501:
825:
claimed information concerning police arrests. It states: "Also shows where the heat has been busting frequently, with tips on safety in police terror situations". Those interested in the map were instructed to send $ 1.00 (US$ 9 in 2023 dollars) to MGM Records c/o 1540 Broadway NY. NY. address. The map was only available for a limited time, since the blurb was not included on later pressings and the space was left blank. It was eventually reprinted and included with
466:
Giants' repertoire originally consisted of R&B covers. After Zappa joined the band he encouraged them to play his own original material and try to get a record contract. While most of the band members liked the idea, then-leader and saxophone player Davy
Coronado felt that performing original material would cost them bookings, and quit the band. Zappa took over leadership of the band, who officially changed their name to the Mothers on May 10, 1965.
791:... at the time, it was, you know, if you were a good musician, you were a motherfucker, and Mothers was short for collection of motherfuckers. And actually, it was kind of presumptuous to name the band that, because we weren't that good musicians, we were ... But by bar-band standards in the area, we were light-years ahead of our competition, but in terms of real musicianship, I just suppose we were right down there in the swamp.
774:
recording of Zappa shouting the word "fuck" after accidentally smashing his finger, occurring at 11 minutes and 36 seconds into "The Return of the Son of
Monster Magnet". From the 1995 CD reissue of the album onwards, the formerly three-part "Help, I'm a Rock" was reindexed as two separate tracks, with only the first two parts ("Okay To Tap Dance" and "In Memoriam,
1036:
924:
1031:
1026:
1021:
1016:
998:
993:
988:
983:
978:
919:
914:
909:
904:
886:
881:
876:
871:
866:
2925:
561:" When Tom Wilson heard the latter, he realized that the Mothers were not merely a blues band. Zappa remembered "I could see through the window that he was scrambling toward the phone to call his boss—probably saying: 'Well, uh, not exactly a 'white blues band', but ... sort of.'" In a 1968 article written for
465:
In the early 1960s, Zappa met Ray
Collins. Collins supported himself by working as a carpenter, and on weekends sang with a group called the Soul Giants. In April 1965, Collins got into a fight with their guitar player, who quit, leaving the band in need of a substitute, and Zappa filled in. The Soul
810:
on June 27, 1966. The band's name was changed to the
Mothers of Invention, a name Zappa chose in favor of MGM's original suggested name, "The Mothers Auxiliary". The album's back cover included a "letter" from Zappa-created fictional character Suzy Creamcheese (who also appears on the album itself),
815:
These
Mothers is crazy. You can tell by their clothes. One guy wears beads and they all smell bad. We were gonna get them for a dance after the basketball game but my best pal warned me you can never tell how many will show up ... sometimes the guy in the fur coat doesn't show up and sometimes
729:
An early version of the album was done in April, with a different track order from the final sequence completed two months later: for instance, "Wowie Zowie" (which would eventually begin side two of the finalized sequence instead, and was described by Zappa as "harmless", "cheerful" and apparently
1064:
chart, and was not a critical success when it was first released in the United States. Many listeners were convinced that the album was drug-inspired, and interpreted the album's title as slang for a bad LSD trip. The album made the
Mothers of Invention immediate underground darlings with a strong
820:
Because the text was printed in a typeface resembling typewriter lettering, some people thought that Suzy
Creamcheese was real, and many listeners expected to see her in concert performances. Because of this, it was decided that "it would be best to bring along a Suzy Creamcheese replica who would
587:
album, there's a little something in there for everybody. At least one piece of material is slanted for every type of social orientation within our consumer group, which happens to be six to eighty. Because we got people that like what we do, from kids six years old screaming on us to play "Wowie
761:
and third verse that would eventually be edited out of the song as it appeared on the finalized sequence, while the third section of "Help, I'm a Rock", called "It Can't Happen Here", contained two additional lines consisting of the word "psychedelic" during the self-pleasure sequence and of the
424:. Although the album was initially poorly received in the United States, it was a success in Europe. It gained a cult following in America, where it continued to sell in substantial quantities until it was discontinued in the early 1970s. The album went back in print in 1985, as part of Zappa's
824:
Early pressings of the album in the United States included a blurb for a "Freak Out Hot Spots!" map. Inside the gatefold jacket the small ad was aimed at people coming to visit Los
Angeles and it listed several famous restaurants and clubs including Canter's and The Whisky a Go Go. The ad also
2935:
1083:
I guess you might call it surrealistic paintings set to music. Not content to record just two sides of musical gibberish, the MOI devote four full sides to their type of "artistry". If anyone owns this album, perhaps he can tell me what in hell is going on ... The
Mothers of Invention, a
773:
The label eventually requested that the two lines in question be removed from the "It Can't Happen Here" section of "Help, I'm a Rock", both of which had been interpreted by MGM executives to be drug references. However, the label either had no objections to, or else did not notice, a sped-up
668:
was in fact an unfinished piece; the percussion track was intended to serve as the foundation for an even more complex piece, but MGM refused to approve the studio time needed to record the intended overdubs that would have completed the composition, and so it was released (to Zappa's great
816:
he does show up only he brings a big bunch of crazy people with him and they dance all over the place. None of the kids at my school like these
Mothers ... specially since my teacher told us what the words to their songs meant. Sincerely forever, Suzy Creamcheese, Salt Lake City, Utah.
716:. "I've tried to imagine what must have been thinking", Zappa recounted, "sitting in that control room, listening to all that weird shit coming out of the speakers, and being responsible for telling the engineer, Ami Hadani (who was not on acid), what to do." By the time
742:
that took place the previous year) was included on side one rather than side three, and "Who Are the Brain Police?" (acknowledged by Zappa himself as one of the scariest songs on the album) took up the middle of side two rather than the middle of side one, with only
651:
Tom Wilson became more enthusiastic as the sessions continued. In the middle of the week of recording, Zappa told him, "I would like to rent $ 500 worth of percussion equipment for a session that starts at midnight on Friday and I want to bring all the freaks from
289:
709:. Several orchestral musicians, who were also mostly credited as members of the Auxiliary (including their contractor, Benjamin Barrett), also made contributions to several songs at certain sessions, chiefly in the form of backing tracks on those songs.
1526:
On the 1995 and 2012 CD releases, "Help, I'm a Rock" is credited as two tracks: "Help, I'm a Rock" (4:43) and "It Can't Happen Here" (3:57). On the Side 3 label of original vinyl copies, "Trouble Every Day" is listed as "Trouble Comin' Every Day".
751:) and "Cream Cheese" (later retitled "The Return of the Son of Monster Magnet") taking up the same concluding places on the early sequence that they eventually would on the finalized sequence. "Wowie Zowie" itself originally contained a
54:
762:
words "...since you first took the shots" immediately following the "we've been very interested in your development" line. Tapes of the early sequence were eventually leaked to European collectors and bootlegged on vinyl as
2979:
537:
3767:
565:
magazine, Zappa wrote that when Wilson heard these songs, "he was so impressed he got on the phone and called New York, and as a result I got a more or less unlimited budget to do this monstrosity."
778:") remaining under the "Help, I'm a Rock" title but with "It Can't Happen Here" becoming its own track, as "It Can't Happen Here" had been included by itself on the 1969 vinyl compilation
366:, who signed the Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the band to a record deal under the impression that they were a white
4409:
528:
821:
demonstrate once and for all the veracity of such a beast." Because the original voice of Suzy Creamcheese, Jeannie Vassoir, was unavailable, Pamela Zarubica took over the part.
669:
dissatisfaction) in this unfinished form. In addition to the Mothers, some tracks featured a "Mothers' Auxiliary" that consisted of additional session players, including noted "
726:
magazine, Zappa wrote that "Wilson was sticking his neck out. He laid his job on the line by producing the album. MGM felt that they had spent too much money on the album."
