465:." Describing Hannett's production techniques, Hook said, " didn't think straight, he thought sideways. He confused you and made you do something you didn't expect." Hook went on to say, "Derek Bramwood of Strawberry Studios said that you can take a group that have got on brilliantly for 20 years, put them in a studio with Martin and within five minutes, they'll be trying to slash each other's throats." However, Hook went on to say that Hannett was only as good as the material he had to work with, "We gave him great songs, and like a top chef, he added some salt and pepper and some herbs and served up the dish. But he needed our ingredients." The band members' opinions differed on the "spacious, atmospheric sound" of the album, which did not reflect their more aggressive live sound. Sumner said, "The music was loud and heavy, and we felt that Martin had toned it down, especially with the guitars. The production inflicted this dark, doomy mood over the album: we'd drawn this picture in black and white, and Martin had coloured it in for us. We resented it ..." Hook said, "I couldn't hide my disappointment then, it sounded like
476:. My theory on things at the time was that the two thingsâlistening to a record and going to a gigâwere quite different. You don't want to hear a record when you go to a gig: you want something with a bit of energy." Curtis was also happy with the production of the album and was impressed with Hannett's work. Hook conceded in 2006, "It definitely didn't turn out sounding the way I wanted it ... But now I can see that Martin did a good job on it ... There's no two ways about it, Martin Hannett created the Joy Division sound." Hook also noted that he was able to hear Curtis's lyrics and Sumner's guitar parts for the first time on the record, because during gigs the band played too loudly.
433:"whirring inside". He also used the sound of a basement toilet. Hannett recorded Curtis's vocals for "Insight" down a telephone line so he could achieve the "requisite distance". Hannett later said, " were a gift to a producer, because they didn't have a clue. They didn't argue". Referring to the recording sessions, Hook remembered, "Sumner started using a kit-built Powertran Transcendent 2000 synthesiser, most notably on 'I Remember Nothing', where it vied with the sound of Rob Gretton smashing bottles with Steve and his
395:
927:, gave the album a generally positive review, describing it as a "bleak nightmare soundtrack". Starr described the lyrics as "mysterious" and "doomy" which were "amidst intense music of urgent guitar, eerie effects and driving rhythms". However, Starr tempered his review by saying not to "expect too much" as the album was "still pretty raw". Writing about Factory for
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495:. Saville reversed the image from black-on-white to white-on-black, against the band's stated preference for the original. "I was afraid it might look a little cheap. I was convinced that it was just sexier in black" since it represented a signal from space. He printed it on textured card for the original version of the album.
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as a way to visualize smaller pulses within larger ones, which might help explain what had been causing the pulses. He was unaware for years that the image was associated with the album cover until a friend told him; afterwards he bought a copy because he felt he should have one as the creator of the
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at
Cambridge University. As the star turns, it emits electromagnetic radiation in a beam like a lighthouse, which can be picked up by radio telescopes. Each line on the image is an individual pulse. They are not exactly the same each time as the long distance the beam travels introduces interference.
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label. Wilson explained that
Gretton had calculated that given Factory's 50/50 split of profits, the band could make as much money with the indie label as it could by signing to a major. Wilson added that one of Gretton's main reasons for approaching Factory was so "he wouldn't have to get on a train
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on 4 June 1976 and both embraced that band's simplicity, speed and aggression. Forming a band with their friend Terry Mason on drums, Sumner on guitar and Hook on bass, they advertised for a singer. Ian Curtis, whom Sumner and Hook already knew, applied and, without having to audition, was taken on.
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670:, placing at No. 2 on the first chart to be published in January 1980 and going on to top the chart following its reissue, spending 136 weeks on the chart in total. The 40th-anniversary reissue of the album charted at number 5 in the UK Albums Chart when it was released in 2019, making
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2371:"Now widely hailed as one of post-punkâs most important touchstones, itâs one of a few truly singular rock albums deserving of the over-used epithet âseminalâ, yet its influence on successive generations amazes no one more than Joy Divisionâs remaining members."
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to London every week and 'talk to nuggets'. No one could use the word 'cockney' with as much contempt as Rob". Gretton estimated that the album would cost ÂŁ8,000 to produce; however, Wilson said in 2006 that the up-front cost ended at ÂŁ18,000.
487:, who had previously designed posters for Manchester's Factory club in 1978, designed the cover of the album. Sumner or Morris, depending on the account, chose the image used on the cover, which is based on an image of radio waves from pulsar
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qualified the record as "extraordinary," writing that "without trying to baffle or overreach itself, this outfit step into a labyrinth that is rarely explored with any smidgeon of real conviction." He compared it favourably to the work of
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created approximately ÂŁ50,000 in profit, to be shared between
Factory Records and the band; however, Tony Wilson spent most of these profits on Factory projects. By the conclusion of a critically acclaimed promotional tour supporting
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declared " the twentieth century is difficult; most people prefer to go back and nostalgise, Oh boy. Joy
Division at least set a course in the present with contrails for the futureâperhaps you can't ask for much more. Indeed,
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said, "The duochrome Peter
Saville cover of this first Joy Division album speaks volumes. Its white on black lines reflect a pulse of power, a surge of bass, and raw angst. If the cover doesn't draw you in, the music will."
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was initially printed in a run of 10,000 copies, with 5,000 copies being sold within the first two weeks of release, and a further 10,000 copies being sold over the following six months. Initially, sales of
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was sonically conservative because of its refusal to use studio technology to create sonic space, used a number of unusual production techniques and sound effects on the album, including several
354:
in early 1978, Joy
Division recorded some demos; however, they were unhappy with the way their music was mixed and asked to be released from their contract. The band's first release was the self-
1284:(2011), while highlighting "She's Lost Control", where Curtis was "at his most manically arresting". In relation to the remastered re-released album in 2007, the British music magazine
918:, proclaiming the album as an "exceptional debut" and that the album "remains the group's masterpiece" and that it was "some of the most driven, desperate rock-and-roll ever recorded."
718:. The album was reissued again on limited edition 180g ruby red coloured vinyl with an alternative white sleeve, released on 7 May 2019, to coincide with the album's 40th anniversary.
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without flair." She went on to say the lyrics and the atmosphere of the album "seemed to hearken back to the late
Sixties" and the songs were "a series of disconnected images".
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The inner sleeve features a black-and-white photograph of a door with a hand near the handle. It was some years later before
Saville discovered that the photograph was
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joined the bandâat that time called Warsawâin August 1977. To avoid confusion with the London punk band Warsaw Pakt, they renamed themselves Joy
Division in late 1977.
4976:
594:, which was taken as a joke but not meant as one. Saville explains the image's adaptability as a result of it being "cool, in all of the meanings, from cool to cold".
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2399:"And most people hated life. While most punk bands made aggressive music to put their anger into, Joy Division made a slower, more emotional variety on punk rock"
429:, tape echo and bounce, as well as the sound of a bottle smashing, someone eating crisps, backwards guitar and the sound of the Strawberry Studios lift with a
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album in its entirety on several of their concert tours, and have recorded and released live albums of some of their gigs. Hook also named one of his books
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Retrospective critical writing on the album has been virtually unanimous in its praise. In 1994, Jon Savage described the music as "a definitive
Northern
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of the radio emissions given out by a pulsar, a "rotating neutron star". Originally named CP 1919, the pulsar was discovered in November 1967 by student
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including a bonus disc of a live recording of the band playing at The Factory in Manchester on 13 July 1979. The album was also re-released on
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Select "2018" in the "Anno" drop-down menu. Type "Unknown Pleasures" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
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remarked in 1983: "sex has disappeared from these unknown pleasures; it is an aftermath of passion where everything's (perhaps) lost".
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in September 1978. According to Hook, the band received a ÂŁ70,000 offer from Genetic Records in London. However, the band's manager,
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was "as much a hallmark as the music itself," describing it as "emphasizing space in the most revelatory way since the dawn of
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1263:"music without a past or a future but with the muscularity of all great rock" and "one of the greatest first albums ever."
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described the album as "simply one of the best records ever made, and is still powerful enough to floor you 28 years on".
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2444:"Joy Division: 40 years on from 'Unknown Pleasures', astronomers have revisited the pulsar from the iconic album cover"
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Cook, Richard. "Cries & Whispers (A retrospective on the vinyl pain and pleasure of Joy Division and New Order)".
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2385:"Unknown Pleasures introduced the world to a new version of punk that would take storm as the New Wave genre"
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was less impressed: "I found at least half of to be turgid and monotonous, and the vocals heavy and melodramaticâ
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2002:
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2786:"How Joy Division's 'Unknown Pleasures' image went from underground album cover to a piece of cultural ubiquity"
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described the album as having "a doleful, deep-toned sound that often suggested an elaborate version of
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said that it was Curtis's "passionate gravity that makes the clumsy, disquieting music so convincing".
