility of using technology to eliminate sexism by freeing women from their obligation to carry children in order to create a
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solved if the roles around reproduction did not exist. Both
Firestone and Haraway had ideals based on making individuals androgynous, and both women wanted society to move beyond biology by improving technology.
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this is where the future leads, towards technology and the abandoning of man, while women and technology go hand in hand escaping "the meat" for Plant by making "the meat" and "the mind" the same.
2741:. Orphan Drift (1994-2003) were a 4.5 person collective experimenting with writing, art, music and the internet's potential "treating information as matter and the image as a unit of contagion."
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Cyberfeminism is an alliance that seeks awareness to defy any sort of boundaries of identity and definition be truly postmodern in its potential for radical openness. This is seen with the 1997
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in 1991; they used the term cyberfeminist to label their radical feminist acts "to insert women, bodily fluids and political consciousness into electronic spaces." That same year, British
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The first use of the term cyberfeminist has been attributed to
Australian artists and art collectives. The inception of the cyberfeminist art movement is described by one of its pioneers
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2498:, explored the ways that gender and race by combining performance art, video art, and with the then-emerging technologies of interactive websites, digital graphics, and streaming media.
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a label for women—especially young women who might not even want to align with feminism's history—not just to consume new technologies but to actively participate in their making;
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another contributor to the rise of cyberfeminism was the lack of female discourse and participation online concerning topics that were impacting women. As cyberfeminist artist
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it not be pushed down their throats as 'empowering.' Otherwise this too will go the way of all imposed technology and achieve the exact opposite of what it purports to do."
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defines cyberfeminism: "In 1991, in a cozy
Australian city called Adelaide, four bored girls decided to have some fun with art and French Feminist theory... with homage to
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2757:– More broadly situated in new media theory, the nettime listserve became a site for the discussion, performance, and arbitration of cyberfeminist theory in 1997.
2686:'s 1998 work Bindigirl, a satirical Asian porn website that examines the intersection of racialized gender, sexuality, and religion online; Murthy's 2000 project
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critique of the alleged erasure of women within discussions of technology. Although the cyberfeminists _in the know_ will always take time to explain that it was
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Rosser, Sue V. (2006), "Using the lenses of feminist theories to focus on women and technology", in Rosser, Sue V.; Fox, Mary Frank; Johnson, Deborah G. (eds.),
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in which the artist has collected quotes and images from women over the world and displayed them in an interactive browser based format, and Regina Pinto's
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Reiche, Claudia (2002), "Disagreement with
Cornelia Sollfrank's 'The final truth about cyberfeminism'", in von Oldenburg, Helene; Reiche, Claudia (eds.),
2379:. In many ways, this can be seen as a precursor to cyberfeminism because it questions the role that technology should play in dismantling the patriarchy.
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in the new world order of flowing pancapitalism". Cyberfeminism also has strong connections with the DIY feminism movement, as noted in the seminal text
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Network writes, cyberfeminism is "linked to aesthetic and ironic strategies as intrinsic tools within the growing importance of design and
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was devoted to sexuality and cyberspace. It was a compendium of essays on cybersex, online stalking, fetal imaging, and going digital in
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in women's blogging networks and their conferences, in women's gaming, in fandom, in social media, in online mothers' groups performing
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chose cyberfeminism to describe her recipe for defining the feminizing influence of technology on western society and its inhabitants.
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a hypertext CD-ROM that incorporates images of women's body parts and remixes them to create new monstrous yet beautiful shapes;
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Mauro-Flude, Nancy (2021). "Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century".
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Around the late 1990s several cyberfeminist artists and theorists gained a measure of recognition for their works, including
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which was the first Internet based artwork to be commissioned and collected by the Guggenheim. A later work of Cheang's,
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Morris, Susana M. (2013). "Black Girls Are from the Future: Afrofuturist Feminism in Octavia E. Butler's Fledgling".
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Sollfrank, Cornelia (2002), "The final truth about cyberfeminism", in von Oldenburg, Helene; Reiche, Claudia (eds.),
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Everett, Anna (Autumn 2004). "On cyberfeminism and cyberwomanism: high-tech mediations of feminism's discontents".
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Olszanowski, Magdalena (2014-04-03). "Feminist Self-Imaging and Instagram: Tactics of Circumventing Sensorship".
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a critical engagement with new technologies and their entanglement with power structures and systemic oppression.
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Couey, Anna (2003). "Restructuring Power: Telecommunications Works Produced by Women". In Malloy, Judy (ed.).
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eGirls, eCitizens: Putting Technology, Theory and Policy into Dialogue with Girls' and Young Women's Voices
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Rosser, Sue V. (2005). "Through the lenses of feminist theory: focus on women and information technology".
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3971:"Black Cyberfeminism: Ways Forward for Classification Situations, Intersectionality and Digital Sociology"
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which lists the 100 ways "cyberfeminism is not." Cornelia Sollfrank from the Old Boys Network states that:
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Hawthorne, Susan; Klein, Renate D. (1999), "Introduction", in Hawthorne, Susan; Klein, Renate D. (eds.),
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The foundational catalyst for the formation of cyberfeminist thought is often attributed by Europeans to
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a work of web-based multimedia art that explores the relationship between humans and infectious agents;
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4653:"World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality"
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In the late 1990s and early 2000s, cyberfeminist theorists and artists incorporated insights from
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Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century
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Usage of the term cyberfeminism has faded away after the millennium, partly as a result of the
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A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
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A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
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The term cyberfeminism was first used around 1991 by both the English cultural theoretician
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In Adelaide, Australia, a four-person collective called VNS Matrix wrote the Cyberfeminist
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about the intersection of gender and race, inspired by thinkers such as Donna Haraway and
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cyberfem – feminismos en el escenario electronico / espai d'art contemporani de Castello
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Very cyberfeminist international reader: OBN Conference, Hamburg, December 13-16, 2001
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Very cyberfeminist international reader: OBN Conference, Hamburg, December 13–16, 2001
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who seeded the ground in "Zeros and Ones, Digital Women and the New Technoculture"
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Further Adventures of The Dialectic of Sex: Critical Essays on Shulamith Firestone
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Seduced & Abandoned: The Body in the Virtual World - The Feminine Cyberspace
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Sadie Plant used the term to describe definition of the feminizing influence of
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The most radical gesture: the Situationist International in a postmodern age
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was published; it includes the essay "Cyberfeminism: Networking the Net" by
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Gilbert, Pamela (January 1996). "On sex, cyberspace, and being stalked".
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2704:(2001), is a sci-fi pornographic film that imagines a cybersexual post-
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2390:
was the inspiration and genesis for cyberfeminism with her 1985 essay "
2265:
740:
4652:
3831:
3618:
Cybersexualities: a reader on feminist theory, cyborgs, and cyberspace
2315:
as the inspiration and genesis for cyberfeminism with her 1985 essay "
2700:
2207:
2199:
4709:
3099:
4833:
4978:
2654:. Some of the better-known examples of cyberfeminist work include
3859:
Sisterhood is forever: the women's anthology for a new millennium
2504:
Sisterhood Is Forever: The Women's Anthology for a New Millennium
2177:
5000:
4973:
4952:
4889:
Siberfeminizm: Siborg Beden ve Siber Kimlikte Cinsiyetin Durumu
2708:
universe, where sexual encounters with feminine, shapeshifting
2202:
view of cyberspace and the Internet as a means of freedom from
4892:(1 ed.). Istanbul: Urzeni Publishing House. p. 298.
