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was young at heart and full of optimism. Znamierowski was also an idealist who saw the good in the world around him. Some art critics saw hedonistic trends in his art. He had excellent work ethics, dedication and commitment to art which showed through over 3000 paintings that he created during his lifetime, many of which were of a very large panoramic size. He managed to approach everything independently, and to achieve perfect quality in almost all things he tried his hand at. He was remarkable for his unusual diligence; his short sleep was his only break. On the outside, Znamierowski was very much a public figure, he performed in theater, participated in exhibitions, gave interviews and was a published art critic. In private life, he lived and worked in a seclusion of his home, noticed by almost no one. Despite this his artworks remain as a model of sincerity and consistency. Other than painting he has two other passions - flowers and pigeons. They were his life hobbies that he never gave up throughout his entire life. Wherever he lived, he always found a way to breed pigeons. The beautiful birds helped him preserve his mental equilibrium, serenity and peace of mind. The birds gave him harmony in life, stimulated his imagination. Flowers also accompanied him through his whole life. Roses, asters, peonies, orchids, dahlias and dozens of other sorts of flowers were inseparable part of the painter's home surroundings in
Antakalnis. Znamierowski never drank alcohol. He used to say that when in his childhood he saw the hideousness of drunken people, he – a man inseparably connected with a beauty – decisively discerned this aspect of ugliness.
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St. Petersburg
Academy of Arts. When working he applied the paint gently, then would step back a little, look at it under different perspective, and then apply another brushstroke. He tried to absorb the mystery of creation and never rush himself to finish his work. Although his meticulous approach to art never changed, by the mid-60s his technique started to show significant changes, his stroke became wider and faster, the colors are more bright and their range more complex. The impressionism within the artist began to show more than ever. His artworks also became more emotional, colorful and romantic. A well known Lithuanian art writer, critic and artist, Augustinas Savickas said the following about Znamierowski in his book (LANDSCAPE IN LITHUANIAN PAINTING / 1965)
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Because of his mother's flowers garden, he became an avid lover of flowers, creating many still-life paintings and sketches, as if always striving to reveal their natural beauty to the world. He was also very fond of painting quiet corners of nature, especially the early spring when snow melted and nature awoke. In such artworks he made every effort to capture the impression of space, limpidity of water, firmness of ice and delicacy of the new grass. A favorite motif of the painter was a meandering river in the landscape, sometimes represented in a wide panoramic view, and sometimes in an intimate and romantic way.
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later in his studio he used to develop, improve and carefully recreate every detail. Znamierowski was drawn to large, panoramic and even epic artworks, and painted a number of them in his lifetime. He was one of the first artists who started to paint panoramic landscapes of Soviet
Lithuania, which were intended to be used for decorating the interiors of public buildings. Large artworks created in the 1950s and 60s can be considered as one of the most characteristic paintings of this type. More notable of them are: "Panorama of Vilnius City", "Salute in Vilnius" and "The
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family. His father was a land-surveyor, and his mother was music and singing teacher, who occasionally painted as well. His grandfather, on the mother's side, was a sculptor, and his aunt (A. Bobrowicz) was a painter. As a child, growing up in rural Latvia, Czeslaw was surrounded by nature. The farmhouse where he lived was always abundant in flowers. His mother adored art and it was under her influence that
Czeslaw first discovered painting. From that point on he never stopped. When he entered high school, in
635:(Polish: Dzwinsk), his aunt was guiding him further in his art education. Being in high school, he met a student (A. Pliszko) from St. Petersburg Arts Academy. Pliszko perceived a talent in Czeslaw's artworks and invited him to St. Petersburg. After finishing high school Czeslaw collected all the money he could from selling his belongings and savings from various jobs to move to St. Petersburg. In 1911 Znamierowski arrived in St. Petersburg to continue his art education. In Znamierowski's words:
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had to withdraw himself from school, and go back home because of a difficult family situation. After over a year of the interruption
Czeslaw came back to continue his studies. In 1915 Znamierowski was accepted into St. Petersburg Academy of Arts, where teachings of Arkady Rylov (1870 – 1939) and works of Isaac Levitan (1860–1900) had a strong impact on the young artist. However, his studies were cut short, this time by the 1917 Great October Revolution. In Znamierowski's words:
1451:(Russian spelling), Cheslav Znamierovsky (English spelling), and Czeslaw Znamierowski or Czesław Znamierowski (Polish spelling). Because his parents were from Poland, Czeslaw Znamierowski adopted a Polish spelling of his name, and signed his artworks most often with "Cz. Znamierowski" as a signature. Other signatures used included "C. Znamierowski", "Czeslaw Znamierowski", and "C.Z." (most common for smaller artworks).
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to depict constantly changing mood of nature which showed many impressionist tendencies in his art. Znamierowski greatly excelled in large landscapes and cityscapes, which took a major place in his artistic career. Many of such artworks were of monumental panoramic size, often depicting people in them. Art critics stated that landscapes were where the artist revealed himself the most.
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644:"I could not be indifferent to what was happening. In Zatishye, I propagated among the peasants and was appointed as the secretary of the Public Committee of Peasants. In January 1918 the white guardsmen arrested me, I was in danger of being executed, I barely saved my life. I faced possible imprisonment, however, this couldn't hold me from continuing to take action."
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man bustling in between the flowers. Because of this, the house resisted all reconstruction trends, which were popular in the Soviet Union, especially after World War II. Znamierowski's engagement in floriculture got him a yearly distinction from the town council. He continued maintaining his garden until he died.
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Znamierowski had many other talents. He was well versed in wood-carving, architecture, carpentry, floriculture. He made his own frames and even carved wooded sculptures for his garden. Znamierowski managed to approach everything independently and achieve perfect quality in almost all things he tried.
