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543:'s coronation. Pilo was named Director of the Swedish Academy in 1777, but first took office in 1780 when he also received an apartment in Stockholm as part of his directorship at the Academy. He lived out his days at the Academy, both engaged in the Academy's business and in painting his masterpiece, the painting of Gustav III's coronation in
171:, Sweden to painter Olof (Oluff) Pilo (Pijhlou) and Beata Jönsdotter Sahlstedt. Early information about his career contains many inconsistencies, due to disagreement between two sources contemporary with his life. He probably received his early training from his father, who had earned his living as a young man as a decorative painter at
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Around 1757, neoclassicism began to replace rococo as the popular style, and his works became more romantic and dramatic with focus on shadow and light effects, and with more attention paid to depicting the models. Another inspiration for his changing style was the possibility to study first-hand the
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in 1742 and another of
Christian Lerche in 1743. He concentrated on developing his craft during the 1740s, and probably drew from model in 1744. His duties soon expanded at the Academy; when on 28 June 1745 he became supervisor of drawing instruction, and began making portraits for King
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Under the absolute monarchy of the times the
Academy's fortunes were dependent on both the good will and the whims of the King and his emissaries. Pilo succeeded Jacques Saly in 1771 to the leadership of the Academy, and worked to get the Academy a protectorship under the Crown Prince
507:, bringing back a strongly Italian-inspired painting style that became the rage. Als' criticism of the foreign element within the Academy helped lead not only to the downfall of Pilo himself, but to the disappearance of the many French artists at the Academy in the years after 1770.
215:, and is reported to have painted a large family picture for the widow Countess Lewenhaupt. During these years in Skåne he also produced portraits, although it is not evident from the quality of his work that he ever received professional instruction at this point in his career.
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During the early years of the
Academy most of the artists and architects who served in leading positions, both managerial and educational, were not Danish. It would be some time before Danes took a leading role in the Academy. Eigtved died two months later on 7 June 1754.
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where he may have worked as a craft painter for two
Scanian noble families; the Lewenhaupt family and the Baron Malte Ramel family. Pastoral drawings from this time indicate that he may have painted decorations at some estate. He was reputed to be a competent
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by a
Swedish emissary of Gustav III, which required Pilo to take an oath of allegiance to Sweden, the land of his birth. This was considered unacceptable for someone in service to the King of Denmark, and the ensuing royal intrigues cost him his position.
242:. He brought with him to Denmark a letter of introduction from Charlotte Amélie Dorothée Desmarez, governess at the Ramel residence and his future wife, to her brother-in-law C.G. Almer, language teacher at the National Cadet Academy (
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consisted mainly of portraits of royalty and the nobility, but included also genre paintings in the Dutch style. For over two decades, he was acknowledged as the foremost portrait painter in
Denmark. In addition to
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198:(1794) who insists that Pilo never traveled out of Scandinavia but instead was a student at the newly established Swedish Drawing Academy in 1735. He probably worked as a craft painter between 1733 and 1738.
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Pilo rejected the assignment the same day, and submitted his resignation, which was accepted on 17 September. Thus he lost his position, ending a career of over 30 years of service to the Danish crown.
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and other great Dutch
Masters from the 17th century, works that in these years were being collected by Moltke and the royal painting collection. Pilo was also inspired by French painter
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363:, former leader of the Academy, had started the studio. Eigtved, the first Dane to exercise some control in the Academy to this point, became the Academy's first Director in 1751.
388:. Pilo gave the welcoming speech to King Frederick V, not Eigtved. Eigtved was removed from the Director's position a few days later, and the directorship went to a Frenchman,
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Danish art was well served by the presence of foreign artists at the
Academy until there was a reaction to foreigners in 1771-1772 after both the ouster of German
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Portrait of Mrs
Charlotta Pilo, née Desmarez, the artist's wife. In the collection of the Nationalmuseum, Stockholm. The National Museum of Fine Arts, Stockholm
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563:) in 1738. The engagement became legally annulled on 5 May 1747. Pilo married Charlotte Amélie Dorothée Desmarez (Desmars) on 5 January 1750 at
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The royal court set a high demand on Pilo's productivity in the years 1748-1767, having purchased more than 50 portraits of King
Frederik V.
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On 21 September, he received orders to leave the country within 3–4 weeks. Pilo felt that he was set up in court intrigues by
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He continued his career as a portraitist in Denmark. He painted an enthusiastically received portrait of Crown Princess
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in 1784. He traveled about between Skåne and Stockholm during 1772-1775, until settling down in his childhood town of
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Pilo left Denmark on 10 or 11 October and arrived in Stockholm in November, after having visited the Ramel family in
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from the Danish Royal Court, and Swedish King Gustav III's coup d'état which turned Danes against Sweden.