630:", and unsold copies occupied the Factory Records office in the flat of label co-founder Alan Erasmus.
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as sometimes stated, but rather an image of the intensity of successive radio pulses, as stated in the
908:." By August of that year the album's stature as a favourite of critics for the year was established.
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2382:
https://www.gingerconnect.com/features/album-reviewsnbsp-part-i-of-ii-joy-divisions-unknown-pleasures
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with the original track listing in 2007, with this version also being available in a limited edition
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666:, in July, it was reissued and reached No. 71 at the end of that August. It fared better on the
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Strawberry Studios, where the album was recorded and mixed over three weekends, pictured in 2013
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3806:"Here's the artwork and track listing for Peter Hook's Joy Division and New Order live albums"
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2916:"how joy division's unknown pleasures artwork has inspired everyone from raf simons to disney"
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statement: guilt-ridden, romantic, claustrophobic". Analysing Curtis's work, music journalist
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274:, and the album did not chart despite the relative success of the group's follow-up single, "
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as "All visceral, all emotional, all theatrical, all perfectâone of the best albums ever."
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660:. However, following Curtis's suicide in May 1980 and the release of their second album,
561:. In the 21st century, it started to become an iconic image outside Joy Division fandom.
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collaborated with Saville on a 2003 clothing line that used the plot; three years later
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album, and has been named as one of the best albums of all time by publications such as
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may very well be one of the best, white, English, debut LPs of the year." Max Bell of
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3131:"Joy Division's 'Unknown Pleasures' 40th Anniversary Special Edition Vinyl Release"
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gatherings later in the 1980s, after Joy Division's surviving members had become
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4763:. Punk's darkest forces reach Manchester and signal a new grey dawn (p. 422)"
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127:
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4507:
Punk Diary. The Ultimate Trainspotter's Guide to Underground Rock 1970â1982
1796:
2007 CD remaster bonus disc (live at the Factory, Manchester, 13 July 1979)
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https://www.sputnikmusic.com/review/12959/Joy-Division-Unknown-Pleasures/
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1972:
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sold out of its initial pressing, with this prompting further pressings.
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4426:"New Zealand album certifications â Joy Division â Unknown Pleasures"
2368:
https://www.thisisdig.com/feature/unknown-pleasures-joy-division-album/
707:
367:, which was released in June 1978. They made their television debut on
4745:
3077:"Joy Division's Unknown Pleasures set for big chart entry 40 years on"
278:". It has since received sustained critical acclaim as an influential
4270:"Album â Classifica settimanale WK 25 (dal 14.06.2019 al 20.06.2019)"
2034:
587:
239:. The album was recorded and mixed over three successive weekends at
4451:"British album certifications â Joy Division â Unknown Pleasures"
4400:"Italian album certifications â Joy Division â Unknown Pleasures"
4370:"Top Selling Albums of 1981 â The Official New Zealand Music Chart"
553:
The cover image became strongly associated with the band's fans at
393:
59:
4105:
Klosterman, Chuck; Milner, Greg; Pappademas, Alex. 9 July 2003. "
887:
263:. It is the only Joy Division album released during lead singer
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to the group's sound. The cover artwork was designed by artist
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placed the album at fourth place in his best of 1980 list for
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284:
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Other writers were less enthusiastic. Red Starr, writing for
2048:
437:
replica pistol." During the recording, Morris invested in a
2714:". BBC Manchester, 13 April 2006. Retrieved on 3 July 2008.
3366:(29 September 1979). "Factory Records: Food For Thought".
4312:"Top 100 Albumes â Semana 25: del 14.6.2019 al 20.6.2019"
4299:"Portuguesecharts.com â Joy Division â Unknown Pleasures"
1266:
Ned Raggett, reviewing the album for AllMusic, described
4237:"Offiziellecharts.de â Joy Division â Unknown Pleasures"
2779:
2777:
2775:
2773:
2771:
626:
were slow until the release of the non-album single, "
413:
over three weekends between 1 and 17 April 1979, with
4482:
Touching from a Distance. Ian Curtis and Joy Division
2346:
Sales+streaming figures based on certification alone.
1278:
called the music "distinctive and disturbing" in his
848:
an "opaque manifesto" and musically described it as "
4341:"Swisscharts.com â Joy Division â Unknown Pleasures"
4089:
staff (May 2001). "50 Most Essential Punk Records".
2846:"Pop Culture Pulsar: Origin Story of Joy Division's
2585:
Mojo Classic: Morrissey and the Story of Manchester.
590:
corporation used the cover image for a t-shirt with
381:, approached Wilson about releasing an album on his
5143:
5032:
5007:
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4679:. London: Flame Tree Publishing. pp. 196â197.
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175:
163:
151:
135:
109:
94:
86:
71:
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44:
4646:Chapter and Verse â New Order, Joy Division and Me
4227:(in French). Hung Medien. Retrieved 22 June 2019.
3923:"The 500 Greatest Albums of All Time: 100-1 â NME"
3256:
2494:. "Joy Division: Someone Take These Dreams Away".
1293:In 2000 it was voted number 249 in Colin Larkin's
698:âwere re-released, with the remastered version of
4215:(in Dutch). Hung Medien. Retrieved 22 June 2019.
3631:(September 1993). "That Was the Bleak That Was".
270:Factory Records did not release any singles from
4704:Joy Division and the making of Unknown pleasures
4225:"Ultratop.be â Joy Division â Unknown Pleasures"
4213:"Ultratop.be â Joy Division â Unknown Pleasures"
4027:"Staff Lists: 100 Best Debut Albums of All Time"
3199:McCullough, Dave (14 July 1979). "Death Disco".
2722:
2720:
3561:Lynskey, Dorian (October 2007). "Joy Division:
2342:Shipments figures based on certification alone.
4160:"Charts.nz â Joy Division â Unknown Pleasures"
441:because he thought he saw one on the cover of
4817:
4622:Rip it Up and Start Again. Postpunk 1978â1984
3160:Nicholls, Mike (21 July 1979). "Happy daze".
2627:
2625:
2623:
2621:
2619:
2617:
8:
5188:A Means to an End: The Music of Joy Division
3836:"The Quietus â News â INTERVIEW: Peter Hook"
3379:
3377:
3182:Starr, Red (6â19 September 1979). "Albums".
3177:
3175:
3173:
2883:"Review of Joy Division - Unknown Pleasures"
1209:
1159:
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1083:
1021:
971:
807:
757:
472:Morris disagreed, saying, "I was happy with
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2659:
2657:
4824:
4810:
4802:
4301:. Hung Medien. Retrieved 1 February 2022.
4253:"Album Top 40 slĂĄgerlista â 2019. 25. hĂ©t"
3975:"Staff Lists: Top 100 Albums of the 1970s"
3955:staff (March 2003). "Top 50 Punk Albums".
2734:
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2487:
2485:
2483:
2481:
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1299:. The album was also included in the book
946:
730:
50:
41:
3623:
3621:
3440:
3438:
3358:
3356:
633:Following the release of "Transmission",
227:is the debut studio album by the English
3773:1001 Albums You Must Hear Before You Die
2596:
2509:
1794:
1699:
1614:
1302:1001 Albums You Must Hear Before You Die
538:Susie Goldring, reviewing the album for
493:The Cambridge Encyclopaedia of Astronomy
350:After signing a recording contract with
251:contributing a number of unconventional
4404:Federazione Industria Musicale Italiana
4343:. Hung Medien. Retrieved 26 June 2019.
4274:Federazione Industria Musicale Italiana
4162:. Hung Medien. Retrieved 22 June 2019.
3250:
3248:
3188:. Vol. 1, no. 20. p. 25.
3107:Unknown Pleasures (Collector's Edition)
2360:
2338:
1952:
1780:
674:Joy Division's highest-charting album.
4543:Unknown Pleasures. Inside Joy Division
3985:from the original on 16 September 2016
3582:Gross, Joe (2004). "Joy Division". In
3477:
3475:
3347:
3141:from the original on 21 September 2021
3087:from the original on 21 September 2021
2844:Christiansen, Jen (18 February 2015).
2820:Unknown Pleasures: Inside Joy Division
2682:from the original on 28 September 2012
2579:
2577:
2575:
2573:
2545:
2533:
1317:Unknown Pleasures: Inside Joy Division
882:and "German experimentalists" such as
417:producing. Hannett, who believed that
343:After a number of changes of drummer,
259:, using a data plot of signals from a
5237:Albums recorded at Strawberry Studios
4998:Total: From Joy Division to New Order
4599:"New York Times Best Records of 1980"
4380:from the original on 24 December 2021
4057:"The 500 Greatest Albums of All Time"
3880:from the original on 8 September 2012
2928:from the original on 1 September 2019
2881:Goldring, Susie (10 September 2007).
