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point coincided with the deflection of the arch. Then the profile displayed on the wall by the chain was drawn and on this profile the carpenter marked and placed the corresponding centering, and the timbrel vault was started with three rows of plane bricks. Gaudí wanted to add a longitudinal axis of bricks connecting all vaults at their keystones".
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openings in the facade which give light to the homes, and on the other, free structuring of the different levels, so that internal walls can be added and demolished without affecting the stability of the building. This allows the owners to change their minds at will and to modify, without problems, the interior layout of the homes.
1324:. Although the most dramatic and clear favorite was Casa Milà, the jury opined that even though the facades were complete, "there's still a lot left to do before it's fully completed, finalized and in a perfect state of appreciation." The winner in 1910 was Samanillo Perez, for his building which now houses the headquarters of the
641:, an academy and the offices of Cementos Molins and Inoxcrom among others. Maintenance costs were high and the owners had allowed the building to become dilapidated, causing stones to loosen in 1971. Josep Anton Comas made some emergency repairs, especially to the paintings in the courtyards, while respecting the original design.
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flat of all 1,323 m), and the rest distributed over 20 apartments. The resulting layout is shaped like an asymmetrical "8" because of the different shapes and sizes of the courtyards. The attic housed the laundry and drying areas, forming an insulating space for the building and simultaneously determining the levels of the roof.
836:. In the courtyard, there are traditional elliptical beams and girders but Gaudí applied an ingenious solution of using two concentric cylindrical beams with stretched radial beams, like the spokes of a bicycle. They form a point outside of the beam to two points above and below, making the function of the central girder a
1343:" were written at the top of the facade. Continuing disagreements led Gaudí to take Milà to court over his fees. The lawsuit was won by Gaudí in 1916, and he gave the 105,000 pesetas he won in the case to charity, stating that "the principles mattered more than money." Milà was having to pay the mortgage.
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because the chimneys appear to be protecting the skylights, has undergone a radical restoration, removing chimneys added in interventions after Gaudí, television antennas, and other elements that degraded the space. The restoration brought back the splendor to the chimneys and the skylights that were
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forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John
Bertrand under the supervision of Gaudí who "touched up with their own fingers," in the words of the
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and working in tension and compression simultaneously. This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. The centerpiece was built in a shipyard by Josep Maria
Carandell who copied a steering wheel, interpreting
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After completion of his education he became a prolific architect as well as designing gardens, sculptures and all other decorative arts. Gaudí's most famous works consisted of several buildings: Parque Güell; Palacio Güell; Casa Mila; Casa Vicens. He also is attributed for his work on the Crypt of La
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Esta decoración policroma, á la cual se dá extraordinaria importancia en el interior del edificio, se está ejectuando actualmente; y por la parte que se ha puesto de manifiesto al Jurado, es preciso reconocer que falta muchísimo para quedar completamente ultimada y en estado de perfecta apreciación,
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of different heights and spaced by about 80 cm. The roof resembles both the ribs of a huge animal and a palm, giving the roof-deck a very unconventional shape similar to a landscape of hills and valleys. The shape and location of the courtyards makes the arches higher when the space is narrowed
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The stairways were intended as service entries, with the main access to the apartments by elevator except for the noble floor, where Gaudí added a prominent interior staircase. Gaudí wanted the people who lived in the flats to all know each other. Therefore, there were only elevators on every other
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Casa Milà consists of two buildings, which are structured around two courtyards that provide light to the nine stories: basement, ground floor, mezzanine, main (or noble) floor, four upper floors, and an attic. The basement was intended to be the garage, the main floor the residence of the Milàs (a
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Gaudí's relations with
Segimon deteriorated during the construction and decoration of the house. There were many disagreements between them, one example being the monumental bronze virgin del Rosario, which Gaudí wanted as the statue on the front of the building in homage to the name of the owner,
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This was another point of friction with
Segimon, who complained that there was no straight wall to place her Steinway piano. Gaudí's response was blunt: "So play the violin." The result of these disagreements has been the loss of the decorative legacy of Gaudí, as most of the furniture was removed
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Gaudí's original facade had some of its lower-level ironwork removed. In 1928, the tailor
Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance. The ironwork was lost
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In 1905, Milà and Segimón married and on June 9, Roser Segimón bought a house with garden which occupied an area of 1,835 square meters, located on Paseo de Gracia, 92. In
September, they commissioned Gaudí for building them a new house with the idea of living in the main floor and renting out the
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Antoni Gaudí i Cornet was born on June 25, 1852, in
Catalonia, Spain. As a child, Gaudí's health was poor, suffering from rheumatism. Because of this, he was afforded lengthy periods of time resting at his summer house in Riudoms. Here he spent a large portion of his time outdoors, allowing him to
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Some people say that the interior layout of La
Pedrera comes from studies that Gaudí made of medieval fortresses. This image is reinforced by the seeming appearance of the rooftop chimneys as "sentinels" with great helmets. The structure of the iron door in the lobby does not follow any symmetry,
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On the rooftop there are six skylights/staircase exits (four of which were covered with broken pottery and some that ended in a double cross typical of Gaudí), twenty-eight chimneys in several groupings, two half-hidden vents whose function is to renew the air in the building, and four domes that
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The builder Bayó explained its construction: "First the face of a wide wall was filled with mortar and plastered. Then
Canaleta indicated the opening of each arch and Bayó put a nail at each starting point of the arch at the top of the wall. From these nails was dangled a chain so that the lowest
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Gaudí was a very practical man and a craftsman at his core. In his work he followed impulses and turned creative plans into reality. His openness to embrace new styles combined with a vivid imagination helped mold new styles of architecture and consequently helped push the limits of construction.
