Knowledge (XXG)

Captive Women

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to make a better picture – sometimes, Hollywood thinks that if you spend more money, you make a better picture. Well, this is one instance where that didn’t happen. Gilmore was in over his head – he didn’t know directing, and l don’t think he ever did another picture because he got a bad taste in his mouth from this one.
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wrote: "This preposterous story contrives to be both childish and disagreeable. The action comprises scenes of flogging and torture, a sort of Sabine raid on the scantily dressed Norm women, much chasing to and fro of strangely costumed tribesmen armed with bows and arrows, and some 'uplift' dialogue
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He was lost. Completely. The poor man had tremendous problems; there were too many people in the cast, too many actors with no dialogue in the scenes , and the fact that they had over-extended themselves for special effects ... The whole film was ineffectual. Pollexfen and Wisberg were trying
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wrote: "Most of the acting is in the serial film tradition although Ron Randell occasionally shows himself as a first-rate actor, He is the hero. Both Margaret Field and Gloria Saunders partially make up in looks for what they lack in terp ability. Robert Clarke, Stuart Randall, Paula Dorety and
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was that we were battling Zugsmith too much to pay attention to the production". He says also that Howard Hughes, who then owned RKO, insisted the film be directed by Stewart Gilmore, who had been one of Hughes' leading editors, including on
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Robert Bice head the large supporting cast. Stuart Gilmore's direction is standard for this type of pic. Sharp editing by Fred R. Feltshans keeps it from getting too far out of hand. Paul Ivano has contributed a good camera job."
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and capture Ruth and several other women because they desperately need fertile females. The warring tribes must put aside their differences to rescue the women, a joint effort that unfolds quite quickly in the short film.
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Ultimately, the Upriver People are defeated and are trapped in the tunnel as it is flooded. The women are recovered, and there are improved prospects for more peaceful relations among the tribes as the film concludes.
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during a brief interlude in ongoing hostilities between their tribe (the Norms) and the rival tribe (the Mutates). The Mutates try to adhere to the tenets of the
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found the movie of some importance as perhaps the first science fiction film to consider what the world might become some time after a nuclear war.
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Pollexfen says the budget was around $ 85,000 of which he and his partner received a fee of $ 15,000 and Zugsmith was paid $ 2,500.
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Screen sirens scream!: interviews with 20 actresses from science fiction, horror, film noir, and mystery movies, 1930s to 1960s
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William Schallert recalls that the film was rewritten during the shoot and actors had to constantly learn new parts.
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The ruins of New York are briefly shown in matte paintings by Block. In 1956, it was re-released under the title
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Kings of the Bs : working within the Hollywood system : an anthology of film history and criticism
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Return of the B Science Fiction and Horror Heroes: The Mutant Melding of Two Volumes of Classic Interviews
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Flynn, Charles; McCarthy, Todd (1975). "Albert Zugmsith". In Flynn, Charles; McCarthy, Todd (eds.).
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3000 A.D. Monthly Film Bulletin; London Vol. 20, Iss. 228, (Jan 1, 1953): 76.
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However, raiders from a third tribe, the Upriver People, attack through the
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Filming started 9 July 1951. Robert Clarke recalled that Gilmore:
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made for RKO. It was Ron Randell's first science fiction film.
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(2000). 347:Pollexfen later said "our main problem in 27: 18: 1222:Films with screenplays by Aubrey Wisberg 435: 332:had a deal to make three films at RKO: 1237:English-language science fiction films 467: 465: 463: 461: 246:The film opens with war footage from 7: 16:1952 American film by Stuart Gilmore 1177:Films about nuclear war and weapons 424:The Encyclopedia of Science Fiction 374:At one stage the film was known as 268:, but it is rejected by the Norms. 238:and how life would be afterwards. 14: 795:The Private Lives of Adam and Eve 650:Vagg, Stephen (August 10, 2019). 1212:Films produced by Aubrey Wisberg 1197:American post-apocalyptic films 1202:American black-and-white films 1182:American science fiction films 250:ending with a nuclear attack. 1: 1192:Films set in the 31st century 859:The Incredible Sex Revolution 827:Confessions of an Opium Eater 536:Weaver, Tom (November 1992). 517:Weaver, Tom (December 1986). 378:. Another original title was 1227:1950s English-language films 1024:The Incredible Shrinking Man 639:. E. P. Dutton. p. 413. 444:"Captive Women: Detail View" 1172:1950s science fiction films 544:. No. 184. p. 59. 519:"Time Travelling Sun Demon" 130:Albert Zugsmith Productions 1253: 1187:Films set in New York City 891:Two Roses and a Golden Rod 478:. McFarland. p. 278. 392:It was one of three films 154:October 10, 1952 1217:Films about World War III 1096:Night of the Quarter Moon 1056:Slaughter on Tenth Avenue 835:The Great Space Adventure 811:Sex Kittens Go to College 675:The Monthly Film Bulletin 614:. McFarland. p. 96. 561:. McFarland. p. 31. 446:. American Film Institute 406:The Monthly Film Bulletin 26: 1088:High School Confidential 583:"Variety (October 1952)" 1040:The Girl in the Kremlin 140:RKO Radio Pictures Inc. 899:The Phantom Gunslinger 366: 702:: 22. 1 October 1952. 361: 216:) is a 1952 American 106:Fred R. 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Index


Stuart Gilmore
Jack Pollexfen
Aubrey Wisberg
Robert Clarke
Ron Randell
Margaret Field
Gloria Saunders
Paul Ivano
Fred R. Feitshans Jr.
Charles Koff
RKO Radio Pictures Inc.
black-and-white
post-apocalyptic
science-fiction
Robert Clarke
Margaret Field
nuclear war
World War III
nuclear war
post-apocalyptic
New York City
Christian Bible
Hudson River Tunnel
Robert Clarke
Margaret Field
Gloria Saunders
Ron Randell
William Schallert
Jack Pollexfen

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