1163:
448:
4377:
4367:
4372:
4362:
3515:
3081:
608:, between March 9 and March 12, 1966. Some songs, such as "Motherly Love" and "I Ain't Got No Heart", had already been recorded in earlier versions prior to the
536:
405:
covers, but after Zappa joined the band, he encouraged them to play his own original material, and their name was changed to the Mothers. The musical content of
4424:
3694:
3687:
3680:
3648:
3634:
3627:
656:
into the studio to do something special." Wilson agreed. The material was worked into "Cream Cheese", a "ballet in two tableaux" that was eventually retitled "
3215:
3578:
3543:
628:, Zappa wrote, "If I had never gotten divorced, this piece of trivial nonsense would never have been recorded." "Hungry Freaks, Daddy" is an attack on the
612:
sessions. These recordings, said to have been made around 1965, were not officially released until 2004, when they appeared on the posthumous Zappa album
4162:
3666:
2223:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
359:
just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
787:
MGM also told Zappa that the band would have to change their name, claiming that no DJ would play a record on the air by a group called "the Mothers".
4266:
4434:
3606:
3536:
1168:
1126:
579:. "It wasn't as if we had a hit single and we needed to build some filler around it. Each tune had a function within an overall satirical concept."
1495:
657:
519:
3399:
2992:
2723:
2689:
2537:
2318:
2011:
1793:
2466:
3585:
1100:
were prematurely deleted in an attempt to keep the struggling company financially solvent. Zappa had already moved on to his own companies
2258:
3025:
1896:
2383:
2866:
518:
4331:
3964:
3883:
3164:
3118:
2796:
2068:
1950:
3283:
3269:
1809:
1143:
2243:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
4169:
3957:
3208:
3050:
637:
770:"integrat" and "a greater amount of weirdness sprinkled throughout" than that of the finalized sequence during a 2011 podcast.
3911:
4197:
3343:
720:
was edited and shaped into an album, Wilson had spent $ 25–35,000 of MGM's money (equivalent to $ 330,000 in 2023). In
4439:
4414:
4211:
3943:
3813:
3501:
3494:
3487:
2852:
2783:
1007:
895:
2284:
1092:
The album developed a major cult following in the United States by the time MGM/Verve had been merged into a division of
3788:
2250:
2230:
363:
162:
4429:
4419:
3876:
3357:
3201:
2495:
766:
in 2010, with long-time Zappa associate Scott Parker later describing the early sequence's track order as having more
640:", in its opening measures, and contains a guitar solo between the first and second verses that itself briefly quotes
510:
831:, a four-disc audio documentary on the making of the album, released posthumously by the Zappa Family Trust in 2006.
1252:
558:
254:
4404:
3620:
1070:
713:
28:
618:. An early version of the song "Any Way the Wind Blows", recorded in 1963, appears on another posthumous release,
4060:
3950:
3774:
1153:
670:
575:
4259:
3992:
3529:
3228:
3150:
1419:
1184:
735:
641:
482:
322:
249:
173:
69:
3193:
588:
Zowie". Like I meet executives doing this and that, and they say, "My kid's got the record, and 'Wowie Zowie'
4303:
4176:
4053:
3869:
3862:
3557:
3350:
3329:
3231:
2958:
1174:
827:
624:, and was originally written when Zappa considered divorcing first wife Kay Sherman. In the liner notes for
573:, a sardonic farce about rock music and America. "All the songs on it were about something", Zappa wrote in
453:
3182:
2189:
481:
division in early 1966. He had heard of their growing reputation but had seen them perform only one song, "
4006:
3746:
3673:
2357:
2165:
1568:
1202:
645:
629:
601:
371:
1116:
was initially more successful in Europe and quickly influenced many English rock musicians. According to
4130:
4102:
3971:
3701:
3641:
3613:
3592:
3571:
3480:
1662:
1558:
426:
1571: – vocals, harmonica, cymbals, sound effects, tambourine, finger cymbals, bobby pin & tweezers
2681:
2554:
4444:
4338:
4116:
3448:
3322:
2984:
1109:
1060:
469:
The group moved to Los Angeles in the summer of 1965 after Zappa got them a management contract with
4310:
4232:
4225:
4046:
4039:
4013:
3999:
3978:
3708:
3522:
3508:
3392:
3378:
3336:
2778:
1434:
753:
744:
438:
233:
2326:
457:, an audio documentary on the making of the album, was released in honor of its 40th anniversary.
4280:
3848:
2474:
2388:
1855:
633:
2410:
370:
band. The album features Zappa on vocals and guitar, along with lead vocalist/tambourine player
2241:
2221:
1942:
1935:
4324:
4218:
4109:
3936:
3753:
3420:
3385:
3160:
3114:
3029:
2988:
2930:
2862:
2819:
2792:
2719:
2715:
2685:
2533:
2064:
2007:
1946:
1789:
1783:
1075:
1044:
620:
395:
391:
119:
2616:
2001:
1883:
1178:
magazine's "50 Albums That Built Prog Rock". It was voted number 315 in the third edition of
583:
If you were to graphically analyze the different types of directions of all the songs in the
4317:
4183:
4148:
3841:
3820:
3715:
3108:
2673:
2237:
2217:
1680:
1554:
1444:
1105:
933:
775:
694:
653:
614:
402:
383:
355:
2642:
2089:
4273:
3371:
3262:
2160:
1692:
1101:
702:
197:
157:
3904:
3834:
3462:
3455:
2437:
957:
2823:
1813:
4081:
3827:
3599:
3441:
3060:
2788:
2057:
1891:
1879:
1629:
1131:
758:
731:
489:. According to Zappa, this led Wilson to believe that they were a "white blues band".
215:
1834:
288:
4398:
4027:
4020:
3985:
3918:
3897:
3890:
3855:
3055:
2974:
2858:
2774:
2500:
1755:
1674:
1588:
1158:
767:
748:
570:
478:
443:
421:
387:
330:
326:
150:
2739:
1088:, which could be the greatest stimulus to the aspirin industry since the income tax.
664:
album), Zappa is heard complaining that the version of "Monster Magnet" released on
4155:
4123:
4095:
3781:
3413:
3156:
3146:
2848:
2759:
1976:
1884:"Show 14 – Big Rock Candy Mountain: Phil Spector & Frank Zappa review the '50s"
1179:
1117:
969:
706:
431:
346:
314:
145:
2003:
Necessity Is ...: The Early Years of Frank Zappa and the Mothers of Invention
1582:
2527:
660:". In a November 1967 radio interview (posthumously included as part of the 2006
535:
517:
4088:
3364:
3290:
3276:
3224:
3009:
2353:
1611:
1578:
1574:
1541:
1198:
1121:
780:
739:
722:
686:
597:
486:
474:
418:
379:
375:
342:
338:
334:
169:
111:
103:
35:
1166:
in 2003, and 246 in a 2012 revised list. It was also featured in the 2006 book
734:) was the original planned lead-off track rather than "Hungry Freaks, Daddy", "
4204:
4190:
4074:
3564:
3550:
3434:
3427:
3406:
3297:
2710:
2705:
1686:
1668:
1620:
1602:
945:
698:
690:
678:
674:
605:
557:
The first two songs recorded for the album were "Any Way the Wind Blows" and "
549:
470:
318:
1856:"FZ Musicians & Collaborators H–L: Elliot Ingber (Winged Eel Fingerling)"
17:
4067:
712:
Zappa later found out that when the material was recorded, Wilson had taken
350:
3760:
2505:
2593:
Zappa, Frank. Interview. KBEY-FM, Kansas City, Missouri. October 22, 1971.
27:
This article is about the Mothers of Invention album. For other uses, see
3304:
2894:
2651:
1562:
1093:
858:
682:
2885:
1084:
talented but warped quintet, have fathered an album poetically entitled
3188:
1549:
410:
2529:
Frank Zappa FAQ: All That's Left to Know About the Father of Invention
53:
1545:
2914:
Zappa, Frank. Interview. Mixed Media, Detroit, MI November 13, 1967.