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The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building. There are two patios on the side of the
Passeig de Gracia and of the street
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The building was completed in December 1910 and the owner asked Gaudí to make a certificate to inhabit the main floor, which the City Council authorized in October 1911, and the couple moved in. On October 31, 1912, Gaudí issued the certificate stating that, in accordance with his plans and his
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and broken Valencia tiles. One of the chimneys was topped with glass pieces – it was said that Gaudí did that the day after the inauguration of the building, taking advantage of the empty bottles from the party. It was restored with the bases of champagne bottles from the early twentieth
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Casa Milà is characterized by its self-supporting stone facade, meaning that it is free of load-bearing walls. The facade connects to the internal structure of each floor by means of curved iron beams surrounding the perimeter of each floor. This construction system allows, on one hand, large
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The building did not respect any rules of conventional style, for which Gaudí received much criticism. To begin with, the name "La Pedrera" is in fact a nickname assigned by the citizens who disapproved of its unusualness. The unique structure of the building and the relationship between the
1233:(approximately 25% of the cost of work) or for the demolition of the attic and roof. The dispute was resolved a year and a half later, December 28, 1909, when the Commission certified that it was a monumental building and thus not required to have a 'strict compliance' with the bylaws.
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stopped work on the building because of a pillar which occupied part of the sidewalk, not respecting the alignment of facades. Again on August 17, 1908, more problems occurred when the building surpassed the predicted height and borders of its construction site by 4,000 square metres
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bought La Pedrera for 900 million pesetas. On February 19, 1987, urgently needed work began on the restoration and cleaning of the façade. The work was done by the architects Joseph Emilio Hernández-Cros and Rafael Vila. The renovated main floor opened in 1990 as part of the
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Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like
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With restoration initiatives launched in 1987, the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating.
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on July 24, 1969. Casa Milà was in poor condition in the early 1980s. It had been painted a dreary brown and many of its interior color schemes had been abandoned or allowed to deteriorate, but it has been restored since and many of the original colors revived.
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razon por la cual puede afirmarse, con toda seguridad, que no puede considerarse dicho edificio hoy completamente terminado, segûn lo taxativamente prevenido en la base 2.ª del Programa de Concurso, ni mucho menos podía estarlo en la fecha señalada de 1910.
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During construction there was a problem including a basement as a garage for cars, the new invention that was thrilling the bourgeois at the time. The future neighbor Felix Anthony Meadows, owner of Industrial Linera, requested a change because his
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Gaudí was injured on June 7, 1926, when he was run over by a tram. He later died in the hospital due to his injuries on June 10, 1926, at the age of 73. A few years after his death, his fame became renowned by critics and the general public alike.
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Free exhibitions often are held on the first floor, which also provides some opportunity to see the interior design. There is a charge for entrance to the apartment on the fourth floor and the roof. The other floors are not open to visitors.
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In 1870, Gaudí moved to Barcelona to study architecture. He was an inconsistent student who showed flashes of brilliance. It took him eight years to graduate due to a mix of health complications, military service as well as other activities.
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in which the architect assumed responsibility for global issues such as the structure and the facade, as well as every detail of the decor, designing furniture and accessories such as lamps, planters, floors or ceilings.
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However, the Casa Milà was not built entirely to Gaudí's specifications. The local government ordered the demolition of elements that exceeded the height standard for the city, and fined the Milàs for many infractions of
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could not access it. Gaudí agreed to remove a pillar on the ramp that led into the garage so that Felix, who was establishing sales and factory in Parets del Vallès, could go to both places with his car from La Pedrera.
582:, in partnership with the family of Pío Rubert Laporta. The Compañía Inmobiliaria Provenza, SA (CIPSA) was founded to administer the building. Roser Segimon continued to live on the main floor until her death in 1964.
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The windows of La Pedrera are an integral part of the overall facade design. Gaudí made sure that the windows were of varying sizes, designed to optimize the amount of natural light that could enter the building.
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Gaudí carved oak doors similar to what he had done for the Casa y Bardes, but these were only included on two floors as when Segimon discovered the price, she decided there would be no more at that quality.
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rest of the apartments. On February 2, 1906, the project was presented to the Barcelona City Council and the works began, demolishing the pre-existing building instead of reforming it, as in the case of the
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quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
465:, or former colonist returned from the Americas, who had made his fortune with a coffee plantation in Guatemala. Her second husband, Pere Milà, was a developer known for his flamboyant lifestyle.
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One of the most notable elements of the building is the roof, crowned with skylights, staircase exits, fans, and chimneys. All of these elements, constructed out of brick covered with lime,
388:. Since 2013 it has been the headquarters of the Fundació Catalunya La Pedrera, which manages visits to the building, exhibitions and other cultural and educational activities at Casa Milà.