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Pilo's career began as a craft painter. He became an apprentice in 1731. According to
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Pilo painted a full figure portrait of the king, "Frederik V in Coronation Outfit" ("
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111:(5 March 1711 – 2 March 1793) was a Swedish painter. Pilo worked extensively in
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looked him up, requesting him to paint the coronation. He wanted something to match
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On 31 August 1772, Pilo received the newly established Cross of the Knight of the
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In 1747, Pilo was named painter to the royal court under the newly crowned King
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as a painter to the Danish Royal Court and as professor and director at the
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In 1748, Pilo was named professor at the Drawing and Painting Academy (
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Piko became betrothed to Eva Maria Malmgren of Hofterup (between
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Portrait of King Frederik V of Denmark, in the collection of the
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499:. Als had been one of Pilo's best students, and had traveled to
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793:(in Swedish). Stockholm: Nationalmuseum; Allmänna förl.
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Academic staff of the Royal Danish Academy of Fine Arts
392:. Pilo became a member of the Academy that same year.
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740:. Kunstindeks Danmark & Weilbach Kunstnerleksikon
696:. Kunstindeks Danmark & Weilbach Kunstnerleksikon
674:. Kunstindeks Danmark & Weilbach Kunstnerleksikon
472:to paint a life-size portrait of the King's sister
343:. The Academy was then located in the Post Office (
926:Directors of the Royal Danish Academy of Fine Arts
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373:") in 1751, which is now in the collection of the
159:Carl Gustaf Pilo was born on the farm Göksäter in
863:Director of the Royal Danish Academy of Fine Arts
57:but its sources remain unclear because it lacks
269:. In the years 1745-1747 he began to introduce
716:"Johann Friedrich Gerhard (German, 1695–1748)"
430:1770. He exhibited at Charlottenborg in 1769.
273:into his artwork, as seen in his portraits of
819:KID Kunst Index Danmark ("Art Index Denmark")
411:Pilo was drawing instructor for Crown Prince
234:In early 1741, Pilo left Skåne, and moved to
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426:1759, and a member of the Academy of Art in
422:He became a member of the Academy of Art in
275:Countess Louise Sophie of Danneskiold-Samsøe
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415:in 1759. Around 1760 he made portraits of
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194:1734-36; this however is contradicted by
88:Learn how and when to remove this message
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285:Success at the Royal Court and Academy
127:), as well as in his native Sweden.
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824:Danish Biographical Encyclopedia ("
571:on 2 March 1793, and was buried at
464:On 10 September, he was ordered by
521:Royal Swedish Academy of Fine Arts
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936:People from Nyköping Municipality
906:18th-century Swedish male artists
408:, who visited Denmark 1758-1759.
333:Det Kongelige Danske Kunstakademi
125:Det Kongelige Danske Kunstakademi
104:Self-portrait of Carl Gustaf Pilo
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605:"Carl Gustaf Pilo (1712-1792)"
539:picture, at Drottningholm, of
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901:18th-century Swedish painters
789:Carl Gustaf Pilo som tecknare
652:. Svenskt biografiskt lexikon
495:and Secretary of the Cabinet
468:to travel within two days to
262:Christian Jacobsen Drakenberg
186:(1754) Pilo traveled through
139:, other students of his were
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228:The Coronation of Gustaf III
785:Jungmarker, Gunnar (1973).
466:Hereditary Prince Frederick
390:Jacques Francis Joseph Saly
329:Royal Danish Academy of Art
219:Continued career in Denmark
117:Royal Danish Academy of Art
27:Swedish painter (1711–1798)
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523:in 1773, and received the
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341:Johann Friedrich Gerhard
325:Tegne- og Malerakademiet
206:Pilo lived 1738-1741 in
184:Anton Friedrich Büsching
43:This article includes a
762:. Store norske leksikon
375:Danish National Gallery
251:Louise of Great Britain
130:His prolific output in
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841:at Wikimedia Commons
480:and their children.
149:Gustav III of Sweden
629:. historiesajten.se
545:Stockholm Cathedral
525:Royal Order of Vasa
417:Adam Gottlob Moltke
279:Adam Gottlob Moltke
873:Johannes Wiedewelt
760:"Carl Gustaf Pilo"
650:"Carl Gustaf Pilo"
627:"Carl Gustaf Pilo"
497:Andreas Schumacher
489:Ove Høegh-Guldberg
386:Académie française
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244:Landkadetakademiet
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45:list of references
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837:Media related to
694:"Hieronimo Miani"
565:Maltesholm Castle
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896:1793 deaths
891:1711 births
607:. Bukowskis
439:Frederik VI
259:centenarian
213:portraitist
155:Early years
70:introducing
885:Categories
766:January 1,
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591:References
561:Landskrona
541:Charles XI
533:Gustav III
369:Frederik V
318:Frederik V
236:Copenhagen
141:Per Krafft
569:Stockholm
531:in 1775.
493:Peder Als
470:Schleswig
402:Rembrandt
400:works of
257:, one of
137:Peder Als
78:July 2011
579:See also
529:Nyköping
445:Downfall
424:Augsburg
359:, where
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165:Nyköping
303:Germany
299:Hamburg
240:Denmark
188:Germany
161:Runtuna
132:Denmark
113:Denmark
66:improve
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474:Louise
271:rococo
208:Scania
192:Vienna
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517:Skåne
505:Paris
51:, or
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