1953:
1781:
1401:The 100 Greatest British Albums Ever
952:
736:
39:1979 studio album by Joy Division
7:
3766:Shade, Chris (2006). "Joy Division:
3050:Lazell, Barry (compiled by) (1997).
2895:from the original on 22 January 2009
2454:from the original on 18 October 2019
2442:Weltevrede, Patrick (11 July 2019).
1542:The 500 Greatest Albums of All Time
522:The image was originally created by
4189:"Ă3 Austria Top40: Longplay-Charts"
4067:from the original on 1 October 2020
3899:Woodhouse, Alan (28 January 2006).
3542:from the original on 4 October 2013
3493:. 17 September 2007. Archived from
3335:
2977:
2965:
2648:
2608:
2521:
2472:
1413:The 500 Greatest Albums of All Time
457:wrote that Hannett's production on
5023:Les Bains Douches 18 December 1979
4280:from the original on 18 March 2020
4011:. 11 April 2002. pp. 105â108.
3423:from the original on 20 March 2017
3398:Christgau's Record Guide: The '80s
3005:from the original on 12 April 2018
2914:Manning, Emily (13 October 2016).
2862:from the original on 25 April 2015
1531:100 Best Debut Albums of All Time
948:Retrospective professional ratings
506:. In simple terms, the image is a
25:
5222:Albums produced by Martin Hannett
4322:from the original on 26 June 2019
4141:from the original on 11 June 2022
4037:from the original on 5 April 2017
3901:100 Greatest British Albums Ever!
3846:from the original on 13 June 2022
3593:The New Rolling Stone Album Guide
3516:Klein, Joshua (29 October 2007).
3451:The Encyclopedia of Popular Music
2798:from the original on 17 June 2019
1211:
1161:
1123:
1085:
1023:
1016:The Encyclopedia of Popular Music
973:
809:
759:
340:Manchester Lesser Free Trade Hall
322:in 1976 during the first wave of
4772:The Mojo Collection: 4th Edition
3888:– via rocklistmusic.co.uk.
3317:from the original on 9 July 2012
3273:from the original on 11 May 2013
3026:British Hit Singles & Albums
2947:Joy Division's Unknown Pleasures
1574:Fifteen Most Influential Albums
1499:Top 20 Albums from 1970 to 1979
1379:The Greatest Albums of The '70s
1230:
1225:
1220:
1215:
1210:
1180:
1175:
1170:
1165:
1160:
1142:
1137:
1132:
1127:
1122:
1104:
1099:
1094:
1089:
1084:
1042:
1037:
1032:
1027:
1022:
992:
987:
982:
977:
972:
828:
823:
818:
813:
808:
778:
773:
768:
763:
758:
685:and the posthumous studio album
4984:Martin Hannett's Personal Mixes
4677:A Brief History of Album Covers
4353:"Official Albums Chart Top 100"
4316:Productores de MĂșsica de España
4172:"Official Albums Chart Top 100"
4107:Fifteen Most Influential Albums
3816:from the original on 6 May 2017
3120:. Retrieved on 3 November 2008.
2784:Lipez, Zachary (15 June 2019).
1587:(*) designates unordered lists.
1563:50 Most Essential Punk Records
650:had neared 15,000 copies sold.
235:, released on 15 June 1979, by
27:For the 2002 Chinese film, see
4757:Various Mojo Magazine (2007).
2583:Wilkinson, Roy. "Ode to Joy".
1801:
1706:
1621:
1477:The 50 Best Albums of the 70s
1:
4625:. London: Faber & Faber.
4455:British Phonographic Industry
4120:. Retrieved 12 February 2009.
3658:Spin Alternative Record Guide
3237:– via Rock's Backpages
3023:Roberts, David (ed.) (2006).
2557:"30 Years of Joy 1979â2009".
1281:Encyclopedia of Popular Music
1192:Spin Alternative Record Guide
1116:The Rolling Stone Album Guide
247:in April 1979, with producer
18:Candidate (Joy Division song)
3770:". In Dimery, Robert (ed.).
3216:Savage, Jon (21 July 1979).
2418:"Joy Division â discography"
2229:
2214:
2190:
2166:
2154:
2142:
2130:
2118:
2092:
2077:
1579:
1568:
1547:
1536:
1525:
1504:
1493:
1488:100 Greatest British Albums
1482:
1461:
1456:Top 100 Albums of the 1970s
1440:
1419:
1406:
1395:
1384:
1373:
1362:
569:followed suit. The cover of
4977:The Complete BBC Recordings
4575: ed.). New York City:
3651:(1995). "Joy Division". In
1390:Top 100 Albums of All Time
425:15-80s digital delays, the
5253:
4374:Recorded Music New Zealand
4359:. Retrieved 22 June 2019.
4259:. Retrieved 28 June 2019.
4243:. Retrieved 21 June 2019.
4178:. Retrieved 22 June 2019.
3870:"All Times Top 100 Albums"
3637:. No. 39. p. 95.
3255:Bell, Max (14 July 1979).
2254:New Zealand Albums (RMNZ)
2039:Chris Mathan â design
1597:All tracks are written by
606:, a well-known picture by
334:had separately attended a
26:
4839:
4607:. p. 99 – via
4577:Bloomsbury Publishing USA
3921:staff (25 October 2013).
3691:"Joy Division â Reissues"
2339:
2324:
2309:
2294:
2286:
2283:
2280:
2253:
2248:
2245:
2219:
2207:
2195:
2183:
2171:
2159:
2147:
2135:
2123:
2111:
2104:
2101:
2082:
2070:
2063:
2060:
2005: â drums, percussion
1993: â guitar, keyboards
1938:
1927:
1912:
1901:
1890:
1879:
1868:
1857:
1846:
1835:
1824:
1813:
1805:
1770:
1759:
1748:
1733:
1718:
1710:
1681:
1670:
1659:
1648:
1633:
1625:
1559:
1552:
1516:
1509:
1473:
1466:
1368:All Times Top 100 Albums
1357:All Times Top 100 Albums
1353:
1346:
960:
957:
744:
741:
183:
49:
5167:Touching from a Distance
5016:Preston 28 February 1980
4991:The Best of Joy Division
4769:; McLear, Colin (eds.).
4479:Curtis, Deborah (1995).
4241:GfK Entertainment Charts
3868:staff (2 October 1993).
3738:All Time Top 1000 Albums
3454:(5th concise ed.).
3448:(2011). "Joy Division".
3112:22 December 2008 at the
3029:. 19th edition. London:
2995:| Official Albums Chart"
1309:Peter Hook and The Light
1296:All Time Top 1000 Albums
1004:Christgau's Record Guide
5195:Earcom 2: Contradiction
5127:Love Will Tear Us Apart
4504:Gimarc, George (2005).
4357:Official Charts Company
4176:Official Charts Company
4135:Credits â Joy Division"
4025:staff (22 March 2013).
3655:; Marks, Craig (eds.).
3239:(subscription required)
2999:Official Charts Company
2710:15 January 2020 at the
2631:Savage, Jon (2007). In
2422:JoyDivisionOfficial.com
656:failed to chart on the
504:Cambridge Encyclopaedia
427:Marshall Time Modulator
318:Joy Division formed in
5227:Factory Records albums
4702:Kennedy, Jake (2006).
4675:Draper, Jason (2008).
4112:16 August 2015 at the
4005:The 50 Coolest Records
3973:staff (23 June 2004).
3735:Larkin, Colin (2000).
2823:. Simon and Schuster.
902:the Velvet Underground
854:the Velvet Underground
604:Hand Through a Doorway
399:
75:15 June 1979
4759:"1979. Joy Division.
4706:. London: Unanimous.
4063:. 22 September 2020.
3135:I Like Your Old Stuff
2567:, 20 June 2009. 24â27
1971:Credits adapted from
532:doctoral dissertation
480:Artwork and packaging
397:
4597:(25 December 1980).
4548:Simon & Schuster
3598:Simon & Schuster
3052:Indie Hits 1980â1989
2817:Hook, Peter (2013).
2071:New Zealand Albums (
1872:"She's Lost Control"
1774:"I Remember Nothing"
732:Professional ratings
526:Harold Craft at the
512:Jocelyn Bell Burnell
253:recording techniques
5232:Joy Division albums
5106:Atrocity Exhibition
4909:An Ideal for Living
4604:The Columbia Record
4565:Ott, Chris (2004).
3842:. 19 October 2012.
3778:Universe Publishing
3725:. 24 December 1983.
