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up for adoption, in order to throw herself fully into her art. Billops had refused to allow her family to take the child. She drove her daughter to the Los
Angeles Children’s Home Society of California, an orphanage. At the time, Christa was four years old. Billops asked Christa to go inside to the bathroom, and drove away. Christa was later adopted by a jazz singer in Oakland. She and Hatch then went on to live their lives in New York City, where Hatch was a
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328:, through Billops's stepsister, Josie Mae Dotson, who was Hatch's student. Responding to the lack of publications on African American art and culture, Billops and Hatch began collecting thousands of books and other printed materials, more than 1,200 interviews, and scripts of nearly 1,000 plays. Once housed in a 120-foot-long (37 m) loft in
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relationship. She had been disinterested in motherhood, but
Billops felt obligated to honor the traditional role of wife and mother at the time. She and Stanford became engaged. However, Stanford was discharged from the military and disappeared before they could get married. Her daughter, Christa, was later born.
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by her sister, Josie. Her sister had been his student. At the time, Hatch was married with two children. Billops eventually insisted that Hatch leave his family to start a new life with her, which he eventually did in the early 1960s. In 1960, Billops made the decision to give her daughter, Christa,
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and the Museum of
Drawers, Bern, Switzerland. Her first exhibition was at Gallerie Akhenaton, where she displayed ceramic pots and sculptures. She later experimented with photography, printmaking, and painting. She exhibited in one-woman and group exhibitions worldwide, including Gallerie Akhenaton,
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Billops had a style in her appearance that was unique. Amena Meer's first sight of
Camille was her wearing an outfit that had beads clicking in her braids, feathers, a man's hat on, and black-rimmed eyes. The black rimmed eyes were similar to the way women rimmed their eyes in ancient Egypt. She
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In an interview conducted by Ameena Meer, Camille claims that her transition from art to film was influenced by her husband. In 1996, Camille and her husband spent some time in India. During their five months in India, they experienced a cultural clash between the art that she was producing and
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In 1955, Billops met
Stanford, a lieutenant stationed at the Los Angeles Air Force Base in El Segundo. He was noted as being tall and handsome, and Billops later stated, "I loved him, because he was fine...He was everything I wanted that thing to be." She became pregnant a few months into their
398:. She stated, "We invited everybody here: friends, students and white folks, gallerists and curators. We sold art right off our walls. I stopped begging a long time ago when I discovered I could sell art without having to kiss booty.”
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Billops's film projects have been collaborations with, and stories about, members of her family. They were co-produced with her husband James Hatch and credit Hatch's son as director of photography.
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is about meeting her adult daughter. In 2016, Christa died from heart failure at 59 years old. She had refused a necessary operation and was found alone in her Bronx apartment.
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332:, the Collection is now largely located at the Camille Billops and James V. Hatch archives at the Stuart A. Rose Manuscript, Archives, and Rare Books Library at
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175:. As a young girl, she painted her bow and arrow set and dolls. She traced the beginnings of her art to her parents' creativity in cooking and dressmaking.
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Farris, Phoebe. Women
Artists of Color: A Bio-critical Sourcebook to 20th Century Artists in the Americas. Westport, CT: Greenwood, 1999. Print.
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803:. Houston Atlanta Seattle, WA: Contemporary Arts Museum Spelman College Museum of Fine Art, University of Washington Press. pp. 62–69.
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Indian culture. Because of this clash, she pursued different artistic approaches. Camille, at first, worked on plays, then moved into film.
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A Comprehensive Index to Artist and
Influence, the Journal of Black American Cultural History, 1981–1999, Volume 8
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Although she began her career as a sculptor, ceramist, and painter, Billops is best known as a filmmaker of the
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301:(2002). She produced all of her films with her husband and their film company, Mom and Pop Productions.
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In 1968, the Hatch-Billops
Collection began after Billops met James Hatch, a professor of theater at
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Billops's primary visual art medium was sculpture. Her works are in the permanent collections of the
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also had a hairy upper lip and wore Afro-Asian necklaces. Being a performer, her style was noticed.
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Women artists of color : a bio-critical sourcebook to 20th century artists in the
Americas
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artists" across a wide range of genres. To date, more than 400 interviews have been recorded.
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1983: American Center, Karachi, Pakistan; Pescadores Hsien
Library, Makung, Republic of China
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Winston, Coneni (1 March 2012). "The Art of Remembering: Camille Billops and James Hatch".