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Znamierowski worked in different genres such as portrait, still-life landscapes, cityscapes, architectural sites and other compositions. He was considered a great master of this profession and received many orders. When he went to paint, he often brought back not one, but three or four sketches which
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Znamierowski was extremely fond of depicting
Vilnius, its surroundings, rivers and lakes. He became greatly attracted to the hills, valleys and evergreen pine forests of Lithuanian capital. Theme of Vilnius countryside makes up a significant part in his artworks. Almost all of his major paintings are
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After the
October Revolution Znamierowski came back to Latvia. There he took an active part in establishing of the Soviet government, and for some time had worked as a chairman of Proletariat Culture of Liucen region. He also returned to the life of art, displaying his landscapes in Riga Art Gallery.
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Although residing in Latvia, and later in
Lithuania, Znamierowski's family was ethnically Polish, making his nationality also Polish; "Czeslaw Znamierowski" is a Polish name, and Znamierowski clearly made a point of spelling it in a Polish way (Example of Lithuanian spelling: Česlovas Znamierovskis)
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Znamierowski was very sensitive to the beauty of nature, subtly grasping its specifics and feeling the rhythm of the composition. He was never limited to one type of scenery, state of weather or time of the year. Some of his artworks are dark and gloomy (ex: "Storm Clouds") while others are cheerful
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Znamierowski left Latvia in 1926, moving to the neighboring Poland, so he could again resume his art education. This time he applied and was admitted to the
Vilnius University Faculty of Art, which at the time was under the management of a well-known artist, Ferdynand Ruszczyc (1870–1936). In order
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From 1926 until his death in 1977 Znamierowski resided in
Vilnius, Lithuania. Most of his artworks were dedicated to and about this country. He was awarded a title of Honorable Artist of LSSR. Znamierowski learned, read, wrote, and spoke fluent Lithuanian, but above that, he accepted Lithuania, and
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Znamierowski was known for his joyful personality, outer calmness and great inner emotions which he had been expressing through his art. He was always caring and generous person. People that knew him said he was always in a good mood, full of energy and creativity. Even after his 80th birthday, he
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Znamierowski's art was popular at home and abroad. He was one of the few artists in the Soviet Union, whose art was allowed to leave The Iron Curtain. His artworks were sold to museums, state institutions, galleries and private collection of Lithuania, Latvia, Poland, Russia (within Soviet Bloc) as
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Znamierowski painted primarily in three styles, often intermixing them together – realism, romanticism, impressionism. From very early on Znamierowski was greatly influenced by academic style of Russian art and realism in general, which was infused in him by his teachers (A. Rylov, A. Dubovskoy) in
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As an artist, Znamierowski was most known for two things – social realism and nature. Although an active communist, about 90 percent of his artworks had nothing to do with the Soviet agenda and were focused primarily on the beauty of natural environment around him. Znamierowski strived and was able
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Although the house does not exist anymore, during Czeslaw's life, due to his gardening efforts the house was considered a piece of art, and one of the city's unofficial touring sights. Some local residents and tourists took a trolley or a bus to see the charming garden on the hill with a lively old
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He continued to participate in exhibitions, social events and activities up until 1941 when the war broke out between Nazi Germany and the Soviet Union. His last exhibition before the war was in 1939 in Warsaw, just before it was invaded by the German forces. Znamierowski survived World War II, and
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He was admitted into the "Society for the Encouragement of the Arts" located on Bolshaya Morskaya Street, not far from the Moika river. The society was headed by Nicholas Roerich (1874–1947), who guided Znamierowski in his art education in St. Petersburg. Shortly after Czeslaw began his studies, he
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street. That house was a representation of the artist and brought him certain fame in the city. As a painter and a lover of flowers, Znamierowski redecorated the front yard into one of the most beautiful gardens in the city, attracting a lot of attention in the summer months. His garden contained
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The love for nature was instilled in him early on by the place of his birth and by his mother's love for flowers and gardening. Growing up in a small Latvian village, from early childhood he started to admire the changing colors of the seasons, the beauty of the fields, forests, lakes and rivers.
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Exhibitions were very personal to Znamierowski. He felt that an exhibition of his art is a "confession" of his entire life. After nearly 50 years of being a professional artist, Znamierowski had a substantial amount of small and large exhibitions in some of the most prominent national museums and
619:. His artworks were sold to museums, state institutions, galleries and private collection of Lithuania, Latvia, Poland, Russia (within the Soviet Bloc) as well as USA, Canada, Germany, Sweden, Spain, France (outside the Soviet Bloc) It is very likely that his art was sold to many other countries:
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A large painting of Vilnius City created by Znamierowski took the center stage in the LSSR pavilion during the Exhibition of National Economic Achievements in Moscow. Other prominent locations where Znamierowski's paintings were exhibited include: The National Museum of Riga, Vilnius University,
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After finishing his studies and becoming an accomplished full-time artist, Znamierowski gained substantial popularity in Poland. Many of his paintings were acquired by Zacheta National Gallery of Art in Warsaw. In 1931 Czeslaw got an honor prize for his art, and in 1932, in Kraków he obtained an
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Technically, Znamierowski was born in the Imperial Russia (which Latvia was part of at that time). He was fluent in Russian and for several years lived and received his highest art education in St. Petersburg (Russia). He was most influenced and painted in what can be called Russian realism and
704:"This house - is a piece of art. That is why it resisted trends and reconstructions, and it was left to enjoy the eyes all walking and driving by. We have to mention though that besides art Czeslaw Znamierowski is engaged in floriculture and receives a yearly distinction from the Town Council."
