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530:, Wilson attempted to reconnect with Mountain, acting on the suggestion of friend Stanley Shapiro. According to Shapiro, Wilson had phoned every person named Mountain listed in the Hawthorne-Inglewood area until he found her parents, who gave Wilson her address. Wilson then drove with Shapiro to Mountain's house, intending to bring her to his home on Laurel Way, but was unsuccessful in the endeavor.
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prompting Wilson and
Shapiro to flee. Wilson continued to telephone Mountain following this incident. She recalled, "He didn't sound drugged or anything, but it was very strange. He'd call at 3:00 a.m. and want to talk about music. I was such a nerd I'd say, 'What? Who?' and have him talk to my husband. But it was nothing inappropriate."
984:, Norman Jopling praised the song as the LP's best track, "Very sad and very romantic. In fact horribly sad." However, he decreed that the added sound effects ruined "an atmosphere which must have taken some amount of time and trouble to create. A pity because Beach Boy fans won't thank them for that kind of musical development."
846:. A taped conversation from the session reveals that Wilson considered photographing a horse belonging to Carl in Western Studio 3 for the album cover. Wilson asked Britz, "Hey, Chuck, is it possible we can bring a horse in here without ... if we don't screw everything up?" and Britz responded, "I
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Shapiro said, "It was the funniest thing I had ever seen in my life. We were bombed out of our minds. He's standing on the doorstep ringing her doorbell and Carol
Mountain opened the door with rollers in her hair." Mountain refused to leave with Wilson, and her husband threatened to retrieve his gun,
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It is often reported that "Caroline, No" does not feature additional vocals from Wilson's bandmates because they were away on a tour and he was in a hurry to complete the record. According to biographer Mark Dillon, the relevant documentation suggests that the members were available for recording and
473:". In his description, the protagonist is "thoroughly heartbroken and disillusioned" and "longs for a return to the youthful innocence, not the complexity of childhood – 'Wouldn't It Be Nice' in reverse." Granata offered that the "ruminating tune" represented "the antithesis" of most Beach Boys hits.
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Asked about the song in a 1996 interview, Marilyn said that she had not heard "too much of it" until the track was recorded and Wilson had brought an acetate home. She acknowledged that the song had been difficult to listen to, as she was aware that Wilson's "first crush was for a girl named Carol."
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similarly denied that "Caroline" was a real person and said that the song was actually "directly about Brian himself and the death of a quality within him that was so vital. His innocence. He knows it too." Asher supported that another impetus for the song was "Brian's wish that he could go back to
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The lyrics describe a man who reflects on his former love interest and the loss of her innocence, asking, "Where did your long hair go? Where is the girl I used to know? How could you lose that happy glow?" At the end of the song, the singer asks if they could ever work together to bring back "the
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stated in a 1976 interview that "Caroline, No" was "about a girl that Brian was really in love with in high school. He saw her again years later, and it all came back to him, and he wrote the song." Brian's 1991 memoir supports that the song had derived from his past infatuation with a high school
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track, "the prettiest ballad I've ever sung. Awfully pretty song." In a 1995 interview, he viewed it as "probably the best I've ever written." Dennis said that their father Murry "used to go to pieces when he heard stuff like 'Caroline, No.'" Asher opined, "At first, I didn't think it was on the
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wrote that
Capitol "knew it was not a hit" but released the song "to encourage Brian to complete the forthcoming album." Asher recalled that the criticism Wilson received from his bandmates about the song not being "Beach Boys" enough was what prompted him to issue the single under his own name.
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The words were inspired by a past girlfriend of Asher's named Carol Amen. He initially conceived the title phrase as "Carol, I Know", misheard by Wilson as "Caroline, No". Other reports, which Wilson disputed, variously suggest that the song was written about himself, his former schoolmate Carol
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as Wilson's first solo record. According to music historian Keith Badman, "everyone close to certain the disc be a monster hit." In
Marilyn's recollection, "Everybody at Capitol said it should be a single because it was so good, and there were no background vocals, so they said, 'Why don't we
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Something must have happened to Brian. I can remember he looked so sad. When he'd catch me checking out his face, he'd look back at me with a kind of deep, unexplainable sad look. I had never seen him like that before. He was happy with the music, though. It seemed to be his expression of some
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changes and wide melodic intervals, it is the largely the instrumentation that makes 'Caroline, No' sound completely unlike recordings by other major pop artists in 1966." Granata referred to the arrangement as Wilson's "instrumental pinnacle" and cited the percussion as playing "a key role in
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dancer. He said, "When I went east to visit her a scant year after the move, she had changed radically. Yes, she had cut her hair. But she was a far more worldly person, not all for the worse." Contradicting the account taken from Wilson's memoir, Asher recalled that he had not been told about
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Like their other collaborations, "Caroline, No" was based on the songwriters' real-life experiences. According to Asher, the discussions that led to the song had revolved around "how wonderful it is when you first meet a girl and she looks great, and how terrible it is when you know you'll be
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in
Hollywood. The basic track was recorded with 12 musicians who variously played guitars, bass, flutes, and percussion. Earlier takes featured an instrumental introduction before Wilson opted for the final arrangement: an empty Sparkletts water cooler jug struck from the bottom with a hard
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Marilyn said of her reaction to the lyrics, "I thought it was about me, because I had cut my hair. ... always used to talk about how long hair keeps a girl feminine." In a 1994 interview, Wilson credited that particular line to Asher, who "must have known a girl who cut her hair off".
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Marilyn went on to say that Brian "constantly remembers his past and still relates to it and everybody in it. And that's another thing at seventeen years old that was hard for me to understand. You want this man to talk about you, and he was talking about all his old girlfriends."
742:, echoing the verse's melody without bringing the piece to a traditional resolution. In Lambert's view, this leaves the listener with "no sense of closure or resolution." Wilson commented, "The fade-out was like a 1944 kind of record ... Listen for the flutes in the fadeout."
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Asher initially conceived the title phrase as "Carol, I Know". When spoken, however, Wilson heard this as "Caroline, No". After the confusion was resolved, the pair decided to keep the new title, feeling that it had brought an especially poignant quality to the song.
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the relationship has ended. ... He doesn't blame her, but he muses and frets over a flood of unanswered questions". Author James Perone differs in his interpretation, "the blame for the end of the relationship on his partner; she is the one who changed, not him.
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could have contributed to the song if Wilson had wished. Asher remembered that he never had the impression of it being a Beach Boys song. Unlike the pair's other collaborations, Wilson never demonstrated on piano the vocal parts that his bandmates would sing.
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as a solo album had the single performed better, to which he responded, "Probably would've, yeah, but I didn't." Asked again on a later occasion, he said, "No, I just wanted to do that one. 'Caroline No' fit my voice more than the other guys ..."
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I'd reminisced to Tony about my high school crush on Carol
Mountain and sighed, "If I saw her today, I'd probably think, God, she's lost something, because growing up does that to people." But the song was most influenced by the changes
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breaking up at any moment." He said that it was originally a happier song, but Wilson moved it into a sadder direction because Wilson "was saddened to see how sweet little girls turned out to be kind of bitchy hardened adults."
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is a story about how, once you've fucked up or once you've run your gamut with a chick, there's no way to get it back. It takes a lot of courage to do that sometimes in your life. ... I just felt sad, so I wrote a sad song.