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to convert 13 rubbish-filled attic laundry rooms to street-facing apartments, leaving a communal hallway on the side facing the courtyards. Some of these two or three room apartments had a
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The building's unconventional style made it the subject of much criticism. It was given the nickname "La Pedrera", meaning "the quarry". Casa Milà appeared in many satirical magazines.
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Gaudí's La Pedrera was inspired by a mountain, but there is no agreement as to which mountain was the reference model. Joan Bergós thought it was the rocks of Fray Guerau in
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After Gaudí's death in 1926, Segimon got rid of most of the furniture that Gaudí had designed and covered over parts of Gaudí's designs with new decorations in the style of
1162:. Joan Matamala thought that the model could have been St. Miquel del Fai, while the sculptor Vicente Vilarubias believed it was inspired by the cliffs Torrent Pareis in
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together with solutions that were clearly more innovative – this time creating shapes and volumes with more body, more prominence, and less polychromasia.
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Rainer Zervst. Gaudí, 1852–1926, Antoni Gaudí i Cornet – A Life Devoted to Architecture. Cologne: Benedikt Taschen Verlag GmbH & Co. KG., 1988. p176.
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377:. Several structural innovations include a self-supporting stone façade, and a free-plan floor, underground garage and the spectacular terrace on the roof.
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in the city, Milà prudently decided to forgo the religious statues. Gaudí contemplated abandoning the project but a priest persuaded him to continue.
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due to climate change and the changes she made to the main floor when Gaudí died. Some remain in private collections, including a curtain made of
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Gaudí, as he had done in Casa Batlló, designed furniture specifically for the main floor. This was part of the concept artwork itself integral to
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gate with a design attributed to Jujol. It was originally used by both people and cars, as access to the garage is in the basement, now an
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In 1940, Milà died. Segimon sold the property in 1946 for 18 million pesetas to Josep Ballvé i Pellisé, known for his department stores on
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building's architect and Pere Milà became the object of ridicule for the people of Barcelona and many humorous publications of the time.
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Sagrada Familia and the Nativity facade. Gaudí's work at the time was both admired and criticized for his bold, innovative solutions.
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became angry with Milà and ceased to greet him, arguing that the weird building by Gaudí would lower the price of land in the area.
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1212:. Joaquim Garcia made a joke about the difficulty of setting the damask wrought iron balconies in his magazine. Homeowners in
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and were designed and furnished in a typical early 1950s style using brick, ceramic and wood. Items of furniture, such as the
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Patios, structurally, are key as supporting loads of interior facades. The floor of the courtyard is supported by pillars of
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The apartments feature plastered ceilings with dynamic reliefs, handcrafted wooden doors, windows, and furniture, as well as
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Casa Milà was built for Roser Segimón and her husband Pere Milà. Roser Segimón was the wealthy widow of Josep Guardiola, an
1926:. Institut Municipal del Paisatge Urbà i la Qualitat de Vida (IMPUiQV), Ajuntament de Barcelona. 2011-10-23. Archived from
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as a support structure for the roof, a form which he had already used shortly after graduating in the wood frameworks of
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with fragments of tiles. This whole set is more colorful than the facade, although here the creamy tones are dominant.
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A fragment from first drafts of the architectural plans from 1906, showing the sculptures mounted on the upper facade.
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encompassing some of Gaudí's works. The Barcelonan city council tried to rent the main floor as an office for the
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century. The repair work has enabled the restoration of the original impact of the overhangs made of stone from
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The building is 1,323 m per floor on a plot of 1,620 m. Gaudí made the first sketches in his workshop in the
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The building's inside decor (pictured in 2005) has been changed several times, both paint and furniture
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discharged to the facade. The staircases also house the water tanks; some of which are snail-shaped.
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broke out in July 1936, the Milàs were on vacation. Part of the building was collectivized by the
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have a specific architectural function but are also real sculptures integrated into the building.
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The insurance company Northern took over the main floor in 1966. By then, Casa Milà had housed a
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deeply study nature. This would become one of the major influences in his architecture to come.
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4 m. long by 1.96 m. high in the Museum of Catalan Modernism; and a chair and desktop of Milà.
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CasaMila-Balcony, showing the self-supporting stone facade, also supported by curved iron beams
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that the artist Carles Mani i Roig was to sculpt. The statue was not made although the words "
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and when restoration was done four years later, some of the original decorations re-emerged.
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After being re-painted a dreary brown, the building's colors were restored in the 1980s
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The two halls are fully polychrome with oil paintings on the plaster surfaces, with
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direction, the work had been completed and the whole house was ready to be rented.
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2159:"What's It Like to Live in Barcelona's Most Famous Gaudí Home? A Bit Inconvenient"
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Catàleg del Patrimoni Arquitectònic Històrico-Artístic de la Ciutat de Barcelòna
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into five apartments instead of the original two. In 1953, they commissioned
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The stepped roof of La Pedrera, called "the garden of warriors" by the poet
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Mentioned in the 'Ballrooms and Biscotti' episode (season 4, episode 1) of
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The attic, where the laundry rooms were located, was a clear room under a
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Casa Milà also caused some administrative problems. In December 1907 the
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The work of Gaudí on the rooftop of La Pedrera brought his experience at
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Mentioned in the book by Trudi Alexy 'The Mezuzah in the Madonna's Foot'
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that are formed between the hands or the structures of a plant cell.