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Znamierowski was born on May 23, 1890, in Latvia in a small village of Zatishye (Lithuanian: Zatišje // Polish: Zacisze). The village itself was part of the rural district of Pilden, Ludza region, which bordered Latvia and Belarus. He was born into a poor but very artistic working-class Polish
991:"Czeslaw Znamierowski's art covers thousands of landscapes, portraits, architectural sites. His paintings are located in many museums and art galleries; they can be found abroad as well. Sir Czeslaw did not obey vanity, he was not looking for fame, but he was a painter of uncommon reputation."
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In 1947 Znamierowski became a member of the LSSR Artists Union, and in 1965 he was awarded with a prestigious title of Honorable Artist of LSSR. Being an active supporter of Socialism, during an interview in 1970, here's what he said about the ideology and how it relates to his art:
676:"C.Z.: During the war I was still painting. When the bombarding of the town began, we were laying just here, in this room, one on top of the other on the floor. Reporter: Did you not hide the paintings? C.Z.: No. Reporter: And after the war? C.Z.: I painted, I painted, I painted…"
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In August 1970, Znamierowski held a solo anniversary exhibition celebrating his 80th birthday and 50 years as a professional artist. Exhibition turned out to be again his largest to date. Over 300 paintings were exhibited, representing more than 40 years of work.
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1006:"Č. Znamierovskis’ harvest, collected within half of the century, is abundant: about 2300 works of art. They are widely spread over different museums of our and foreign countries, we will find his paintings in institutions, schools, cafes and hotels."
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to relocate to Vilnius he had to sell everything he had including his family house in Latvia. The reason why Znamierowski entered Vilnius University was not because he lacked knowledge or skills, but because he specifically wanted to study with Prof.
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Russian academic style. In addition Znamierowski was a supporter of communism which was a vivid connection to Russia, where the ideology was the strongest. Because of these factors, to date he is perceived by many as a Soviet Russian artist.
1400:"For him there were no boundaries between nationalities. He readily made friends with the natives of any country.... He was no stranger to Latvians, Lithuanians, Jews, Tatars, Karaites, Russians. He was ready to help everyone if possible."
947:"By his attitude toward nature, his style is close to the "hedonistic" trend. … In the sketches painted directly from nature he is more sensitive and tender, while in large canvases he idealizes nature and tries to make it more beautiful."
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661:. He finished his studies in 1929, however the move to Poland turned out to be a permanent one. He fell in love with the country, and although traveling extensively throughout his life, Vilnius was where he lived until his final days.
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Znamierowski's biggest canvas was called "Panorama of Vilnius City". It was 8 meters wide by 2.5 meters tall, and was exhibited in Moscow in the pavilion of the Lithuanian SSR at the Exhibition of National Economic Achievements.
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on many of his artworks, even those that were painted in (and dedicated to) Lithuania. Further more the artist kept close ties and was exhibited numerously in Poland (see chapter Exhibitions). Znamierowski was fluent in Polish.
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exhibition called "Incentive". Znamierowski often took part in organizational and social activity. In 1933 he organized the first Vilnius Independent Artists Society, which played an important role in Lithuanian art history.
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galleries of the Soviet Union. He had seven major solo exhibitions in Vilnius and Warsaw. Znamierowski's artworks were exhibited in Riga, Ludza, Vilnius, Kraków, Warsaw, Moscow, St. Petersburg and many other cities in USSR.
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In September 1976 Znamierowski's last major exhibition took place in Warsaw Art Gallery. Fifty artworks were presented. Znamierowski gave an interview to a reporter not long before that exhibition, here's what he said:
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Znamierowski's biggest canvas was called "Panorama of Vilnius City". It was 8 meters wide by 2.5 meters tall, and was exhibited in Moscow in the pavilion of the Lithuanian SSR at the Exhibition of National Economic
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Znamierowski was one of the first artists who started painting monumental panoramic landscapes of the Soviet Lithuania, many of which decorated interiors of state buildings not only in Soviet Lithuania but USSR at
428:, known for his large artworks and love of nature. Znamierowski combined these two passions to create some of the most notable paintings in the Soviet Union, earning a prestigious title of "Honorable Artist of
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the remainder of his life, and often painted images of the cities landscapes. By 1965, he painted around 1400 landscapes and made 800 sketches and over 3000 artworks in his entire 50-year career as an artist.
986:"He devoted all his vigor and talent to art. You will find many of his paintings not only in the museums and institutions of Lithuania, but also in Latvia, USA, Sweden, Germany, as well as in private homes"
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921:"I want to approach nature as close as possible so one could take a walk in my picture. I want my art to convey the mood so it would be possible to tell the season or even the time of the day".
503:" by Czeslaw Znamierowski, oil on canvas, 145 x 250 cm, 1955. This is Znamierowski's second largest artwork ever created and the largest that survived to date. Located in the Tamoikin Art Fund.
895:"I am preparing an exhibition sale in the Warsaw Art Gallery which will take place in the middle of September. I organize such exhibitions very often. This year I will display 50 canvasses."
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Znamierowski was born, schooled and took up art in Latvia. His entire family lived there, and it is the country where his career as an artist began. Znamierowski was fluent in Latvian.
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National Art Museum of Lithuania, National Art Gallery of Lithuania, Vilnius Exhibition Place, State Gallery of Kraków, Warsaw Art Gallery, Zacheta National Gallery of Art and others.
756:"Znamierowski obtained diplomas and medals many times. He had exhibitions in Warsaw, Moscow, London and also beyond, in Europe and America. His paintings were bought with willingness."
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even continued to paint during those difficult years, while helping with the war efforts. Here is what Znamierowski said to a reporter in a 1970 interview about that time period:
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In 1933 at an exhibition called "Incentive" organized by the Zacheta National Gallery of Art C. Znamierowski won a bronze medal, once again for his painting "Before Rain".