2740:"Frank Zappa - biografia, recensioni, streaming, discografia, foto"
3806:
477:
staff producer Tom Wilson offered the band a record deal with the
414:
367:
64:
2360:(Interview). Interviewed by Matty Biberfield. New York City, NY:
1591: – alternate lead & rhythm guitar with clear white light
398:, performing there under the pseudonym "Winged Eel Fingerling").
2361:
3197:
3768:
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute
784:, where the two normally censored lines were also reinstated.
2980:
Revolution in the Head: The Beatles' Records and the Sixties
499:
4318:
Strictly Genteel: A "Classical" Introduction to Frank Zappa
4075:
Meat Light: The Uncle Meat Project/Object Audio Documentary
2319:"ZappaCast Episode 1 - ZappaCast - The Frank Zappa Podcast"
2059:
The Age of Rock: Sounds of the American Cultural Revolution
473:. They gained steady work at clubs along the Sunset Strip.
1201:
except "Go Cry on Somebody Else's Shoulder", by Zappa and
34:"Wowie Zowie" redirects here. For the Pavement album, see
4226:
Over-Nite Sensation 50th Anniversary Super Deluxe Edition
1706:
Musical director, orchestrator, and arranger: Frank Zappa
1718:
Assistants: Eugene Dinovi, Neil Levang, Vito, Ken Watson
1096:
in 1972. At that time many MGM/Verve releases including
333:, it is a satirical expression of guitarist/bandleader
2285:"NEW ZAPPA VINYL BOOTLEG - THE ALTERNATIVE FREAK OUT"
2090:"FZ chronology: 1965–1969: The Mothers of Invention"
1142:
Zappa criticized the Beatles, as he felt they were "
4352:
4295:
4251:
4140:
3928:
3798:
3738:
3729:
3658:
3472:
3314:
3247:
3238:
1485:
1477:
1409:
1401:
1322:
1314:
1220:
1212:
277:
214:
168:
156:
144:
128:
110:
99:
91:
76:
63:
46:
2056:
1934:
529:"The Return of the Son of Monster Magnet" (sample)
1069:, Zappa quotes a negative review of the album by
41:1966 studio album by the Mothers of Invention
2781:. In Brackett, Nathan; Hoard, Christian (eds.).
2461:
2459:
417:-influenced rock to orchestral arrangements and
4410:Albums produced by Tom Wilson (record producer)
3993:AAAFNRAA: Baby Snakes – The Compleat Soundtrack
3516:Ship Arriving Too Late to Save a Drowning Witch
3502:Return of the Son of Shut Up 'n Play Yer Guitar
2211:
2209:
1715:Engineers: Ami Hadani, Tom Wilson, Val Valentin
1081:
813:
789:
581:
3209:
2279:
2277:
2275:
345:of Los Angeles. It was the second rock music
8:
4311:Strictly Commercial: The Best of Frank Zappa
2880:
2878:
2312:
2310:
2308:
2306:
2304:
2302:
2141:
1970:
1968:
1966:
1964:
1962:
1617:John Rotella – clarinet, bass saxophone
1504:II. Nullis Pretii (No Commercial Potential)"
1013:
975:
901:
863:
401:The band's original repertoire consisted of
3579:Frank Zappa Meets the Mothers of Prevention
3544:Boulez Conducts Zappa: The Perfect Stranger
2139:
2137:
2135:
2133:
2131:
2129:
2127:
2125:
2123:
2121:
2108:
2106:
689:, and jazz-soul pianists Eugene DiNovi and
329:. Often cited as one of rock music's first
4349:
4292:
4163:Zappa - Original Motion Picture Soundtrack
3735:
3695:You Can't Do That on Stage Anymore, Vol. 6
3688:You Can't Do That on Stage Anymore, Vol. 5
3681:You Can't Do That on Stage Anymore, Vol. 4
3667:The Best Band You Never Heard in Your Life
3649:You Can't Do That on Stage Anymore, Vol. 3
3635:You Can't Do That on Stage Anymore, Vol. 2
3628:You Can't Do That on Stage Anymore, Vol. 1
3244:
3216:
3202:
3194:
3014:(Media notes). Frank Zappa. Zappa Records.
2963:(Media notes). Frank Zappa. Zappa Records.
2711:MusicHound Rock: The Essential Album Guide
2589:
2587:
2161:"What Did You Do In The Revolution, Dada?"
1933:Zappa, Frank; Occhiogrosso, Peter (1989).
838:
293:Featuring a "letter" from Suzy Creamcheese
287:
52:
43:
4267:The Guitar World According to Frank Zappa
1788:. U of Nebraska Press. pp. 38, 219.
4068:ZAPPAtite: Frank Zappa's Tastiest Tracks
3110:1001 Albums You Must Hear Before You Die
2084:
2082:
2080:
1737:
1471:
1395:
1375:"You're Probably Wondering Why I'm Here"
1308:
1206:
1169:1001 Albums You Must Hear Before You Die
437:In 1999, the album was honored with the
434:release of the album following in 1987.
4239:Apostrophe (') 50th Anniversary Edition
2348:
2346:
2344:
2259:"Consumer Price Index (estimate) 1800–"
2044:. Interviewed by Nigel Leigh. UMRK, LA.
1977:"The Incredible History Of The Mothers"
1928:
1926:
1774:
1512:
1496:The Return of the Son of Monster Magnet
1457:
1381:
1294:
658:The Return of the Son of Monster Magnet
2926:"Popular Record: Pass Aspirin, Please"
2555:""Pretty Pat" (Interview excerpted on
1924:
1922:
1920:
1918:
1916:
1914:
1912:
1910:
1908:
1906:
1874:
1872:
547:
266:"Motherly Love / I Ain't Got No Heart"
4117:Orchestral Favorites 40th Anniversary
2382:Shelton, Robert (December 25, 1966).
2257:Federal Reserve Bank of Minneapolis.
2194:(Radio appearance). Detroit, MI: WDET
2035:
2033:
2031:
2029:
1941:. New York: Poseidon Press. pp.
1513:
1498:(Unfinished Ballet in Two Tableaux)
1458:
1382:
1295:
1136:Sgt. Pepper's Lonely Hearts Club Band
1127:Sgt. Pepper's Lonely Hearts Club Band
1120:, the album was a major influence on
844:
7:
4425:Grammy Hall of Fame Award recipients
3495:Shut Up 'n Play Yer Guitar Some More
1266:"Go Cry on Somebody Else's Shoulder"
4177:200 Motels 50th Anniversary Edition
1897:University of North Texas Libraries
1501:I. Ritual Dance of the Child-Killer
4110:Zappa in New York 40th Anniversary
3870:The MOFO Project/Object (Fazedooh)
3607:London Symphony Orchestra, Vol. II
3284:Cruising with Ruben & the Jets
1785:The Words and Music of Frank Zappa
1712:Engineering director: Val Valentin
548:Problems playing these files? See
25:
4007:A Token of His Extreme Soundtrack
3537:London Symphony Orchestra, Vol. I
3082:"500 Greatest Albums of All Time"
3051:"500 Greatest Albums of All Time"
2784:The New Rolling Stone Album Guide
2473:. The Zappa Patio. Archived from
2188:Frank Zappa (November 13, 1967).
1695: – voice of Suzy Creamcheese
1156:in 1999, ranked at number 243 on
1015:
977:
903:
865:
3958:Feeding the Monkies at Ma Maison
2287:. United Mutations. October 2010
1172:. The album was named as one of
1034:
1029:
1024:
1019:
1014:
996:
991:
986:
981:
976:
922:
917:
912:
907:
902:
884:
879:
874:
869:
864:
533:
515:
325:, released on June 27, 1966, by
4435:The Mothers of Invention albums
3944:"Congress Shall Make No Law..."