3665:. pp. 203â04.
3497:on 23 December 2007
3458:. pp. 509â11.
2855:Scientific American
2791:The Washington Post
2277:
2210:Schweizer Hitparade
2184:Portuguese Albums (
2024:Chris Nagle â
1999: â bass guitar
1918:Atrocity Exhibition
1797:
1702:
1617:
1520:50 Coolest Records
1435:Top 50 Punk Albums
949:
931:in September 1979,
896:, music journalist
733:
528:Arecibo Observatory
514:and her supervisor
371:'s local news show
364:An Ideal for Living
190:An Ideal for Living
5064:She's Lost Control
4927:Compilation albums
4753:(list of releases)
3689:(9 October 2007).
3081:officialcharts.com
2980:, pp. 99â100.
2639:90 (2564 69778 9).
2276:
2160:Hungarian Albums (
2150:Offizielle Top 100
2061:Chart (1980â1981)
1828:"The Only Mistake"
1795:
1724:She's Lost Control
1700:
1652:"Day of the Lords"
1616:Side one (Outside)
1615:
947:
915:The New York Times
731:
722:Critical reception
646:in November 1979,
407:Strawberry Studios
400:
245:Strawberry Studios
99:Strawberry Studios
5217:1979 debut albums
5204:
5203:
4916:The Peel Sessions
4884:Unknown Pleasures
4794:978-1-847-67643-6
4761:Unknown Pleasures
4746:Unknown Pleasures
4740:Unknown Pleasures
4713:978-1-903318-80-5
4660:978-1-448-17132-3
4632:978-0-571-25227-5
4586:978-1-441-13555-1
4568:Unknown Pleasures
4557:978-1-471-12980-3
4529:978-0-879-30848-3
4430:Recorded Music NZ
4193:Ă3 Austria Top 40
4133:Unknown Pleasures
3812:. 29 March 2017.
3791:978-0-7893-1371-3
3768:Unknown Pleasures
3649:McDonnell, Evelyn
3563:Unknown Pleasures
3520:Unknown Pleasures
3485:Unknown Pleasures
3465:978-0-857-12595-8
3391:Unknown Pleasures
3385:Christgau, Robert
3303:Unknown Pleasures
3260:Unknown Pleasures
3220:Unknown Pleasures
3031:HiT Entertainment
2993:Unknown Pleasures
2954:978-0-82641-549-3
2848:Unknown Pleasures
2744:"Out of the blue"
2726:Curtis (2007), 77
2705:In a lonely place
2670:Unknown Pleasures
2633:Unknown Pleasures
2352:
2351:
2347:
2343:
2268:
2267:
2261:
2260:
2234:
2233:
2112:Austrian Albums (
2097:
2096:
1963:
1962:
1791:
1790:
1701:Side two (Inside)
1696:
1695:
1588:
1584:
1583:
1313:Unknown Pleasures
1268:Unknown Pleasures
1261:Unknown Pleasures
1239:
1238:
863:Unknown Pleasures
846:Unknown Pleasures
837:
836:
700:Unknown Pleasures
691:compilation album
683:Unknown Pleasures
681:versions of both
672:Unknown Pleasures
654:Unknown Pleasures
648:Unknown Pleasures
639:Unknown Pleasures
635:Unknown Pleasures
624:Unknown Pleasures
619:Unknown Pleasures
581:Unknown Pleasures
474:Unknown Pleasures
459:Unknown Pleasures
403:Unknown Pleasures
272:Unknown Pleasures
224:Unknown Pleasures
220:
219:
216:
215:
199:Unknown Pleasures
45:Unknown Pleasures
30:Unknown Pleasures
16:(Redirected from
5244:
4826:
4819:
4812:
4803:
4798:
4725:
4698:
4664:
4636:
4612:
4590:
4561:
4533:
4500:
4466:
4465:
4463:
4461:
4447:
4441:
4440:
4438:
4436:
4422:
4416:
4414:
4412:
4410:
4396:
4390:
4389:
4387:
4385:
4366:
4360:
4350:
4344:
4338:
4332:
4331:
4329:
4327:
4308:
4302:
4296:
4290:
4289:
4287:
4285:
4266:
4260:
4255:(in Hungarian).
4250:
4244:
4234:
4228:
4222:
4216:
4210:
4204:
4203:
4201:
4199:
4185:
4179:
4169:
4163:
4157:
4151:
4150:
4148:
4146:
4127:
4121:
4103:
4097:
4096:
4083:
4077:
4076:
4074:
4072:
4053:
4047:
4046:
4044:
4042:
4019:
4013:
4012:
4001:
3995:
3994:
3992:
3990:
3967:
3961:
3960:
3949:
3943:
3942:
3940:
3938:
3933:on 17 March 2023
3929:. Archived from
3915:
3909:
3908:
3896:
3890:
3889:
3887:
3885:
3862:
3856:
3855:
3853:
3851:
3832:
3826:
3825:
3823:
3821:
3802:
3796:
3795:
3763:
3757:
3756:
3741:(3rd ed.).
3732:
3726:
3719:
3713:
3712:
3710:
3708:
3699:. Archived from
3683:
3677:
3676:
3645:
3639:
3638:
3625:
3616:
3615:
3596:(4th ed.).
3588:Hoard, Christian
3584:Brackett, Nathan
3579:
3573:
3572:
3558:
3552:
3551:
3549:
3547:
3513:
3507:
3506:
3504:
3502:
3479:
3470:
3469:
3442:
3433:
3432:
3430:
3428:
3381:
3372:
3371:
3360:
3351:
3345:
3339:
3333:
3327:
3326:
3324:
3322:
3293:
3287:
3286:
3283:Rock's Backpages
3280:
3278:
3264:
3252:
3243:
3242:
3240:
3236:
3234:
3213:
3207:
3206:
3196:
3190:
3189:
3179:
3168:
3167:
3157:
3151:
3150:
3148:
3146:
3127:
3121:
3103:
3097:
3096:
3094:
3092:
3073:
3067:
3056:Cherry Red Books
3048:
3042:
3021:
3015:
3014:
3012:
3010:
2987:
2981:
2975:
2969:
2963:
2957:
2944:
2938:
2937:
2935:
2933:
2911:
2905:
2904:
2902:
2900:
2878:
2872:
2871:
2869:
2867:
2841:
2835:
2834:
2814:
2808:
2807:
2805:
2803:
2781:
2766:
2765:
2763:
2761:
2736:
2727:
2724:
2715:
2701:
2692:
2691:
2689:
2687:
2663:
2652:
2646:
2640:
2629:
2612:
2606:
2600:
2594:
2588:
2581:
2568:
2555:
2549:
2543:
2537:
2531:
2525:
2519:
2513:
2507:
2501:
2489:
2476:
2470:
2464:
2463:
2461:
2459:
2448:The Conversation
2439:
2433:
2432:
2430:
2428:
2414:
2401:
2400:
2393:
2387:
2386:
2379:
2373:
2372:
2365:
2345:
2341:
2325:United Kingdom (
2278:
2243:
2196:Spanish Albums (
2172:Italian Albums (
2136:Belgian Albums (
2124:Belgian Albums (
2099:
2058:
2049:
1956:
1803:
1798:
1784:
1708:
1703:
1623:
1618:
1586:
1327:
1311:have played the
1272:Robert Christgau
1235:
1234:
1233:
1229:
1228:
1224:
1223:
1219:
1218:
1214:
1213:
1185:
1184:
1183:
1179:
1178:
1174:
1173:
1169:
1168:
1164:
1163:
1147:
1146:
1145:
1141:
1140:
1136:
1135:
1131:
1130:
1126:
1125:
1109:
1108:
1107:
1103:
1102:
1098:
1097:
1093:
1092:
1088:
1087:
1047:
1046:
1045:
1041:
1040:
1036:
1035:
1031:
1030:
1026:
1025:
997:
996:
995:
991:
990:
986:
985:
981:
980:
976:
975:
950:
906:Public Image Ltd
833:
832:
831:
827:
826:
822:
821:
817:
816:
812:
811:
783:
782:
781:
777:
776:
772:
771:
767:
766:
762:
761:
734:
727:Initial response
579:is based on the
524:radio astronomer
500:Fourier analysis
405:was recorded at
185:
184:
147:
146:
142:
82:
80:
54:
42:
21:
5252:
5251:
5247:
5246:
5245:
5243:
5242:
5241:
5207:
5206:
5205:
5200:
5139:
5028:
5003:
4922:
4919:(1986 and 1987)
4896:
4871:
4835:
4830:
4795:
4785:Canongate Books
4756:
4736:Complete lyrics
4732:
4714:
4701:
4687:
4674:
4671:
4669:Further reading
4661:
4641:Sumner, Bernard
4639:
4633:
4617:Reynolds, Simon
4615:
4593:
4587:
4564:
4558:
4536:
4530:
4503:
4497:
4487:Faber and Faber
4478:
4475:
4470:
4469:
4459:
4457:
4449:
4448:
4444:
4434:
4432:
4424:
4423:
4419:
4408:
4406:
4398:
4397:
4393:
4383:
4381:
4368:
4367:
4363:
4351:
4347:
4339:
4335:
4325:
4323:
4310:
4309:
4305:
4297:
4293:
4283:
4281:
4268:
4267:
4263:
4251:
4247:
4235:
4231:
4223:
4219:
4211:
4207:
4197:
4195:
4187:
4186:
4182:
4170:
4166:
4158:
4154:
4144:
4142:
4129:
4128:
4124:
4114:Wayback Machine
4104:
4100:
4085:
4084:
4080:
4070:
4068:
4055:
4054:
4050:
4040:
4038:
4021:
4020:
4016:
4003:
4002:
3998:
3988:
3986:
3969:
3968:
3964:
3951:
3950:
3946:
3936:
3934:
3917:
3916:
3912:
3898:
3897:
3893:
3883:
3881:
3864:
3863:
3859:
3849:
3847:
3834:
3833:
3829:
3819:
3817:
3804:
3803:
3799:
3792:
3765:
3764:
3760:
3753:
3745:. p. 113.
