397:. Filip's moviemaking allows his grieving friend to watch a short clip of his late mother waving from a window and of himself cheerfully driving a hearse and waving to the camera. When he films the story of a diminutive factory worker and then shows him the result, the worker is overcome with emotion by Filip's ability to give voice and an arc to an otherwise ordinary, unexceptional life. Filip finds that with its ability to create comes film's ability to destroy when he tries to air a film clip of his which aims to quietly expose Party corruption. The clip turns out to be misinformed and results in the dismissal of one of his supporters from his job, an unfortunate consequence of his uninformed reporting, the Party's secrecy, and Communist Poland's culture of censorship.
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the pigeons as long as the shot of entertainers being paid is taken out.) He submits the film to a festival and gains third prize, effectively second prize because the festival did not award a first prize, feeling that no work was deserving. He is given an award as an incentive to keep filming. He starts to neglect his responsibilities to his family as his attention fixes on Anna
Wlodarczyk, an attractive, self-described "amatorka" (amateur) who encourages Filip's filmmaking, on the activities he films, and on the world of
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canister for his as-yet undeveloped film about the brickyard, which he has learned is not operating due to lack of materials, with the workers being secretly employed on other town projects, opens it and tosses the film out to be exposed to the light. Alone at home, his wife having left the relationship with their daughter due to his obsession with filming rather than his family, Filip now turns his
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spits them out as finished art, leaving the people around him in the state of gnawed beef bones. This is a vast oversimplification of the creative process and is probably only applicable, really, to the second-rater." Canby noted, however, that the film was "exuberantly acted by a good cast headed by Mr. Stuhr."
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outside Poland when Kieślowski's work was considered inappropriate to travel internationally. Zanussi argues that Kieślowski's work always had universal appeal, and that the praise or scorn seemed, to
Zanussi, to be arbitrary. For example, after Kieślowski gained acclaim for films he made in the West
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explores censorship in
Communist Poland and its repression of the individual's expression of his observations. Filip also confronts the consequences of a man who discovers new possibilities and finds his former world, which had been so fulfilling before he'd discovered filmmaking, rendered dull, old,
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When they see his film, his superiors find his shot of a pigeon useless and his shots of several negotiators at a business meeting too probing. His boss suggests that Filip cut the shots of the entertainers being paid, the men going to the bathroom, and the business meeting. (He allows Filip to keep
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argued that much of the film "means to be uproariously emotional, but the events we see seldom justify all the overwrought reactions. Mr. Kieślowski also appears to suggest that art—in this case movie making—must be a process by which the artist consumes the raw materials of his experience and then
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movie camera. He believes, as he tells his wife, that he now has everything he ever wanted since his youth as an orphan, but when the local
Communist Party boss asks him to film a celebration event of the jubilee of his plant, his fascination with the possibilities of film begins to transform his
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working at the factory and another about misallocated town renovation funds. Filip's boss reprimands him: work on the new nursery school will have to stop because of his exposé, and Stasio Osuch, the head of the works council and Filip's mentor, will lose his job. After that, Filip retrieves the
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The film ends with Filip turning the camera on himself, realizing too late that all along he should have reflected on the consequences of his camera obsession on himself, his life, and his family.
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wrote about the film "Suffused with
Kieslowski's dry wit and intelligence, this early feature provides an excellent introduction to his work." On the
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Zanussi, Krzysztof (n.d.). "Interview/Extra
Features". Region 2 Artificial Eye (UK) version of Camera Buff.
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439:"Staropolskim obyczajem" (J. Odrowaz, A. Skorupka, W. Kruszynski) by Zofia & Zbigniew Framer
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holds an approval rating of 90% based on 10 reviews, with an average rating of 7.3/10.
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1979 Moscow
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Krzysztof Kieślowski emphasizes the power of film through various scenes in
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Interfilm Award, Otto
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Wytwórnia Filmów
Fabularnych, Lódz, Lódzkie, Poland (studio)
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1979 Polish Film
Festival Best Actor Award (Jerzy Stuhr)
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1217:From a Night Porter's Point of View
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717:"Kieslowski's Comedy, Camera Buff"
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715:Canby, Vincent (3 October 1980).