421:, including "Caroline, No". He credited Wilson with the subject matter, however, as "he'd always wanted to write a song about lost innocence, a young girl who changes as she matures and somehow, something's lost." Wilson's
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wrote that it "updated the mournful first line of 'Caroline, No' ... only with the voice of a seasoned veteran who knows that innocence and hope can be regained." Wilson also rerecorded "Caroline, No" for his 1995 album
575:. The latter recalls the technique used in "God Only Knows" but differs by not implying a single key as strongly as "Don't Talk (Put Your Head on My Shoulder)". Most of "Caroline, No" is closest to the key of
946:, Love, and Johnston recorded several 23-second "thank you" radio spots for different stations across the U.S., thanking them for playing the record and making it "a hit". The single debuted on the
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In discussing the melody, Lambert distinguishes subtle shifts in pitch similar to a musical motif that has lost its energy. The melody primarily oscillates between the notes F and G
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told an interviewer that he had been "really instigating" Wilson to issue the single as a solo record, a decision that ultimately "caused problems, man, I just can't tell you."
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at number 37, more than a month after it was released, and ultimately peaked at number 32 during its seven weeks on the chart. Badman states that
Capitol quickly issued "
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book on the album, concurred that "In many ways it's a jazz tune. Some of those chords are jazz chords." Wilson said of the bridge, "The melody and the chords were like
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As the album version of "Caroline, No" fades out, it segues into the sounds of Wilson's barking dogs and a passing locomotive train sampled from the 1963 effects album
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to make his voice sound younger. The album version was edited to include a non-musical tag consisting of the sounds of Wilson's dogs barking and a passing train.
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percussion mallet. 17 takes were required, after which Wilson recorded a lead vocal and further instrumentation. Like "You Still
Believe in Me", his vocal was
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extending the breezy feel of the performance", although "it's the flutes and that really make the difference, infusing the melody with an enchanting glow."
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Wilson's 2016 memoir says that the song was "sort of about
Marilyn, but, as time went on, sort of also about me. ... I know Tony didn’t write it that way".
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same level as the other songs we were doing, although I liked it well enough. It just didn't have the level of sophistication that the other songs had."
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simpler days, his wish that the group could return to the days when the whole thing was a lot of fun and very little pressure." He told biographer
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at the start and end of verses, with these notes playing a significant role in the bridge's melody. In the bridge, specific notes (G♭, F, and F
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Asher confirmed that his lyrics had been inspired by a former high school girlfriend, named Carol Amen, who had moved to New York to become a
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738:) are highlighted to underscore certain words like "heart," "cry," "sad," and "why". The song concludes with a flute and bass flute duet, in
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in 1975 recognized "Caroline, No" as "arguably the most beautiful song has ever written." In 2001, "Caroline, No" was ranked number 55 in
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your pardon?" before Wilson said, "Honest to God, now, the horse is tame and everything!" Wilson's dogs inspired the album's title.
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described the song as a "tender, slow-moving gentle ode about an unhappy fella who desperately wants to get back with his ex-gal."
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says that after discussing the proposed lyric theme, Asher "took a tape home, embellished on my concept, and completed the words."
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with a non-musical tag to follow "Caroline, No". On March 22, he returned to
Western to capture the barking of his dogs Banana, a
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518:] and me closing in on twenty-four, yet I thought we'd lost the innocence of our youth in the heavy seriousness of our lives.
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was commissioned to write the orchestration for the track. Dillon praised the rendition as "the highlight" of the album.
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Wilson revisited the themes of "Caroline, No" in his 1988 song "Baby Let Your Hair Grow Long" from his first solo album
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was released on May 16 with "Caroline, No" as its final track. In his self-described "unbiased" review of the album for
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374:", peaked at number 32 in the US and failed to chart in the UK. To mitigate the poor sales, Capitol quickly issued "
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that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on
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wrote, "There's no little irony that this effect was put on record by a group noted for their songs about cars."
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called it an "easy go emotional ballad with strong back beat" that "has all the ingredients of a No. 1 smash."
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describes the "atmospheric, evocative and lonesome-sounding" album tag as one of several notable "pop and rock
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Music historian Charles Granata writes that the line "Caroline, why?" suggests that the protagonist is unsure "
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train that ran an overnight route between San Francisco and Los Angeles from 1898 to 1965. Its horn sounds a B
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In a 2005 interview, Wilson said that the song "wasn't written about anyone. I just used the name Caroline."
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describes "Caroline, No" both as "a new song working on" and a song on which Wilson "wrote the music". His
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Inside the Music of Brian Wilson: the Songs, Sounds, and Influences of the Beach Boys' Founding Genius
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list of "The 100 Most Heartbreaking Records of All Time". In 2003, it was ranked number 214 in
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identified "Caroline, No" as a continuation of the themes previously established in Wilson's "
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The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio
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contributed an orchestral arrangement to the Beach Boys' 1996 rerecording of "Caroline, No"
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The British band Modesty Blaise released the sunshine-pop single "Carol Mountain" (2002).
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with 12 session musicians who variously played harpsichord, flutes, guitars, basses, and
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The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations
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with just one vocal part (the other being "Don't Talk"). The instrumentation features
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It is sometimes suggested that the animal sound effects inspired a similar device in
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includes a depiction of the recording of "Caroline, No" and its dog barking session.
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release this as a Brian Wilson single, because it's really not a Beach Boys song."
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things that made me love you so much then", before pleading, "Oh, Caroline, no".
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and among the finest songs he ever wrote. In 2004, it was ranked number 214 in
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Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds
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that Wilson also had in mind "sweet little girls ... and his wife's sister".
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Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson
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instrumentation, creating a sound that, in Lambert's estimation, reflects a
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A song called "Does Caroline Know?" appears on the second studio album by
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2819:"Cry Me A River! The 100 Most Heartbreaking Records of All Time…(100–51)"
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Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
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and I had gone through. We were young, Marilyn nearing twenty [
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feeling he couldn't put into words. Not much of a tune, just a mood.
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M9) that gives the piece a brief sense of tonal stability, but which
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When I Grow Up: The Development of the Beach Boys' Sound (1962-1966)
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1564:"Brian's Song: Listening to the Distant Echoes of a Pop-Rock Genius"
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mentions the song in the title track to the Stills-Young Band album
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Add Some Music to Your Day: A Symphonic Tribute to Brian Wilson
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Fifty Sides of the Beach Boys: The Songs That Tell Their Story
2920:"Brian Wilson, John Cusack on the alchemy of 'Love and Mercy'"
2541:"Brian Wilson Presents Pet Sounds Live In London (DVD) Review"
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During the mastering process, Wilson sped up the track by a
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Caroline Now!: The Songs of Brian Wilson and the Beach Boys
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Wilson himself stated that "Caroline, No" was his favorite
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7 trichord that transforms into a G7 (a consequence of the
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Sharp, Ken (January 2006). "Christmas with Brian Wilson".
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until the end of the section, with the appearance of a G
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1723:(Interview). Interviewed by Mike Wheeler. Cabin Essence
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Perone observed that while the melody engages in "wide
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Beautiful Dreamer: Brian Wilson and the Story of Smile
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Heroes and Villains: The True Story of The Beach Boys
2373:"Beach Boys' 'Pet Sounds': 15 Things You Didn't Know"
875:) as it approaches a railway crossing. Musicologist
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Wilson commented, " a real tear jerker, very like '
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900:flirtations" from the period, while Adam Webb of
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4272:Walking Down the Path of Life / Love & Mercy
4152:The Beach Boys Classics Selected by Brian Wilson
2515:"Undercurrents #7: Fables of the Deconstruction"
2621:: CS1 maint: others in cite AV media (notes) (
2498:: CS1 maint: others in cite AV media (notes) (
2249:: CS1 maint: others in cite AV media (notes) (
1948:: CS1 maint: others in cite AV media (notes) (
1657:: CS1 maint: others in cite AV media (notes) (
793:mixed the mono master on or before February 9.