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789:"The dearest things are always those that occur for the first time in life. In 1929 I arranged the first one-man exhibition in Vilnius and exhibited about 60 artworks"
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Due to his intentional and unintentional multiculturalism, Znamierowski is considered a national artist of four countries – Latvia, Lithuania, Poland and Russia.
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1010:"Within the long years of creative activity the artist produced more than 2000 paintings and sketches many of which were acquired by museums and art lovers."
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Throughout his life he traveled a lot, especially in the Caucasus, Crimea and Zakarpattia regions. From each trip he would bring between 20 and 25 canvasses.
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In 1920 he started participating in more exhibitions and became a member of the Latvian Independent Artists Society as well as the Latvian Artists Union.
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Over all the theme of the countryside takes a major part in his art and especially large panoramic paintings such as "Panorama of Vilnius City" and "The
2824:"Всесоюзная художественная выставка 1947 года: каталог выставки живописи, скульптуры и графики. М.; Л.: Искусство, 1947. 98 с., 22 л. ил. 21,4×14,8 см"
777:"In 1920 I took part for the first time in an exhibition in Riga. I remember, the Swedish Association of the Independent Artists bought two paintings."
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2234:"Tretyakov Gallery Catalog: "1947 UNION-WIDE ART EXHIBITION – Fine Art, Sculpture, Graphic Arts" featuring "Early Snow" by C. Znamierowski on pg. 31"
2171:"Tretyakov Gallery Catalog: "1947 UNION-WIDE ART EXHIBITION - Fine Art, Sculpture, Graphic Arts" featuring "Early Snow" by C. Znamierowski on pg. 31"
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Regardless of what form of art he engaged in, he deeply believed that art had to be beautiful and reflect the environment of a specific time period.
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On August 9, 1977, at the age of 87 the painter Znamierowski died. He was a professional artist for his entire life. Czeslaw was laid to rest at the
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637:"I did not hesitate much, I sold my bicycle, with the cash collected I bought a railway ticket and in 1911 I found myself in a building at Moika…"
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well as USA, Canada, Germany, Sweden, Spain, France (outside Soviet Bloc) It is very likely that his art was sold to many other countries:
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In 1930 Znamierowski established the first Independent Artists Society in Vilnius, which was an important event in Lithuanian art history.
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After being a professional artist for over 50 years and creating more than 3000 artworks, when asked about discipline Znamierowski said
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There were several alternate spellings for his name, including Česlovas Znamierovskis or Česlovas Znamerovskis (Lithuanian spelling),
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Znamierowski's art was popular at home and abroad. He was one of the few artists in the Soviet Union, whose art was allowed to leave
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For his artistic accomplishments Znamierowski received two honorary diplomas from the Supreme Presidium Committee of Lithuanian SSR.
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Newspaper: Znad Wilii, Nr. 14 ( 67 ), Wilno, 5-18 lipca, 1992, Czeslaw Znamierowski - Plastyczny Malarz Wilenski, Aleksy Aniszcyk.
937:"This is not for me. If it clings– I can paint for hours without stopping. If it doesn't – I may not work for a couple of weeks".
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By 1965 Znamierowski created between 2000 and 2400 artworks, and by 1976 that number reached over 3000 (paintings and sketches).
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Czesław Znamierowski (1890–1977), Still-life with apples and roses, 1947, oil on canvas, 49 × 63 cm, Lithuanian Art Centre TARTLE
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Honorary Diploma for his landscape painting "Before Rain". In 1933, again, his painting "Before Rain" won him a bronze medal in
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In 1931 during an exhibition held by the State Gallery of Kraków, Znamierowski received an honor prize for his paintings.
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Czesław Znamierowski (1890–1977), Winter in the forest, 1964, oil on canvas, 81 × 116 cm, Lithuanian Art Centre TARTLE
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C. Znamierowski's first participation in a major post war exhibition along other known Soviet artists and sculptors.
683:"My motto has always been the Lenin's principle, that art is for the people and must be widely comprehensible by all"
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Czesław Znamierowski (1890–1977), A bend in a river, 1960, oil on canvas, 86 × 130 cm, Lithuanian Art Centre TARTLE
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Czesław Znamierowski (1890–1977), Vilnius in winter, 1973, oil on canvas, 64 × 99 cm, Lithuanian Art Centre TARTLE
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Czesław Znamierowski (1890–1977), The sea at night, 1960, oil on canvas, 68 × 116 cm, Lithuanian Art Centre TARTLE
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1208:"Portrait of the Socialist Labor Hero O. STANŽIENĖS", 1960, Oil on canvas, 120x90cm, Sig. Cz. Znamierowski 60
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and bright, especially when he painted the seaside in Palanga and the Black Sea (ex: "Wind from the Sea").
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Czesław Znamierowski (1890–1977), Winter, 1921, oil on canvas, 44.50 × 67 cm, Lithuanian Art Centre TARTLE
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In 1932 in an art contest in Kraków he received an art diploma for his landscape painting "Before Rain".
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1947 – The State Tretyakov Gallery. "1947 UNION-WIDE ART EXHIBITION - Fine Art, Sculpture, Graphic arts"
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Czesław Znamierowski (1890–1977), Dahlias, 1950, oil on canvas, 44 × 58 cm, Lithuanian Art Centre TARTLE
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In 1929, upon graduation from Vilnius University, Znamierowski arranged an exhibition of his artworks.
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559:"Winter Forest" by Czeslaw Znamierowski, oil on board, 39.5 x 69.5 cm, 1970s, Tamoikin Art Fund
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575:"Mountain River" by Czeslaw Znamierowski, oil on board, 39 x 69 cm, 1975, Tamoikin Art Fund
543:"Snowy rooftop" by Czesław Znamierowski, oil on board, 21 x 27 cm, 1953, Private collection
1278:"ANTAKALNIO BRIDGE CONSTRUCTION", 1965, Oil on canvas, 73x170cm, Sig.: Cz. Znamierowski 65
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In celebration of his 85 birthday Znamierowski held a one-man exhibition in Vilnius city.