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Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch,
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Winston, Connie (Spring 2012). "The Art of Remembering: Camille Billop and James Hatch".
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Cinema remixed & reloaded : Black women artists and the moving image since 1970
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studies the relationship between Billop's sister Billie and Billie's daughter Suzanne.
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1260:"Billops-Hatch archives of African American arts materials to be on display at Emory"
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167:. Her mother was a seamstress, and her father a cook. They worked "in service" for a
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1190:. Amaki, Amalia K. Newark, Del.: University Museum, University of Delaware. 2004.
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Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970
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Stuart A. Rose Manuscript, Archives, & Rare Book Library, Emory University
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family, enabling them to provide her with a private secondary education at a
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and expanded it to include a studio, office and library open to students of
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In the early 1980s, Billops and Hatch purchased a 4,000-square foot loft in
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1409:"RE-CREATING THEIR MEDIA IMAGE: Two Generations of Black Women Filmmakers"
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When Christa was grown, Camille allowed her into her life. Her 1991 film
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624:"Camille Billops, Maker of Unflinching Documentary Films, Is Dead at 85"
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for physically handicapped children. She obtained her B.A. degree from
858:"Reviews/Film Festival; Documentary of Mother-Daughter Reconciliation"
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In 1959, Billops was introduced to James V. Hatch, a professor at the
235:, whom she assisted in establishing the first printmaking workshop in
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The Art, Activism, and Archives of James V. Hatch and Camille Billops
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A century of African American art : the Paul R. Jones collection
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1393:, Vol. 25, No. 2, Black Film Issue (Summer, 1991), pp. 395–408.
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Artist and Influence: The Journal of Black American Cultural History
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973:"Camille Billops and James V. Hatch Archives at Emory University"
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979:. Hatch, James Vernon, 1928-, Billops, Camille. 5 February 2007
343:, an annual journal featuring interviews with noted American "
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deals with Billops's daughter, whom she gave up for adoption.
228:, Colombia. She was a longtime friend and colleague of master
1420:"Reconstituting the Image: The Emergent Black Woman Director"
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1994: James VanDerZee Award, Brandywine Graphic Workshop
526:(Documentary) – Director, producer, production designer
948:"The Camille Billops and James Hatch Archives – MARBL"
371:, which was published in 1978 with an introduction by
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Noel Fine Art Acquisitions, Charlotte, North Carolina
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1963: Fellowship from Huntington Hardford Foundation
918:. Hoboken: Taylor and Francis. pp. 68, 81–82.
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881:. Hanover, NH: Dartmouth College. pp. 85–98.
1387:"Encounters: The Film Odyssey of Camille Billops"
799:Brownlee, Andrea; Cassel Oliver, Valerie (2008).
912:"four: the functional family of camille billops"
220:, Taiwan; Gimpel and Weitzenhoffer Gallery; and
1600:California State University, Los Angeles alumni
1518:The Camille Billops and James V. Hatch Archives
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258:a film about her niece and her recovery from a
316:is based on a love affair of Billops's aunt.
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1235:"'Stony the Road We Trod' on view at museum"
339:In 1981, Billops and Hatch began publishing
1536:Camille Billops and James V. Hatch archives
1310:. Westport, Conn: Greenwood Press. p.
159:, to parents Alma Gilmore, originally from
1046:Camille Billops and Jim Hatch - Archivists
505:(Documentary) – Director, producer, writer
262:. She directed five more films, including
31:
20:
1426:, No.37 (Autumn, 1988), pp. 709–719.
1398:"Camille Billops: Cultural Archaeologist"
718:
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469:, Grand Jury Prize for documentaries for
462:1975-76: International Women's Year Award
351:is also part of the collection at Emory.
1097:Nka: Journal of Contemporary African Art
725:Nka: Journal of Contemporary African Art
588:1980: Buchandlung Welt, Hamburg, Germany
163:, and Luscious Billops, originally from
124:(August 12, 1933 – June 1, 2019) was an
1415:, Vol. 20, No.3 (1994), pp. 38–41.
1404:, Vol. 8, No.1 (Fall, 1993), p. 4.
1149:Meer, Amina (2019). "Camille Billops".
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359:Billops collaborated with photographer
1233:Peterson, McKenzie (5 February 2019).