763:
683:Wilson compared "Caroline, No" to the music of
505:
436:
2366:
2364:
2362:
2107:
1671:
3958:
3382:
1711:
1709:
1147:A song called "Caroline Mountain" appears on
1134:A song called "Caroline, Yes" appears on the
8:
1918:
1916:
1914:
1912:
999:Among retrospective assessments, journalist
16:1966 song by Brian Wilson and the Beach Boys
2143:
2088:"Brian Wilson: The Last Beach Movie part 1"
1798:
1796:
775:, recalling the "Caroline, No" session date
503:classmate named Carol Mountain. He writes,
355:Wilson produced the track in early 1966 at
4341:
4159:Pet Projects: The Brian Wilson Productions
3965:
3951:
3943:
3410:
3389:
3375:
3367:
3122:(1). Cambridge University Press: 109–133.
1742:
1740:
1738:
1688:
1471:
1450:Banana and Louie – barking (album version)
1177:List of cover versions of Beach Boys songs
27:
18:
3443:Don't Talk (Put Your Head on My Shoulder)
3313:Train #58 - The Owl At Edison, California
2266:
2264:
2262:
2260:
2077:
2075:
2051:
2049:
2047:
1359:– Sparklett's water jug, overdubbed drums
411:, possibly within a few days of writing "
5019:Song recordings produced by Brian Wilson
3636:(The Reverberation Appreciation Society)
3346:Caroline, No (1995 Brian Wilson version)
2460:
1374:– 12-string electric guitar, overdubbed
882:Granata, writing in his 2003 book about
547:Mountain when composing "Caroline, No".
370:"Caroline, No", issued with the B-side "
3620:Sgt. Petsound's Lonely Hearts Club Band
2840:"The RS 500 Greatest Songs of All Time"
2635:
2407:
2395:
2353:
2338:
2326:
2309:
2297:
2211:
2177:
2175:
2173:
2131:
1865:
1838:
1826:
1787:
1775:
1700:
1604:
1562:Roberts, Michael (September 14, 2000).
1554:
1507:
340:, 12-string electric guitar, and muted
51:
40:
4918:Pet Sounds 50th Anniversary World Tour
3695:Pet Sounds 50th Anniversary World Tour
3357:Caroline, No (1996 Beach Boys version)
3302:Caroline, No (Instrumental Stereo Mix)
3150:The Beach Boys and the California Myth
2878:
2866:
2741:"The Beach Boys: Pet Sounds (Capitol)"
2725:
2671:
2659:
2647:
2614:
2583:
2571:
2491:
2422:
2242:
2164:
2038:
2023:
2004:
1989:
1977:
1965:
1941:
1853:
1650:
1619:
1587:
4109:Brian Wilson Presents Pet Sounds Live
3677:Brian Wilson Presents Pet Sounds Live
804:, following the advice of his father
7:
4648:Melt Away: A Tribute to Brian Wilson
4180:Playback: The Brian Wilson Anthology
3599:Do It Again: A Tribute to Pet Sounds
2119:
1903:
1338:Per band archivist Craig Slowinski.
1272:Do It Again: A Tribute to Pet Sounds
4621:2001 Radio City Music hall concert
4590:I Just Wasn't Made for These Times
4127:I Just Wasn't Made for These Times
4014:I Just Wasn't Made for These Times
3853:Carl and the Passions – "So Tough"
3606:MOJO Presents Pet Sounds Revisited
3503:I Just Wasn't Made for These Times
2597:"Musician Comments: Steve Douglas"
1520:I Just Wasn't Made for These Times
1055:I Just Wasn't Made for These Times
1023:The 500 Greatest Songs of All Time
393:The 500 Greatest Songs of All Time
14:
4565:Wouldn't It Be Nice: My Own Story
3790:Summer Days (And Summer Nights!!)
3246:Wouldn't It Be Nice: My Own Story
2687:"Brian Wilson: Sounds Unsilenced"
2056:Elliott, Brad (August 31, 1999).
1809:. United Kingdom. pp. 72–76.
904:deems it a "forlorn soundtrack".
314:" is a song by American musician
273:
4741:Inside the Music of Brian Wilson
4279:What I Really Want for Christmas
4063:Brian Wilson Reimagines Gershwin
4049:What I Really Want for Christmas
3324:Caroline, No (1973 live version)
3072:. University of Michigan Press.
2738:Jopling, Norman (July 2, 1966).
2371:Runtagh, Jordan (May 16, 2016).
691:It is one of only two tracks on
609:. The verses alternate between A
3776:The Beach Boys' Christmas Album
2707:"Brian Wilson: God's Messenger"
1924:"The Observers: Marilyn Wilson"
1072:The Beach Boys, accompanied by
585:, while other portions suggest
3108:Lambert, Philip (March 2008).
2705:Sharp, Ken (January 2, 2009).
1189:Beach Boys Song Book, Volume 2
1037:Legacy and rerecorded versions
942:To promote the single, Brian,
403:"Caroline, No" was written by
1:
5009:Songs written by Brian Wilson
3930:That's Why God Made the Radio
3613:Pet Sounds: In the Key of Dee
2474:"Interview with Brian Wilson"
99:
5029:Songs based on actual events
4212:Let's Go to Heaven in My Car
3040:Granata, Charles L. (2003).
2513:Pouncey, Edwin (July 1999).
97:January 31 –
5014:Songs written by Tony Asher
4662:Smiles, Vibes & Harmony
4572:I Am Brian Wilson: A Memoir
4042:Brian Wilson Presents Smile
3560:The Little Girl I Once Knew
3275:I Am Brian Wilson: A Memoir
3111:"Brian Wilson's Pet Sounds"
3025:. New York: Da Capo Press.
2918:Caro, Mark (May 29, 2015).
2799:. March 5, 1966. p. 12
2771:. March 5, 1966. p. 16
1753:"The Passion of Pet Sounds"
1633:"Interview with Tony Asher"
1383:– 12-string electric guitar
789:"live-to-tape" as engineer
703:combined with more typical
567:"Caroline, No" contains an
471:The Little Girl I Once Knew
348:Mountain, or his then-wife
5050:
4832:A World of Peace Must Come
4374:She Says That She Needs Me
2684:Himmelsbach, Erik (2000).
2279:. Endless Summer Quarterly
2108:Wilson & Greenman 2016
1672:Wilson & Greenman 2016
1224:Sounds Of Wood And Steel 2
1174:
1101:Good Morning, Good Morning
4953:Marilyn Wilson-Rutherford
4727:Folkways: A Vision Shared
3980:
3727:
3224:. Bloomsbury Publishing.
3195:Perone, James E. (2012).
3180:Queensland Conservatorium
3128:10.1017/S1478572208000625
1487:
863:Southern Pacific Railroad
304:
274:
256:
247:
217:
26:
4870:Brian Wilson is a genius
4102:Live at the Roxy Theatre
3923:Stars and Stripes Vol. 1
3895:Keepin' the Summer Alive
3670:Brian Wilson is a genius
3489:I Know There's an Answer
3457:Let's Go Away for Awhile
3154:. Grosset & Dunlap.
3087:Lambert, Philip (2007).
2762:"CashBox Record Reviews"
2058:"Pet Sounds Track Notes"
1376:Danelectro 6-string bass
1079:Stars and Stripes Vol. 1
670:to the newly-tonicized D
5024:Capitol Records singles
4701:The Beach Boys Love You
4676:This Could Be the Night
4035:Gettin' In over My Head
3874:The Beach Boys Love You
3701:The Pet Sounds Sessions
3634:A Tribute to Pet Sounds
3450:I'm Waiting for the Day
3429:You Still Believe in Me
3116:Twentieth-Century Music
2601:The Pet Sounds Sessions
2478:The Pet Sounds Sessions
2229:The Pet Sounds Sessions
2191:The Pet Sounds Sessions
1928:The Pet Sounds Sessions
1637:The Pet Sounds Sessions
930:Conversely, biographer
645:major chord (first as G
467:You Still Believe in Me
82:March 7, 1966
4476:The New Girl in School
4296:The Like In I Love You
4286:Midnight's Another Day
3553:How Deep Is the Ocean?