1268:"DVARČIONIŲ Brickyard Quarry", 1964, Oil on canvas, 105x150cm, Sig.: Cz. Znamierowski 64
424:(23 May 1890 – 9 August 1977) was a renowned Soviet Lithuanian painter, a member of the
1041:"Night on the River", 1952–1953, Oil on canvas., 112x144cm, Sig.: C. ZNAMIEROWSKI 52-53
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All works in this column are found in the Directory of Lithuanian painting (1940-1990)
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In Vilnius, Czeslaw lived and worked his entire life in the same house located on 15
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This article is about the Soviet Lithuanian painter. For the Polish philosopher, see
1238:"Autumn motif (VILNELĖ.RUDUO)", 1961, Oil on canvas, 73x117cm, Sig.: ZNAMIEROWSKI 61
1111:"Fishing Port in Klaipeda", 1958, Oil on canvas, 125x195cm, Sig.:Cz. Znamierowski 58
2213:"ВСЕСОЮЗНАЯ ХУДОЖЕСТВЕННАЯ ВЫСТАВКА 1947г. в Государственной Третьяковской галерее"
2157:"Šiauliuose – kolekcininko E. Armoškos "Aušros" muziejui dovanotų paveikslų paroda"
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599:"River" by Czeslaw Znamierowski, oil on canvas, 49 x 49 cm, 1972, Tamoikin Art Fund
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1844:"Знамеровский (Знамеровскис) Чеслав Викторович (Znamerovskis Cheslav) (1890–1977)"
535:"Lake" by Czeslaw Znamierowski, oil on canvas, 45 x 56 cm, 1961, Tamoikin Art Fund
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1687:"SINGER OF VILNIUS LANDSCAPE - Daily Evening News, No 121, Vilnius, 25 May 1965"
1308:"Tatras. EYE OF THE SEA", 1967, Oil on canvas, 102x112, Sig.: Cz. ZNAMIEROWSKI 67
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1089:"Forest Stream in Winter ", 1955, Oil on canvas, 73x116cm, Sig.:C. ZNAMIEROWSKI
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List of Znamierowski's exhibitions that were confirmed through public records:
1155:"Neris in spring", 1959, Oil on canvas, 89.5x146cm, Sig.: Cz. ZNAMIEROWSKIS 59
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1248:"VILNELĖ Yesterday", 1963, Oil on canvas, 79x147cm, Sig.: Cz. Znamierowski 63
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In 1954, Znamierowski held another one-man exhibition in Vilnius, Lithuania
1056:"Caucasus Mountains", 1953, Oil on canvas, 80x105cm, Sig.: C. ZNAMIEROWSK 53
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From 1970 to 1977 Znamierowski was the eldest living artist of Vilnius city.
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Znamierowski created over 3000 artworks in his 50-year career as an artist.
1218:"MOTYVAl EVENING", 1960, Oil on canvas, 54x72cm, Sig.: Cz. Znamierowski 60
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2260:"Lithuanian Art Centre TARTLE - Author: Czesław Znamierowski (1890–1977)"
1188:"Palangos Beach", 1959, Oil on canvas, 85x146cm, Sig.: Č. Znamierowski 59
1177:"Palangos Dunes", 1959, Oil on canvas, 80x150cm, Sig.: Č. Znamierovkis 59
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1348:"HIGH VOLTAGE", 1969, Oil on canvas, 86x110cm, Sig.: Cz. ZNAMIEROWSKI 69
1258:"Sea – Sunset", 1963, Oil on canvas, 80x116cm, Sig.: Cz. Znamierowski 63
1067:"First Show", 1954, Oil on canvas, 130x200cm, Sig.: Cz. ZNAMIEROWSKI 54
488:
305:
713:
different variety of roses, gerberas, dahlias and many other flowers.
2369:"Лот | Портрет военного - аукцион онлайн. Москва | antiqueauction.ru"
1328:"Baltic Sea", 1968, Oil on canvas, 80x135cm, Sig.: C. Znamierowski 68
899:
Note: this is not at complete list of C. Znamierowski's exhibitions.
460:
283:
2207:
2205:
1288:"Silenced", 1965, Oil on canvas, 76x131cm, Sig.: Cz. Znamierowski 65
1166:"Early Snow", 1959, Oil on canvas, 89x167cm, Sig.: C ZNAMIEROWSKI 59
1338:"NEMUNAS", 1969, Oil on canvas, 75x150cm, Sig.: Cz. Znamierowski 69
867:
In 1962 Znamierowski held the largest one-man exhibitions to date.
1228:"NEMUNAS", 1961, Oil on canvas, 78x13cm, Sig.: Cz. Znamierowski 61
1198:"Tatras", 1959, Oil on canvas, 89x131cm, Sig.: Cz. Znamierowski 59
998:"His works have been acquired by Lithuanian and foreign museums."
621:"His works have been acquired by Lithuanian and foreign museums."
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may be in need of reorganization to comply with Knowledge (XXG)'s
2802:
Lietuvos TSR Rašytoju sąjungos savaitraštis: Literatura ir Menas
1298:"Coach", 1967, Oil on canvas, 89x146cm, Sig.: Cz. Znamierowski 67
957:"I like winter, water and particularly the sea – it so colorful…"
1122:"VILNELĖ", 1958, Oil on canvas, 100x126cm, Sig.: ZNAMIEROWSKI 58
1030:"Fireworks", 1947, Oil on canvas,100x150cm, Sig.: C Znamierowski
854:
1960 – National Economic Achievements Exhibition, Moscow, Russia
1619:[Česlovas Znamierovskis Celebrates his 85th Birthday].