4571:
4281:"Talking Race and Cyberspace: An Interview with Lisa Nakamura"
2712:
are distilled and collected for resale, and ultimately reuse.
3611:
3609:
2975:"A Cyberfeminist Manifesto for the 21st Century ⁄ VNS Matrix"
4943:
Faith Wilding's essay 'Where is Feminism in Cyberfeminism?'
4851:"Rethinking cyberfeminism(s): race, gender, and embodiment"
3927:"Rethinking Cyberfeminism(s): Race, Gender, and Embodiment"
2248:
they began to play around with the idea of cyberfeminism."
3555:
Milford, Trevor Scott (2015). "Revisiting Cyberfeminism".
3332:. Cambridge, UK: Cambridge University Press. p. 327.
2724:
is set in three time periods of the protagonist exploring
2527:
that bruised the utopian bent of much of digital culture.
3492:, Urbana: University of Illinois Press, pp. 13–46,
3154:. Constant Association for Media and Art. Archived from
3030:
Figures of fantasy: internet, women & cyberdiscourse
2646:
their Cyberfeminist Manifesto for the 21st century, and
2609:
Postgenderism § Criticism and claims of transphobia
2345:. Cyberfeminism also has a relationship to the field of
3970:
3056:
Zeros and Ones, Digital Women and the New Technoculture
2221:
In "Cyberfeminist Bed Sheet Flown as a Flag" (2018–19)
4374:
2371:
The Dialectic of Sex: The Case for Feminist Revolution
2330:
The Dialectic of Sex: The Case for Feminist Revolution
4246:
Women & Performance: A Journal of Feminist Theory
3719:
Halbert, Debora (2004-01-01). "Shulamith Firestone".
3654:
Halbert, Debora (2007-02-17). "Shulamith Firestone".
2898:
The Multimedia Encyclopedia of Women in Today's World
2887:
2885:
2396:
Simians, Cyborgs and Women: The Reinvention of Nature
2321:
Simians, Cyborgs and Women: The Reinvention of Nature
5261:
Heresies: A Feminist Publication on Art and Politics
4581:
document of the project is hosted by Turbulence.org.
4516:"Monstrous agents: cyberfeminist media and activism"
3692:
Cyberfeminism: Connectivity, Critique and Creativity
3405:
Cyberfeminism: connectivity, critique and creativity
2096:
approach which foregrounds the relationship between
5463:
5327:
5286:
5252:
5234:
5183:
5086:
5057:
4521:
Ada: A Journal of Gender, New Media, and Technology
3832:
Bindigirl - Rhizome.org Interview with Prema Murthy
2900:(2 ed.), SAGE Publications, pp. 430–433,
3856:
4963:Girls' Online Agency: A Cyberfeminist Exploration
4953:Website of SubRosa, Faith Wilding and Hyla Willis
3821:Shu Lea Cheang on Brandon - Rhizome.org interview
2729:and sound clips. Recent artworks of note include
2556:been of crucial importance to the development of
2720:. Dr. Caitlin Fisher's online hypertext novella
4821:Signs: Journal of Women in Culture and Society
3559:. University of Ottawa Press. pp. 55–82.
3407:, North Melbourne: Spinifex Press, p. 4,
3307:. Vancouver: arsenal pulp press. p. 189.
2421:wrote an article entitled "Cyberfeminism" for
2123:A Cyberfeminist Manifesto for the 21st Century
5012:
4933:Feminist Practices and Politics of Technology
2716:was the first pornographic film to screen at
2337:Cyberfeminism is considered a predecessor to
2070:
8:
5099:Elizabeth A. Sackler Center for Feminist Art
3892:Gajjala, Radhika; Oh, Yeon Ju, eds. (2012).
3032:. Digital formations. New York: Peter Lang.
2198:The early cyberfeminist perspective takes a
5277:Why Have There Been No Great Women Artists?
5077:New York School of Applied Design for Women
4457:M. Merck; S. Sandford (13 September 2010).
3118:
3116:
5028:Feminist art movement in the United States
5019:
5005:
4997:
4147:: CS1 maint: location missing publisher (
3305:The Uncanny: Experiments in Cyborg Culture
2077:
2063:
1890:
1262:
1192:
962:African-American women's suffrage movement
294:
52:
18:
4868:
4169:"Xenofeminism: A Politics for Alienation"
3942:
3564:
5065:American Association of University Women
3721:Information, Communication & Society
3689:Hawthorne, Susan; Klein, Renate (1999).
3656:Information, Communication & Society
3330:A History of Feminist Literary Criticism
907:Discrimination against transgender women
4938:The Beginner's Cyberfeminist Dictionary
4463:. Palgrave Macmillan US. pp. 75–.
4407:. St Leonards, NSW: Allen & Unwin.
3379:"Linda Dement - Cyberfeminist Bedsheet"
2881:
2583:Xenofeminism: A Politics for Alienation
2347:feminist science and technology studies
2017:
1893:
1330:
437:
354:
170:
133:
100:
30:
4279:Nakamura, Lisa; Lovink, Geert (2005).
4140:
3792:"[untitled table of contents]"
3763:"Revisiting the Future | transmediale"
3131:. The Old Boys Network. Archived from
3007:. Leonardo. Cambridge, MA: MIT Press.
2955:from the original on 25 September 2020
5224:WACK! Art and the Feminist Revolution
5071:National Association of Women Artists
4285:Frontiers: A Journal of Women Studies
4162:
4160:
4158:
3714:
3712:
3649:
3647:
3645:
3449:Frontiers: A Journal of Women Studies
3218:, Berlin: B-books, pp. 114–117,
3180:, Berlin: B-books, pp. 108–112,
7:
5165:The Women's Building (San Francisco)
5124:National Museum of Women in the Arts
4336:, SAGE Publications, Inc., pp.
3328:Plain, Gill; Sellers, Susan (2007).
3265:, SAGE Publications, Inc., pp.
4599:. Guggenheim Museum. Archived from
5155:Women's Art Resources of Minnesota
14:
5526:Feminist movements and ideologies
5487:Feminist movements and ideologies
4437:First Cyberfeminist International
3433:First Cyberfeminist International
3355:Cyberfeminism and Artificial Life
2414:, independently from each other.
3357:. London: Routledge. p. 7.
2410:and the Australian artist group
2394:", which was later reprinted in
2046:
1578:Democratic Republic of the Congo
917:Diversity, equity, and inclusion
38:
5129:New York Feminist Art Institute
4849:Daniels, Jessie (Spring 2009).
4720:from the original on 2018-08-07
4691:from the original on 2018-08-07
4651:Stermitz, Evelin (2008-10-23).
4633:from the original on 2018-11-14
4591:Jones, Caitlin (January 1998).
4532:from the original on 2014-10-10
4496:from the original on 2020-12-03
4385:from the original on 2008-12-20
4197:Kay, Jilly Boyce (2019-02-17).