3218:Sanchez, Luis (2014).
3169:O'Regan, Jody (2014).
2944:Badman, Keith (2004).
2187:"Track-by-Track Notes"
2060:. beachboysfanclub.com
1721:"Tony Asher Interview"
1689:Wilson & Gold 1991
1248:I Was Born to Love You
1212:Great Dreams of Heaven
1185:The Hollyridge Strings
1069:
831:
768:
688:
520:
441:
284:
4928:Wilson–Beck 2013 Tour
3783:The Beach Boys Today!
3242:; Gold, Todd (1991).
3221:The Beach Boys' Smile
2991:Dillon, Mark (2012).
2385:on September 1, 2018.
2277:beachboysarchives.com
1260:Indestructible Object
1064:
920:Summer Means New Love
834:Wilson wanted to end
825:
682:
399:Background and lyrics
372:Summer Means New Love
283:
72:Summer Means New Love
4994:The Beach Boys songs
4859:Bellagio home studio
4714:The Cocaine Sessions
4070:In the Key of Disney
3048:. A Cappella Books.
2650:, pp. 121, 130.
1750:(October 12, 1996).
1514:The other two were "
1255:They Might Be Giants
1149:Sugar Candy Mountain
4761:Andy Paley sessions
4720:Cows in the Pasture
4395:Can't Wait Too Long
4360:Still I Dream of It
3567:Stella by Starlight
3546:Hang On to Your Ego
3422:Wouldn't It Be Nice
2848:. December 11, 2003
2790:"Spotlight Singles"
2712:American Songwriter
2617:cite AV media notes
2539:Webb, Adam (2003).
2494:cite AV media notes
2245:cite AV media notes
1968:, pp. 166–167.
1944:cite AV media notes
1790:, pp. 110–111.
1653:cite AV media notes
1474:
1267:The Wedding Present
444:—Brian Wilson, 1989
413:Wouldn't It Be Nice
4999:Brian Wilson songs
4819:The Wilson Project
4604:Long Promised Road
4515:When Love Is Dying
4381:California Feelin'
4291:"What Love Can Do"
4134:Long Promised Road
4056:That Lucky Old Sun
3916:Summer in Paradise
3888:L.A. (Light Album)
3797:Beach Boys' Party!
3762:Shut Down Volume 2
3755:Little Deuce Coupe
3188:10.25904/1912/2556
2968:Carlin, Peter Ames
2952:. Backbeat Books.
2271:Slowinski, Craig.
1472:
1231:The Aluminum Group
1193:1968 – Nick DeCaro
1090:In popular culture
1070:
971:Critical reception
855:Mister D's Machine
832:
689:
285:
213:singles chronology
5004:Baroque pop songs
4966:
4965:
4896:Melinda Ledbetter
4552:
4551:
4166:The Big Beat 1963
3940:
3939:
3707:Pet Sounds Studio
3526:
3525:
3285:978-0-306-82307-7
3278:. Da Capo Press.
3257:978-0-06-018313-4
3250:. HarperCollins.
3231:978-1-62356-956-3
3210:978-0-313-37907-9
3161:978-0-448-14626-3
3100:978-0-8264-1876-0
3079:978-0-472-11995-0
3006:978-1-77090-198-8
2983:978-1-59486-320-2
2959:978-0-87930-818-6
2122:, pp. 79–80.
2085:(June 21, 1975).
1762:. pp. 45–46.
1719:(April 4, 1996).
1499:
1498:
1395:– acoustic guitar
1350:Session musicians
1074:Timothy B. Schmit
1049:Peter Ames Carlin
935:Session musician
922:") was issued by
771:—Studio musician
571:and an ambiguous
308:
307:
281:
243:
242:
103: February 9
36:sheet music cover
5041:
4881:California sound
4876:California Music
4783:Shortenin' Bread
4748:Love & Mercy
4641:Making God Smile
4490:Sidewalk Surfin'
4441:Dead Man's Curve
4402:One Kind of Love
4342:
4240:Your Imagination
4077:No Pier Pressure
4021:Orange Crate Art
3967:
3960:
3953:
3944:
3689:Love & Mercy
3645:Related articles
3574:Three Blind Mice
3411:
3391:
3384:
3377:
3368:
3358:
3347:
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3325:
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3303:
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3197:"The Beach Boys"
3191:
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3083:
3064:Harrison, Daniel
3059:
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2829:
2828:. December 2001.
2825:Rock's Backpages
2821:
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2381:. Archived from
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1163:Love & Mercy
1160:The 2014 biopic
1112:Long May You Run
1020:
1011:
1006:Rock's Backpages
898:musique concrète
870:
869:
861:(SP 6461) was a
813:
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759:Single recording
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498:Brian's brother
461:." Musicologist
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4864:Bob & Sheri
4849:American Spring
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4416:Somewhere Quiet
4337:
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4254:Good Vibrations
4185:
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3769:All Summer Long
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2273:"Pet Sounds LP"
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2237:Capitol Records
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2199:Capitol Records
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4912:Love v. Wilson
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4854:The Beach Boys
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4525:
4518:
4510:
4508:
4507:Guest features
4504:
4503:
4501:
4500:
4493:
4486:
4479:
4472:
4465:
4462:Guess I'm Dumb
4458:
4451:
4444:
4437:
4429:
4427:
4423:
4422:
4420:
4419:
4412:
4405:
4398:
4391:
4388:Soul Searchin'
4384:
4377:
4370:
4363:
4356:
4348:
4346:
4339:
4331:
4330:
4328:
4327:
4320:
4317:Runaway Dancer
4313:
4310:The Right Time
4306:
4303:God Only Knows
4299:
4292:
4289:
4282:
4275:
4268:
4257:
4250:
4243:
4236:
4229:
4222:
4219:Love and Mercy
4215:
4208:
4205:Gettin' Hungry
4201:
4193:
4191:
4187:
4186:
4184:
4183:
4176:
4169:
4162:
4155:
4147:
4145:
4141:
4140:
4138:
4137:
4130:
4122:
4120:
4116:
4115:
4113:
4112:
4105:
4097:
4095:
4091:
4090:
4088:
4087:
4080:
4073:
4066:
4059:
4052:
4045:
4038:
4031:
4024:
4017:
4010:
4002:
4000:
3996:
3995:
3993:
3992:
3987:
3981:
3978:
3977:
3972:
3970:
3969:
3962:
3955:
3947:
3938:
3937:
3934:
3933:
3926:
3919:
3912:
3909:Still Cruisin'
3905:
3902:The Beach Boys
3898:
3891:
3884:
3877:
3870:
3863:
3856:
3849:
3842:
3835:
3828:
3821:
3814:
3807:
3800:
3793:
3786:
3779:
3772:
3765:
3758:
3751:
3744:
3741:Surfin' U.S.A.