1357:"Sea", 1969, Oil on canvas, 47x130cm, Sig.: Cz. Znamierowski 69
1048:", 1955, Oil on canvas, 1.45m x 2.5m, Sig.:C. Znamierowski 55
172:
122:
68:
27:
2842:"CZESLAW ZNAMIEROWSKI - A MULTICULTURAL ARTIST FROM THE USSR"
1814:] (in Lithuanian). Vilnius: State Publishing House. 1961.
823:
In 1936 Znamierowski organized yet another solo exhibition.
1980:(in Lithuanian). Vilnius: Lithuanian Creative Unions Weekly
1930:(in Lithuanian). Vilnius: Lithuanian Creative Unions Weekly
1623:(in Lithuanian). Vilnius: Lithuanian Creative Unions Weekly
1100:"Spring Stream", 1955, Oil on board, 24.5x31cm, Sig.: CZ 55
2159:. Šiaulių „Aušros“ muziejui. bernardinai.lt. 31 July 2015.
2196:"Картина литовского художника продана за рекордную сумму"
1366:"Portrait of ANTANAS SNIECKUS", 1974, Oil on board, 30x32
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1493:[Directory of Lithuanian painting (1940-1990)].
743:
In 1965 Znamierowski became an Honorable Artist of LSSR.
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2096:] (in Lithuanian). Vilnius: VAGA. pp. 173–184.
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as well as in known private collections and art funds.
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1497:. Lithuanian Art Museum. 9 August 2011. Archived from
1313:"Portrait of Marshal Grzeczko in the Officers House"
827:
1939 – Zacheta National Gallery of Art, Warsaw, Poland
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1933 – Zacheta National Gallery of Art, Warsaw, Poland
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1318:"Vilnius Surroundings", 1967, Oil on canvas, 116x97cm
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2442:[Charm of Flowers, Beauty of Landscapes].
1136:"Declaration of Soviet Power in Vilnius in 1918"
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2030:[Flowers in Creative Work and at Heart].
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1144:"Sea", 1958, Oil on canvas, 56x31cm, Sig.: CZ 58
1078:"Vilnius. Valakampių", 1955, 25x31cm, Sig.:C. Z.
832:"In 1939 my last pre-war exhibition took place."
611:, 1949, Czeslaw Znamierowski, private collection
2670:[Report on 40 Years of Creative Work].
2542:[The Oldest Visual Artist in Vilnius].
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2278:"Lietuvos Meno Fondas - Česlovas Znamierovskis"
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467:twice between 1912 and 1917, and then attended
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1070:"The Victory Day Celebration in Vilnius", 1950
95:to make improvements to the overall structure.
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1033:"Panorama of Vilnius City", 1950s, 8m x 2.5m
208:. Please discuss this issue on the article's
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1133:"Autumn etude", 1958, Oil on canvas, 40x53cm
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1976:[A Modest Man Departed This Life].
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863:1962 – Vilnius Exhibition Palace, Lithuania
62:Learn how and when to remove these messages
2730:[Crimson Nights, Greenish Mists].
2604:[In Love with Vilnius Landscape].
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2292:"Tamoikin Art Fund - Czeslaw Znamierowski"
2115:Единый художественный рейтинг. Справочник.
1417:especially Vilnius (capital) as his home.
819:1936 – State Gallery of Vilnius, Lithuania
257:
246:
1491:"Katalogas "Lietuvos tapyba (1940–1990)""
432:" in 1965. His works can be found in the
235:Learn how and when to remove this message
161:Learn how and when to remove this message
111:Learn how and when to remove this message
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360:Panorama of Vilnius City, The Green Lake
2504:Motuza, Boleslovas (6 September 1970).
2107:Russian Trade Union of Artists (2006).
1769:
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1692:[Singer of Vilnius Landscape].
1473:
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1375:"The Birch", 1970s, Oil on board, 44x37
1343:"Snowy rooftop", Oil on board, 21x27cm
1323:"Portrait of lawyer Krištapovič", 1950
2844:. shoutoutuk.org. SOUK. Archived from
2508:[The Works and the Thoughts].
1147:"Building of Bridge across the Neris"
803:1932 – State Gallery of Kraków, Poland
795:1931 – State Gallery of Kraków, Poland
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1333:"Soldier's portrait", 1949, 115x70cm
7:
2294:. Tamoikin Art Fund . Archived from
871:1970 – Vilnius Art Museum, Lithuania
846:1954 – Vilnius Art Museum, Lithuania
783:1929 – Vilnius University, Lithuania
772:1920 – Riga National Museum, Latvia
471:from 1926 to 1929. He studied under
145:Please help consolidate the article.
2668:"40 - ties metu kūrybine ataskaita"
1972:Jusionis, Stasys (20 August 1977).
1081:"Panorama of the Neris River", 1949
2666:Jaskūnaite, O. (1 December 1962).
2438:Juchniewich, H. (22 August 1976).
2340:(in Lithuanian). Vilnius: VAGA: 92
14:
2726:Znajdzilowska, B. (23 May 1970).
2094:Landscape in Lithuanian Paintings
1926:[50 Years at the Easel].
1826:"Cheslav Victorovich Znamerovsky"
1114:"Control of the Neris Flow", 1959
888:1976 – Warsaw Art Gallery, Poland
693:St. Peter's and St. Paul's Church
339:Vilnius University Faculty of Art
43:This article has multiple issues.
2904:20th-century Polish male artists
2894:20th-century Lithuanian painters
2800:[Decades at the Easel].