3734:
3733:
3729:
3720:
3716:
3706:
3704:
3703:on 19 July 2008
3687:Mueller, Andrew
3685:
3684:
3680:
3673:
3647:
3646:
3642:
3629:Maconie, Stuart
3627:
3626:
3619:
3612:
3581:
3580:
3576:
3571:. No. 255.
3560:
3559:
3555:
3545:
3543:
3518:"Joy Division:
3515:
3514:
3510:
3500:
3498:
3483:"Joy Division:
3481:
3480:
3473:
3466:
3444:
3443:
3436:
3426:
3424:
3417:
3389:"Joy Division:
3383:
3382:
3375:
3362:
3361:
3354:
3346:
3342:
3334:
3330:
3320:
3318:
3299:(28 May 1981).
3295:
3294:
3290:
3276:
3274:
3258:"Joy Division:
3254:
3253:
3246:
3238:
3232:
3230:
3218:"Joy Division:
3215:
3214:
3210:
3198:
3197:
3193:
3181:
3180:
3171:
3159:
3158:
3154:
3144:
3142:
3129:
3128:
3124:
3114:Wayback Machine
3104:
3100:
3090:
3088:
3075:
3074:
3070:
3049:
3045:
3022:
3018:
3008:
3006:
2989:
2988:
2984:
2976:
2972:
2964:
2960:
2945:
2941:
2931:
2929:
2913:
2912:
2908:
2898:
2896:
2880:
2879:
2875:
2865:
2863:
2843:
2842:
2838:
2831:
2816:
2815:
2811:
2801:
2799:
2783:
2782:
2769:
2759:
2757:
2756:on 5 April 2013
2740:Wozencroft, Jon
2738:
2737:
2730:
2725:
2718:
2712:Wayback Machine
2702:
2695:
2685:
2683:
2672:â Joy Division"
2665:
2664:
2655:
2647:
2643:
2630:
2615:
2607:
2603:
2595:
2591:
2582:
2571:
2556:
2552:
2544:
2540:
2532:
2528:
2520:
2516:
2508:
2504:
2490:
2479:
2471:
2467:
2457:
2455:
2441:
2440:
2436:
2426:
2424:
2416:
2415:
2404:
2398:
2394:
2390:
2384:
2380:
2376:
2370:
2366:
2362:
2357:
2344:
2288:Certified units
2274:
2269:
2241:
2239:Year-end charts
2148:German Albums (
2106:
2065:
2056:
2046:
1969:
1964:
1954:
1792:
1782:
1697:
1594:
1325:
1231:
1226:
1221:
1216:
1181:
1176:
1171:
1166:
1143:
1138:
1133:
1128:
1105:
1100:
1095:
1090:
1043:
1038:
1033:
1028:
993:
988:
983:
978:
945:
829:
824:
819:
814:
779:
774:
769:
764:
729:
724:
689:âplus the 1981
658:UK Albums Chart
616:
600:
551:
482:
392:
383:Factory Records
374:Granada Reports
316:
237:Factory Records
211:
202:
193:
144:
140:
139:
90:1â17 April 1979
78:
76:
67:
40:
35:
23:
22:
15:
12:
11:
5:
5250:
5248:
5240:
5239:
5234:
5229:
5224:
5219:
5209:
5208:
5202:
5201:
5199:
5198:
5191:
5184:
5177:
5170:
5163:
5158:
5153:
5147:
5145:
5141:
5140:
5138:
5137:
5130:
5123:
5120:New Dawn Fades
5116:
5109:
5102:
5095:
5088:
5081:
5074:
5067:
5060:
5053:
5046:
5038:
5036:
5030:
5029:
5027:
5026:
5019:
5011:
5009:
5005:
5004:
5002:
5001:
4994:
4987:
4980:
4973:
4970:Heart and Soul
4966:
4959:
4952:
4945:
4938:
4930:
4928:
4924:
4923:
4921:
4920:
4912:
4904:
4902:
4901:Extended plays
4898:
4897:
4895:
4894:
4887:
4879:
4877:
4873:
4872:
4870:
4869:
4866:Stephen Morris
4862:
4855:
4852:Bernard Sumner
4848:
4840:
4837:
4836:
4831:
4829:
4828:
4821:
4814:
4806:
4800:
4799:
4793:
4754:
4742:
4731:
4730:External links
4728:
4727:
4726:
4712:
4699:
4685:
4670:
4667:
4666:
4665:
4659:
4637:
4631:
4613:
4609:Newspapers.com
4595:Palmer, Robert
4591:
4585:
4562:
4556:
4534:
4528:
4520:Backbeat Books
4501:
4495:
4474:
4471:
4468:
4467:
4442:
4417:
4402:(in Italian).
4391:
4361:
4345:
4333:
4314:(in Spanish).
4303:
4291:
4272:(in Italian).
4261:
4245:
4229:
4217:
4205:
4180:
4164:
4152:
4122:
4098:
4095:. p. 109.
4078:
4048:
4014:
3996:
3962:
3944:
3910:
3891:
3857:
3840:thequietus.com
3827:
3797:
3790:
3758:
3751:
3727:
3714:
3678:
3671:
3653:Weisbard, Eric
3640:
3617:
3610:
3574:
3553:
3508:
3471:
3464:
3434:
3415:
3403:Pantheon Books
3373:
3352:
3340:
3328:
3297:Gilmore, Mikal
3288:
3244:
3208:
3191:
3169:
3152:
3137:. 8 May 2019.
3122:
3098:
3068:
3043:
3016:
2982:
2970:
2958:
2939:
2906:
2873:
2836:
2829:
2809:
2767:
2752:Archived from
2742:(1 May 2007).
2728:
2716:
2693:
2666:Raggett, Ned.
2653:
2641:
2637:London Records
2613:
2601:
2599:, p. 112.
2589:
2569:
2550:
2548:, p. 202.
2538:
2536:, p. 135.
2526:
2514:
2512:, p. 111.