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Paintings cover the walls, with access protected by a giant iron gate
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of Barcelona. The floor became an exhibition room with an example of
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presented it as a traditional "Easter cake" by means of cartoons in
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Today he is regarded as a pioneer of the modern architecture style.
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until a few years later, when Americans donated one of them to the
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straight or repetitive pattern. Rather, it evokes bubbles of
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Gaudí's intent as to represent the helm of the ship of life.
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floor, so people on different floors would meet one another.
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2136:. Barcelona: Fundacio Caixa de Catalunya. pp. 112–134.
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A major part in the story "A murderer is born" in the novel
1264:). Other entries in the competition included two works by
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2271:(2nd ed.). Fodor's Travel Publications. p. 85.
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on the cornice and planned statues of Mary, specifically
1800:"Antoni Gaudí, the Sacred architect | CapCreus OnLine"
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Gaudí's work was designated a historic and artistic
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2024:
2022:
2123:
2121:
2002:Encyclopedia of 20th-century architecture: A–F
1952:"Chronology of La Pedrera (A place of memory)"
593:The new owners divided the first floor facing
2773:
2461:
2082:Cronologia de l'edifici a La Pedrera Educació
2077:
2075:
1376:; the Milàs fled the area with some artwork.
8:
3205:Centre de Cultura Contemporània de Barcelona
2422:UNESCO Collection on Google Arts and Culture
2379:Annual of the Catalan Architects Association
2235:
2233:
2231:
2107:
2105:
2099:Cuadernos de Arquitectura Núm. 22. Any: 1955
1994:
1992:
1990:
1268:(Calle Mallorca 264, and one on Corsica and
2441:La Casa Milà, furniture and decorative arts
2115:, Barcelona, Ajuntament de Barcelona, 1987
1243:The owner entered La Pedrera in the annual
2780:
2766:
2758:
2468:
2454:
2446:
2355:. Barcelona 1971 (7th ed. 1985) Ed. Teide
2065:
2063:
2061:
2059:
2057:
2055:
2053:
2051:
2049:
770:The facade is composed of large blocks of
61:
2249:
2247:
2201:a «any Gaudí» a l'Ajuntament de Barcelona
1704:List of Modernisme buildings in Barcelona
1409:, was filmed on the roof of the building.
1258:sponsored by the Barcelona City Council (
1166:. Other options include the mountains of
343:The building was commissioned in 1906 by
2329:. Caixa de Catalunya. pp. 187–224.
2128:Asarta Ferraz, Francisco Javier (1998).
1245:Barcelona Artistic Buildings Competition
506:
3626:Residential buildings completed in 1910
2301:
2299:
2095:Apartamentos en el desván de la Pedrera
1714:
1499:
665:In 1984, the building became part of a
515:Gaudí, a Catholic and a devotee of the
3255:Museu Barbier-Mueller d'Art Precolombí
1981:"Satire (La Pedrera's untold stories)"
1965:Huertas Claveria, Josep Maria (1999).
1436:Mentioned in the book by Eoin Colfer:
1129:and other works by Austrian architect
3596:Buildings and structures in Barcelona
2895:Basilica of the Immaculate Conception
1946:
1944:
1872:"Gaudi Designer :: Home ::"
1350:. La Pedrera was acquired in 1986 by
960:roof architecture, chimneys known as
913:, Gaudí shows the application of the
340:and was built between 1906 and 1912.
313:
304:
291:
282:
256:
248:
240:
232:
223:
215:
203:
193:
183:
175:
166:
7:
3636:Modernisme architecture in Barcelona
3185:Barcelona Museum of Contemporary Art
3072:Palau de la Generalitat de Catalunya
2890:Basilica of Saints Justus and Pastor
2431:Immersive photographies of Casa Milà
2134:La Pedrera : Gaudi and his work
2111:Hernàndez-Cros, Josep Emili (ed.).
1967:La Pedrera. Architecture and History
1900:www.art-nouveau-around-the-world.org
1374:Unified Socialist Party of Catalonia
795:, and finally the body of the roof.
2327:La Pedrera: arquitectura i història
3300:Museum of the History of Catalonia
3295:Museum of the History of Barcelona
1824:"Antoni Gaudí | Spanish architect"
941:and lower when the space expands.
25:
3606:World Heritage Sites in Catalonia
3280:Museu Nacional d'Art de Catalunya
2392:from the original on 2022-10-09.
2292:https://www.permanyer.com/345438/
2029:La Pedrera (Casa Milà, 1906–1910)
2005:. Fitzroy Dearborn. p. 224.
1557:atrium at dusk, after restoration
857:Access is protected by a massive
761:Constructive and decorative items
736:and various ornamental elements.
3616:Tourist attractions in Barcelona
3077:Palau del Parlament de Catalunya
2526:College of Saint Teresa-Ganduxer
2385:(in Spanish). 1912. p. 28.