3136:magazine, July 2010, Issue 146.
2358:"An Interview with Frank Zappa"
1650:George Price – French horn
1647:Arthur Maebe – French horn
1164:500 Greatest Albums of All Time
1065:counter-cultural following. In
511:"Hungry Freaks, Daddy" (sample)
449:500 Greatest Albums of All Time
3912:The Lumpy Money Project/Object
3463:Joe's Garage Acts II & III
3270:We're Only in It for the Money
2619:MoFo: The Making of Freak Out!
2092:. Information Is Not Knowledge
2006:. SAF Publishing. p. 23.
1858:. Information Is Not Knowledge
1478:
1402:
1315:
1213:
693:, with vocal contributions by
409:ranges from rhythm and blues,
231:"How Could I Be Such a Fool? /
1:
4170:Zappa '88: The Last U.S. Show
2854:Encyclopedia of Popular Music
2553:Zappa, Frank (May 30, 2004).
2191:How We Made It Sound That Way
1008:The Rolling Stone Album Guide
896:Encyclopedia of Popular Music
738:" (which was inspired by the
638:(I Can't Get No) Satisfaction
3789:Everything Is Healing Nicely
3028:. Grammy.com. Archived from
3026:"GRAMMY Hall Of Fame Awards"
2924:Johnson, Pete (1966-07-10).
2532:. Rowman & Littlefield.
2442:Information Is Not Knowledge
2415:Information Is Not Knowledge
2317:Parker, Scott (March 2011).
2251:American Antiquarian Society
2231:American Antiquarian Society
1762:
1288:"How Could I Be Such a Fool"
1108:, which were distributed by
4212:Zappa '80: Mudd Club/Munich
4198:Zappa '75: Zagreb/Ljubljana
3586:Does Humor Belong in Music?
3358:Just Another Band from L.A.
3107:Robert Dimery, ed. (2006).
2040:Zappa, Frank (March 1993).
1782:Lowe, Kelly Fisher (2007).
1659:David Wells – trombone
1656:Virgil Evans – trumpet
1644:Edwin V. Beach – cello
1638:Emmet Sargeant – cello
1635:Paul Bergstrom – cello
1608:Eugene Di Novi – piano
1437:(Suite in Three Movements)
1342:"You Didn't Try to Call Me"
569:is an early example of the
269:Released: 1968 (Japan only)
4461:
3488:Shut Up 'n Play Yer Guitar
2159:Dallas, Karl (June 1975).
1975:Zappa, Frank (June 1968).
1449:III. It Can't Happen Here"
1197:All tracks are written by
596:The album was recorded at
362:The album was produced by
337:'s perception of American
33:
29:Freak out (disambiguation)
26:
4061:Frank Zappa for President
3344:Fillmore East – June 1971
2824:"Grade List: frank zappa"
2384:"Son of Suzy Creamcheese"
2149:Liner notes. V/V6-5005-2.
2115:. Liner notes. RCD 40573.
1937:The Real Frank Zappa Book
1724:Hair stylist: Ray Collins
1641:Joseph Saxon – cello
1490:
1482:
1429:
1414:
1406:
1371:
1360:
1349:
1338:
1327:
1319:
1284:
1273:
1262:
1253:Who Are the Brain Police?
1247:
1236:
1225:
1217:
1154:Grammy Hall of Fame Award
1067:The Real Frank Zappa Book
852:
849:
576:The Real Frank Zappa Book
559:Who Are the Brain Police?
439:Grammy Hall of Fame Award
349:ever released, following
302:
298:
286:
282:
255:Who Are the Brain Police?
225:
210:
180:
51:
4260:Lumpy Gravy (Primordial)
3775:Have I Offended Someone?
3614:The Old Masters, Box III
3229:the Mothers of Invention
3152:All Time Top 1000 Albums
2886:"Chart & Awards for
2787:(4th ed.). London:
2714:(1st ed.). London:
2581:Back cover. V/V6-5005-2.
2436:GarcĂa Albertos, Román.
2409:GarcĂa Albertos, Román.
2055:Eisen, Jonathan (1969).
1721:Cover design: Jack Anesh
1653:Roy Caton – trumpet
1623: – 12-string guitar
1536:The Mothers of Invention
1353:"Any Way the Wind Blows"
1185:All Time Top 1000 Albums
1144:only in it for the money
764:The Alternate Freak Out!
736:Trouble Comin' Every Day
632:that musically quotes a
430:box set, with the first
323:the Mothers of Invention
250:Trouble Comin' Every Day
174:the Mothers of Invention
70:the Mothers of Invention
4304:The **** of the Mothers
4054:The Crux of the Biscuit
3863:The MOFO Project/Object
3593:The Old Masters, Box II
3330:Weasels Ripped My Flesh
2960:The MOFO Project/Object
2763:(August 1995): 150–151.
2604:The MOFO Project/Object
2526:Corcelli, John (2016).
1626:Kurt Reher – cello
1162:magazine's list of the
1058:reached No. 130 on the
828:The MOFO Project/Object
747:" (a song dedicated to
681:and Mac Rebennack (aka
592:s their favorite song."
485:", which concerned the
454:The MOFO Project/Object
80:June 27, 1966
4034:200 Motels: The Suites
3747:Civilization Phaze III
3674:Make a Jazz Noise Here
3572:The Old Masters, Box I
3008:Fricke, David (2008).
2957:Fricke, David (2006).
2504:. 1988. Archived from
1596:The Mothers' Auxiliary
1240:"I Ain't Got No Heart"
1229:"Hungry Freaks, Daddy"
1090:
818:
799:
646:Have Love, Will Travel
630:American school system
594:
504:
239:It Can't Happen Here)"
4131:The Hot Rats Sessions
4103:The Roxy Performances
3972:Understanding America
3884:The Dub Room Special!
3702:Playground Psychotics
3642:Broadway the Hard Way
3481:Tinsel Town Rebellion
2828:Tom Hull - on the web
2000:James, Billy (2002).
1152:was honored with the
503:
447:ranked it among the "
4440:Verve Records albums
4415:1960s concept albums
4339:Son of Cheep Thrills
4047:Road Tapes, Venue #3
4000:Road Tapes, Venue #2
3979:Road Tapes, Venue #1
3449:Orchestral Favorites
3393:Roxy & Elsewhere
3323:Burnt Weeny Sandwich
3063:on November 12, 2004
2985:Chicago Review Press
2678:The Great Rock Bible
2063:. Random House Inc.
1835:"Elliot Ingber info"
1709:Producer: Tom Wilson
1440:I. Okay to Tap Dance
1110:Warner Bros. Records
934:The Great Rock Bible
840:Professional ratings
757:section between the
4287:Beat the Boots! III
4233:Whisky a Go Go 1968
4040:Roxy the Soundtrack
3709:Ahead of Their Time
3523:The Man from Utopia
3509:You Are What You Is
3379:Over-Nite Sensation
2938:on November 5, 2012
2329:on December 1, 2017
1810:"Freak Out! (1966)"
1474:
1398:
1364:"I'm Not Satisfied"
1311:
1209:
841:
427:Old Masters Box One
382:, drummer/vocalist
4430:MGM Records albums
4420:Frank Zappa albums
4281:Beat the Boots! II
3849:Imaginary Diseases
3456:Joe's Garage Act I
3239:Official releases
2411:"Help, I'm A Rock"
2389:The New York Times
1837:. United Mutations
1701:Production credits
1663:Motorhead Sherwood
1605: – percussion
1472:
1396:
1309:
1207:
839:
705:and future Mother
505:
386:and guitar player
4405:1966 debut albums
4390:
4389:
4386:
4385:
4348:
4347:
4247:
4246:
4219:Funky Nothingness
3951:Hammersmith Odeon
3937:Greasy Love Songs
3754:The Lost Episodes
3732:official releases
3725:
3724:
3421:Zappa in New York
3400:One Size Fits All
3232:album discography
2994:978-1-55652-733-3
2931:Los Angeles Times
2725:978-0-7876-1037-1
2716:Visible Ink Press
2691:978-1-9127-3328-6
2623:. The Zappa Patio
2539:978-1-61713-674-0
2356:(April 5, 1994).