2728:"Malinowe noce, Zielonkawe mgły"
2440:"Czar kwiatow, urok krajobrazow"
1812:Chronicles of Literature and Art
1125:"In Klaipeda Fishing Port", 1959
422:Czeslaw Viktorovich Znamierowski
263:Portrait of Czesław Znamierowski
192:to read and navigate comfortably
177:
127:
73:
32:
2266:. Lithuanian Art Centre TARTLE.
1084:"Vilnele: The Last Snow", 1960
667:Zacheta National Gallery of Art
51:or discuss these issues on the
2796:Pranckūnas, E. (23 May 1965).
2332:Sergijevičius, Petras (1979).
1617:"Česlovui Znamierovskiui - 85"
1062:"Night above the River", 1943
442:Warsaw National Gallery of Art
1:
2600:Alekna, Romas (25 May 1965).
2540:"Najstarszy Plastyk Wilniusu"
2086:Savickas, Augustinas (1965).
1807:Literatūros ir meno metrastis
1685:Alekna, Romas (25 May 1965).
1615:Alekna, Romas (24 May 1975).
465:St. Petersburg Academy of Art
2798:"Dešimtmečiai prie Molberto"
2198:. obzor.lt. 18 October 2018.
2026:Jakutyte, R. (23 May 1970).
1922:Pranulis, E. (23 May 1970).
880:1975 – Vilnius State Gallery
2830:. Аукционный дом «Литфонд».
2129:"Resources and Information"
2028:"Gėles kūryboje ir širdyje"
1213:"Chosta. A Park Fragment"
1139:"Lenin Square in Vilnius"
1016:Znamierowski's artworks in
695:graveyard in Vilnius city.
200:content into sub-articles,
2920:
2602:"Pamilęs Vilniaus peizažą"
2089:Peizažas lietuvių tapyboje
1804:"Česlovas Znamierovskis".
1689:Певец Вильнюсского Пейзажа
1073:"Salute in Vilnius", 1957
426:Artists' Union of the USSR
20:
2889:Vilnius University alumni
2538:Uloza, W. (23 May 1965).
1495:Lietuvos dailės muziejaus
1103:"Salute in Vilnius", 1957
929:related to Vilnius city.
451:Znamierowski was born in
415:
388:
256:
2334:"Česlovas Znamierovskis"
2114:
1688:
1022:Large panoramic artworks
487:. Znamierowski lived in
383:Honorable Artist of LSSR
335:Imperial Academy of Arts
140:too many section headers
2280:. Lietuvos Meno Fondas.
1924:"50 metu prie molberto"
1203:"Winter in Mountains"
1183:"The Neris in Autumn"
1158:"The Neris in Vilnius"
1106:"The First Snow", 1974
1095:"Autumn's Motif", 1969
438:Šiaulių „Aušros“ Museum
1293:"By the river Wilia"
1025:Other known artworks:
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2133:archivesofculture.com
2110:United Artists Rating
1974:"Išėjo kuklus žmogus"
1172:"Wind from the Sea"
1051:"Storm Clouds", 1933
1036:"Before Storm", 1932
1018:Lithuanian Art Museum
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434:Lithuanian Art Museum
2672:Literatūra ir menas
2606:Vakarines naujienos
2238:Czeslaw Znamierowski
2175:Czeslaw Znamierowski
2032:Vakarinės naujienos
1978:Literatūra ir menas
1928:Literatūra ir menas
1621:Literatūra ir menas
699:Znamierowski's House
251:Czeslaw Znamierowski
23:Czesław Znamierowski
2298:on 18 November 2020
1850:. Трамвай искусств.
1449:Чеслав Знамеровский
1414:Lithuania's claim –
1283:"Moonlight Night"
1233:"Wife's Portrait"
1092:"The Nemunas", 1956
1059:"Before Rain", 1930
959:– C. Znamierowski.
791:– C. Znamierowski
659:Aleksander Szturman
93:editing the article
2848:on 20 January 2021
2732:Czerwony Sztandar
2544:Czerwony Sztandar
2506:"Darbai ir mintys"
2444:Czerwony Sztandar
2240:. 21 February 2021
1848:tramvaiiskusstv.ru
1303:"After the Rain"
834:– C. Znamierowski
779:– C. Znamierowski
655:Ferdynand Ruszczyc
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473:Ferdynand Ruszczyc
469:Vilnius University
399:Ferdynand Ruszczyc
16:Lithuanian painter
2899:People from Ludza
2373:antiqueauction.ru
1694:Вечерние новости
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446:Tretyakov Gallery
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373:Socialist realism
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86:layout guidelines
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2112:. Reference book
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1501:on 16 March 2015
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1428:Russia's claim –
1421:Poland's claim –
1408:Latvia's claim –
1395:Multiculturalism
1193:"Cold Morning"
1169:"Palanga Dunes"
1128:"Spring Motif"
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617:The Iron Curtain
485:Nicholas Roerich
410:Nicholas Roerich
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1178:
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1152:
1151:
1150:"With Catch"
1148:
1145:
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1129:
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1119:
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1117:"March", 1974
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982:
979:
974:Other talents:
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627:
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609:Vladimir Lenin
417:
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396:
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346:
345:Known for
342:
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328:
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322:
318:
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304:
302:(aged 87)
296:
292:
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288:Russian Empire
274:
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204:it, or adding
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2124:
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2117:(in Russian).
2113:
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2100:
2095:
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2082:
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2014:
2012:
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1300:
1297:
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1277:
1276:
1273:"Waterfall"
1272:
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1250:
1247:
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1227:
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1223:"Sea Motif"
1222:
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1212:
1210:
1207:
1206:
1202:
1200:
1197:
1196:
1192:
1190:
1187:
1186:
1182:
1180:"With Catch"
1179:
1176:
1175:
1171:
1168:
1165:
1164:
1161:"The Neris"
1160:
1157:
1154:
1153:
1149:
1146:
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1138:
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745:
742:
739:
737:Achievements.