2157:Minder, Raphael (29 June 2019).
1685:
1673:
1661:
1649:
1637:
1625:
1613:
1601:
1589:
1577:
1562:
1547:
1526:
1514:
1502:
1466:Featured in the music video for
1438:Artemis Fowl and the Lost Colony
1341:Ave gratia M plena Dominus tecum
778:on the first floor and from the
444:
435:
70:
3641:Art Nouveau apartment buildings
3438:Gran Via de les Corts Catalanes
3180:Archaeology Museum of Catalonia
3137:Temple Expiatori del Sagrat Cor
2622:Confidant from the Batlló House
2240:Permanyer, 1996....pàg. 150–166
1747:"Gaudí and Reus | Gaudí Centre"
1459:A scale model exhibited at the
429:The owners of Casa Milà in 1910
3382:Mossèn Costa i Llobera Gardens
2885:Basilica of Saint Joseph Oriol
2239:
1922:[Route of Modernism].
1412:A scene filmed on the roof in
190:Cultural: (i), (ii), (iv)
1:
3524:Estadi Olímpic Lluís Companys
3290:Museu Tèxtil i d'Indumentària
3270:Museu de les Arts Decoratives
3230:Gabinet de les Arts Gràfiques
3067:Old Hospital de la Santa Creu
3062:Montjuïc Communications Tower
2880:Basilica of Our Lady of Mercy
1644:Detail of an original balcony
1477:The home of Edmond Kirsch in
1451:Several scenes in the movie,
673:bid. Finally, the day before
567:Interior of Casa Milà in 1910
144:Fundació Catalunya-La Pedrera
3621:Apartment buildings in Spain
3356:Teatre Nacional de Catalunya
3162:World Trade Center Barcelona
1852:UNESCO World Heritage Centre
1092:Solomon R. Guggenheim Museum
606:Francisco Juan Barba Corsini
27:Building in Barcelona, Spain
3397:Parc de la Creueta del Coll
3346:Palau de la Música Catalana
2955:Castle of the Three Dragons
2415:La Pedrera Official Website
2130:"Restoration of la Pedrera"
1896:"Antonio Gaudi (1852–1926)"
1131:Friedensreich Hundertwasser
1109:Chapelle Notre Dame du Haut
929:in the fourteenth century.
710:and naturalistic elements.
380:In 1984, it was declared a
3657:
3514:Camp Municipal Narcís Sala
3336:Festival Grec de Barcelona
3240:Jardí Botànic de Barcelona
3042:Magic Fountain of Montjuïc
2254:Bassegoda, 2003....pàg. 20
1063:UNESCO World Heritage Site
988:covered with fragments of
803:, where it is on display.
170:UNESCO World Heritage Site
3412:Parc del Laberint d'Horta
3200:Centre d'Art Santa Mònica
3092:Royal Palace of Pedralbes
3022:Hotel Melia Barcelona Sky
2822:
2532:Episcopal Palace, Astorga
2315:. Ajuntament de Barcelona
2253:
1969:. Spain: Caixa Catalunya.
1521:Ironwork on the main gate
1487:, the 5th book featuring
1190:Criticism and controversy
1154:Constructive similarities
494:Critics and controversies
373:balconies, and design by
269:
265:
227:Spanish Cultural Heritage
78:
69:
2875:Barcelona Royal Shipyard
1999:Stephen Sennott (2004).
1776:"Antoni Gaudí Biography"
1632:Paintings on the ceiling
1608:Glass towers on the roof
1414:Vicky Cristina Barcelona
893:manufacturer Josep Bay.
477:La Casa Milà being built
3468:Plaça de Francesc Macià
2915:Casa Bonaventura Ferrer
2580:Sagrada Família Schools
2574:Church of Colònia Güell
2491:List of Gaudí buildings
2325:Flores, Carlos (1999).
1848:"Works of Antoni Gaudí"
1828:Encyclopedia Britannica
1380:In media and literature
1220:Administrative problems
727:broken marble, or glass
149:Design and construction
3611:Antoni Gaudí buildings
3591:Visionary environments
3458:Plaça d'Ildefons Cerdà
3377:Catalunya en Miniatura
3220:Fundació Antoni Tàpies
3052:Monastery of Pedralbes
2829:
2645:Banner of Misericordia
2639:Royal Square lampposts
1461:Catalunya en Miniatura
1399:Michelangelo Antonioni
1397:), a film directed by
1199:
1055:
1052:Catalunya en Miniatura
1018:
1010:
969:
936:roof supported by 270
906:
854:
829:
753:
718:
654:
630:, were reminiscent of
590:
568:
525:Our Lady of the Rosary
512:
478:
296:), popularly known as
3392:Parc de la Ciutadella
3341:Gran Teatre del Liceu
3007:Fossar de les Moreres
2828:
2420:Works of Antoni Gaudí
1924:rutadelmodernisme.com
1920:"Ruta del Modernisme"
1876:www.gaudidesigner.com
1539:under the terrace of
1394:Professione: reporter
1197:
1049:
1016:
1008:
956:
904:
852:
827:
751:
716:
652:
588:
566:
510:
476:
180:Works of Antoni Gaudí
3275:Museu Frederic Marès
3265:Museu de la Xocolata
3210:CosmoCaixa Barcelona
3190:CaixaForum Barcelona
3037:Library of Catalonia
3012:Hospital de Sant Pau
2721:Illa de la Discòrdia
2662:Altarpiece of Alella
2192:Descripció casa Milà
2093:Barba Corsini, F.J.