2113:The Lost Episodes
2013:978-0-946719-51-8
1795:978-0-8032-6005-4
1767:
1766:
1523:
1522:
1468:
1467:
1443:II. In Memoriam,
1420:Trouble Every Day
1392:
1391:
1305:
1304:
1140:Freak Out!
1076:Los Angeles Times
1053:
1052:
621:The Lost Episodes
538:
520:
483:Trouble Every Day
392:Captain Beefheart
306:
305:
206:
205:
120:Experimental rock
16:(Redirected from
4452:
4350:
4293:
4184:The Mothers 1971
4149:The Mothers 1970
4014:Joe's Camouflage
3736:
3716:The Yellow Shark
3337:Chunga's Revenge
3245:
3218:
3211:
3204:
3195:
3187:, full album at
3171:
3170:
3155:(3rd ed.).
3143:
3137:
3131:
3125:
3124:
3104:
3098:
3097:
3095:
3093:
3078:
3072:
3071:
3069:
3068:
3059:. Archived from
3047:
3041:
3040:
3038:
3037:
3022:
3016:
3015:
3005:
2999:
2998:
2987:. p. 214n.
2983:(3rd ed.).
2971:
2965:
2964:
2954:
2948:
2947:
2945:
2943:
2934:. Archived from
2921:
2915:
2912:
2906:
2905:
2903:
2902:
2882:
2873:
2872:
2857:(5th ed.).
2845:
2839:
2838:
2836:
2834:
2816:
2810:
2809:
2807:
2805:
2771:
2765:
2764:
2750:
2744:
2743:
2736:
2730:
2729:
2702:
2696:
2695:
2682:Red Planet Books
2680:(1st ed.).
2674:Martin C. Strong
2670:
2664:
2663:
2661:
2659:
2638:
2632:
2631:
2629:
2628:
2617:"Vinyl Vs. CDs:
2613:
2607:
2600:
2594:
2591:
2582:
2575:
2569:
2568:
2566:
2565:
2550:
2544:
2543:
2523:
2517:
2516:
2514:
2513:
2492:
2486:
2485:
2483:
2482:
2467:"Vinyl Vs. CDs:
2463:
2454:
2453:
2451:
2449:
2433:
2427:
2426:
2424:
2422:
2406:
2400:
2399:
2397:
2396:
2379:
2373:
2372:
2370:
2368:
2350:
2339:
2338:
2336:
2334:
2325:. Archived from
2314:
2297:
2296:
2294:
2292:
2281:
2270:
2269:
2267:
2265:
2254:
2248:
2234:
2228:
2213:
2204:
2203:
2201:
2199:
2185:
2179:
2178:
2176:
2174:
2156:
2150:
2143:
2116:
2110:
2101:
2100:
2098:
2097:
2086:
2075:
2074:
2062:
2052:
2046:
2045:
2037:
2024:
2023:
2021:
2020:
1997:
1991:
1990:
1988:
1987:
1972:
1957:
1956:
1940:
1930:
1901:
1900:
1888:
1876:
1867:
1866:
1864:
1863:
1852:
1846:
1845:
1843:
1842:
1831:
1825:
1824:
1822:
1821:
1812:. Archived from
1806:
1800:
1799:
1779:
1738:
1681:Paul Butterfield
1555:Jimmy Carl Black
1516:
1480:
1475:
1461:
1435:Help, I'm a Rock
1404:
1399:
1385:
1317:
1312:
1298:
1215:
1210:
1138:as the Beatles'
1106:Straight Records
1039:
1038:
1037:
1033:
1032:
1028:
1027:
1023:
1022:
1018:
1017:
1001:
1000:
999:
995:
994:
990:
989:
985:
984:
980:
979:
927:
926:
925:
921:
920:
916:
915:
911:
910:
906:
905:
889:
888:
887:
883:
882:
878:
877:
873:
872:
868:
867:
842:
797:
754:musique concrète
745:Help, I'm a Rock
695:Paul Butterfield
654:Sunset Boulevard
591:
540:
539:
522:
521:
502:
403:rhythm and blues
384:Jimmy Carl Black
378:player/vocalist
356:Blonde on Blonde
341:and the nascent
317:by the American
291:
270:
267:
261:
258:
243:
240:
237:(Third Movement:
234:Help, I'm a Rock
182:
181:
140:
139:
135:
95:March 9–12, 1966
87:
85:
56:
44:
21:
4460:
4459:
4455:
4454:
4453:
4451:
4450:
4449:
4395:
4394:
4391:
4382:
4354:Birthday Bundle
4344:
4291:
4274:Beat the Boots!
4243:
4136:
3924:
3794:
3731:
3721:
3654:
3558:Francesco Zappa
3468:
3372:The Grand Wazoo
3310:
3263:Absolutely Free
3240:
3234:
3222:
3179:
3174:
3167:
3159:. p. 129.
3145:
3144:
3140:
3132:
3128:
3121:
3106:
3105:
3101:
3091:
3089:
3080:
3079:
3075:
3066:
3064:
3049:
3048:
3044:
3035:
3033:
3024:
3023:
3019:
3007:
3006:
3002:
2995:
2973:
2972:
2968:
2956:
2955:
2951:
2941:
2939:
2923:
2922:
2918:
2913:
2909:
2900:
2898:
2884:
2883:
2876:
2869:
2847:
2846:
2842:
2832:
2830:
2818:
2817:
2813:
2803:
2801:
2799:
2773:
2772:
2768:
2752:
2751:
2747:
2738:
2737:
2733:
2726:
2704:
2703:
2699:
2692:
2672:
2671:
2667:
2657:
2655:
2640:
2639:
2635:
2626:
2624:
2615:
2614:
2610:
2601:
2597:
2592:
2585:
2576:
2572:
2563:
2561:
2552:
2551:
2547:
2540:
2525:
2524:
2520:
2511:
2509:
2494:
2493:
2489:
2480:
2478:
2465:
2464:
2457:
2447:
2445:
2435:
2434:
2430:
2420:
2418:
2408:
2407:
2403:
2394:
2392:
2381:
2380:
2376:
2366:
2364:
2352:
2351:
2342:
2332:
2330:
2316:
2315:
2300:
2290:
2288:
2283:
2282:
2273:
2263:
2261:
2256:
2246:
2238:McCusker, J. J.
2236:
2226:
2218:McCusker, J. J.
