79:. During their first meeting Janáček refused to write such a work, declaring: "But, my dear boy, why do you want to play with one hand? It's hard to dance when you have only one leg." Janáček later changed his decision and began composing a piano piece for left hand, but didn't notify Hollman about the composition. Hollman contacted Janáček again after finding out about the existence of the work in the press. Janáček did not dedicate the work to him and did not give him the right to premiere the work, stating: "I cannot give any kind of rights to the first performance. Whoever manages to do it can play it." However, in May 1927 he sent the score to the pianist, and in the summer of the same year Hollmann started to study the new composition. The first private hearing of the work took place on February 6, 1928 at Janáček's apartment in
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The work shows typical traits of Janáček's mature creative period. All parts are composed in a fairly free form, with the first and last movement having outlines of the sonata form. The elements of structure are divided among all of the instruments and, unlike other works (as in the case of his
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members: Václav Máček (flute), Evžen Šerý and František Trnka (trumpets), Antonín Bok, Jaroslav Šimsa and Gustav Tyl (trombones) and with Antonín Koula (tenor tuba).
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In the work very unusual demands are placed on the individual instruments, with the brass parts in particular containing difficult passages.
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186:) the piano does not always have a leading role. The composer made all the instruments parts equally important.
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261:. Full score and parts. Prague: Editio Bärenreiter, 2001. H 7826 (BA 6856). ISMN M-2601-0126-5
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in 1953. Nowadays it is played regularly at concerts and on recordings.
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The premiere took place on March 2, 1928 in the
Smetana Hall of the
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The work was apparently inspired by the request of the pianist
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21:Capriccio for Piano Left-Hand and Chamber Ensemble
259:Capriccio for piano (left hand) and wind ensemble
75:, who had lost the use of his right hand during
257:Janáček, Leoš; Procházková, Jarmila (preface):
653:Leoš Janáček International Competition in Brno
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91:were forced to practise their parts at home.
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132:The composition consists of four movements:
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102:, with conductor Jaroslav Řídký and seven
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572:Elegy on the Death of Daughter Olga
16:Musical composition by Leoš Janáček
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579:The Diary of One Who Disappeared
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109:Janáček often called the piece
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460:The Wandering of a Little Soul
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725:Chamber music by Leoš Janáček
360:The Excursions of Mr. Brouček
113:(Defiance) in his letters to
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388:From the House of the Dead
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35:) is a composition by the
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96:Municipal Cultural Center
374:The Cunning Little Vixen
339:The Beginning of a Novel
740:Compositions for octet
381:The Makropulos Affair
647:In Search of Janáček
586:The Wandering Madman
518:On an Overgrown Path
501:String Quartet No. 2
489:String Quartet No. 1
317:List of compositions
668:Moravian folk music
735:Capriccios (music)
104:Czech Philharmonic
89:Czech Philharmonic
23:(sometimes titled
730:1926 compositions
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540:Intimate Sketches
406:Idyll for Strings
122:Jarmil Burghauser
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533:In the Mists
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442:Concertante
433:Sinfonietta
413:Taras Bulba
159:Allegretto
77:World War I
719:Categories
565:Our Father
525:1. X. 1905
449:Concertino
398:Orchestral
272:Czech info
252:References
184:Concertino
67:Background
61:tenor tuba
603:Namesakes
454:Capriccio
193:Footnotes
128:Structure
57:trombones
39:composer
684:Category
169:Andante
137:Allegro
55:, three
53:trumpets
25:Defiance
639:Related
478:Pohádka
470:Chamber
353:Destiny
149:Adagio
111:"Vzdor"
695:Portal
558:Amarus
550:Choral
346:Jenůfa
324:Operas
100:Prague
51:, two
510:Piano
495:Youth
332:Šárka
49:flute
45:piano
37:Czech
33:Vzdor
29:Czech
27:, in
81:Brno
59:and
19:The
98:in
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219:^
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300:e
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286:v
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