2069:Huertas Claveria,...
1431:László Krasznahorkai
1334:Design disagreements
1300:Casa Pérez Samanillo
573:Ronda de Sant Antoni
469:Construction process
315:[lapeˈðɾeɾa]
306:[ləpəˈðɾeɾə]
293:[ˈkasamiˈla]
284:[ˈkazəmiˈla]
48:41.39528°N 2.16167°E
3483:Rambla de Catalunya
3421:Streets and squares
3215:FC Barcelona Museum
3142:Torre de Collserola
3127:Santa Maria del Mar
2865:Barcelona Cathedral
2855:Arenas de Barcelona
2353:Barcelona pam a pam
2306:Ruta del Modernisme
1751:www.gaudicentre.cat
1239:Design competitions
1136:Disney Concert Hall
1050:Scale model at the
811:Hall and courtyards
667:World Heritage Site
559:Change of ownership
382:World Heritage Site
96:Architectural style
91:General information
44: /
3565:Aquarium Barcelona
3539:Palau dels Esports
3463:Plaça de Catalunya
3433:Avinguda Meridiana
3260:Museu de la Música
3235:Gaudí House Museum
3225:Fundació Joan Miró
3132:Santa Maria del Pi
2970:Diagonal Zero Zero
2930:Casa de les Punxes
2870:Barcelona Pavilion
2830:
2735:(1984 documentary)
2685:Gaudí House Museum
2311:2020-02-27 at the
2197:2011-08-06 at the
2164:The New York Times
2041:Gaudí: A Biography
1680:Atrium reflections
1596:Ventilation towers
1426:Seiobo There Below
1200:
1198:Casa Milà at night
1104:Frank Lloyd Wright
1056:
1019:
1011:
970:
907:
855:
830:
754:
719:
655:
595:Carrer de Provença
591:
569:
513:
479:
258:Reference no.
3601:Passeig de Gràcia
3578:
3577:
3509:Camp de Les Corts
3448:Passeig de Gràcia
3428:Avinguda Diagonal
3370:Parks and gardens
3195:Can Framis Museum
3097:Palau Reial Major
2997:Font de Canaletes
2992:Fabra Observatory
2987:Estació de França
2965:Columbus Monument
2860:Avinguda Diagonal
2845:Ancient synagogue
2755:
2754:
2716:Catalan modernism
2336:978-84-87135-35-4
2268:Fodor's Barcelona
2143:978-84-89860-06-3
2012:978-1-57958-433-7
1572:rooftop in Spring
1311:Joan Josep Hervàs
1214:Passeig de Gracia
1127:Hundertwasserhaus
1017:Furniture in 2008
949:Roof and chimneys
684:Cultural Olympiad
589:Casa Milà in 1914
551:, an outbreak of
375:Josep Maria Jujol
273:
272:
111:Passeig de Gràcia
83:Alternative names
53:41.39528; 2.16167
16:(Redirected from
3648:
3544:Palau Sant Jordi
3478:Plaça Sant Jaume
3361:Teatre Principal
2935:Casa Lleó Morera
2782:
2775:
2768:
2759:
2740:Concert de Gaudí
2668:Hotel Attraction
2470:
2463:
2456:
2447:
2398:
2397:
2391:
2384:
2369:
2363:
2347:
2341:
2340:
2322:
2316:
2303:
2294:
2289:
2283:
2282:
2265:Fodor's (2008).