2216:
2214:
2207:
2197:
2195:
2187:
2186:
2182:
2172:
2170:
2158:
2157:
2153:
2144:
2119:
2111:
2104:
2095:
2093:
2088:
2087:
2078:
2071:
2054:
2053:
2049:
2039:
2038:
2027:
2018:
2016:
2014:
1999:
1998:
1994:
1985:
1983:
1974:
1973:
1960:
1953:
1932:
1931:
1904:
1886:
1880:Gilliland, John
1878:
1877:
1870:
1861:
1859:
1854:
1853:
1849:
1840:
1838:
1833:
1832:
1828:
1819:
1817:
1808:
1807:
1803:
1796:
1781:
1780:
1776:
1772:
1731:
1698:
1693:Jeannie Vassoir
1533:
1524:
1514:
1469:
1459:
1393:
1383:
1306:
1296:
1277:"Motherly Love"
1194:
1102:Bizarre Records
1035:
1030:
1025:
1020:
997:
992:
987:
982:
946:MusicHound Rock
923:
918:
913:
908:
885:
880:
875:
870:
837:
806:Verve released
804:
798:
795:
703:Jeannie Vassoir
589:
555:
554:
546:
544:
543:
542:
541:
534:
531:
525:
524:
523:
516:
513:
506:
500:
495:
463:
441:, and in 2003,
413:, and standard
294:
273:
268:
265:
264:
259:
253:
247:
246:
241:
238:
236:
232:
230:
229:
201:
198:Absolutely Free
192:
137:
133:
132:
124:
83:
81:
72:
59:
42:
39:
32:
23:
22:
15:
12:
11:
5:
4458:
4456:
4448:
4447:
4442:
4437:
4432:
4427:
4422:
4417:
4412:
4407:
4397:
4396:
4388:
4387:
4384:
4383:
4381:
4380:
4375:
4370:
4365:
4359:
4357:
4346:
4345:
4343:
4342:
4335:
4328:
4321:
4314:
4307:
4299:
4297:
4290:
4289:
4284:
4277:
4270:
4263:
4255:
4253:
4249:
4248:
4245:
4244:
4242:
4241:
4236:
4229:
4222:
4215:
4208:
4201:
4194:
4187:
4180:
4173:
4166:
4159:
4152:
4144:
4142:
4138:
4137:
4135:
4134:
4127:
4120:
4113:
4106:
4099:
4092:
4085:
4078:
4071:
4064:
4057:
4050:
4043:
4036:
4031:
4024:
4017:
4010:
4003:
3996:
3989:
3982:
3975:
3968:
3961:
3954:
3947:
3940:
3932:
3930:
3926:
3925:
3923:
3922:
3915:
3908:
3901:
3894:
3887:
3880:
3873:
3866:
3859:
3852:
3845:
3838:
3831:
3828:QuAUDIOPHILIAc
3824:
3817:
3810:
3802:
3800:
3796:
3795:
3793:
3792:
3785:
3778:
3771:
3764:
3757:
3750:
3742:
3740:
3733:
3727:
3726:
3723:
3722:
3720:
3719:
3712:
3705:
3698:
3691:
3684:
3677:
3670:
3662:
3660:
3656:
3655:
3653:
3652:
3645:
3638:
3631:
3624:
3617:
3610:
3603:
3600:Jazz from Hell
3596:
3589:
3582:
3575:
3568:
3561:
3554:
3547:
3540:
3533:
3526:
3519:
3512:
3505:
3498:
3491:
3484:
3476:
3474:
3470:
3469:
3467:
3466:
3459:
3452:
3445:
3442:Sheik Yerbouti
3438:
3431:
3424:
3417:
3410:
3403:
3396:
3389:
3386:Apostrophe (')
3382:
3375:
3368:
3361:
3354:
3347:
3340:
3333:
3326:
3318:
3316:
3312:
3311:
3309:
3308:
3301:
3294:
3287:
3280:
3273:
3266:
3259:
3251:
3249:
3242:
3236:
3235:
3223:
3221:
3220:
3213:
3206:
3198:
3192:
3191:
3178:
3177:External links
3175:
3173:
3172:
3165:
3138:
3126:
3119:
3099:
3073:
3042:
3017:
3000:
2993:
2975:MacDonald, Ian
2966:
2949:
2916:
2907:
2874:
2868:978-0857125958
2867:
2840:
2811:
2797:
2789:Fireside Books
2775:Sheffield, Rob
2766:
2745:
2731:
2724:
2708:, ed. (1996).
2697:
2690:
2665:
2633:
2608:
2602:Zappa, Frank.
2595:
2583:
2577:Zappa, Frank.
2570:
2545:
2538:
2518:
2487:
2455:
2428:
2401:
2374:
2340:
2323:Podcast Garden
2298:
2271:
2255:1800–present:
2205:
2180:
2151:
2145:Zappa, Frank.
2117:
2102:
2076:
2069:
2047:
2025:
2012:
1992:
1958:
1951:
1902:
1892:Pop Chronicles
1868:
1847:
1826:
1801:
1794:
1773:
1771:
1768:
1765:
1764:
1761:
1753:
1749:
1748:
1745:
1742:
1736:
1735:
1730:
1727:
1726:
1725:
1722:
1719:
1716:
1713:
1710:
1707:
1697:
1696:
1690:
1684:
1683: – vocals
1678:
1672:
1666:
1665: – noises
1660:
1657:
1654:
1651:
1648:
1645:
1642:
1639:
1636:
1633:
1630:Raymond Kelley
1627:
1624:
1618:
1615:
1614: – guitar
1609:
1606:
1599:
1593:
1592:
1586:
1572:
1566:
1552:
1532:
1529:
1521:
1520:
1517:
1511:
1510:
1507:
1506:
1505:
1502:
1492:
1488:
1487:
1484:
1481:
1470:
1466:
1465:
1462:
1456:
1455:
1452:
1451:
1450:
1447:
1441:
1431:
1427:
1426:
1423:
1416:
1412:
1411:
1408:
1405:
1394:
1390:
1389:
1386:
1380:
1379:
1376:
1373:
1369:
1368:
1365:
1362:
1358:
1357:
1354:
1351:
1347:
1346:
1343:
1340:
1336:
1335:
1332:
1329:
1325:
1324:
1321:
1318:
1307:
1303:
1302:
1299:
1293:
1292:
1289:
1286:
1282:
1281:
1278:
1275:
1271:
1270:
1267:
1264:
1260:
1259:
1256:
1249:
1245:
1244:
1241:
1238:
1234:
1233:
1230:
1227:
1223:
1222:
1219:
1216:
1195:
1193:
1190:
1132:Paul McCartney
1051:
1050:
1047:
1041:
1040:
1011:
1003:
1002:
973:
965:
964:
961:
953:
952:
949:
941:
940:
937:
929:
928:
899:
891:
890:
861:
855:
854:
851:
847:
846:
836:
833:
803:
800:
793:
732:Little Richard
644:'s 1959 song "
634:Rolling Stones
545:
532:
527:
526:
514:
509:
508:
507:
498:
497:
496:
494:
491:
462:
459:
422:sound collages
331:concept albums
304:
303:
300:
299:
296:
295:
292:
284:
283:
280:
279:
275:
274:
272:
271:
262:
260:Released: 1966
244:
242:Released: 1966
226:
223:
222:
212:
211:
208:
207:
204:
203:
194:
185:
178:
177:
166:
165:
160:
154:
153:
148:
142:
141:
130:
126:
125:
123:
122:
116:
114:
108:
107:
101:
97:
96:
93:
89:
88:
78:
74:
73:
68:
61:
60:
57:
49:
48:
40:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4457:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4402:
4400:
4393:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4360:
4358:
4355:
4351:
4341:
4340:
4336:
4334:
4333:
4332:Cheap Thrills
4329:
4327:
4326:
4322:
4320:
4319:
4315:
4313:
4312:
4308:
4306:
4305:
4301:
4300:
4298:
4294:
4288:
4285:
4283:
4282:
4278:
4276:
4275:
4271:
4269:
4268:
4264:
4262:
4261:
4257:
4256:
4254:
4252:Miscellaneous
4250:
4240:
4237:
4235:
4234:
4230:
4228:
4227:
4223:
4221:
4220:
4216:
4214:
4213:
4209:
4207:
4206:
4202:
4200:
4199:
4195:
4193:
4192:
4188:
4186:
4185:
4181:
4179:
4178:
4174:
4172:
4171:
4167:
4165:
4164:
4160:
4158:
4157:
4153:
4151:
4150:
4146:
4145:
4143:
4139:
4133:
4132:
4128:
4126:
4125:
4121:
4119:
4118:
4114:
4112:
4111:
4107:
4105:
4104:
4100:
4098:
4097:
4093:
4091:
4090:
4086:
4084:
4083:
4079:
4077:
4076:
4072:
4070:
4069:
4065:
4063:
4062:
4058:
4056:
4055:
4051:
4049:
4048:
4044:
4042:
4041:
4037:
4035:
4032:
4030:
4029:
4028:Dance Me This
4025:
4023:
4022:
4021:Roxy by Proxy
4018:
4016:
4015:
4011:
4009:
4008:
4004:
4002:
4001:
3997:
3995:
3994:
3990:
3988:
3987:
3986:Finer Moments
3983:
3981:
3980:
3976:
3974:
3973:
3969:
3967:
3966:
3965:Carnegie Hall
3962:
3960:
3959:
3955:
3953:
3952:
3948:
3946:
3945:
3941:
3939:
3938:
3934:
3933:
3931:
3927:
3921:
3920:
3916:
3914:
3913:
3909:
3907:
3906:
3902:
3900:
3899:
3898:One Shot Deal
3895:
3893:
3892:
3888:
3886:
3885:
3881:
3879:
3878:
3874:
3872:
3871:
3867:
3865:
3864:
3860:
3858:
3857:
3856:Trance-Fusion
3853:
3851:
3850:
3846:
3844:
3843:
3842:Joe's XMASage
3839:
3837:
3836:
3832:
3830:
3829:
3825:
3823:
3822:
3821:Joe's Corsage
3818:
3816:
3815:
3811:
3809:
3808:
3804:
3803:
3801:
3797:
3791:
3790:
3786:
3784:
3783:
3779:
3777:
3776:
3772:
3770:
3769:
3765:
3763:
3762:
3758:
3756:
3755:
3751:
3749:
3748:
3744:
3743:
3741:
3737:
3734:
3728:
3718:
3717:
3713:
3711:
3710:
3706:
3704:
3703:
3699:
3697:
3696:
3692:
3690:
3689:
3685:
3683:
3682:
3678:
3676:
3675:
3671:
3669:
3668:
3664:
3663:
3661:
3657:
3651:
3650:
3646:
3644:
3643:
3639:
3637:
3636:
3632:
3630:
3629:
3625:
3623:
3622:
3618:
3616:
3615:
3611:
3609:
3608:
3604:
3602:
3601:
3597:
3595:
3594:
3590:
3588:
3587:
3583:
3581:
3580:
3576:
3574:
3573:
3569:
3567:
3566:
3562:
3560:
3559:
3555:
3553:
3552:
3548:
3546:
3545:
3541:
3539:
3538:
3534:
3532:
3531:
3527:
3525:
3524:
3520:
3518:
3517:
3513:
3511:
3510:
3506:
3504:
3503:
3499:
3497:
3496:
3492:
3490:
3489:
3485:
3483:
3482:
3478:
3477:
3475:
3471:
3465:
3464:
3460:
3458:
3457:
3453:
3451:
3450:
3446:
3444:
3443:
3439:
3437:
3436:
3432:
3430:
3429:
3425:
3423:
3422:
3418:
3416:
3415:
3411:
3409:
3408:
3404:
3402:
3401:
3397:
3395:
3394:
3390:
3388:
3387:
3383:
3381:
3380:
3376:
3374:
3373:
3369:
3367:
3366:
3362:
3360:
3359:
3355:
3353:
3352:
3348:
3346:
3345:
3341:
3339:
3338:
3334:
3332:
3331:
3327:
3325:
3324:
3320:
3319:
3317:
3313:
3307:
3306:
3302:
3300:
3299:
3295:
3293:
3292:
3288:
3286:
3285:
3281:
3279:
3278:
3274:
3272:
3271:
3267:
3265:
3264:
3260:
3258:
3257:
3253:
3252:
3250:
3246:
3243:
3237:
3233:
3230:
3226:
3219:
3214:
3212:
3207:
3205:
3200:
3199:
3196:
3190:
3186:
3185:
3181:
3180:
3176:
3168:
3166:0-7535-0493-6
3162:
3158:
3154:
3153:
3148:
3147:Larkin, Colin
3142:
3139:
3135:
3130:
3127:
3122:
3120:0-7893-1371-5
3116:
3112:
3111:
3103:
3100:
3092:September 16,
3087:
3086:Rolling Stone
3083:
3077:
3074:
3062:
3058:
3057:
3056:Rolling Stone
3052:
3046:
3043:
3032:on 2011-01-22
3031:
3027:
3021:
3018:
3013:
3012:
3004:
3001:
2996:
2990:
2986:
2982:
2981:
2976:
2970:
2967:
2962:
2961:
2953:
2950:
2937:
2933:
2932:
2927:
2920:
2917:
2911:
2908:
2897:
2896:
2891:
2889:
2881:
2879:
2875:
2870:
2864:
2860:
2859:Omnibus Press
2856:
2855:
2850:
2849:Larkin, Colin
2844:
2841:
2829:
2825:
2821:
2815:
2812:
2800:
2798:0-7432-0169-8
2794:
2790:
2786:
2785:
2780:
2779:"Frank Zappa"
2776:
2770:
2767:
2762:
2761:
2756:
2749:
2746:
2741:
2735:
2732:
2727:
2721:
2717:
2713:
2712:
2707:
2701:
2698:
2693:
2687:
2683:
2679:
2675:
2669:
2666:
2654:
2653:
2648:
2646:
2641:Huey, Steve.
2637:
2634:
2622:
2620:
2612:
2609:
2605:
2599:
2596:
2590:
2588:
2584:
2580:
2574:
2571:
2560:
2558:
2557:Joe's Corsage
2549:
2546:
2541:
2535:
2531:
2530:
2522:
2519:
2508:on 2001-01-07
2507:
2503:
2502:
2501:Rolling Stone
2497:
2491:
2488:
2477:on 2012-11-27
2476:
2472:
2470:
2462:
2460:
2456:
2443:
2439:
2438:"Mothermania"
2432:
2429:
2416:
2412:
2405:
2402:
2391:
2390:
2385:
2378:
2375:
2363:
2359:
2355:
2349:
2347:
2345:
2341:
2328:
2324:
2320:
2313:
2311:
2309:
2307:
2305:
2303:
2299:
2286:
2280:
2278:
2276:
2272:
2260:
2252:
2245:
2244:
2239:
2232:
2225:
2224:
2219:
2212:
2210:
2206:
2193:
2192:
2184:
2181:
2168:
2167:
2162:
2155:
2152:
2148:
2142:
2140:
2138:
2136:
2134:
2132:
2130:
2128:
2126:
2124:
2122:
2118:
2114:
2109:
2107:
2103:
2091:
2085:
2083:
2081:
2077:
2072:
2070:0-394-70535-1
2066:
2061:
2060:
2051:
2048:
2043:
2042:BBC Late Show
2036:
2034:
2032:
2030:
2026:
2015:
2009:
2005:
2004:
1996:
1993:
1982:
1978:
1971:
1969:
1967:
1965:
1963:
1959:
1954:
1952:0-671-70572-5
1948:
1944:
1939:
1938:
1929:
1927:
1925:
1923:
1921:
1919:
1917:
1915:
1913:
1911:
1909:
1907:
1903:
1898:
1894:
1893:
1885:
1881:
1875:
1873:
1869:
1857:
1851:
1848:
1836:
1830:
1827:
1816:on 2015-10-09
1815:
1811:
1805:
1802:
1797:
1791:
1787:
1786:
1778:
1775:
1769:
1760:
1758:
1754:
1751:
1750:
1746:
1743:
1740:
1739:
1733:
1732:
1728:
1723:
1720:
1717:
1714:
1711:
1708:
1705:
1704:
1703:
1702:
1694:
1691:
1689: – piano
1688:
1685:
1682:
1679:
1677: – piano
1676:
1675:Mac Rebennack
1673:
1670:
1667:
1664:
1661:
1658:
1655:
1652:
1649:
1646:
1643:
1640:
1637:
1634:
1632: – cello
1631:
1628:
1625:
1622:
1619:
1616:
1613:
1610:
1607:
1604:
1601:
1600:
1598:
1597:
1590:
1589:Elliot Ingber
1587:
1585:, boy soprano
1584:
1580:
1576:
1573:
1570:
1567:
1564:
1560:
1556:
1553:
1551:
1548:, conductor,
1547:
1543:
1540:
1539:
1538:
1537:
1530:
1528:
1518:
1515:Total length:
1508:
1503:
1500:
1499:
1497:
1493:
1489:
1476:
1463:
1460:Total length:
1453:
1448:
1446:
1445:Edgard Varèse
1442:
1439:
1438:
1436:
1432:
1428:
1424:
1421:
1417:
1413:
1400:
1387:
1384:Total length:
1377:
1374:
1370:
1366:
1363:
1359:
1355:
1352:
1348:
1344:
1341:
1337:
1333:
1331:"Wowie Zowie"
1330:
1326:
1313:
1300:
1297:Total length:
1290:
1287:
1283:
1279:
1276:
1272:
1268:
1265:
1261:
1257:
1254:
1250:
1246:
1242:
1239:
1235:
1231:
1228:
1224:
1211:
1205:
1204:
1200:
1192:Track listing
1191:
1189:
1187:
1186:
1181:
1177:
1176:
1171:
1170:
1165:
1161:
1160:
1159:Rolling Stone
1155:
1151:
1147:
1145:
1141:
1137:
1133:
1129:
1128:
1123:
1119:
1115:
1111:
1107:
1103:
1099:
1095:
1089:
1087:
1080:
1079:, who wrote:
1078:
1077:
1072:
1068:
1063:
1062:
1057:
1048:
1046:
1043:
1042:
1012:
1010:
1009:
1005:
1004:
974:
972:
971:
967:
966:
962:
960:
959:
955:
954:
950:
948:
947:
943:
942:
938:
936:
935:
931:
930:
900:
898:
897:
893:
892:
862:
860:
857:
856:
848:
845:Review scores
843:
834:
832:
830:
829:
822:
817:
812:
809:
801:
792:
788:
785:
783:
782:
777:
776:Edgard Varèse
771:
769:
765:
760:
756:
755:
750:
749:Elvis Presley
746:
741:
737:
733:
727:
725:
724:
719:
715:
710:
708:
704:
700:
696:
692:
688:
685:), guitarist
684:
680:
676:
672:
671:Wrecking Crew
667:
663:
659:
655:
649:
647:
643:
642:Richard Berry
639:
635:
631:
627:
623:
622:
617:
616:
615:Joe's Corsage
611:
607:
603:
599:
593:
586:
580:
578:
577:
572:
571:concept album
568:
564:
560:
553:
551:
530:
512:
492:
490:
488:
484:
480:
479:Verve Records
476:
472:
467:
460:
458:
456:
455:
450:
446:
445:
444:Rolling Stone
440:
435:
433:
429:
428:
423:
420:
416:
412:
408:
404:
399:
397:
393:
389:
388:Elliot Ingber
385:
381:
377:
373:
369:
365:
360:
358:
357:
352:
348:
344:
340:
336:
332:
328:
327:Verve Records
324:
320:
316:
313:is the debut
312:
311:
301:
297:
290:
285:
281:
276:
263:
256:
251:
245:
235:
228:
227:
224:
221:
217:
213:
209:
200:
199:
195:
191:
190:
186:
184:
183:
179:
175:
171:
167:
164:
161:
159:
155:
152:
149:
147:
143:
131:
127:
121:
118:
117:
115:
113:
109:
105:
102:
98:
94:
90:
79:
75:
71:
66:
62:
58:reissue cover
55:
50:
45:
37:
30:
19:
18:Carl Franzoni
4392:
4353:
4337:
4330:
4323:
4316:
4309:
4302:
4296:Compilations
4286:
4279:
4272:
4265:
4258:
4238:
4231:
4224:
4217:
4210:
4203:
4196:
4189:
4182:
4175:
4168:
4161:
4156:Halloween 81
4154:
4147:
4129:
4124:Halloween 73
4122:
4115:
4108:
4101:
4096:Halloween 77
4094:
4087:
4080:
4073:
4066:
4059:
4052:
4045:
4038:
4033:
4026:
4019:
4012:
4005:
3998:
3991:
3984:
3977:
3970:
3963:
3956:
3949:
3942:
3935:
3917:
3910:
3905:Joe's Menage
3903:
3896:
3889:
3882:
3875:
3868:
3861:
3854:
3847:
3840:
3835:Joe's Domage
3833:
3826:
3819:
3812:
3805:
3787:
3782:Mystery Disc
3780:
3773:
3766:
3759:
3752:
3745:
3714:
3707:
3700:
3693:
3686:
3679:
3672:
3665:
3647:
3640:
3633:
3626:
3619:
3612:
3605:
3598:
3591:
3584:
3577:
3570:
3563:
3556:
3549:
3542:
3535:
3528:
3521:
3514:
3507:
3500:
3493:
3486:
3479:
3461:
3454:
3447:
3440:
3433:
3426:
3419:
3414:Zoot Allures
3412:
3405:
3398:
3391:
3384:
3377:
3370:
3363:
3356:
3349:
3342:
3335:
3328:
3321:
3303:
3296:
3289:
3282:
3275:
3268:
3261:
3255:
3254:
3183:
3157:Virgin Books
3151:
3141:
3134:Classic Rock
3133:
3129:
3113:. Universe.
3109:
3102:
3090:. Retrieved
3085:
3076:
3065:. Retrieved
3061:the original
3054:
3045:
3034:. Retrieved
3030:the original
3020:
3010:
3003:
2978:
2969:
2959:
2952:
2940:. Retrieved
2936:the original
2929:
2919:
2910:
2899:. Retrieved
2893:
2887:
2853:
2843:
2831:. Retrieved
2827:
2814:
2802:. Retrieved
2782:
2769:
2758:
2754:
2748:
2734:
2709:
2700:
2677:
2668:
2656:. Retrieved
2650:
2644:
2636:
2625:. Retrieved
2618:
2611:
2603:
2598:
2578:
2573:
2562:. Retrieved
2559:, VR 20041)"
2556:
2548:
2528:
2521:
2510:. Retrieved
2506:the original
2499:
2490:
2479:. Retrieved
2475:the original
2468:
2448:November 30,
2446:. Retrieved
2441:
2431:
2421:November 30,
2419:. Retrieved
2414:
2404:
2393:. Retrieved
2387:
2377:
2367:November 30,
2365:. Retrieved
2354:Zappa, Frank
2333:November 30,
2331:. Retrieved
2327:the original
2322:
2291:November 30,
2289:. Retrieved
2264:February 29,
2262:. Retrieved
2242:
2222:
2198:November 30,
2196:. Retrieved
2190:
2183:
2171:. Retrieved
2164:
2154:
2146:
2112:
2094:. Retrieved
2058:
2050:
2041:
2017:. Retrieved
2002:
1995:
1984:. Retrieved
1980:
1936:
1890:
1860:. Retrieved
1850:
1839:. Retrieved
1829:
1818:. Retrieved
1814:the original
1804:
1784:
1777:
1756:
1700:
1699:
1595:
1594:
1535:
1534:
1525:
1196:
1183:
1180:Colin Larkin
1175:Classic Rock
1173:
1167:
1157:
1149:
1148:
1139:
1135:
1125:
1118:David Fricke
1113:
1097:
1091:
1085:
1082:
1074:
1071:Pete Johnson
1066:
1059:
1055:
1054:
1006:
968:
956:
944:
932:
894:
826:
823:
819:
814:
811:which read:
807:
805:
790:
786:
779:
772:
763:
752:
728:
721:
717:
711:
707:