2502:
2477:
2465:
2434:
2402:
2388:
2374:
2359:
2358:
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2321:
2318:
2315:
2307:
2306:
2303:
2300:
2292:
2291:
2285:
2282:
2273:
2272:Certifications
2270:
2266:
2265:
2259:
2258:
2255:
2251:
2250:
2247:
2240:
2237:
2235:
2232:
2231:
2228:
2217:
2216:
2213:
2208:Swiss Albums (
2205:
2204:
2201:
2193:
2192:
2189:
2181:
2180:
2177:
2169:
2168:
2165:
2157:
2156:
2153:
2145:
2144:
2141:
2133:
2132:
2129:
2121:
2120:
2117:
2109:
2108:
2103:
2095:
2094:
2091:
2080:
2079:
2076:
2068:
2067:
2062:
2055:
2052:
2047:
2045:
2042:
2041:
2040:
2037:
2028:
2022:
2016:Martin Hannett
2007:
2006:
2003:Stephen Morris
2000:
1994:
1991:Bernard Sumner
1988:
1987: â vocals
1968:
1965:
1961:
1960:
1957:
1951:
1950:
1947:
1940:
1936:
1935:
1932:
1929:
1925:
1924:
1921:
1914:
1910:
1909:
1906:
1903:
1899:
1898:
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1892:
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1884:
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1877:
1876:
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1870:
1866:
1865:
1862:
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1855:
1854:
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1848:
1844:
1843:
1840:
1837:
1833:
1832:
1829:
1826:
1822:
1821:
1818:
1815:
1811:
1810:
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1804:
1793:
1789:
1788:
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1779:
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1772:
1768:
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1764:
1761:
1757:
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1750:
1746:
1745:
1742:
1735:
1731:
1730:
1727:
1720:
1716:
1715:
1712:
1709:
1698:
1694:
1693:
1690:
1687:New Dawn Fades
1683:
1679:
1678:
1675:
1672:
1668:
1667:
1664:
1661:
1657:
1656:
1653:
1650:
1646:
1645:
1642:
1635:
1631:
1630:
1627:
1624:
1611:Bernard Sumner
1607:Stephen Morris
1595:
1593:
1590:
1582:
1581:
1578:
1575:
1571:
1570:
1567:
1564:
1561:
1558:
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1436:
1433:
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1422:
1421:
1418:
1415:
1409:
1408:
1405:
1402:
1398:
1397:
1394:
1391:
1387:
1386:
1383:
1380:
1376:
1375:
1372:
1369:
1365:
1364:
1361:
1358:
1355:
1352:
1344:
1343:
1340:
1337:
1334:
1331:
1324:
1321:
1251:Stuart Maconie
1237:
1236:
1207:
1199:
1198:
1195:
1187:
1186:
1157:
1149:
1148:
1119:
1111:
1110:
1081:
1073:
1072:
1069:
1061:
1060:
1057:
1049:
1048:
1019:
1011:
1010:
1007:
999:
998:
969:
963:
962:
959:
955:
954:
944:
941:
904:or an orderly
835:
834:
805:
797:
796:
793:
785:
784:
755:
747:
746:
743:
739:
738:
728:
725:
723:
720:
704:180-gram vinyl
668:UK Indie Chart
615:
612:
599:
596:
576:Summertime '06
550:
547:
508:ridgeline plot
481:
478:
445:'s 1971 album
431:Leslie speaker
415:Martin Hannett
391:
388:
345:Stephen Morris
328:Bernard Sumner
315:
312:
249:Martin Hannett
218:
217:
214:
213:
204:
195:
181:
180:
173:
172:
170:Martin Hannett
167:
161:
160:
155:
149:
148:
137:
133:
132:
131:
130:
125:
120:
113:
107:
106:
96:
92:
91:
88:
84:
83:
73:
69:
68:
63:
56:
55:
47:
46:
38:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5249:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5214:
5212:
5197:
5196:
5192:
5190:
5189:
5185:
5183:
5182:
5178:
5176:
5175:
5171:
5169:
5168:
5164:
5162:
5159:
5157:
5154:
5152:
5149:
5148:
5146:
5142:
5135:
5131:
5128:
5124:
5121:
5117:
5114:
5110:
5107:
5103:
5100:
5096:
5093:
5089:
5086:
5082:
5079:
5075:
5072:
5068:
5065:
5061:
5058:
5054:
5051:
5047:
5044:
5040:
5039:
5037:
5035:
5031:
5025:
5024:
5020:
5018:
5017:
5013:
5012:
5010:
5006:
5000:
4999:
4995:
4993:
4992:
4988:
4986:
4985:
4981:
4979:
4978:
4974:
4972:
4971:
4967:
4965:
4964:
4960:
4958:
4957:
4956:Peel Sessions
4953:
4951:
4950:
4946:
4944:
4943:
4939:
4937:
4936:
4932:
4931:
4929:
4925:
4918:
4917:
4913:
4911:
4910:
4906:
4905:
4903:
4899:
4893:
4892:
4888:
4886:
4885:
4881:
4880:
4878:
4876:Studio albums
4874:
4868:
4867:
4863:
4861:
4860:
4856:
4854:
4853:
4849:
4847:
4846:
4842:
4841:
4838:
4834:
4827:
4822:
4820:
4815:
4813:
4808:
4807:
4804:
4796:
4790:
4786:
4782:
4778:
4774:
4773:
4768:
4764:
4762:
4755:
4752:
4748:
4747:
4743:
4741:
4737:
4734:
4733:
4729:
4723:
4719:
4715:
4709:
4705:
4700:
4696:
4692:
4688:
4686:9781847862112
4682:
4678:
4673:
4672:
4668:
4662:
4656:
4652:
4648:
4647:
4642:
4638:
4634:
4628:
4624:
4623:
4618:
4614:
4610:
4606:
4605:
4600:
4596:
4592:
4588:
4582:
4578:
4574:
4570:
4569:
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4553:
4549:
4545:
4544:
4539:
4535:
4531:
4525:
4521:
4517:
4513:
4509:
4508:
4502:
4498:
4492:
4488:
4484:
4483:
4477:
4476:
4472:
4456:
4452:
4446:
4443:
4431:
4427:
4421:
4418:
4405:
4401:
4395:
4392:
4379:
4375:
4371:
4365:
4362:
4358:
4354:
4349:
4346:
4342:
4337:
4334:
4321:
4317:
4313:
4307:
4304:
4300:
4295:
4292:
4279:
4275:
4271:
4265:
4262:
4258:
4254:
4249:
4246:
4242:
4239:(in German).
4238:
4233:
4230:
4226:
4221:
4218:
4214:
4209:
4206:
4194:
4190:
4184:
4181:
4177:
4173:
4168:
4165:
4161:
4156:
4153:
4140:
4136:
4134:
4126:
4123:
4119:
4115:
4111:
4108:
4102:
4099:
4094:
4093:
4088:
4082:
4079:
4066:
4062:
4061:Rolling Stone
4058:
4052:
4049:
4036:
4032:
4031:Rolling Stone
4028:
4024:
4023:Rolling Stone
4018:
4015:
4010:
4009:Rolling Stone
4006:
4000:
3997:
3984:
3980:
3976:
3972:
3966:
3963:
3959:. p. 76.
3958:
3954:
3948:
3945:
3932:
3928:
3924:
3920:
3914:
3911:
3907:. p. 24.
3906:
3902:
3895:
3892:
3879:
3875:
3871:
3867:
3861:
3858:
3845:
3841:
3837:
3831:
3828:
3815:
3811:
3810:vanyaland.com
3807:
3801:
3798:
3793:
3787:
3783:
3779:
3775:
3774:
3769:
3762:
3759:
3754:
3752:0-7535-0493-6
3748:
3744:
3740:
3739:
3731:
3728:
3724:
3718:
3715:
3702:
3698:
3697:
3692:
3688:
3682:
3679:
3674:
3672:0-679-75574-8
3668:
3664:
3663:Vintage Books
3660:
3659:
3654:
3650:
3644:
3641:
3636:
3635:
3630:
3624:
3622:
3618:
3613:
3611:0-743-20169-8
3607:
3603:
3599:
3595:
3594:
3589:
3585:
3578:
3575:
3570:
3569:
3564:
3557:
3554:
3541:
3537:
3536:
3531:
3529:
3525:
3521:
3512:
3509:
3496:
3492:
3488:
3486:
3478:
3476:
3472:
3467:
3461:
3457:
3456:Omnibus Press
3453:
3452:
3447:
3446:Larkin, Colin
3441:
3439:
3435:
3422:
3418:
3416:0-679-73015-X
3412:
3408:
3404:
3400:
3399:
3394:
3392:
3386:
3380:
3378:
3374:
3369:
3365:
3359:
3357:
3353:
3349:
3344:
3341:
3338:, p. 97.
3337:
3332:
3329:
3316:
3312:
3311:
3310:Rolling Stone
3306:
3304:
3298:
3292:
3289:
3284:
3272:
3268:
3263:
3261:
3251:
3249:
3245:
3229:
3228:
3223:
3221:
3212:
3209:
3205:. p. 36.
3204:
3203:
3195:
3192:
3187:
3186:
3178:
3176:
3174:
3170:
3166:. p. 14.
3165:
3164:
3163:Record Mirror
3156:
3153:
3140:
3136:
3132:
3126:
3123:
3119:
3115:
3111:
3108:
3102:
3099:
3086:
3082:
3078:
3072:
3069:
3065:
3064:0-9517206-9-4
3061:
3057:
3053:
3047:
3044:
3040:
3039:1-904994-10-5
3036:
3032:
3028:
3027:
3020:
3017:
3004:
3000:
2996:
2994:
2986:
2983:
2979:
2974:
2971:
2968:, p. 90.