4179:from the original on 2022-06-24
3773:from the original on 2020-03-14
3537:from the original on 2023-10-15
3385:from the original on 2024-04-04
3148:"The truth about cyberfeminism"
3125:"The truth about cyberfeminism"
3073:from the original on 2024-05-08
2985:from the original on 2024-04-25
2922:from the original on 2018-08-06
2501:In 2003 the feminist anthology
5476:Women in the art history field
5160:Woman's Building (Los Angeles)
4561:(Archived at Rhizome Artbase).
4074:Visual Communication Quarterly
4004:WSQ: Women's Studies Quarterly
3620:. Edinburgh University Press.
2125:was published online in 1991.
2010:Women's suffrage organizations
1:
5144:Washington Women's Art Center
4799:Various authors (July 1998).
4486:"Cyberflesh Girlmonster 1995"
4215:10.1080/14680777.2019.1579983
4059:10.1080/10304312.2021.1983260
3490:Women, gender, and technology
2560:And the many handed shiva of
2447:In 1996, a special volume of
5184:Exhibitions or installations
4514:Barnett, Tully (July 2014).
4115:Hester, Helen (2018-05-29).
4086:10.1080/15551393.2014.928154
3896:. New York: Peter Lang Pub.
3616:Wolmark, Jenny, ed. (1999).
3431:Sollfrank, Cornelia (1998).
1995:Suffragists and suffragettes
1925:American feminist literature
5309:Women Artists in Revolution
5149:Women Artists in Revolution
4597:1998–99, by Shu Lea Cheang"
3863:. Washington Square Press.
3733:10.1080/1369118042000208933
3668:10.1080/1369118042000208933
2892:Harlow, Megan Jean (2013),
2142:post-structuralist feminism
1235:Views on transgender topics
1225:Views on sexual orientation
5542:
4974:University of Ottawa Press
4669:10.1162/leon.2008.41.5.538
4346:10.4135/9781412950657.n105
4326:Senft, Theresa M. (2003),
3845:vol. 23 (2009), pp. 79-86.
3028:Paasonen, Susanna (2005).
3005:Women, art, and technology
2606:
2571:
2538:pro-breastfeeding activism
2304:British cultural theorist
2187:defines cyberfeminism as:
5484:
5034:
4856:Women's Studies Quarterly
4780:"Cyberfeminist Manifesto"
4710:"Orphan Drift – Monoskop"
4428:Pierce, Julianne (1998).
4333:Encyclopedia of New Media
4258:10.1080/07407709608571254
3931:Women's Studies Quarterly
3303:Grenville, Bruce (2001).
3275:10.4135/9781412950657.n57
3262:Encyclopedia of New Media
2906:10.4135/9781452270388.n94
2319:" which was reprinted in
2026:Women's rights by country
937:Female genital mutilation
5471:List of feminist artists
5269:The Feminist Art Journal
3967:Cottom, Tressie McMillan
3925:Daniels, Jessie (2009).
2941:"Cyberfeminist bedsheet"
2642:and the above-mentioned
2558:Feminist Internet Theory
2351:Feminist Internet Theory
2031:Feminists by nationality
2005:Women's studies journals
2000:Women's rights activists
728:Movements and ideologies
5516:Intersectional feminism
5175:Women's Studio Workshop
5170:Women's Interart Center
5087:Venues or organizations
4886:Aydemir, Duygu (2021).
4430:"info heavy cyber babe"
3796:Women & Performance
3059:. New York: Doubleday.
2735:World of Female Avatars
2726:polymorphous perversity
2449:Women & Performance
2212:artificial intelligence
1419:International relations
290:Intersectional variants
5314:Women's Caucus for Art
5235:Films or documentaries
5109:Feminist Art Coalition
4790:. 1991. Archived from
4328:"Gender and New Media"
4203:Feminist Media Studies
3855:Morgan, Robin (2003).
3353:Kember, Sarah (2003).
3255:Consalvo, Mia (2003),
2939:Dement, Linda (2017).
2819:Feminist technoscience
2722:"These Waves of Girls"
2672:Cyberflesh Girlmonster
2600:
2311:European's often cite
2291:Theoretical background
2182:
1945:Conservative feminisms
1200:Bicycling and feminism
1176:Women in the workforce
1144:Violence against women
1119:Sexual objectification
1079:Opposition to feminism
346:Vegetarian ecofeminism
5506:Feminism and the arts
5243:!Women Art Revolution
5044:Feminist art movement
4745:on September 28, 2013
4297:10.1353/fro.2005.0014
4016:10.1353/wsq.2013.0034
3983:10.31235/osf.io/vnvh9
3580:Plant, Sadie (2006).
3462:10.1353/fro.2005.0015
3146:Sollfrank, Cornelia.
3144:, also available as:
3123:Sollfrank, Cornelia.
3053:Plant, Sadie (1995).
2652:Critical Art Ensemble
2595:
2174:
1975:Feminist rhetoricians
1965:Feminist philosophers
1517:Revisionist mythology
1220:Views on prostitution
1205:Criticism of marriage
900:Children's literature
4774:. Old Boys' Network.
4403:Bail, Kathy (1996).
4381:. Old Boys Network.
2864:The Cyborg Manifesto
2589:, and advocates for
2525:dot.com bubble burst
2343:fourth wave feminism
1955:Feminist art critics
1930:Feminist comic books
1887:Lists and categories
1566:By continent/country
1397:Pathways perspective
1280:Gender mainstreaming
1215:Views on pornography
1124:Substantive equality
1104:Reproductive justice
1054:Matriarchal religion
912:Diversity (politics)
853:Political lesbianism
163:Other women's rights
5375:Helen Frankenthaler
5119:Lesbian Art Project
4979:Cyberfeminist Index
4446:on 8 February 2017.
4167:Cuboniks, Laboria.
2854:Speculative realism
2782:N. Katherine Hayles
2772:Shulamith Firestone
2552:in feminist terms.
2366:Shulamith Firestone
2325:Shulamith Firestone
2277:on 16 January 1999.
2176:Cyberfeminism is a
2138:third wave feminism
2053:Feminism portal
1960:Feminist economists
1950:Ecofeminist authors
1755:Trinidad and Tobago
1695:Republic of Ireland
1387:Composition studies
1154:Women's empowerment
1109:Sex workers' rights
1034:Feminist capitalism
1014:Internalized sexism
952:Feminism in culture
65:History of feminism
5440:Carolee Schneemann
5200:Three Weeks in May
4968:2016-03-04 at the
4925:2008-12-20 at the
4870:10.1353/wsq.0.0158
4801:"VARIOUS ARTICLES"
4577:2022-04-08 at the
4557:2019-06-04 at the
3944:10.1353/wsq.0.0158
3837:2019-06-04 at the
3826:2019-06-04 at the
3695:. Spinifex Press.
3510:2016-01-12 at the
3092:"old boys network"
2839:Networked feminism
2486:. Artists such as
2339:networked feminism
2134:A Cyborg Manifesto
1365:Literary criticism
1230:Views on sexuality
922:Effects on society
890:Complementarianism
870:Women's liberation
625:Religious variants
599:trans-exclusionary
317:Radical lesbianism
5493:
5492:
5365:Mary Beth Edelson
5360:Elaine de Kooning
5208:The Sister Chapel
4992:Nancy Mauro-Flude
4899:978-625-7647-10-6
4470:978-0-230-10999-5
3894:Cyberfeminism 2.0
3702:978-1-875559-68-8
3039:978-0-8204-7607-0
3014:978-0-262-13424-8
2766:Notable theorists
2739:Many Faces of Eve
2614:actual movement.