3737:
3734:Surfin' Safari
3729:
3728:
3725:
3724:
3722:
3721:
3714:
3709:
3704:
3697:
3692:
3685:
3680:
3673:
3666:
3665:
3664:
3657:The Beach Boys
3654:
3648:
3646:
3642:
3641:
3639:
3638:
3630:
3623:
3616:
3609:
3602:
3594:
3592:
3591:Tribute albums
3588:
3587:
3585:
3584:
3581:Trombone Dixie
3577:
3570:
3563:
3556:
3549:
3542:
3534:
3532:
3528:
3527:
3524:
3523:
3521:
3520:
3513:
3506:
3499:
3492:
3485:
3482:God Only Knows
3477:
3475:
3471:
3470:
3468:
3467:
3460:
3453:
3446:
3439:
3432:
3425:
3417:
3415:
3408:
3404:
3403:
3396:
3394:
3393:
3386:
3379:
3371:
3365:
3364:
3353:
3342:
3331:
3320:
3309:
3296:
3295:External links
3293:
3291:
3290:
3284:
3262:
3256:
3236:
3230:
3215:
3209:
3192:
3166:
3160:
3140:
3105:
3099:
3084:
3078:
3060:
3054:
3037:
3031:
3015:Gaines, Steven
3011:
3005:
2988:
2982:
2964:
2958:
2940:
2938:
2935:
2932:
2931:
2910:
2883:
2881:, p. 265.
2871:
2859:
2831:
2809:
2781:
2753:
2730:
2728:, p. 134.
2718:
2697:
2676:
2674:, p. 124.
2664:
2662:, p. 122.
2652:
2640:
2638:, p. 188.
2628:
2605:The Beach Boys
2588:
2586:, p. 148.
2576:
2574:, p. 121.
2557:
2531:
2505:
2482:The Beach Boys
2465:
2453:
2441:American Rails
2427:
2425:, p. 101.
2412:
2400:
2398:, p. 165.
2388:
2358:
2356:, p. 164.
2343:
2341:, p. 181.
2331:
2329:, p. 112.
2314:
2312:, p. 127.
2302:
2300:, p. 147.
2290:
2256:
2233:The Beach Boys
2216:
2214:, p. 153.
2204:
2195:The Beach Boys
2169:
2167:, p. 100.
2148:
2146:, p. 197.
2136:
2134:, p. 115.
2124:
2112:
2110:, p. 191.
2100:
2071:
2043:
2028:
2026:, p. 111.
2009:
1994:
1992:, p. 167.
1982:
1980:, p. 166.
1970:
1955:
1932:The Beach Boys
1908:
1896:
1887:The Beach Boys
1881:, ed. (1990).
1870:
1858:
1843:
1841:, p. 187.
1831:
1829:, p. 116.
1812:
1792:
1780:
1778:, p. 110.
1765:
1748:White, Timothy
1734:
1705:
1703:, p. 111.
1693:
1691:, p. 134.
1676:
1674:, p. 183.
1664:
1641:The Beach Boys
1624:
1622:, p. 145.
1609:
1607:, p. 235.
1592:
1575:
1553:
1552:
1550:
1547:
1544:
1543:
1534:
1524:
1506:
1505:
1503:
1500:
1497:
1496:
1493:
1485:
1484:
1479:
1473:Weekly charts
1469:
1466:
1465:
1464:
1452:
1451:
1441:
1440:
1434:
1428:
1422:
1421:and bass flute
1415:
1414:with lute stop
1405:
1396:
1390:
1384:
1378:
1369:
1360:
1353:
1347:
1346:
1335:
1332:
1330:
1329:
1327:Valve Bone Woe
1323:Chrissie Hynde
1319:
1309:
1299:
1287:
1275:
1263:
1251:
1239:
1227:
1215:
1214:12-inch single
1204:
1194:
1191:
1180:
1172:
1171:Cover versions
1169:
1168:
1167:
1158:
1145:
1132:
1129:
1116:
1104:
1091:
1088:
1038:
1035:
972:
969:
918:instrumental "
909:
906:
873:Doppler effect
819:
816:
782:Western Studio
762:
760:
757:
755:
752:
655:
634:
619:
564:
561:
552:Bruce Johnston
535:
532:
495:
494:Carol Mountain
492:
486:
483:
463:Philip Lambert
435:
400:
397:
357:Western Studio
320:the Beach Boys
306:
305:
302:
301:
299:
298:
293:
287:
275:
272:
271:
267:
266:
259:"Caroline, No"
254:
253:
252:Licensed audio
249:
248:
245:
244:
241:
240:
235:Gettin' Hungry
231:
222:
215:
214:
207:
206:
203:
195:
194:
192:
191:
186:
182:
180:
172:
171:
166:
160:
159:
148:
144:
143:
141:
140:
135:
129:
127:
121:
120:
114:
108:
107:
95:
91:
90:
80:
76:
75:
68:
60:
59:
50:
49:
39:
38:
32:
24:
23:
22:"Caroline, No"
15:
13:
10:
9:
6:
4:
3:
2:
5046:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4989:1960s ballads
4987:
4985:
4982:
4980:
4977:
4976:
4974:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4943:Dennis Wilson
4941:
4939:
4938:Carnie Wilson
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4913:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4874:
4871:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4846:
4844:
4840:
4834:
4833:
4829:
4827:
4826:
4822:
4820:
4817:
4815:
4814:
4810:
4808:
4807:
4803:
4799:
4798:
4794:
4793:
4792:
4791:
4787:
4784:
4780:
4776:
4775:
4771:
4770:
4769:
4768:
4764:
4762:
4759:
4755:
4752:
4751:
4750:
4749:
4745:
4743:
4742:
4738:
4736:
4735:
4731:
4729:
4728:
4724:
4722:
4721:
4717:
4715:
4712:
4710:
4709:
4705:
4703:
4702:
4698:
4696:
4695:
4691:
4690:
4688:
4686:Related media
4684:
4677:
4673:
4671:
4670:
4666:
4664:
4663:
4659:
4656:
4652:
4650:
4649:
4645:
4643:
4642:
4638:
4636:
4635:
4634:Caroline Now!