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605:1965: Gallerie Akhenaton, Cairo, Egypt
1655:21st-century African-American artists
1635:21st-century American women sculptors
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662:"The Artist Who Gave Up Her Daughter"
412:University of California, Los Angeles
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1660:20th-century African-American people
1103:(30). Duke University Press: 36–43.
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510:The KKK Boutique Ain’t Just Rednecks
417:tenured professor of English at CCNY
291:The KKK Boutique Ain’t Just Rednecks
1665:20th-century African-American women
1650:21st-century African-American women
602:'s Artist House, New York, New York
543:2019: Georgia Museum of Art at the
916:Black Women Film and Video Artists
363:and poet, scholar, and playwright
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1615:Film directors from New York City
622:Greenberger, Alex (3 June 2019).
459:1975: MacDowell Colony Fellowship
427:, and they were married in 1987.
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856:Canby, Vincent (24 March 1992).
1640:21st-century American sculptors
1630:Sculptors from New York (state)
1620:Film directors from Los Angeles
1605:City College of New York alumni
1565:African-American film directors
1391:Black American Literature Forum
285:Her other film credits include
178:Billops graduated in 1960 from
16:American sculptor and filmmaker
498:(Documentary short) – Director
491:(Documentary short) – Director
1:
1064:"Camille Billops (interview)"
977:findingaids.library.emory.edu
914:. In Bobo, Jacqueline (ed.).
566:Black Filmmakers Hall of Fame
60:Los Angeles, California, U.S.
1645:African-American printmakers
1360:Meer, Ameena (Summer 1992).
1062:Meer, Ameena (1 July 1992).
533:(Short) – Production manager
767:"Billops, Camille (1933– )"
369:The Harlem Book of the Dead
190:and her M.F.A. degree from
188:California State University
90:California State University
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1595:Artists from New York City
1585:American women printmakers
1570:African-American sculptors
1354:. Oxford University Press.
910:Guillory, Monique (2013).
1625:Sculptors from California
877:Hirsch, Marianne (1999).
559:Inside the Minstrel Mask,
180:Los Angeles State College
122:Camille Josephine Billops
86:Los Angeles State College
47:Camille Josephine Billops
30:
1590:Artists from Los Angeles
1527:Hatch-Billops Collection
1109:10.1215/10757163-1496453
737:10.1215/10757163-1496453
531:And That's the Way It Is
396:City College of New York
375:. Billops acted a play,
320:Hatch-Billops Collection
192:City College of New York
147:Early life and education
94:City College of New York
1302:Farris, Phoebe (1999).
578:1986: Calkins Gallery,
182:, where she majored in
1356:(biographical article)
1218:: CS1 maint: others (
997:: CS1 maint: others (
467:Sundance Film Festival
280:Sundance Film Festival
1396:Cutler, Janet et al.
582:, Hempstead, New York
568:, Oakland, California
545:University of Georgia
1580:American printmakers
1445:United States portal
699:. The History Makers
595:, Newark, New Jersey
538:Selected exhibitions
496:Older Women and Love
349:Artist and Influence
314:Older Women and Love
287:Older Women and Love
251:. In 1982, she made
151:Billops was born in
1575:American archivists
1385:Lekatsas, Barbara.
547:, Atlanta, Georgia.
76:New York City, U.S.
1501:Visual arts portal
1348:"Billops, Camille"
950:. Emory University
863:The New York Times
832:Brownlee, Andrea.
593:Rutgers University
580:Hofstra University
575:, Atlanta, Georgia
524:A String of Pearls
519:(Short) – Director
355:Collaborative work
299:A String of Pearls
270:work that won the
266:in 1991, a highly
222:La Tertulia Museum
209:Jersey City Museum
1362:"Camille Billops"
1346:Cullen, Deborah.
1264:Emory News Center
879:The familial gaze
697:"Camille Billops"
554:Atlanta, Georgia.
451:Awards and honors
361:James Van Der Zee
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1610:Women archivists
1522:Emory University
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1473:Biography portal
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1382:(online exhibit)
1380:Emory University
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425:theater producer
334:Emory University
306:Suzanne, Suzanne
272:Grand Jury Prize
268:autobiographical
260:heroin addiction
254:Suzanne, Suzanne
233:Robert Blackburn
214:Hamburg, Germany
143:, and educator.
126:African-American
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392:SoHo, Manhattan
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