2533:Cyberfeminism 2.0
2531:and Yeon Ju Oh's
2480:subaltern studies
2434:cultural theorist
2227:Nancy Mauro-Flude
2204:social constructs
2087:
2086:
2038:
2037:
1557:
1556:
1547:womanist theology
1490:Political ecology
1321:Écriture féminine
1248:
1247:
1139:Triple oppression
1129:Toxic masculinity
1114:Sexual harassment
979:Feminist stripper
957:Feminist movement
518:
517:
449:Africana womanism
280:
279:
16:Feminist approach
5533:
5511:Internet culture
5435:Rachel Rosenthal
5410:Georgia O'Keeffe
5345:Louise Bourgeois
5216:The Dinner Party
5021:
5014:
5007:
4998:
4910:
4908:
4906:
4882:
4872:
4863:(1–2): 101–124.
4845:
4828:(1): 1278–1285.
4814:
4795:
4775:
4755:
4754:
4752:
4750:
4741:. Archived from
4735:
4729:
4728:
4726:
4725:
4706:
4700:
4699:
4697:
4696:
4648:
4642:
4641:
4639:
4638:
4619:
4613:
4612:
4610:
4608:
4603:on 20 April 2016
4588:
4582:
4568:
4562:
4547:
4541:
4540:
4538:
4537:
4511:
4505:
4504:
4502:
4501:
4481:
4475:
4474:
4454:
4448:
4447:
4445:
4439:. Archived from
4434:
4425:
4419:
4418:
4400:
4394:
4393:
4391:
4390:
4371:
4365:
4364:
4363:
4362:
4323:
4317:
4316:
4276:
4270:
4269:
4241:
4235:
4234:
4194:
4188:
4187:
4185:
4184:
4173:Laboria Cuboniks
4164:
4153:
4152:
4146:
4138:
4112:
4106:
4105:
4069:
4063:
4062:
4042:
4036:
4035:
3999:
3993:
3992:
3990:
3989:
3963:
3957:
3956:
3946:
3937:(1/2): 101–124.
3922:
3916:
3915:
3889:
3883:
3882:
3862:
3852:
3846:
3817:
3811:
3810:
3808:
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3369:
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3300:
3294:
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3292:
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3246:
3243:
3241:
3240:
3234:
3228:, archived from
3217:
3205:
3203:
3202:
3196:
3190:, archived from
3179:
3166:
3164:
3163:
3143:
3141:
3140:
3120:
3111:
3110:
3108:
3107:
3098:. Archived from
3088:
3082:
3081:
3079:
3078:
3050:
3044:
3043:
3025:
3019:
3018:
3000:
2994:
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2965:
2964:
2962:
2960:
2936:
2930:
2929:
2928:
2927:
2889:
2792:Susanna Paasonen
2591:gender abolition
2513:Marianne Schnall
2278:
2273:. Archived from
2166:Old Boys Network
2148:culture and the
2079:
2072:
2065:
2051:
2050:
2049:
1990:Feminist parties
1985:Muslim feminists
1980:Jewish feminists
1891:
1872:History of women
1495:Political theory
1263:
1193:
1166:
1159:Women-only space
1044:Likeability trap
932:Female education
746:Anti-pornography
601:
600:
596:
312:Lesbian of color
295:
172:Women's suffrage
148:Muslim countries
143:Women's suffrage
60:Feminist history
53:
42:
19:
5541:
5540:
5536:
5535:
5534:
5532:
5531:
5530:
5496:
5495:
5494:
5489:
5480:
5459:
5420:Louise Nevelson
5323:
5299:Guerrilla Girls
5282:
5248:
5230:
5179:
5139:tArt Collective
5103:Brooklyn Museum
5082:
5053:
5030:
5025:
4970:Wayback Machine
4927:Wayback Machine
4920:100 anti-theses
4917:
4904:
4902:
4900:
4885:
4848:
4817:
4798:
4794:on 29 May 2009.
4778:
4766:
4763:
4761:Further reading
4758:
4748:
4746:
4737:
4736:
4732:
4723:
4721:
4708:
4707:
4703:
4694:
4692:
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4649:
4645:
4636:
4634:
4621:
4620:
4616:
4606:
4604:
4590:
4589:
4585:
4579:Wayback Machine
4569:
4565:
4559:Wayback Machine
4548:
4544:
4535:
4533:
4513:
4512:
4508:
4499:
4497:
4490:lindadement.com
4484:Dement, Linda.
4483:
4482:
4478:
4471:
4456:
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4451:
4443:
4432:
4427:
4426:
4422:
4415:
4402:
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4397:
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4182:
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4071:
4070:
4066:
4044:
4043:
4039:
4001:
4000:
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3987:
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3965:
3964:
3960:
3924:
3923:
3919:
3904:
3891:
3890:
3886:
3871:
3854:
3853:
3849:
3839:Wayback Machine
3828:Wayback Machine
3818:
3814:
3805:
3803:
3790:
3789:
3785:
3776:
3774:
3767:transmediale.de
3761:
3760:
3756:
3718:
3717:
3710:
3703:
3688:
3687:
3683:
3653:
3652:
3643:
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3579:
3578:
3574:
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3540:
3538:
3530:
3524:
3523:
3519:
3512:Wayback Machine
3500:
3487:
3445:
3444:
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3430:
3429:
3425:
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3402:
3401:
3397:
3388:
3386:
3377:
3376:
3372:
3365:
3352:
3351:
3347:
3340:
3327:
3326:
3322:
3315:
3302:
3301:
3297:
3289:
3287:
3285:
3257:"Cyberfeminism"
3254:
3253:
3249:
3238:
3236:
3232:
3226:
3215:
3208:
3200:
3198:
3194:
3188:
3177:
3170:
3161:
3159:
3152:constantvzw.com
3145:
3138:
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3103:
3090:
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3085:
