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in 2008. The show did not include eight of the members, among them Duncan Grant, J. D. Innes, Augustus John, Henry Lamb, John Doman Turner, Wyndham Lewis and J. B. Manson, who was, according to Wendy Baron, of "too little individual character".
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of 1914 is often considered the masterpiece of this group's work, with its portrayal of boredom and apathy in the mold of
Flaubert and others.
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is noted for its claustrophobic feeling. It is an interesting foil to the work of
Sickert who painted many rowdy music hall scenes, including
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whose work can clearly be traced throughout this group's work. Their portrayal of much of London before and during
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artists founded in 1911 and active until 1913. They gathered frequently at the studio of painter
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Although women were excluded from the Camden Town Group, a few women artists like
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It was decided that there should be a 16-member, men only, limit on the group:
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is historically interesting and artistically important.
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A major retrospective of the group's works was held at
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536:Helena Bonett, Ysanne Holt, Jennifer Mundy (eds.),
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Perfect
Moderns: A History of the Camden Town Group
196:(also depicting the viewers of a film). Sickert's
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71:artistic societies and modelled on the French
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495:(Oxford: Oxford University Press, 1999), 110.
352:were involved on the periphery; others, like
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16:Group of English Post-Impressionist artists
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794:History of the London Borough of Camden
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559:James Beechey on the Camden Town Group
524:Modern Painters: The Camden Town Group
453:, p. 81, Yale University Press, 2006.
203:The group organized the exhibition of
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485:A Dictionary of Twentieth-Century Art
246:died after the first exhibition, and
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554:Camden Town Group in Context at Tate
449:Baron, Wendy and Sickert, Walter.
207:and Post-Impressionist paintings.
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422:Lambirth, Andrew (5 March 2008).
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538:The Camden Town Group in Context
451:Sickert: Paintings and Drawings
250:was elected to take his place.
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738:Allied Artists Association
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410:Dictionary of British Art
671:Maxwell Gordon Lightfoot
424:"Velvet revolutionaries"
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244:Maxwell Gordon Lightfoot
194:Gallery of the Old Mogul
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491:17 April 2010 at the
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396:Notes and references
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155:Influences include
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696:John Doman Turner
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564:John Doman Turner
512:, Ashgate, 2000
467:978-0-300-11129-3
412:, vol.VI, p.19-22
385:John Doman Turner
373:Hartington Square
350:Marjorie Sherlock
335:John Doman Turner
325:William Ratcliffe
150:John Doman Turner
33:Camden Town Group
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59:In 1908, critic
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748:London Group
712:Paul Gauguin
676:J. B. Manson
646:Duncan Grant
621:Robert Bevan
616:Walter Bayes
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471:Google books
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433:. Retrieved
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380:Frank Rutter
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369:Spencer Gore
354:Sylvia Gosse
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315:J. B. Manson
285:Duncan Grant
260:Robert Bevan
255:Walter Bayes
248:Duncan Grant
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232:J. B. Manson
212:Tate Britain
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161:Paul Gauguin
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134:Robert Bevan
130:J. B. Manson
126:Walter Bayes
109:(the son of
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63:created the
61:Frank Rutter
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789:Camden Town
784:English art
342:Ethel Sands
238:, est. 1913
165:World War I
45:Camden Town
768:Categories
705:Influences
661:Henry Lamb
408:Spalding,
300:Henry Lamb
142:Henry Lamb
743:Vorticism
489:Archived
435:13 March
360:See also
116:painter
47:area of
609:Artists
223:Members
55:History
43:in the
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216:London
205:Cubist
181:, 1917
148:, and
111:French
89:, 1917
49:London
198:Ennui
528:ISBN
514:ISBN
463:ISBN
455:ISBN
437:2016
348:and
159:and
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188:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
