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The lack remains, if not as precisely identifiable a lack as in Ozu. Where the older, Japanese filmmaker illustrated the dissolution of his people's families, the younger, Taiwanese filmmaker illustrates the results of that dissolution. This more complicated situation all but demands the hybrid sort
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thus unrolls with the former's stillness, human proportion, and habitation of the architectural, — looking from one door of a home through another into another — but also the latter's spontaneousness and aesthetic drift toward what's (often inexplicably) compelling. Ozu's pillow shots —
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Another review finds obvious similarities with Hou's earlier work in this homage to Ozu: "Visually the film is very much in line with other late 90s/early 00s Hou films, sporting rather long takes and an almost static, slow-moving camera observing the characters."
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character-free images of the natural and build environment included not to serve the film's story but its rhythm — like his people, stood mostly still. Hou's pillow shots, like
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named it as the best film of the 21st century, describing it as " film that happens without you knowing."
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277:(1953). It premiered at a festival commemorating the centenary of Ozu's birth. It was nominated for
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people, move, often with unclear motivation, but always toward what feels interesting.
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285:. The film, with an all-Japanese cast, is set in Tokyo, where it was shot.
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444:"Café Lumière as Hou Hsiao-Hsien's Own and as a Homage to Yasujiro Ozu"
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293:The story revolves around Yoko Inoue (played by
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422:(in French). Presses universitaires de Rennes.
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792:"The Electric Princess Picture House" in
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670:The Time to Live and the Time to Die
523:"Café Lumière [Kohi Jiko]"
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833:Films directed by Hou Hsiao-hsien
259:directed by Taiwanese director
646:The Green, Green Grass of Home
546:Marshall, Colin (2011-06-27).
44:French promotional poster for
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777:Segments in anthology films
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783:"The Son's Big Doll' in
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323:- Hajime Takeuchi (竹内 肇
27:2003 Japan, Taiwan film
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718:Goodbye South, Goodbye
654:The Boys from Fengkuei
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823:Taiwanese drama films
662:A Summer at Grandpa's
448:Frames Cinema Journal
853:Japanese drama films
848:2000s Japanese films
710:Good Men, Good Women
686:Daughter of the Nile
357:was placed at 98 on
313:- Yoko Inoue (井上 陽子
283:Venice Film Festival
863:Films shot in Tokyo
726:Flowers of Shanghai
503:. 13 September 2019
339:- Yoko's stepmother
858:Films set in Tokyo
616:Films directed by
364:In 2019, director
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694:A City of Sadness
527:www.onderhond.com
477:. 7 February 2010
429:978-2-7535-6159-5
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16:(Redirected from
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507:18 September
505:. Retrieved
501:The Guardian
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481:February 10,
479:. Retrieved
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452:. Retrieved
450:. 2016-12-14
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299:Jiang Wen-Ye
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281:at the 2004
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269:Yasujirō Ozu
237:Café Lumière
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209:Running time
186:Release date
95:Fumiko Osaka
73:(screenplay)
46:Café Lumière
45:
33:Café Lumière
18:Cafe Lumiere
750:Three Times
279:Golden Lion
274:Tokyo Story
213:103 minutes
169:Yōsui Inoue
78:Produced by
53:Directed by
818:2003 films
812:Categories
557:2023-06-23
532:2023-06-23
454:2023-06-24
384:explains:
315:Inoue Yōko
255:is a 2003
63:Written by
630:Cute Girl
350:Reception
337:Kimiko Yo
311:Yo Hitoto
295:Yo Hitoto
250:Kōhī Jikō
218:Countries
155:Edited by
131:Kimiko Yo
116:Yo Hitoto
376:Analysis
265:Shochiku
229:Japanese
226:Language
179:Shochiku
165:Music by
109:Starring
333:- Seiji
195: (
798:(2007)
789:(1983)
769:(2015)
761:(2007)
753:(2005)
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729:(1998)
721:(1996)
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403:Notes
581:IMDb
509:2019
483:2010
424:ISBN
305:Cast
289:Plot
263:for
244:珈琲時光
197:2003
193:2003
579:at
396:his
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