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3027:
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3001:
2997:
2988:
2986:
2973:
2972:
2968:
2958:
2956:
2938:
2937:
2933:
2925:
2923:
2916:
2894:"Cyberfeminism"
2891:
2890:
2883:
2879:
2809:Cyborg feminism
2805:
2777:Radhika Gajjala
2768:
2747:
2731:Evelin Stermitz
2676:Melinda Rackham
2624:
2622:Art and artists
2611:
2605:
2587:anti-naturalist
2576:
2570:
2546:africanfuturism
2529:Radhika Gajjala
2521:
2472:
2460:Carolyn Guertin
2442:western society
2404:
2385:
2363:
2358:
2293:
2261:"Cyberfeminism"
2257:Paterson, Nancy
2255:
2242:Julianne Pierce
2170:100 anti-theses
2162:
2083:
2047:
2045:
2040:
2039:
1941:
1888:
1880:
1879:
1878:
1787:Northern Cyprus
1567:
1559:
1558:
1553:
1375:Science fiction
1326:
1305:Women's studies
1270:Feminist method
1260:
1250:
1249:
1244:
1190:
1182:
1181:
1180:
1164:
1074:Oedipus complex
1064:Men in feminism
1029:Language reform
1009:Ideal womanhood
989:Gender equality
984:Formal equality
947:Feminationalism
884:
876:
875:
874:
831:Post-structural
730:
720:
719:
718:
627:
617:
616:
615:
598:
595:Gender-critical
594:
593:
544:Femonationalism
528:
520:
519:
514:
493:Native American
433:
388:Critical theory
350:
292:
282:
281:
276:
231:Second Republic
159:
129:
96:
70:Women's history
50:
17:
12:
11:
5:
5539:
5537:
5529:
5528:
5523:
5518:
5513:
5508:
5498:
5497:
5491:
5490:
5485:
5482:
5481:
5479:
5478:
5473:
5467:
5465:
5461:
5460:
5458:
5457:
5452:
5447:
5442:
5437:
5432:
5430:M. C. Richards
5427:
5422:
5417:
5415:Barbara Kruger
5412:
5407:
5402:
5397:
5392:
5387:
5382:
5377:
5372:
5367:
5362:
5357:
5352:
5347:
5342:
5337:
5335:Alison Bechdel
5331:
5329:
5325:
5324:
5322:
5321:
5316:
5311:
5306:
5304:The Waitresses
5301:
5296:
5290:
5288:
5284:
5283:
5281:
5280:
5273:
5265:
5256:
5254:
5250:
5249:
5247:
5246:
5238:
5236:
5232:
5231:
5229:
5228:
5220:
5212:
5204:
5196:
5187:
5185:
5181:
5180:
5178:
5177:
5172:
5167:
5162:
5157:
5152:
5146:
5141:
5136:
5134:SOHO20 Gallery
5131:
5126:
5121:
5116:
5111:
5106:
5096:
5094:A.I.R. Gallery
5090:
5088:
5084:
5083:
5081:
5080:
5074:
5068:
5061:
5059:
5055:
5054:
5052:
5051:
5046:
5041:
5035:
5032:
5031:
5026:
5024:
5023:
5016:
5009:
5001:
4995:
4994:
4985:
4976:
4960:
4955:
4950:
4945:
4940:
4935:
4916:
4915:External links
4913:
4912:
4911:
4898:
4883:
4846:
4834:10.1086/422235
4815:
4796:
4776:
4768:"Reading room"
4762:
4759:
4757:
4756:
4730:
4701:
4663:(5): 538–539.
4643:
4614:
4583:
4563:
4542:
4506:
4476:
4469:
4449:
4420:
4413:
4395:
4366:
4354:
4318:
4271:
4252:(1): 125–149.
4236:
4209:(2): 306–308.
4199:"Xenofeminism"
4189:
4154:
4125:
4107:
4064:
4053:(5): 788–804.
4037:
4010:(3): 146–166.
3994:
3969:(2016-12-07).
3958:
3917:
3902:
3884:
3870:978-0743466271
3869:
3847:
3812:
3783:
3754:
3727:(1): 115–135.
3708:
3701:
3681:
3641:
3627:978-0748611171
3626:
3605:
3591:978-0415062213
3590:
3572:
3566:j.ctt15nmj7f.6
3547:
3517:
3515:
3514:
3498:
3438:
3423:
3413:
3395:
3370:
3364:978-0415240260
3363:
3345:
3338:
3320:
3313:
3295:
3283:
3247:
3245:
3244:
3224:
3206:
3186:
3112:
3083:
3065:
3045:
3038:
3020:
3013:
2995:
2981:. 2018-01-16.
2966:
2931:
2914:
2880:
2878:
2875:
2874:
2873:
2870:TechnoFeminism
2866:
2861:
2856:
2851:
2846:
2841:
2836:
2834:Nancy Paterson
2831:
2826:
2821:
2816:
2811:
2804:
2801:
2800:
2799:
2794:
2789:
2784:
2779:
2774:
2767:
2764:
2763:
2762:
2758:
2746:
2743:
2692:Shu Lea Cheang
2664:Nancy Paterson
2623:
2620:
2604:
2601:
2569:
2566:
2520:
2517:
2492:Shu Lea Cheang
2484:Gayatri Spivak
2471:
2468:
2419:Nancy Paterson
2403:
2400:
2384:
2381:
2377:nuclear family
2362:
2359:
2357:
2354:
2292:
2289:
2281:
2280:
2196:
2195:
2192:
2161:
2158:
2085:
2084:
2082:
2081:
2074:
2067:
2059:
2056:
2055:
2042:
2041:
2036:
2035:
2034:
2033:
2028:
2020:
2019:
2015:
2014:
2013:
2012:
2007:
2002:
1997:
1992:
1987:
1982:
1977:
1972:
1970:Feminist poets
1967:
1962:
1957:
1952:
1947:
1940:
1939:
1937:Feminist songs
1934:
1933:
1932:
1927:
1917:
1916:
1915:
1913:by nationality
1905:
1899:
1896:
1895:
1889:
1886:
1885:
1882:
1881:
1877:
1876:
1875:
1874:
1864:
1862:United Kingdom
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1758:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1712:
1707:
1702:
1697:
1692:
1687:
1682:
1677:
1672:
1667:
1662:
1657:
1652:
1647:
1642:
1637:
1632:
1627:
1622:
1617:
1616:
1615:
1610:
1605:
1600:
1595:
1590:
1585:
1580:
1569:
1568:
1565:
1564:
1561:
1560:
1555:
1554:
1552:
1551:
1550:
1549:
1539:
1534:
1529:
1524:
1519:
1514:
1513:
1512:
1502:
1497:
1492:
1487:
1486:
1485:
1480:
1475:
1473:Existentialism
1470:
1469:
1468:
1466:Justice ethics
1458:
1453:
1448:
1438:
1433:
1428:
1427:
1426:
1424:Constructivism
1416:
1411:
1406:
1401:
1400:
1399:
1389:
1384:
1379:
1378:
1377:
1372:
1367:
1362:
1352:
