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known region of the country. These artists made important contributions not only to their own fields, primarily literature and painting, but also to the community to the extent that they can be considered in large part responsible for the unique milieu of Santa Fe today. Although no longer functioning as a colony, many creative people continue to live in Santa Fe and contribute to its character. The city depends heavily on tourists who are drawn not only by its 150 galleries many of which specialize in Indian and
Spanish artists and regional art, and by its yearly markets and traditions like the annual Fiesta, but also by the special environment created by its architecture. The artists who founded Santa Fe's original art colony were drawn to the region by its pre-American cultures and were instrumental in efforts to preserve and revive the fine arts, crafts, customs, and architecture of those cultures. The artists* colony had perhaps its most widely felt impact in the field of architecture. Although the movement to preserve and recreate the city's historic adobe architecture was already under way when the colony began to come together on the Camino del Monte Sol, the artists joined it with vigor, leading efforts to preserve historic architecture and building their own
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in 1954, for Marian
Gebhardt. Gebhardt "made it her home and established the well-known Children's Patio Day School in an L-shaped addition created along the Acequia Madre and Delgado Street by connecting an adobe outbuilding to the house. The pegs where the children hung their coats are still to be
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Beginning in the years following New
Mexican statehood in 1912, and continuing until World War II, this district was the center of a nationally known colony of artists, a remarkable group of multi-talented, creative people, many of whom had national reputations before settling in a remote and little
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on West Palace Avenue in Santa Fe (founded in 1934), and also works collected in their international travels which were partly used to inspire local arts and crafts. The house, since 2013, has also been home of the
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276:(1903–1999). The house contained hundreds of works by them and by many other artists, including invited self-portraits. It also included traditional arts and crafts from New Mexico associated with the
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400:(d.1965), of 408 Delgado Street; Stevenson bought the home in 1930 and lived there until about 1939. He was a novelist and screenwriter sympathetic to Communism, who, along with his wife
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Other artists "who were leaders of the art colony and prime contributors to the architectural and cultural character" of the district include:
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Historic districts on the
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The district is in the southeast corner of Santa Fe, to the south of the
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Its significance was described in its 1987 National
Register nomination:
366:(1887–1979), of 520 Camino del Monte Sol and 524 Camino del Monte Sol;
304:(1877-1943), of 555 Camino del Monte Sol and 557 Camino del Monte Sol;
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List of jails and prisons on the
National Register of Historic Places
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Late 19th and Early 20th Century American Movements architecture
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National Register of Historic Places in Santa Fe, New Mexico
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Pueblo Revival architecture in Santa Fe, New Mexico
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History of the National Register of Historic Places
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346:(1898-1943), of 566 Camino del Monte Sol, one of
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419:(1886–1983), of 828 Camino del Poniente.
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388:(1901-1958), of 1 Placita Rafaela;
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272:(1849–1930) and her granddaughter
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127:35.67806°N 105.92944°W
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118:105°55′46″W
106:Coordinates
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653:California
424:References
413:seen." and
392:Lynn Riggs
115:35°40′41″N
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