87:, chooses about forty members from each junior class and gives out its elections in precisely the way stated in the article describing Psi Upsilon hall ..." "Psi Upsilon at Yale is a junior society, and about forty members of every junior class are elected to membership in the organization. Meetings are held on the Tuesday evenings in term time, and the elections are given out two or three weeks before Commencement. On that occasion the members form in line two deep, and, preceded by a
96:, is always out on the same mission, under precisely similar circumstances. Accident or design, or both, always cause the two processions to pass each other several times during the evening, and each, singing its own society song, attempts to the best of its ability to drown the voices of the other. It is always done with the utmost good nature, and both sides enjoy it heartily, as do the numerous spectators ..."
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The main themes of the piece are the society tunes "And again we sing thy praises, Psi U., Psi U.!" and "A band of brothers in D.K.E., we march along tonight." The tunes begin quietly and slowly and build to a raucous climax as the two groups of students cross each other's paths, and then retreat
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borne on a wooden frame by four members of the society, march around to and visit various rooms, in each of which a certain number of men pledged to join the society are awaiting their coming. The procession files through the room, each member shaking hands with each candidate, and receiving, on
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marching out again, two or three fine cigars, presented by the newly elected members. The other junior society,
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with the New York City Ballet. The work had its New York City Ballet premiere on
January 19, 1978, at the
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in 1977 as part of a concert touring engagement organized by
Martins while he was still a
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Answers.com "Calcium Light Night, for theater orchestra (Set No. 1/5), S. 10v (K. 1C31)"
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for chamber ensemble. The piece pictures an event that occurs on the campus of
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pp. 35–36, Wright and Potter
Printing Co., Boston (digitized by Google Books)
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back to the way they began in a sort of leap-frog retrogression.
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used this score to mark his choreographic debut with the
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that is well-described by W. E. Decrow in his book,
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63:with five other pieces to make
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186:New York City Ballet Website
566:Compositions by Charles Ives
162:William Emery Decrow (1882)
146:were the first to dance it.
262:Three Places in New England
164:Yale and the "City of Elms"
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571:Compositions for orchestra
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414:Songs My Mother Taught Me
273:Symphony No. 1 in D minor
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254:Central Park in the Dark
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438:Variations on "America"
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21:is a piece of music by
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136:New York State Theater
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372:String Quartet No. 1
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232:List of compositions
120:New York City Ballet
31:. It is one of his
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81:Delta Kappa Epsilon
61:Calcium Light Night
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35:and is scored for
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316:Concertante
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555:Categories
367:Piano Trio
354:Hallowe'en
150:References
128:Washington
55:, and two
65:Set No. 1
53:bass drum
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508:(ballet)
492:Ivesiana
409:Psalm 90
49:trombone
41:clarinet
26:composer
23:American
124:Seattle
109:danseur
37:piccolo
106:Danish
57:pianos
45:cornet
539:Audio
347:Hymn
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