2262:
2256:
2251:
2242:
2237:
2226:
2225:
2223:
2222:
2208:
2202:
2189:
2183:
2182:
2180:
2178:
2172:
2167:. Archived from
2154:
2148:
2147:
2125:
2116:
2109:
2100:
2090:
2084:
2079:
2070:
2067:
2044:
2038:
2032:
2026:
2017:
2016:
1996:
1985:
1984:
1977:
1971:
1970:
1962:
1956:
1955:
1948:
1939:
1938:
1936:
1935:
1916:
1910:
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1844:
1838:
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1834:
1820:
1814:
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1811:
1810:
1796:
1790:
1789:
1787:
1786:
1772:
1766:
1765:
1763:
1762:
1753:. Archived from
1743:
1737:
1736:
1734:
1733:
1719:
1692:Exterior details
1689:
1677:
1665:
1653:
1641:
1629:
1617:
1605:
1593:
1584:Arch on the roof
1581:
1566:
1551:
1530:
1518:
1506:
1364:
1328:Circulo Ecuestre
1323:
1308:
1297:
1282:
1257:
1160:Prades mountains
1087:Erich Mendelsohn
938:parabolic vaults
925:, imported from
629:
614:
603:
581:
503:Catholic symbols
448:
439:
392:Building history
368:
357:
317:
312:
308:
303:
295:
290:
286:
281:
74:
62:
59:
58:
56:
55:
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49:
45:
42:
41:
40:
37:
21:
3656:
3655:
3651:
3650:
3649:
3647:
3646:
3645:
3581:
3580:
3579:
3574:
3553:
3534:Palau Blaugrana
3504:Anella Olímpica
3492:
3453:Plaça d'Espanya
3416:
3365:
3319:Performing arts
3314:
3250:Maritime Museum
3166:
3157:Virreina Palace
3152:Venetian Towers
3122:Sagrada Família
3057:Montjuïc Castle
3047:Mercat del Born
2982:Els Quatre Gats
2837:
2831:
2820:
2794:
2786:
2756:
2751:
2704:
2673:
2650:
2627:
2610:
2605:Artigas Gardens
2591:
2585:
2514:Güell Pavilions
2496:Sagrada Família
2479:
2474:
2411:
2401:
2389:
2382:
2371:
2370:
2366:
2348:
2344:
2337:
2324:
2323:
2319:
2313:Wayback Machine
2304:
2297:
2290:
2286:
2279:
2264:
2263:
2259:
2252:
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2238:
2229:
2220:
2218:
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2209:
2205:
2199:Wayback Machine
2190:
2186:
2176:
2174:
2156:
2155:
2151:
2144:
2127:
2126:
2119:
2110:
2103:
2091:
2087:
2080:
2073:
2068:
2047:
2039:
2035:
2027:
2020:
2013:
1998:
1997:
1988:
1979:
1978:
1974:
1964:
1963:
1959:
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1573:
1567:
1558:
1552:
1543:
1531:
1522:
1519:
1510:
1507:
1498:
1454:Gaudi Afternoon
1407:Maria Schneider
1382:
1354:
1352:Caixa Catalunya
1336:
1313:
1302:
1287:
1276:
1247:
1241:
1222:
1192:
1156:
1061:is part of the
1044:
1003:
962:espanta bruixes
951:
899:
845:Interior, gates
813:
768:
763:
746:
734:hydraulic tiles
704:Sagrada Família
700:
679:Caixa Catalunya
647:
623:
608:
597:
575:
561:
553:anticlericalism
505:
496:
471:
453:
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451:
450:
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441:
440:
431:
430:
424:
422:Building owners
399:
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229:
172:
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3555:
3554:
3552:
3551:
3549:Sarrià Stadium
3546:
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3531:
3526:
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3511:
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3500:
3498:
3494:
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3418:
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3414:
3409:
3407:Parc Joan Miró
3404:
3399:
3394:
3389:
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3379:
3373:
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3367:
3366:
3364:
3363:
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3343:
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3333:
3328:
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3320:
3316:
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3307:
3305:Perfume Museum
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
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3159:
3154:
3149:
3144:
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3129:
3124:
3119:
3114:
3109:
3107:Poble Espanyol
3104:
3099:
3094:
3089:
3087:Palau Nacional
3084:
3079:
3074:
3069:
3064:
3059:
3054:
3049:
3044:
3039:
3034:
3029:
3024:
3019:
3014:
3009:
3004:
3002:Forum Building
2999:
2994:
2989:
2984:
2979:
2972:
2967:
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2957:
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2409:External links
2407:
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2018:
2011:
1986:
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1911:
1887:
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1839:
1815:
1804:www.cbrava.com
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717:The courtyard
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358:and his wife
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3488:Royal Square
3387:Oreneta Park
3310:Vil·la Joana
3112:Port Olímpic
3102:Palau Robert
2976:Dona i Ocell
2974:
2944:
2747:Gaudí Awards
2738:
2730:
2695:Gaudí Centre
2567:
2538:Casa Botines
2477:Antoni Gaudí
2426:Virtual tour
2393:
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2345:
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2320:
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2267:
2260:
2219:. Retrieved
2215:
2212:"La Pedrera"
2206:
2187:
2175:. Retrieved
2170:the original
2162:
2152:
2133:
2112:
2094:
2088:
2040:
2036:
2001:
1975:
1966:
1960:
1932:. Retrieved
1928:the original
1923:
1914:
1903:. Retrieved
1899:
1890:
1879:. Retrieved
1875:
1866:
1855:. Retrieved
1851:
1842:
1831:. Retrieved
1827:
1818:
1807:. Retrieved
1803:
1794:
1783:. Retrieved
1779:
1770:
1759:. Retrieved
1755:the original
1750:
1741:
1730:. Retrieved
1726:
1723:"La Pedrera"
1717:
1569:
1554:
1540:
1482:
1452:
1433:happens here
1424:
1392:
1386:
1367:
1345:
1340:
1337:
1270:Av. Diagonal
1259:
1242:
1235:
1223:
1207:
1204:Joan Junceda
1201:
1180:
1157:
1148:
1121:Le Corbusier
1073:appearance:
1067:Antoni Gaudí
1058:
1057:
1042:Architecture
1036:
1028:
1020:
982:
978:
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780:Villefranche
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671:1992 Olympic
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379:
371:wrought iron
342:
338:Antoni Gaudí
324:building in
319:
297:
275:
274:
253:24 July 1969
158:Antoni Gaudí
154:Architect(s)
117:Town or city
29:
3529:Mini Estadi
3082:Palau Güell
3027:La Boqueria
2950:Casa Vicens
2925:Casa Calvet
2910:Casa Batlló
2900:Bellesguard
2816:Somorrostro
2806:Barceloneta
2624:(1904–1906)
2601:(1900–1914)
2576:(1908–1914)
2570:(1906–1912)
2564:(1904–1906)
2562:Casa Batlló
2558:(1900–1909)
2556:Bellesguard
2552:(1898–1900)
2550:Casa Calvet
2546:(1895–1897)
2540:(1891–1892)
2534:(1889–1913)
2528:(1887–1889)
2522:(1886–1888)
2520:Palau Güell
2516:(1884–1887)
2510:(1883–1888)
2508:Casa Vicens
2504:(1883–1885)
2502:El Capricho
2498:(1883–1926)
2177:31 December
1468:Deep Forest
1418:Woody Allen
1385:A scene in
1355: [
1314: [
1303: [
1288: [
1285:Jaume Gustà
1277: [
1248: [
1144:Frank Gehry
1140:Los Angeles
974:Palau Güell
911:Casa Batlló
882:Rolls-Royce
645:Restoration
624: [
609: [
598: [
576: [
537:St. Gabriel
533:St. Michael
517:Virgin Mary
484:Casa Batlló
363: [
348: [
237:Non-movable
205:Inscription
51: /
3585:Categories
3402:Park Güell
3326:L'Auditori
3017:Hotel Arts
2940:Casa Martí
2920:Casa Bonet
2838:structures
2599:Park Güell
2221:2023-05-21
1934:2011-11-27
1905:2019-12-03
1881:2019-12-03
1857:2019-12-03
1833:2019-12-03
1809:2019-12-03
1785:2021-10-20
1761:2019-12-03
1732:2017-10-14
1727:La pedrera
1710:References
1391:(Italian:
1298:, and the
1274:Casa Gustà
1261:Ayuntament
1172:Cappadocia
1071:biomorphic
1065:"Works of
863:auditorium
816:Provence.
793:embrasures
639:bingo hall
529:archangels
527:, and two
321:Modernista
298:La Pedrera
250:Designated
217:Extensions
208:1984 (8th
100:Modernisme
86:La Pedrera
36:41°23′43″N
3443:La Rambla
3117:Port Vell
2960:City Hall
2945:Casa Milà
2792:landmarks
2789:Barcelona
2726:Trencadís
2689:Barcelona
2615:Furniture
2607:(1905–06)
2590:Parks and
2568:Casa Milà
2484:Buildings
2350:CIRICI A.
1780:Casa Milà
1620:Staircase
1570:Casa Milà
1555:Casa Milà
1541:Casa Milà
1481:'s novel
1479:Dan Brown
1370:Civil War
1368:When the
1348:Louis XVI
1226:City Hall
1176:Barcelona
1096:Manhattan
1077:the 1921
1059:Casa Milà
1023:modernism
1001:Furniture
995:Ulldecona
958:Casa Milà
905:The attic
874:mythology
834:cast iron
828:The patio
774:from the
772:limestone
744:Structure
688:modernism
675:Christmas
634:'s work.
463:Americano
397:Architect
345:Pere Milà
330:Catalonia
326:Barcelona
276:Casa Milà
195:Reference
125:Catalonia
121:Barcelona
65:Casa Milà
39:2°09′42″E
18:Casa Milá
3631:Eixample
3519:Camp Nou
3331:Coliseum
2655:Proposed
2387:Archived
2309:Archived
2195:Archived
1698:See also
1534:Catenary
1113:Ronchamp
1100:New York
968:scarers)
909:Like in
870:eclectic
838:keystone
692:Eixample
659:monument
547:. After
311:Spanish:
302:Catalan:
289:Spanish:
280:Catalan:
245:Monument
242:Criteria
186:Criteria
3172:Museums
2799:Beaches
2709:Related
2678:Museums
2592:gardens
2216:Dosde /
1496:Gallery
1272:), the
1266:Sagnier
1231:pesetas
1209:Patufet
1168:Uçhisar
1164:Menorca
1083:Potsdam
923:timbrel
690:in the
458:Indiano
210:Session
199:320-003
177:Part of
131:Country
106:Address
2743:(1999)
2670:(1908)
2664:(1883)
2647:(1900)
2641:(1878)
2582:(1909)
2381:]
2359:
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1668:Atrium
1656:Atrium
1537:arches
1484:Origin
1117:France
990:marble
919:Mataró
820:Patios
766:Facade
698:Design
677:1986,
521:Rosary
386:UNESCO
2632:Other
2390:(PDF)
2383:(PDF)
2377:[
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1142:, by
966:witch
927:Italy
890:floor
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334:Spain
141:Owner
135:Spain
3558:Zoos
2699:Reus
2357:ISBN
2331:ISBN
2273:ISBN
2179:2020
2138:ISBN
2007:ISBN
1470:'s '
1405:and
1184:soap
1125:the
1054:park
897:Loft
859:iron
801:MoMa
617:loft
535:and
234:Type
220:2005
109:92,
1429:by
1170:in
1138:in
1094:in
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461:or
384:by
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