4631:
4628:
4624:
4622:
4619:
4618:
4616:
4612:
4606:
4605:
4601:
4599:
4598:
4594:
4592:
4591:
4587:
4586:
4584:
4582:Documentaries
4580:
4574:
4573:
4569:
4567:
4566:
4562:
4561:
4559:
4555:
4544:
4540:
4537:
4533:
4530:
4529:Falling Apart
4526:
4523:
4519:
4516:
4512:
4511:
4509:
4505:
4498:
4494:
4491:
4487:
4484:
4480:
4477:
4473:
4470:
4466:
4463:
4459:
4456:
4452:
4449:
4445:
4442:
4438:
4435:
4431:
4430:
4428:
4424:
4417:
4413:
4410:
4409:The Last Song
4406:
4403:
4399:
4396:
4392:
4389:
4385:
4382:
4378:
4375:
4371:
4368:
4364:
4361:
4357:
4354:
4350:
4349:
4347:
4343:
4340:
4332:
4325:
4324:On the Island
4321:
4318:
4314:
4311:
4307:
4304:
4300:
4297:
4293:
4290:
4287:
4283:
4280:
4276:
4273:
4269:
4266:
4262:
4258:
4255:
4251:
4248:
4244:
4241:
4237:
4234:
4230:
4227:
4223:
4220:
4216:
4213:
4209:
4206:
4202:
4199:
4195:
4194:
4192:
4188:
4182:
4181:
4177:
4175:
4174:
4170:
4168:
4167:
4163:
4161:
4160:
4156:
4154:
4153:
4149:
4148:
4146:
4142:
4136:
4135:
4131:
4129:
4128:
4124:
4123:
4121:
4117:
4111:
4110:
4106:
4104:
4103:
4099:
4098:
4096:
4092:
4086:
4085:
4081:
4079:
4078:
4074:
4072:
4071:
4067:
4065:
4064:
4060:
4058:
4057:
4053:
4051:
4050:
4046:
4044:
4043:
4039:
4037:
4036:
4032:
4030:
4029:
4025:
4023:
4022:
4018:
4016:
4015:
4011:
4009:
4008:
4004:
4003:
4001:
3999:Studio albums
3997:
3991:
3988:
3986:
3983:
3982:
3979:
3975:
3968:
3963:
3961:
3956:
3954:
3949:
3948:
3945:
3932:
3931:
3927:
3925:
3924:
3920:
3918:
3917:
3913:
3911:
3910:
3906:
3904:
3903:
3899:
3897:
3896:
3892:
3890:
3889:
3885:
3883:
3882:
3878:
3876:
3875:
3871:
3869:
3868:
3864:
3862:
3861:
3857:
3855:
3854:
3850:
3848:
3847:
3843:
3841:
3840:
3836:
3834:
3833:
3829:
3827:
3826:
3822:
3820:
3819:
3815:
3813:
3812:
3808:
3806:
3805:
3801:
3799:
3798:
3794:
3792:
3791:
3787:
3785:
3784:
3780:
3778:
3777:
3773:
3771:
3770:
3766:
3764:
3763:
3759:
3757:
3756:
3752:
3750:
3749:
3745:
3743:
3742:
3738:
3736:
3735:
3731:
3730:
3726:
3720:
3719:
3715:
3713:
3712:San Diego Zoo
3710:
3708:
3705:
3703:
3702:
3698:
3696:
3693:
3691:
3690:
3686:
3684:
3681:
3679:
3678:
3674:
3671:
3667:
3663:
3660:
3659:
3658:
3655:
3653:
3650:
3649:
3647:
3643:
3637:
3635:
3631:
3629:
3628:
3624:
3622:
3621:
3617:
3615:
3614:
3610:
3608:
3607:
3603:
3601:
3600:
3596:
3595:
3593:
3589:
3582:
3578:
3575:
3571:
3568:
3564:
3561:
3557:
3554:
3550:
3547:
3543:
3540:
3536:
3535:
3533:
3529:
3518:
3514:
3511:
3507:
3504:
3500:
3497:
3493:
3490:
3486:
3483:
3479:
3478:
3476:
3472:
3465:
3461:
3458:
3454:
3451:
3447:
3444:
3440:
3437:
3436:That's Not Me
3433:
3430:
3426:
3423:
3419:
3418:
3416:
3412:
3409:
3405:
3401:
3400:
3392:
3387:
3385:
3380:
3378:
3373:
3372:
3369:
3363:
3359:
3354:
3352:
3348:
3343:
3341:
3337:
3332:
3330:
3326:
3321:
3319:
3315:
3310:
3308:
3304:
3299:
3298:
3294:
3287:
3281:
3277:
3276:
3271:
3270:Greenman, Ben
3267:
3266:Wilson, Brian
3263:
3259:
3253:
3248:
3247:
3241:
3240:Wilson, Brian
3237:
3233:
3227:
3223:
3222:
3216:
3212:
3206:
3202:
3198:
3193:
3189:
3185:
3181:
3174:
3173:
3167:
3163:
3157:
3152:
3151:
3145:
3141:
3137:
3133:
3129:
3125:
3121:
3117:
3112:
3106:
3102:
3096:
3093:. Continuum.
3092:
3091:
3085:
3081:
3075:
3071:
3070:
3065:
3061:
3057:
3055:9781556525070
3051:
3046:
3045:
3038:
3034:
3028:
3023:
3022:
3016:
3012:
3008:
3002:
2999:. ECW Press.
2997:
2996:
2989:
2985:
2979:
2975:
2974:
2969:
2965:
2961:
2955:
2950:
2949:
2942:
2941:
2936:
2927:
2926:
2921:
2914:
2911:
2899:
2898:
2893:
2887:
2884:
2880:
2875:
2872:
2869:, p. 98.
2868:
2863:
2860:
2847:
2846:
2845:Rolling Stone
2841:
2835:
2832:
2827:
2826:
2820:
2813:
2810:
2798:
2791:
2785:
2782:
2770:
2763:
2757:
2754:
2749:
2748:
2747:Record Mirror
2742:
2734:
2731:
2727:
2722:
2719:
2714:
2713:
2708:
2701:
2698:
2693:
2688:
2680:
2677:
2673:
2668:
2665:
2661:
2656:
2653:
2649:
2644:
2641:
2637:
2632:
2629:
2624:
2618:
2610:
2606:
2602:
2598:
2592:
2589:
2585:
2580:
2577:
2573:
2568:
2566:
2564:
2562:
2558:
2546:
2542:
2535:
2532:
2520:
2516:
2509:
2506:
2501:
2495:
2487:
2483:
2479:
2475:
2469:
2466:
2463:, p. 57.
2462:
2461:Harrison 2016
2457:
2454:
2442:
2438:
2435:Burns, Adam.
2431:
2428:
2424:
2419:
2417:
2413:
2410:, p. 83.
2409:
2404:
2401:
2397:
2392:
2389:
2384:
2380:
2379:
2378:Rolling Stone
2374:
2367:
2365:
2363:
2359:
2355:
2350:
2348:
2344:
2340:
2335:
2332:
2328:
2323:
2321:
2319:
2315:
2311:
2306:
2303:
2299:
2294:
2291:
2283:September 24,
2278:
2274:
2267:
2265:
2263:
2261:
2257:
2252:
2246:
2238:
2234:
2230:
2226:
2220:
2217:
2213:
2208:
2205:
2200:
2196:
2192:
2188:
2184:
2178:
2176:
2174:
2170:
2166:
2161:
2159:
2157:
2155:
2153:
2149:
2145:
2140:
2137:
2133:
2128:
2125:
2121:
2116:
2113:
2109:
2104:
2101:
2096:
2095:
2089:
2084:
2078:
2076:
2072:
2059:
2052:
2050:
2048:
2044:
2041:, p. 97.
2040:
2035:
2033:
2029:
2025:
2020:
2018:
2016:
2014:
2010:
2007:, p. 17.
2006:
2001:
1999:
1995:
1991:
1986:
1983:
1979:
1974:
1971:
1967:
1962:
1960:
1956:
1951:
1945:
1937:
1933:
1929:
1925:
1919:
1917:
1915:
1913:
1909:
1906:, p. 80.
1905:
1900:
1897:
1892:
1888:
1884:
1880:
1874:
1871:
1868:, p. 86.
1867:
1862:
1859:
1856:, p. 30.
1855:
1850:
1848:
1844:
1840:
1835:
1832:
1828:
1823:
1821:
1819:
1817:
1813:
1808:
1807:
1799:
1797:
1793:
1789:
1784:
1781:
1777:
1772:
1770:
1766:
1761:
1760:
1754:
1749:
1743:
1741:
1739:
1735:
1722:
1718:
1712:
1710:
1706:
1702:
1697:
1694:
1690:
1685:
1683:
1681:
1677:
1673:
1668:
1665:
1660:
1654:
1646:
1642:
1638:
1634:
1628:
1625:
1621:
1616:
1614:
1610:
1606:
1601:
1599:
1597:
1593:
1590:, p. 99.