735:
732:
728:
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724:
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689:
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565:
557:
549:
541:
533:
525:
517:
509:
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497:
493:
490:
486:
482:
481:Isaac Levitan
478:
474:
470:
466:
462:
459:, in eastern
458:
454:
449:
447:
443:
439:
435:
431:
427:
423:
414:
411:
408:
407:Isaac Levitan
404:
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387:
384:
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377:
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367:
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353:
350:
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343:
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336:
333:
329:
326:
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319:
315:
311:
307:
298:9 August 1977
297:
293:
289:
285:
281:
277:
271:
267:
260:
255:
248:
239:
236:
221:
218:February 2023
211:
207:
203:
199:
193:
191:
186:This article
184:
175:
174:
165:
162:
154:
151:February 2023
142:
141:
136:This article
134:
125:
124:
115:
112:
104:
101:February 2023
94:
88:
87:
82:This article
80:
71:
70:
65:
63:
56:
55:
50:
49:
44:
39:
30:
29:
24:
19:
2850:. Retrieved
2846:the original
2836:
2827:
2818:
2806:. Retrieved
2801:
2736:. Retrieved
2731:
2676:. Retrieved
2671:
2610:. Retrieved
2605:
2548:. Retrieved
2543:
2514:. Retrieved
2509:
2448:. Retrieved
2443:
2376:. Retrieved
2372:
2342:. Retrieved
2337:
2300:. Retrieved
2296:the original
2286:
2272:
2263:
2254:
2242:. Retrieved
2237:
2217:maslovka.org
2216:
2190:
2178:. Retrieved
2174:
2165:
2136:. Retrieved
2132:
2123:
2108:
2102:
2093:
2088:
2036:. Retrieved
2031:
1982:. Retrieved
1977:
1932:. Retrieved
1927:
1847:
1838:
1829:
1820:
1811:
1806:
1698:. Retrieved
1696:(in Russian)
1693:
1625:. Retrieved
1620:
1503:. Retrieved
1499:the original
1494:
1456:
1443:
1427:
1426:
1420:
1419:
1413:
1412:
1407:
1406:
1403:
1399:
1398:
1389:
1009:
1005:
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989:
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690:
687:
682:
679:
675:
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651:
647:
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640:
636:
629:
620:
614:
607:Portrait of
477:Arkady Rylov
450:
421:
420:
403:Arkady Rylov
356:Notable work
314:Soviet Union
300:(1977-08-09)
231:
215:
187:
157:
148:
137:
107:
98:
83:
59:
52:
46:
45:Please help
42:
18:
2879:1977 deaths
2874:1890 births
2808:17 December
2734:(in Polish)
2612:28 November
2550:17 December
2546:(in Polish)
2516:17 December
2446:(in Polish)
2378:21 February
2344:22 November
2302:14 December
2244:21 February
2219:. МАСЛОВКА.
2180:21 February
2138:19 February
2038:22 November
1984:22 November
1934:22 November
1830:artchive.ru
1700:22 November
1627:22 November
1505:20 November
1386:Personality
1263:"Dahlias"
1253:"Flowers"
1046:Green Lakes
968:Green Lakes
933:Discipline:
917:Green Lakes
751:Exhibitions
501:Green Lakes
321:Nationality
272:23 May 1890
206:subheadings
2868:Categories
2852:7 February
2828:litfund.ru
2738:6 December
2678:3 December
2450:3 December
1832:. Arthive.
1468:References
1243:"Sketch"
710:Antakalnis
657:and Prof.
633:Daugavpils
325:Lithuanian
202:condensing
48:improve it
2338:Dailė 21
2264:tartle.lt
942:Painting:
394:Patron(s)
331:Education
310:Lithuania
210:talk page
198:splitting
196:Consider
138:may have
54:talk page
981:Artworks
926:Vilnius:
365:Movement
349:Painting
190:too long
963:Genres:
626:History
489:Vilnius
453:Zatišje
369:Realism
306:Vilnius
276:Zatišje
188:may be
2510:Tiesa
730:large.
483:, and
461:Latvia
444:, the
379:Awards
284:Latvia
2092:[
1810:[
1435:Notes
1044:"The
499:"The
457:Ludza
280:Ludza
2854:2021
2810:2013
2740:2013
2680:2013
2614:2013
2552:2013
2518:2013
2452:2013
2380:2021
2346:2013
2304:2020
2246:2021
2182:2021
2140:2023
2040:2013
1986:2013
1936:2013
1702:2013
1629:2013
1507:2013
430:LSSR
295:Died
269:Born
970:".
903:Art
2870::
2826:.
2748:^
2688:^
2622:^
2560:^
2526:^
2460:^
2388:^
2371:.
2354:^
2336:.
2312:^
2262:.
2236:.
2225:^
2215:.
2204:^
2173:.
2148:^
2131:.
2048:^
1994:^
1944:^
1856:^
1846:.
1828:.
1750:^
1710:^
1637:^
1515:^
1476:^
685:.
479:,
475:,
455:,
440:,
436:,
405:,
401:,
371:,
337:,
312:,
308:,
286:,
282:,
278:,
57:.
2856:.
2812:.
2742:.
2682:.
2616:.
2554:.
2520:.
2454:.
2382:.
2348:.
2306:.
2248:.
2184:.
2142:.
2042:.
1988:.
1938:.
1704:.
1631:.
1509:.
238:)
232:(
220:)
216:(
212:.
194:.
164:)
158:(
153:)
149:(
143:.
114:)
108:(
103:)
99:(
89:.
64:)
60:(
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