2967:
2962:
2959:
2955:
2951:
2948:
2943:
2940:
2927:
2923:
2922:
2917:
2910:
2907:
2894:
2890:
2889:
2884:
2877:
2874:
2861:
2857:
2856:
2851:
2849:
2840:
2837:
2832:
2830:9781471129803
2826:
2822:
2821:
2813:
2810:
2797:
2793:
2792:
2787:
2780:
2778:
2776:
2774:
2772:
2768:
2755:
2751:
2750:
2745:
2741:
2735:
2733:
2729:
2723:
2721:
2717:
2713:
2709:
2706:
2700:
2698:
2694:
2681:
2677:
2673:
2671:
2662:
2660:
2658:
2654:
2651:, p. 62.
2650:
2645:
2642:
2638:
2634:
2628:
2626:
2624:
2622:
2620:
2618:
2614:
2611:, p. 63.
2610:
2605:
2602:
2598:
2597:Reynolds 2009
2593:
2590:
2586:
2580:
2578:
2576:
2574:
2570:
2566:
2562:
2561:
2554:
2551:
2547:
2542:
2539:
2535:
2530:
2527:
2524:, p. 42.
2523:
2518:
2515:
2511:
2510:Reynolds 2009
2506:
2503:
2499:
2498:
2493:
2488:
2486:
2484:
2482:
2478:
2474:
2469:
2466:
2453:
2449:
2445:
2438:
2435:
2423:
2419:
2413:
2411:
2409:
2407:
2403:
2397:
2392:
2389:
2383:
2378:
2375:
2369:
2364:
2361:
2354:
2348:
2334:
2331:
2328:
2323:
2319:
2316:
2313:
2310:New Zealand (
2308:
2304:
2301:
2298:
2293:
2289:
2284:Certification
2279:
2271:
2264:
2256:
2252:
2246:Chart (1981)
2244:
2238:
2236:
2226:
2222:
2218:
2211:
2206:
2202:
2199:
2194:
2187:
2182:
2178:
2175:
2170:
2163:
2158:
2151:
2146:
2139:
2134:
2127:
2122:
2115:
2110:
2102:Chart (2019)
2100:
2089:
2085:
2081:
2074:
2069:
2059:
2054:Weekly charts
2053:
2051:
2050:
2043:
2038:
2036:
2032:
2031:Peter Saville
2029:
2027:
2023:
2021:
2017:
2014:
2013:
2012:
2011:
2004:
2001:
1998:
1995:
1992:
1989:
1986:
1983:
1982:
1981:
1980:
1976:
1974:
1966:
1958:
1955:Total length:
1948:
1945:
1941:
1937:
1933:
1930:
1926:
1922:
1919:
1915:
1911:
1907:
1904:
1900:
1896:
1893:
1889:
1885:
1882:
1878:
1874:
1871:
1867:
1863:
1860:
1856:
1852:
1849:
1845:
1841:
1838:
1834:
1830:
1827:
1823:
1819:
1816:
1812:
1799:
1786:
1783:Total length:
1776:
1773:
1769:
1765:
1762:
1758:
1754:
1751:
1747:
1743:
1740:
1736:
1732:
1728:
1725:
1721:
1717:
1704:
1691:
1688:
1684:
1680:
1676:
1673:
1669:
1665:
1662:
1658:
1654:
1651:
1647:
1643:
1640:
1636:
1632:
1619:
1613:
1612:
1608:
1604:
1600:
1592:Track listing
1591:
1589:
1576:
1573:
1572:
1565:
1562:
1557:
1556:
1551:
1544:
1541:
1540:
1533:
1530:
1529:
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1513:
1512:Rolling Stone
1508:
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970:
968:
965:
964:
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953:Review scores
951:
942:
940:
938:
934:
930:
926:
925:
919:
917:
916:
911:
910:Robert Palmer
907:
903:
899:
898:Mikal Gilmore
895:
894:
893:Rolling Stone
889:
885:
881:
877:
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869:
864:
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806:
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752:Record Mirror
749:
748:
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737:Review scores
735:
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584:
582:
578:
577:
573:' 2015 album
572:
571:Vince Staples
568:
564:
560:
556:
549:Iconic status
548:
546:
543:
542:
536:
533:
530:for his 1970
529:
525:
520:
517:
516:Antony Hewish
513:
509:
505:
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496:
494:
490:
486:
485:Peter Saville
479:
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360:
359:extended play
357:
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308:
303:
302:
301:Rolling Stone
297:
296:
291:
287:
286:
281:
277:
273:
268:
267:'s lifetime.
266:
262:
258:
257:Peter Saville
254:
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48:
43:
37:
33:
31:
19:
5193:
5186:
5181:Joy Division
5180:
5172:
5165:
5078:Transmission
5021:
5014:
4996:
4989:
4982:
4975:
4968:
4961:
4954:
4947:
4940:
4933:
4914:
4907:
4889:
4883:
4882:
4864:
4857:
4850:
4843:
4833:Joy Division
4771:
4760:
4744:
4739:
4703:
4676:
4651:Bantam Press
4645:
4621:
4602:
4567:
4542:
4506:
4496:0-57117445-0
4480:
4458:. Retrieved
4445:
4433:. Retrieved
4420:
4407:. Retrieved
4394:
4382:. Retrieved
4364:
4348:
4336:
4324:. Retrieved
4306:
4294:
4282:. Retrieved
4264:
4248:
4232:
4220:
4208:
4196:. Retrieved
4183:
4167:
4155:
4143:. Retrieved
4137:. AllMusic.
4132:
4125:
4117:
4101:
4090:
4086:
4081:
4069:. Retrieved
4060:
4051:
4039:. Retrieved
4030:
4022:
4017:
4004:
3999:
3987:. Retrieved
3978:
3970:
3965:
3956:
3952:
3947:
3935:. Retrieved
3931:the original
3926:
3918:
3913:
3900:
3894:
3882:. Retrieved
3873:
3865:
3860:
3848:. Retrieved
3839:
3830:
3818:. Retrieved
3809:
3800:
3772:
3767:
3761:
3743:Virgin Books
3737:
3730:
3722:
3717:
3705:. Retrieved
3701:the original
3694:
3681:
3657:
3643:
3632:
3592:
3577:
3566:
3562:
3556:
3544:. Retrieved
3533:
3527:
3523:
3519:
3511:
3499:. Retrieved
3495:the original
3490:
3484:
3450:
3425:. Retrieved
3397:
3390:
3368:Melody Maker
3367:
3364:Harron, Mary
3343:
3331:
3319:. Retrieved
3308:
3302:
3291:
3281:– via
3275:. Retrieved
3266:
3259:
3231:. Retrieved
3227:Melody Maker
3225:
3219:
3211:
3200:
3194:
3183:
3161:
3155:
3145:21 September
3143:. Retrieved
3134:
3125:
3101:
3091:21 September
3089:. Retrieved
3080:
3071:
3051:
3046:
3024:
3019:
3007:. Retrieved
2992:
2985:
2973:
2961:
2946:
2942:
2930:. Retrieved
2919:
2909:
2897:. Retrieved
2886:
2876:
2864:. Retrieved
2853:
2850:Album Cover"
2847:
2839:
2819:
2812:
2800:. Retrieved
2789:
2758:. Retrieved
2754:the original
2747:
2684:. Retrieved
2669:
2644:
2632:
2604:
2592:
2584:
2558:
2553:
2541:
2529:
2517:
2505:
2500:. July 1994.
2495:
2475:, p. 6.
2468:
2456:. Retrieved
2447:
2437:
2425:. Retrieved
2421:
2391:
2377:
2363:
2340:
2262:
2009:
2008:
1979:Joy Division
1978:
1977:
1970:
1944:Transmission
1883:"Shadowplay"
1861:"Wilderness"
1817:"Dead Souls"
1752:"Wilderness"
1596:
1585:
1553:
1510:
1467:
1446:
1425:
1347:
1330:Publication
1316:
1312:
1307:
1300:
1294:
1292:
1285:
1279:
1276:Colin Larkin
1267:
1265:
1260:
1254:
1247:Richard Cook
1240:
1202:
1190:
1152:
1114:
1076:
1064:
1052:
1014:
1002:
937:Jim Morrison
929:Melody Maker
928:
922:
920:
913:
891:
875:Strange Days
873:
866:
862:
856:". Reviewer
850:Gary Glitter
845:
841:Melody Maker
839:
838:
800:
788:
750:
715:
711:
699:
693:
686:
682:
676:
671:
661:
653:
652:
647:
638:
634:
632:
628:Transmission
623:
618:
617:
608:Ralph Gibson
603:
601:
598:Inner sleeve
592:Mickey Mouse
586:In 2012 the
585:
580:
574:
552:
539:
537:
521:
503:
498:It is not a
497:
492:
489:CP 1919
483:
473:
471:
458:
453:
446:
402:
401:
372:
362:
349:
338:show at the
317:
305:
299:
293:
283:
276:Transmission
271:
269:
261:radio pulsar
233:Joy Division
223:
222:
221:
206:
198:
197:
188:
177:Joy Division
65:Joy Division
60:Studio album
36:
29:
5161:Rob Gretton
5151:Discography
5008:Live albums
4538:Hook, Peter
4460:25 December
3884:9 September
3600:. pp.