1589:
1584:
1582:
1580:
1576:
1571:
1570:
1565:
1558:
1555:
1548:
1538:
1535:
1528:
1525:
1521:
1517:
1516:That's Not Me
1511:
1508:
1501:
1494:
1491:
1486:
1480:
1478:Chart (1966)
1477:
1476:
1467:
1462:
1459:
1458:
1457:
1456:
1449:
1448:
1447:
1446:
1438:
1435:
1432:
1429:
1426:
1423:
1420:
1417:Bill Green –
1416:
1413:
1409:
1406:
1404:
1400:
1397:
1394:
1393:Barney Kessel
1391:
1388:
1387:Steve Douglas
1385:
1382:
1381:Glen Campbell
1379:
1377:
1373:
1370:
1368:
1364:
1361:
1358:
1355:
1354:
1352:
1351:
1344:
1341:
1340:
1339:
1333:
1328:
1324:
1320:
1318:
1314:
1313:Ken Peplowski
1310:
1308:
1304:
1300:
1298:
1297:
1292:
1291:Dewey Bunnell
1288:
1286:
1285:
1280:
1279:Charles Lloyd
1276:
1274:
1273:
1268:
1264:
1262:
1261:
1256:
1252:
1250:
1249:
1244:
1240:
1238:
1237:
1232:
1228:
1226:
1225:
1220:
1219:Elliot Easton
1216:
1213:
1209:
1205:
1203:
1199:
1195:
1192:
1190:
1186:
1182:
1181:
1178:
1170:
1165:
1164:
1159:
1156:
1155:
1150:
1146:
1143:
1142:
1137:
1136:Kaiser Chiefs
1133:
1130:
1127:
1126:
1121:
1117:
1114:
1113:
1108:
1105:
1102:
1099:' 1967 song "
1098:
1094:
1093:
1089:
1087:
1085:
1081:
1080:
1075:
1067:
1063:
1059:
1057:
1056:
1050:
1047:. Biographer
1046:
1045:
1036:
1034:
1031:
1026:
1024:
1017:
1016:
1015:Rolling Stone
1008:
1007:
1002:
997:
995:
994:
989:
988:
983:
982:
981:Record Mirror
977:
970:
968:
965:
960:
958:
954:
951:
950:
945:
940:
938:
937:Steve Douglas
933:
932:Steven Gaines
928:
925:
921:
917:
916:
907:
905:
903:
899:
895:
894:
889:
888:Edwin Pouncey
885:
880:
878:
874:
864:
860:
856:
851:
849:
845:
841:
837:
829:
824:
817:
815:
807:
803:
798:
794:
792:
788:
787:doubletracked
783:
777:
774:
767:
758:
753:
751:
748:
743:
741:
724:
722:
718:
714:
710:
706:
702:
698:
694:
686:
681:
677:
669:
660:and then as G
608:
604:
594:
584:
574:
570:
562:
560:
558:
553:
548:
545:
540:
534:Other reports
533:
531:
529:
524:
519:
517:
516:
511:
504:
501:
493:
491:
484:
482:
479:
474:
472:
468:
464:
460:
459:Freddie Scott
456:
451:
446:
440:
434:
430:
428:
424:
420:
419:
414:
410:
406:
398:
396:
394:
387:
386:
385:Rolling Stone
381:
377:
373:
368:
366:
362:
358:
353:
351:
345:
343:
339:
335:
331:
327:
326:
321:
317:
313:
303:
297:
294:
292:
289:
288:
268:
265:
261:
255:
250:
246:
236:
232:
227:
223:
221:
220:
216:
212:
208:
204:
201:
196:
190:
187:
184:
183:
181:
178:
177:Songwriter(s)
173:
170:
167:
165:
161:
149:
145:
139:
136:
134:
131:
130:
128:
126:
122:
118:
115:
113:
109:
96:
92:
81:
77:
73:
69:
66:
61:
58:
57:
48:
44:
35:
30:
25:
20:
4984:1966 singles
4948:Wendy Wilson
4910:
4891:Eugene Landy
4842:Other topics
4830:
4823:
4811:
4804:
4795:
4788:
4772:
4765:
4746:
4739:
4732:
4725:
4718:
4708:Catch a Wave
4707:
4699:
4692:
4669:Smiling Pets
4667:
4660:
4646:
4639:
4632:
4627:Brian Wilson
4603:
4595:
4589:
4570:
4563:
4522:Any Emotions
4434:The Big Beat
4345:Album tracks
4198:Caroline, No
4197:
4178:
4173:Sessions '64
4171:
4164:
4157:
4150:
4144:Compilations
4132:
4125:
4107:
4100:
4082:
4075:
4068:
4061:
4054:
4047:
4040:
4033:
4026:
4019:
4012:
4007:Brian Wilson
4005:
3974:Brian Wilson
3928:
3921:
3914:
3907:
3900:
3893:
3886:
3881:M.I.U. Album
3879:
3872:
3865:
3858:
3851:
3844:
3837:
3830:
3823:
3816:
3811:Smiley Smile
3809:
3802:
3795:
3788:
3781:
3774:
3767:
3760:
3753:
3746:
3739:
3732:
3716:
3699:
3687:
3675:
3633:
3627:Smiling Pets
3625:
3618:
3611:
3604:
3597:
3517:Caroline, No
3516:
3464:Sloop John B
3397:
3274:
3245:
3220:
3203:. ABC-CLIO.
3200:
3171:
3149:
3119:
3115:
3089:
3068:
3043:
3020:
2994:
2972:
2947:
2937:Bibliography
2923:
2913:
2901:. Retrieved
2895:
2892:"Employment"
2886:
2874:
2862:
2852:November 20,
2850:. Retrieved
2843:
2834:
2823:
2812:
2801:. Retrieved
2796:
2784:
2773:. Retrieved
2768:
2756:
2745:
2733:
2721:
2710:
2700:
2691:
2679:
2667:
2655:
2643:
2636:Granata 2003
2631:
2600:
2591:
2579:
2548:. Retrieved
2544:
2534:
2522:. Retrieved
2518:
2508:
2477:
2468:
2456:
2446:November 19,
2444:. Retrieved
2440:
2430:
2408:Sanchez 2014
2403:
2396:Granata 2003
2391:
2383:the original
2376:
2354:Granata 2003
2339:Granata 2003
2334:
2327:Granata 2003
2310:Granata 2003
2305:
2298:Granata 2003
2293:
2281:. Retrieved
2276:
2228:
2225:"Carol Kaye"
2219:
2212:Granata 2003
2207:
2190:
2183:Mark, Linett
2144:O'Regan 2014
2139:
2132:Lambert 2008
2127:
2115:
2103:
2092:
2062:. Retrieved
1985:
1973:
1927:
1899:
1882:
1873:
1866:Granata 2003
1861:
1839:Granata 2003
1834:
1827:Lambert 2008
1804:
1788:Granata 2003
1783:
1776:Granata 2003
1757:
1725:. Retrieved
1701:Granata 2003
1696:
1667:
1636:
1627:
1605:Lambert 2007
1567:
1557:
1537:
1527:
1510:
1489:
1454:
1453:
1444:
1443:
1439:– bass flute
1437:Jay Migliori
1433:– alto flute
1431:Plas Johnson
1427:– alto flute
1349:
1348:
1345:– lead vocal
1343:Brian Wilson
1337:
1326:
1316:
1294:
1282:
1270:
1258:
1246:
1234:
1222:
1210:, B-side to
1201:
1188:
1161:
1152:
1139:
1125:It's My Life
1123:
1110:
1077:
1071:
1053:
1044:Brian Wilson
1042:
1040:
1029:
1027:
1013:
1004:
998:
991:
985:
979:
975:
974:
963:
961:
957:Sloop John B
947:
941:
929:
913:
911:
891:
883:
881:
858:
854:
852:
847:
835:
833:
827:
799:
795:
779:
769:
764:
744:
725:
721:Glenn Miller
692:
690:
685:Glenn Miller
615:Madd6 (or Fm
573:tonal center
566:
549:
541:
537:
527:
525:
521:
513:
506:
497:
488:
477:
475:
452:
448:
442:
437:
431:
416:
405:Brian Wilson
402:
383:
379:
376:Sloop John B
369:
354:
346:
323:
316:Brian Wilson
312:Caroline, No
311:
309:
270:Audio sample
226:Caroline, No
225:
211:Brian Wilson
205:Brian Wilson
185:Brian Wilson
54:
47:Brian Wilson
34:Sea of Tunes
5034:Torch songs
4958:Wondermints
4933:Carl Wilson
4825:The Wilsons
4694:Adult/Child
4469:He's a Doll
4367:Smart Girls
4233:Do It Again
4119:Soundtracks
4094:Live albums
4084:At My Piano
4028:Imagination
3985:Discography
3867:15 Big Ones
3748:Surfer Girl
3683:Chamber pop
3662:discography
3144:Leaf, David
2879:Carlin 2006
2867:Dillon 2012
2726:Badman 2004
2672:Badman 2004
2660:Badman 2004
2648:Badman 2004
2603:(Booklet).