1347:
1342:
1336:
1333:
1332:
1331:Areas of study
1328:
1327:
1325:
1324:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1275:Gender studies
1272:
1266:
1261:
1256:
1255:
1252:
1251:
1246:
1245:
1243:
1242:
1240:SCUM Manifesto
1237:
1232:
1227:
1222:
1217:
1212:
1207:
1202:
1196:
1191:
1188:
1187:
1184:
1183:
1179:
1178:
1173:
1171:Women's rights
1168:
1165:Women's health
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1049:Male privilege
1046:
1041:
1036:
1031:
1026:
1018:International
1016:
1011:
1006:
1001:
996:
991:
986:
981:
976:
975:
974:
969:
964:
954:
949:
944:
939:
934:
929:
924:
919:
914:
909:
904:
903:
902:
892:
886:
885:
882:
881:
878:
877:
873:
872:
867:
865:Technofeminism
862:
861:
860:
855:
850:
840:
839:
838:
828:
823:
822:
821:
820:
819:
809:
804:
794:
793:
792:
791:
790:
775:
770:
765:
764:
763:
758:
748:
743:
738:
732:
731:
726:
725:
722:
721:
717:
716:
711:
710:
709:
699:
694:
689:
688:
687:
682:
677:
667:
666:
665:
660:
655:
650:
640:
635:
629:
628:
623:
622:
619:
618:
614:
613:
608:
603:
590:
589:
588:
583:
578:
568:
563:
562:
561:
551:
546:
541:
536:
530:
529:
527:Other variants
526:
525:
522:
521:
516:
515:
513:
512:
507:
502:
497:
496:
495:
485:
484:
483:
473:
472:
471:
466:
461:
451:
445:
442:
441:
435:
434:
432:
431:
426:
425:
424:
419:
409:
408:
407:
397:
396:
395:
390:
380:
375:
374:
373:
362:
359:
358:
352:
351:
349:
348:
343:
342:
341:
331:
326:
325:
324:
319:
314:
304:
298:
293:
288:
287:
284:
283:
278:
277:
275:
274:
273:
272:
262:
261:
260:
255:
253:Cayman Islands
248:United Kingdom
245:
240:
239:
238:
233:
225:
220:
215:
210:
205:
200:
195:
190:
185:
179:
176:
175:
168:
167:
166:
165:
158:
157:
156:
155:
150:
139:
136:
135:
131:
130:
128:
127:
122:
117:
112:
106:
103:
102:
98:
97:
95:
94:
93:
92:
87:
82:
77:
67:
62:
56:
51:
48:
47:
44:
43:
35:
34:
28:
27:
15:
13:
10:
9:
6:
4:
3:
2:
5538:
5527:
5524:
5522:
5521:Transhumanism
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5503:
5501:
5488:
5483:
5477:
5474:
5472:
5469:
5468:
5466:
5462:
5456:
5453:
5451:
5448:
5446:
5445:Cindy Sherman
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5340:Lynda Benglis
5338:
5336:
5333:
5332:
5330:
5328:Notable women
5326:
5320:
5317:
5315:
5312:
5310:
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5291:
5289:
5285:
5278:
5274:
5271:
5270:
5266:
5263:
5262:
5258:
5257:
5255:
5251:
5245:
5244:
5240:
5239:
5237:
5233:
5226:
5225:
5221:
5218:
5217:
5213:
5210:
5209:
5205:
5202:
5201:
5197:
5194:
5193:
5189:
5188:
5186:
5182:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5115:
5112:
5110:
5107:
5104:
5100:
5097:
5095:
5092:
5091:
5089:
5085:
5078:
5075:
5072:
5069:
5066:
5063:
5062:
5060:
5056:
5050:
5049:Women artists
5047:
5045:
5042:
5040:
5037:
5036:
5033:
5029:
5022:
5017:
5015:
5010:
5008:
5003:
5002:
4999:
4993:
4989:
4986:
4984:
4980:
4977:
4975:
4971:
4967:
4964:
4961:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4930:
4929:
4928:
4924:
4921:
4914:
4901:
4895:
4891:
4890:
4884:
4880:
4876:
4871:
4866:
4862:
4858:
4857:
4852:
4847:
4843:
4839:
4835:
4831:
4827:
4823:
4822:
4816:
4812:
4808:
4807:
4802:
4797:
4793:
4789:
4785:
4781:
4777:
4773:
4769:
4765:
4764:
4760:
4744:
4740:
4739:"FACES story"
4734:
4731:
4719:
4715:
4711:
4705:
4702:
4690:
4686:
4682:
4678:
4674:
4670:
4666:
4662:
4658:
4654:
4647:
4644:
4632:
4628:
4624:
4618:
4615:
4602:
4598:
4596:
4587:
4584:
4580:
4576:
4573:
4567:
4564:
4560:
4556:
4553:
4552:
4546:
4543:
4531:
4527:
4523:
4522:
4517:
4510:
4507:
4495:
4491:
4487:
4480:
4477:
4472:
4466:
4462:
4461:
4453:
4450:
4442:
4438:
4431:
4424:
4421:
4416:
4414:9781864482317
4410:
4406:
4399:
4396:
4384:
4380:
4376:
4370:
4367:
4357:
4355:9780761923824
4351:
4347:
4343:
4339:
4335:
4334:
4329:
4322:
4319:
4314:
4310:
4306:
4302:
4298:
4294:
4290:
4286:
4282:
4275:
4272:
4267:
4263:
4259:
4255:
4251:
4247:
4240:
4237:
4232:
4228:
4224:
4220:
4216:
4212:
4208:
4204:
4200:
4193:
4190:
4178:
4174:
4170:
4163:
4161:
4159:
4155:
4150:
4144:
4136:
4132:
4128:
4126:9781509520626
4122:
4119:. Cambridge.
4118:
4111:
4108:
4103:
4099:
4095:
4091:
4087:
4083:
4079:
4075:
4068:
4065:
4060:
4056:
4052:
4048:
4041:
4038:
4033:
4029:
4025:
4021:
4017:
4013:
4009:
4005:
3998:
3995:
3984:
3980:
3976:
3972:
3968:
3962:
3959:
3954:
3950:
3945:
3940:
3936:
3932:
3928:
3921:
3918:
3913:
3909:
3905:
3903:9781433113598
3899:
3895:
3888:
3885:
3880:
3876:
3872:
3866:
3861:
3860:
3851:
3848:
3844:
3840:
3836:
3833:
3829:
3825:
3822:
3816:
3813:
3801:
3797:
3793:
3787:
3784:
3772:
3768:
3764:
3758:
3755:
3750:
3746:
3742:
3738:
3734:
3730:
3726:
3722:
3715:
3713:
3709:
3704:
3698:
3694:
3693:
3685:
3682:
3677:
3673:
3669:
3665:
3661:
3657:
3650:
3648:
3646:
3642:
3637:
3633:
3629:
3623:
3619:
3612:
3610:
3606:
3601:
3597:
3593:
3587:
3584:. Routledge.