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16:1979 film by Krzysztof Kieślowski
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417:, Malopolskie, Poland
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1954:Films shot in Kraków
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1747:Travelling with Pets
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1664:Me Ivan, You Abraham
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753:. 26 October 1985.
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135:Release date
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1857:Dogpoopgirl
1545:Camera Buff
1488:Dersu Uzala
1340:Clear Skies
1177:Short films
990:Camera Buff
918:Camera Buff
901:Camera Buff
885:Camera Buff
869:Camera Buff
852:Camera Buff
731:14 February
700:14 February
670:14 February
608:14 February
494:Camera Buff
483:Camera Buff
454:Camera Buff
395:Camera Buff
387:Camera Buff
308:Jerzy Nowak
293:Jerzy Stuhr
255:Jerzy Stuhr
219:Camera Buff
215:Jerzy Stuhr
187:Camera Buff
163:117 minutes
92:Jerzy Stuhr
77:Produced by
59:Directed by
22:Camera Buff
1904:1979 films
1898:Categories
1825:Yuan Shang
1785:Junkhearts
1739:About Sara
1625:Intervista
1569:Teheran 43
1315:Grand Prix
1306:Main Award
1185:The Office
833:2021-07-17
793:2021-07-17
638:2013-01-14
580:References
431:Soundtrack
404:Production
364:as herself
331:as himself
268:cinephiles
233:, and the
146:1979-11-16
69:Written by
1513:El puente
1472:Affection
1403:1969–1987
1312:1959–1967
974:Personnel
444:Reception
118:Edited by
99:Ewa Pokas
1817:Daughter
1793:Particle
1778:Las olas
1423:Serafino
998:The Calm
982:The Scar
874:AllMovie
827:Archived
787:Archived
755:Archived
725:Archived
694:Archived
664:Archived
602:Archived
501:and the
477:website
382:Analysis
221:won the
176:Language
126:Music by
85:Starring
1771:Hermano
1723:Our Own
1613:–
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1356:⁄
1336:–
1193:Tramway
1093:Dekalog
1056:trilogy
904:at the
761:17 July
469:of the
247:Wielice
203:
168:Country
144: (
1884:(2024)
1876:(2023)
1868:(2022)
1860:(2021)
1852:(2020)
1844:(2019)
1836:(2018)
1828:(2017)
1820:(2016)
1812:(2015)
1809:Losers
1804:(2014)
1801:My Man
1796:(2013)
1788:(2012)
1780:(2011)
1774:(2010)
1766:(2009)
1758:(2008)
1750:(2007)
1742:(2006)
1734:(2005)
1726:(2004)
1718:(2003)
1710:(2002)
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1678:(1997)
1667:(1993)
1659:(1991)
1651:(1989)
1628:(1987)
1620:(1985)
1596:(1983)
1572:(1981)
1548:(1979)
1524:(1977)
1521:Mimino
1500:(1975)
1475:(1973)
1459:(1971)
1434:(1969)
1395:(1967)
1392:Father
1379:(1965)
1363:(1963)
1343:(1961)
1327:(1959)
1263:(2007)
1255:(2005)
1247:(2002)
1244:Heaven
1239:(2000)
1220:(1977)
1212:(1975)
1204:(1967)
1196:(1966)
1188:(1966)
1169:(1989)
1081:(1994)
1073:(1994)
1065:(1993)
1049:(1991)
1041:(1988)
1033:(1988)
1025:(1985)
1022:No End
1017:(1981)
1009:(1981)
1001:(1980)
993:(1979)
985:(1976)
977:(1975)
859:
421:Warsaw
415:Kraków
262:life.
196:Amator
192:Polish
179:Polish
171:Poland
49:Amator
44:Polish
1881:Shame
1593:Vassa
1415:Lucía
1152:Eight
1145:Seven
1117:Three
1070:White
566:1980
554:1980
534:1979
514:1979
275:dwarf
1577:Amok
1260:Hope
1252:Hell
1159:Nine
1131:Five
1124:Four
1062:Blue
857:IMDb
823:Mubi
763:2021
733:2012
702:2012
672:2012
628:MIFF
610:2012
286:Cast
280:16mm
241:Plot
201:lit.
1166:Ten
1138:Six
1110:Two
1103:One
1078:Red
921:at
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573:Won
561:Won
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259:8mm
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190:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