3348:Palmer 1980
3321:12 February
2932:1 September
2866:18 February
2546:Curtis 1995
2534:Gimarc 2005
2492:Savage, Jon
2427:13 February
1905:"Interzone"
1850:"Candidate"
1763:"Interzone"
1663:"Candidate"
933:Mary Harron
379:Rob Gretton
369:Tony Wilson
352:RCA Records
336:Sex Pistols
5211:Categories
5099:Atmosphere
5092:Dead Souls
5071:Shadowplay
4859:Peter Hook
4845:Ian Curtis
4767:Irvin, Jim
4649:. London:
4573:33â
series
4546:. London:
4485:. London:
4384:1 February
3780:. p.
3707:12 October
3546:12 October
3501:12 October
3427:12 October
3405:. p.
3277:4 December
3262:(Factory)"
3185:Smash Hits
3054:. London:
2899:5 November
2686:12 October
2563:. London:
2458:10 October
2355:References
2198:PROMUSICAE
2140:Wallonia)
2128:Flanders)
2114:Ă3 Austria
2010:Production
1997:Peter Hook
1985:Ian Curtis
1894:"Disorder"
1739:Shadowplay
1603:Peter Hook
1599:Ian Curtis
924:Smash Hits
858:Jon Savage
790:Smash Hits
679:remastered
563:Raf Simons
541:BBC Online
467:Pink Floyd
332:Peter Hook
314:Background
265:Ian Curtis
179:chronology
79:1979-06-15
5156:New Order
5113:Isolation
4963:Permanent
4949:Substance
4777:Edinburgh
4695:227198538
4619:(2009) .
4540:(2013) .
4516:Wisconsin
4512:Milwaukee
4409:2 January
4071:7 January
3979:Pitchfork
3971:Pitchfork
3535:Pitchfork
2749:Tate Etc.
2332:Platinum
2249:Position
2221:UK Albums
2107:position
2084:UK Albums
2066:position
1967:Personnel
1931:"Novelty"
1839:"Insight"
1674:"Insight"
1448:Pitchfork
1336:Accolade
1323:Accolades
1319:in 2012.
1066:Pitchfork
677:In 2007,
644:Buzzcocks
559:New Order
448:Tago Mago
419:punk rock
411:Stockport
390:Recording
324:punk rock
280:post-punk
241:Stockport
128:punk rock
118:Post-punk
103:Stockport
5134:Ceremony
5085:Komakino
5057:Disorder
4781:Scotland
4722:71165309
4643:(2014).
4378:Archived
4320:Archived
4278:Archived
4139:Archived
4110:Archived
4065:Archived
4035:Archived
3989:2 August
3983:Archived
3937:2 August
3878:Archived
3844:Archived
3814:Archived
3590:(eds.).
3540:Archived
3421:Archived
3387:(1990).
3336:Ott 2004
3315:Archived
3271:Archived
3139:Archived
3110:Archived
3085:Archived
3009:12 April
3003:Archived
2978:Ott 2004
2966:Ott 2004
2926:Archived
2893:Archived
2860:Archived
2796:Archived
2760:17 April
2708:Archived
2680:Archived
2676:AllMusic
2649:Ott 2004
2609:Ott 2004
2522:Ott 2004
2473:Ott 2004
2452:Archived
2335:300,000
2138:Ultratop
2126:Ultratop
2033: â
2026:engineer
2020:producer
2018: â
1973:AllMusic
1639:Disorder
1333:Country
967:AllMusic
455:AllMusic
356:produced
290:AllMusic
165:Producer
123:new wave
87:Recorded
72:Released
62: by
5174:Control
5144:Related
5050:Digital
4751:Discogs
4473:Sources
4326:26 June
4284:22 June
4198:27 June
4145:11 June
4041:3 March
3233:13 June
3058:. 124.
3033:. 291.
2802:16 June
2305:25,000
2295:Italy (
2290:/sales
2281:Region
1259:deemed
844:called
708:box set
614:Release
583:image.
567:Supreme
535:image.
491:, from
439:syndrum
435:Walther
320:Salford
212:(1980)
203:(1979)
194:(1978)
158:Factory
77: (
5043:Warsaw
4935:Warsaw
4891:Closer
4791:
4720:
4710:
4693:
4683:
4657:
4629:
4583:
4554:
4526:
4493:
4435:1 June
4257:MAHASZ
3850:17 May
3820:17 May
3788:
3749:
3669:
3634:Select
3608:
3602:442â43
3524:Closer
3462:
3413:
3202:Sounds
3062:
3037:
2952:
2827:
2320:7,500
2263:
2162:MAHASZ
2044:Charts
2035:design
1809:Length
1714:Length
1629:Length
1256:Select
1243:Gothic
1154:Select
961:Rating
958:Source
943:Legacy
852:meets
802:Sounds
745:Rating
742:Source
712:Closer
687:Closer
663:Closer
588:Disney
361:(EP),
304:, and
295:Select
208:Closer
136:Length
95:Studio
32:(film)
5034:Songs
4942:Still
4765:. In
3696:Uncut
3528:Still
3118:Rhino
2956:p. 87
2587:2006.
2317:Gold
2302:Gold
1959:44:37
1806:Title
1787:39:28
1711:Title
1626:Title
1577:2003
1566:2001
1545:2020
1534:2013
1523:2002
1502:2004
1491:2002
1480:1998
1459:2004
1438:2003
1417:2013
1404:2006
1393:2003
1382:1993
1371:1993
1360:1985
1342:Rank
1339:Year
1204:Uncut
1071:10/10
1059:10/10
890:. In
880:Doors
878:-era
716:Still
710:with
695:Still
231:band
153:Label
111:Genre
4789:ISBN
4738:for
4718:OCLC
4708:ISBN
4691:OCLC
4681:ISBN
4655:ISBN
4627:ISBN
4581:ISBN
4552:ISBN
4524:ISBN
4491:ISBN
4462:2022
4437:2019
4411:2019
4386:2022
4328:2019
4286:2019
4200:2019
4147:2022
4118:Spin
4092:Spin
4087:Spin
4073:2021
4043:2017
3991:2016
3957:Mojo
3953:Mojo
3939:2016
3886:2018
3852:2017
3822:2017
3786:ISBN
3747:ISBN
3709:2012
3667:ISBN
3606:ISBN
3548:2012
3503:2012
3460:ISBN
3429:2012
3411:ISBN
3323:2013
3279:2013
3235:2022
3147:2021
3093:2021
3060:ISBN
3035:ISBN
3011:2018
2950:ISBN
2934:2019
2901:2008
2868:2015
2825:ISBN
2804:2019
2762:2013
2688:2012
2497:Mojo
2460:2019
2429:2018
2312:RMNZ
2297:FIMI
2174:FIMI
2143:194
2105:Peak
2073:RMNZ
2064:Peak
1949:3:50
1934:4:28
1923:6:14
1908:2:05
1897:3:29
1886:3:35
1875:3:47
1864:2:32
1853:2:08
1842:3:52
1831:4:12
1820:4:25
1777:5:53
1766:2:16
1755:2:38
1744:3:54
1729:3:56
1692:4:48
1677:4:30
1666:3:05
1655:4:48
1644:3:36
1609:and
1555:Spin
1548:211
1427:Mojo
1197:9/10
888:Neu!
886:and
795:8/10
714:and
555:goth
330:and
307:Spin
229:rock
4749:at
4116:".
3927:NME
3919:NME
3905:NME
3874:NME
3866:NME
3782:432
3723:NME
3565:".
3491:NME
3407:222
3267:NME
3116:".
2921:i-D
2888:BBC
2565:IPC
2560:NME
2327:BPI
2257:35
2225:OCC
2215:98
2203:18
2191:11
2186:AFP
2179:34
2167:26
2155:20
2131:65
2119:23
2093:71
2088:OCC
1939:12.
1928:11.
1913:10.
1802:No.
1771:10.
1707:No.
1622:No.
1569:11
1560:US
1537:20
1526:24
1517:US
1494:19
1474:UK
1453:US
1441:26
1432:UK
1420:40
1407:44
1396:41
1374:43
1363:10
1354:UK
1349:NME
1287:NME
1253:of
1054:NME
884:Can
868:NME
469:."
463:dub
443:Can
423:AMS
409:in
285:NME
243:'s
5213::
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1469:Q
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34:.
20:)
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