3583:
3576:
3573:
3567:
3562:
3558:
3551:
3548:
3536:
3529:
3528:
3521:
3518:
3513:
3509:
3506:
3501:
3499:9780252073366
3495:
3491:
3486:
3483:
3482:
3479:
3475:
3471:
3467:
3463:
3459:
3455:
3451:
3450:
3442:
3439:
3434:
3427:
3424:
3421:
3416:
3414:9781875559688
3410:
3406:
3399:
3396:
3384:
3380:
3374:
3371:
3366:
3360:
3356:
3349:
3346:
3341:
3339:9780521852555
3335:
3331:
3324:
3321:
3316:
3314:9781551521169
3310:
3306:
3299:
3296:
3286:
3284:9780761923824
3280:
3276:
3272:
3268:
3264:
3263:
3258:
3251:
3248:
3235:on 2020-09-01
3231:
3227:
3225:9783933557346
3221:
3214:
3213:
3207:
3197:on 2020-09-01
3193:
3189:
3187:9783933557346
3183:
3176:
3175:
3169:
3168:
3158:on 2007-10-07
3157:
3153:
3149:
3135:on 2014-04-25
3134:
3130:
3126:
3119:
3117:
3113:
3102:on 2018-01-19
3101:
3097:
3093:
3087:
3084:
3072:
3068:
3062:
3058:
3057:
3049:
3046:
3041:
3035:
3031:
3024:
3021:
3016:
3010:
3006:
2999:
2996:
2984:
2980:
2976:
2970:
2967:
2954:
2950:
2946:
2942:
2935:
2932:
2921:
2917:
2915:9781452270388
2911:
2907:
2903:
2899:
2895:
2888:
2886:
2882:
2876:
2872:
2871:
2867:
2865:
2862:
2860:
2859:Transhumanism
2857:
2855:
2852:
2850:
2847:
2845:
2844:Post-humanism
2842:
2840:
2837:
2835:
2832:
2830:
2827:
2825:
2822:
2820:
2817:
2815:
2812:
2810:
2807:
2806:
2802:
2798:
2795:
2793:
2790:
2788:
2787:Donna Haraway
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2769:
2765:
2759:
2756:
2753:
2752:
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2740:
2736:
2732:
2727:
2723:
2719:
2715:
2711:
2707:
2703:
2702:
2697:
2694:'s 1998 work
2693:
2689:
2688:Mythic Hybrid
2685:
2681:
2677:
2673:
2669:
2665:
2661:
2657:
2656:Auriea Harvey
2653:
2649:
2648:Faith Wilding
2645:
2641:
2636:
2634:
2630:
2621:
2619:
2615:
2610:
2602:
2599:
2594:
2592:
2588:
2584:
2580:
2575:
2574:Postgenderism
2567:
2565:
2563:
2559:
2553:
2551:
2547:
2541:
2539:
2534:
2530:
2526:
2518:
2516:
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2510:
2506:
2505:
2499:
2497:
2493:
2489:
2485:
2481:
2477:
2469:
2467:
2465:
2461:
2458:According to
2456:
2454:
2450:
2445:
2443:
2439:
2435:
2431:
2426:
2424:
2420:
2415:
2413:
2409:
2401:
2399:
2397:
2393:
2389:
2388:Donna Haraway
2382:
2380:
2378:
2373:
2372:
2367:
2360:
2355:
2353:
2352:
2348:
2344:
2340:
2335:
2332:
2331:
2327:and her book
2326:
2322:
2318:
2314:
2313:Donna Haraway
2309:
2307:
2302:
2299:
2298:Faith Wilding
2290:
2288:
2285:
2276:
2272:
2268:
2267:
2262:
2258:
2254:
2251:
2250:
2249:
2247:
2246:Donna Haraway
2243:
2239:
2235:
2231:
2228:
2224:
2219:
2218:programming.
2217:
2213:
2209:
2205:
2201:
2193:
2190:
2189:
2188:
2186:
2181:
2179:
2173:
2171:
2167:
2159:
2157:
2155:
2151:
2147:
2143:
2139:
2135:
2131:
2130:Donna Haraway
2126:
2124:
2120:
2116:
2114:
2109:
2107:
2103:
2099:
2095:
2091:
2090:Cyberfeminism
2080:
2075:
2073:
2068:
2066:
2061:
2060:
2058:
2057:
2054:
2044:
2043:
2032:
2029:
2027:
2024:
2023:
2022:
2021:
2016:
2011:
2008:
2006:
2003:
2001:
1998:
1996:
1993:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
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1951:
1948:
1946:
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1942:
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1931:
1928:
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1918:
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1911:
1910:
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1906:
1904:
1901:
1900:
1898:
1897:
1892:
1884:
1883:
1873:
1870:
1869:
1868:
1867:United States
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
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1798:
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1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1717:
1716:
1715:Latin America
1713:
1711:
1708:
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1703:
1701:
1698:
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1688:
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1683:
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1614:
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1576:
1575:
1574:
1571:
1570:
1563:
1562:
1548:
1545:
1544:
1543:
1540:
1538:
1537:Technoscience
1535:
1533:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1511:
1508:
1507:
1506:
1503:
1501:
1498:
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1471:
1467:
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1412:
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1407:
1405:
1402:
1398:
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1393:
1390:
1388:
1385:
1383:
1380:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1360:Art criticism
1358:
1357:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1337:
1335:
1334:
1329:
1323:
1322:
1318:
1316:
1313:
1311:
1310:Men's studies
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
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1271:
1268:
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1259:
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1253:
1241:
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1211:
1210:Views on BDSM
1208:
1206:
1203:
1201:
1198:
1197:
1195:
1194:
1186:
1185:
1177:
1174:
1172:
1169:
1167:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1134:Transmisogyny
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1094:Purplewashing
1092:
1090:
1089:Protofeminism
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1021:
1017:
1015:
1012:
1010:
1007:
1005:
1004:Honor killing
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
973:
970:
968:
965:
963:
960:
959:
958:
955:
953:
950:
948:
945:
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
918:
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913:
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908:
905:
901:
898:
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896:
893:
891:
888:
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868:
866:
863:
859:
856:
854:
851:
849:
846:
845:
844:
841:
837:
834:
833:
832:
829:
827:
824:
818:
815:
814:
813:
810:
808:
805:
803:
800:
799:
798:
795:
789:
786:
785:
784:
781:
780:
779:
778:Individualist
776:
774:
771:
769:
766:
762:
759:
757:
754:
753:
752:
751:Cyberfeminism
749:
747:
744:
742:
739:
737:
734:
733:
729:
724:
723:
715:
712:
708:
705:
704:
703:
700:
698:
695:
693:
690:
686:
683:
681:
678:
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671:
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664:
661:
659:
656:
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639:
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634:
631:
630:
626:
621:
620:
612:
609:
607:
604:
602:
591:
587:
584:
582:
579:
577:
574:
573:
572:
569:
567:
564:
560:
557:
556:
555:
552:
550:
547:
545:
542:
540:
537:
535:
534:Anti-abortion
532:
531:
524:
523:
511:
508:
506:
503:
501:
498:
494:
491:
490:
489:
486:
482:
479:
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477:
474:
470:
467:
465:
462:
460:
457:
456:
455:
452:
450:
447:
446:
444:
443:
440:
439:Multicultural
436:
430:
427:
423:
422:Transnational
420:
418:
415:
414:
413:
410:
406:
403:
402:
401:
398:
394:
391:
389:
386:
385:
384:
381:
379:
376:
372:
369:
368:
367:
364:
363:
361:
360:
357:
353:
347:
344:
340:
339:Postgenderism
337:
336:
335:
334:Transfeminism
332:
330:
327:
323:
320:
318:
315:
313:
310:
309:
308:
305:
303:
300:
299:
297:
296:
291:
286:
285:
271:
268:
267:
266:
265:United States
263:
259:
256:
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251:
250:
249:
246:
244:
241:
237:
234:
232:
229:
228:
226:
224:
221:
219:
218:Liechtenstein
216:
214:
211:
209:
206:
204:
201:
199:
196:
194:
191:
189:
186:
184:
181:
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126:
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108:
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91:
88:
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81:
78:
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73:
72:
71:
68:
66:
63:
61:
58:
57:
55:
54:
46:
45:
41:
37:
36:
33:
29:
25:
21:
20:
5400:Jane Kaufman
5385:Nancy Graves
5380:Mary Garrard
5355:Judy Chicago
5350:Norma Broude
5267:
5259:
5253:Publications
5241:
5222:
5214:
5206:
5198:
5190:
5114:Hera Gallery
5039:Feminist art
4918:
4903:. Retrieved
4888:
4860:
4854:
4825:
4819:
4810:
4804:
4792:the original
4783:
4771:
4747:. Retrieved
4743:the original
4733:
4722:. Retrieved
4714:monoskop.org
4713:
4704:
4693:. Retrieved
4660:
4656:
4646:
4635:. Retrieved
4626:
4617:
4605:. Retrieved
4601:the original
4594:
4586:
4566:
4550:
4545:
4534:. Retrieved
4525:
4519:
4509:
4498:. Retrieved
4489:
4479:
4459:
4452:
4441:the original
4436:
4423:
4405:DIY feminism
4404:
4398:
4387:. Retrieved
4378:
4369:
4359:, retrieved
4332:
4321:
4291:(1): 60–65.
