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80:...if, as I hope, it is worthy of the matter, I resolve to undertake this work, warning you that if the conduct to the satisfaction, it will be worth fifteen thousand pesos in national currency, with the dimensions of the box four feet wide by three high.
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According to current
European historicist, Subercaseaux tried to choose a defining moment, recreate the atmosphere and give the magnificence required. He based his lighting and perspective studies on contemporary photos inside the
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89:, although it had been remodeled and was no longer similar to the colonial period. The moment depicted is the one when
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93:, who is the one that stands out from the crowd on the left, takes his turn to talk. In the crowd right in front,
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40:("Open Cabildo of May 22, 1810") is a portrait made by the Chilean artist
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that would take place in 1810. Subercaseaux mailed the following terms:
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This article is about the portrait. For the historical event, see
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The portrait was painted in Chile in 1908, as requested by
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97:is represented with a grave and worried face.
44:. It shows the artist's interpretation of the
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100:Currently, the portrait is kept at the
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37:Cabildo abierto del 22 de mayo de 1810
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74:centennial of the May Revolution
16:Painting by Pedro Subercaseaux
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120:Explanation printed at the
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122:National Historical Museum
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70:Ángel Justiniano Carranza
52:on May 22, 1810, in the
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87:Buenos Aires Cabildo
54:Buenos Aires Cabildo
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