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135:; and the decoration of the Simonetta chapel in San Maurizio al Monastero Maggiore (1555), largely executed with the assistance of his son Fulvio. He also worked in
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68:. His first dated and signed work is from the following year, and shows a typical Brescian style. This style was then emerging, and included artists such as
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169:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Piazza (see index)
119:. In 1529 he returned to his native Lodi where he formed a workshop with his brothers Cesare and Scipione (died 1552). In 1538, while in
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Painters of reality: the legacy of
Leonardo and Caravaggio in Lombardy
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Callisto returned to Lodi in 1551 and died there ten years later.
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Callisto, a member of the Piazza family of painters, was born in
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Frescoes by Piazza in the church of Santa Maria in
Restello,
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The John G. Johnson
Collection: A History and Selected Works
76:. Piazza shows influences from contemporaries such as
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Philadelphia Museum of Art free digital publication.
150:His graphic style is often confused with that of
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154:, who exerted a deep influence on his work.
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45:(1500–1561) was an Italian painter.
26:, Gallerie dell'Accademia in Venice
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95:In 1526–1529 Piazza worked in
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218:16th-century Italian painters
177:by Callisto Piazza (cat. 234)
147:and other areas of Lombardy.
129:Santa Maria presso San Celso
16:Italian painter (1500–1561)
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213:People from Lodi, Lombardy
139:at the Incoronata (1454),
64:In 1523 he was working in
90:Giovanni Agostino da Lodi
172:Carl Brandon Strehlke, "
24:Beheading of the Baptist
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223:Italian male painters
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145:Abbey of Chiaravalle
228:Painters from Milan
133:Castello Sforzesco
82:Ludovico Mazzolino
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86:Ferrarese school
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208:1561 deaths
203:1500 births
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197:Categories
143:, at the
49:Biography
152:Romanino
70:Romanino
59:Lombardy
101:Erbanno
84:of the
74:Moretto
66:Brescia
36:Erbanno
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125:Milan
121:Crema
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