4288:
4284:
4274:
4249:
4245:
4239:
4206:
4202:
4192:
4181:. Retrieved
4172:
4117:Xenofeminism
4116:
4110:
4080:(2): 83–95.
4077:
4073:
4067:
4050:
4046:
4040:
4007:
4003:
3997:
3986:. Retrieved
3974:
3961:
3934:
3930:
3920:
3893:
3887:
3858:
3850:
3842:
3815:
3804:. Retrieved
3799:
3795:
3786:
3775:. Retrieved
3766:
3757:
3724:
3720:
3691:
3684:
3659:
3655:
3617:
3581:
3575:
3556:
3550:
3539:. Retrieved
3526:
3520:
3489:
3484:
3453:
3447:
3441:
3432:
3426:
3404:
3398:
3387:. Retrieved
3373:
3354:
3348:
3329:
3323:
3304:
3298:
3288:, retrieved
3261:
3250:
3237:, retrieved
3230:the original
3211:
3199:, retrieved
3192:the original
3173:
3160:. Retrieved
3156:the original
3151:
3137:. Retrieved
3133:the original
3128:
3104:. Retrieved
3100:the original
3095:
3086:
3075:. Retrieved
3055:
3048:
3029:
3023:
3004:
2998:
2987:. Retrieved
2978:
2969:
2957:. Retrieved
2948:
2944:
2934:
2924:, retrieved
2897:
2868:
2814:Linda Dement
2748:
2738:
2734:
2713:
2710:"replicants"
2706:Blade Runner
2705:
2699:
2695:
2687:
2684:Prema Murthy
2679:
2671:
2668:Linda Dement
2640:Linda Dement
2637:
2633:DIY Feminism
2632:
2625:
2616:
2612:
2596:
2582:
2579:Xenofeminism
2578:
2577:
2568:Xenofeminism
2564:aesthetics.
2554:
2550:afrofuturism
2542:
2532:
2522:
2509:Amy Richards
2502:
2500:
2496:Prema Murthy
2476:postcolonial
2473:
2464:multiplicity
2457:
2448:
2446:
2427:
2416:
2405:
2395:
2386:
2369:
2364:
2336:
2328:
2320:
2310:
2303:
2294:
2282:
2275:the original
2264:
2252:
2236:
2232:
2223:Linda Dement
2220:
2197:
2185:Mia Consalvo
2183:
2175:
2169:
2163:
2127:
2122:
2117:
2113:Linda Dement
2110:
2089:
2088:
1817:Saudi Arabia
1613:South Africa
1456:Epistemology
1431:Legal theory
1350:Architecture
1340:Anthropology
1319:
1285:Gynocentrism
1149:War on women
1084:Pro-feminism
1039:Gender-blind
994:Gender quota
967:Art movement
750:
741:Anti-fascist
675:Dianic Wicca
554:Postfeminism
429:Xenofeminism
412:Postcolonial
329:Sex-positive
5450:Alma Thomas
5405:Lee Krasner
5395:Lila Katzen
5370:Suzi Ferrer
5319:Where We At
5272:(1972–1977)
5264:(1977–1992)
5211:(1974–1978)
4905:21 December
4749:February 1,
4593:"Review of
4375:"Home page"
3662:: 115–135.
3456:(1): 1–23.
2797:Sadie Plant
2660:Sandy Stone
2417:In Canada,
2408:Sadie Plant
2306:Sadie Plant
2284:Sadie Plant
2154:Sadie Plant
1822:South Korea
1802:Philippines
1782:New Zealand
1777:Netherlands
1500:Pornography
1478:Metaphysics
1392:Criminology
1370:Film theory
1345:Archaeology
1024:Women's Day
826:Libertarian
768:Ecofeminism
685:Ecofeminist
566:Reactionary
559:Neofeminism
500:Multiracial
405:Ecofeminist
400:Materialist
243:Switzerland
223:New Zealand
5500:Categories
5455:June Wayne
5192:Womanhouse
5058:Precursors
4806:n.paradoxa
4788:VNS Matrix
4724:2018-08-03
4695:2018-08-06
4637:2018-11-14
4607:8 February
4536:2014-10-07
4500:2007-06-22
4389:2007-06-22
4361:2018-08-02
4183:2022-06-27
3988:2018-07-31
3843:n.paradoxa
3806:2018-07-31
3777:2020-04-21
3541:2023-09-13
3389:2024-08-05
3290:2018-07-31
3239:2017-02-08
3201:2017-02-08
3167:See also:
3162:2007-06-22
3139:2014-02-07
3106:2018-07-31
3077:2024-08-05
3066:0385482604
2989:2024-02-01
2979:VNS Matrix
2959:21 October
2926:2018-07-31
2877:References
2849:riot grrrl
2824:FemTechNet
2745:Listserves
2644:VNS Matrix
2629:aesthetics
2607:See also:
2572:See also:
2488:Coco Fusco
2438:technology
2412:VNS Matrix
2271:Stacy Horn
2238:VNS Matrix
2160:Definition
2146:riot grrrl
2119:VNS Matrix
2106:technology
2098:cyberspace
2018:Categories
1920:Literature
1630:Bangladesh
1505:Psychology
1451:Empiricism
1446:Aesthetics
1441:Philosophy
1315:Patriarchy
1300:Matriarchy
1020:Girl's Day
999:Girl power
972:In hip hop
895:Literature
858:Separatist
836:Postmodern
802:Difference
736:Analytical
680:Reclaiming
488:Indigenous
393:Standpoint
322:Separatist
174:by country
5390:Eva Hesse
4983:Mindy Seu
4972:from the
4842:144615884
4677:1530-9282
4551:Bindigirl
4313:144852309
4305:1536-0334
4266:0740-770X
4231:216643183
4223:1468-0777
4143:cite book
4135:992779765
4102:145667227
4094:1555-1393
4047:Continuum
4024:1934-1520
3912:752472588
3749:147255598
3741:1369-118X
3676:147255598
3600:814233726
3478:144999759
2658:'s work,
2603:Critiques
2562:posthuman
2430:Manifesto
2425:in 1991.
2253:See also:
1908:Feminists
1720:Argentina
1680:Indonesia
1670:Hong Kong
1625:Australia
1532:Sociology
1414:Geography
1404:Economics
1295:Male gaze
1290:Kyriarchy
761:Networked
643:Christian
378:Jineology
366:Anarchist
356:Socialist
236:Francoist
188:Australia
134:Timelines
5425:Yoko Ono
5279:" (1971)
4966:Archived
4923:Archived
4879:27655141
4784:sysx.org
4718:Archived
4689:Archived
4685:57567515
4657:Leonardo
4631:Archived
4575:Archived
4555:Archived
4530:Archived
4494:Archived
4383:Archived
4177:Archived
4032:85289747
3975:SocArXiv
3953:27655141
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