2584:Gaines 1986
2572:Badman 2004
2550:22 February
2524:22 February
2480:(Booklet).
2423:Dillon 2012
2231:(Booklet).
2193:(Booklet).
2165:Dillon 2012
2039:Dillon 2012
2024:Badman 2004
2005:Carlin 2006
1990:Gaines 1986
1978:Gaines 1986
1966:Gaines 1986
1930:(Booklet).
1885:(Booklet).
1879:Leaf, David
1854:Perone 2012
1717:Asher, Tony
1639:(Booklet).
1620:Gaines 1986
1588:Dillon 2012
1461:Chuck Britz
1412:harpsichord
1403:double bass
1307:After Hours
1243:Eric Carmen
1154:Mystic Hits
1097:the Beatles
1021:s list of "
944:Carl Wilson
915:Summer Days
791:Chuck Britz
713:Jim Fusilli
711:influence.
701:bass flutes
697:harpsichord
687:(pictured)
563:Composition
485:Inspiration
427:1991 memoir
423:2016 memoir
391:s list of "
342:harpsichord
338:bass flutes
334:jazz chords
200:Producer(s)
119:, Hollywood
4979:1966 songs
4973:Categories
4886:The Honeys
4767:Pet Sounds
4754:soundtrack
4543:Resentment
4426:Co-written
4353:Rio Grande
4336:Beach Boys
4334:Other non-
4261:Our Prayer
3818:Wild Honey
3804:Pet Sounds
3652:Tony Asher
3510:Pet Sounds
3496:Here Today
3399:Pet Sounds
3178:(Thesis).
3032:0306806479
2976:. Rodale.
2803:2023-07-25
2775:2022-01-12
2083:Kent, Nick
1883:Pet Sounds
1727:October 9,
1549:References
1463:– engineer
1408:Al De Lory
1372:Carol Kaye
1367:vibraphone
1363:Frank Capp
1357:Hal Blaine
1303:Glenn Frey
1296:Back Pages
1208:Ian McNabb
1198:Gary Usher
1175:See also:
1141:Employment
1107:Neil Young
1084:Jimmy Webb
1066:Jimmy Webb
1030:Pet Sounds
976:Pet Sounds
964:Pet Sounds
884:Pet Sounds
844:Weimaraner
836:Pet Sounds
773:Carol Kaye
754:Production
693:Pet Sounds
557:David Leaf
528:Pet Sounds
418:Pet Sounds
409:Tony Asher
380:Pet Sounds
361:vibraphone
330:Tony Asher
325:Pet Sounds
189:Tony Asher
86:1966-03-07
56:Pet Sounds
4906:Stan Love
4901:Mike Love
4497:Surf City
4448:Drag City
4247:Wonderful
4226:Melt Away
3846:Surf's Up
3839:Sunflower
3136:162871617
2903:April 29,
2797:Billboard
2120:Leaf 1978
1904:Leaf 1978
1759:Billboard
1490:Billboard
1483:position
1399:Lyle Ritz
1334:Personnel
1151:'s album
1120:Talk Talk
1001:Nick Kent
993:Billboard
949:Billboard
902:BBC Music
818:Album tag
802:semi-tone
747:tessitura
569:AABA form
4797:Sessions
4774:Sessions
4655:Pancreas
4614:Tributes
4265:Freeform
3531:Outtakes
3474:Side two
3414:Side one
3272:(2016).
3146:(1978).
3017:(1986).
2970:(2006).
2897:AllMusic
2769:Cash Box
2692:Revolver
2519:The Wire
2185:(2001).
2064:March 3,
1569:Westword
1492:Hot 100
1425:Jim Horn
1138:' album
987:Cash Box
893:The Wire
868:♭
811:♯
735:♯
729:♭
705:pop rock
676:bridge.
673:♭
663:♭
648:♭
642:♭
627:♭
612:♭
600:♭
590:♭
580:♭
544:Broadway
455:Hey Girl
365:semitone
322:' album
133:Pop rock
94:Recorded
79:Released
4734:Friends
4557:Memoirs
4483:Push It
4267:Reform)
4190:Singles
3860:Holland
3825:Friends
3362:YouTube
3351:YouTube
3340:YouTube
3329:YouTube
3318:YouTube
3307:YouTube
2611:. 1997.
2488:. 1997.
2239:. 1997.
1938:. 1997.
1647:. 1997.
1518:" and "
1321:2019 –
1311:2013 –
1301:2012 –
1289:2011 –
1277:2009 –
1265:2006 –
1253:2004 –
1241:2000 –
1229:2000 –
1217:1999 –
1206:1993 –
1196:1970 –
1183:1967 –
1157:(2013).
1144:(2005).
1128:(1984).
1115:(1976).
953:Hot 100
908:Release
740:octaves
624:) and E
510:Marilyn
469:" and "
350:Marilyn
264:YouTube
239:(1967)
230:(1966)
169:Capitol
117:Western
84: (
4806:Spring
3282:
3254:
3228:
3207:
3158:
3134:
3097:
3076:
3052:
3029:
3003:
2980:
2956:
1468:Charts
1445:Guests
1284:Mirror
840:beagle
668:pivots
607:triads
500:Dennis
457:' by
147:Length
112:Studio
105:, 1966
65:B-side
43:Single
4790:Smile
4338:songs
3990:Songs
3832:20/20
3718:Smile
3407:Songs
3176:(PDF)
3132:S2CID
2793:(PDF)
2765:(PDF)
2437:"Owl"
1502:Notes
1488:U.S.
1419:flute
1019:'
1010:'
806:Murry
603:minor
593:major
583:major
389:'
164:Label
125:Genre
4455:I Do
3280:ISBN
3252:ISBN
3226:ISBN
3205:ISBN
3156:ISBN
3095:ISBN
3074:ISBN
3050:ISBN
3027:ISBN
3001:ISBN
2978:ISBN
2954:ISBN
2905:2011
2854:2020
2623:link
2552:2023
2526:2023
2500:link
2448:2020
2285:2018
2251:link
2066:2009
1950:link
1729:2020
1659:link
1481:Peak
826:The
709:jazz
699:and
407:and
296:help
291:file
138:jazz
4263:" (
3360:on
3349:on
3338:on
3327:on
3316:on
3305:on
3184:doi
3124:doi
2545:BBC
2094:NME
1495:32
1025:".
890:of
859:Owl
848:beg
828:Owl
717:33⅓
595:or
515:sic
478:why
395:".
262:on
45:by
4975::
3268:;
3199:.
3182:.
3130:.
3118:.
3114:.
2922:.
2894:.
2842:.
2822:.
2795:.
2767:.
2744:.
2709:.
2690:.
2619:}}
2615:{{
2607:.
2599:.
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2492:{{
2484:.
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2235:.
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1942:{{
1934:.
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1651:{{
1643:.
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1612:^
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1578:^
1566:.
1522:".
1410:–
1401:–
1365:–
1325:,
1315:,
1305:,
1293:,
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1269:,
1257:,
1245:,
1233:,
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1200:,
1187:–
1122:,
1103:".
1082:.
1058:.
814:.
651:M9
344:.
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4872:"
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88:)
74:"
70:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
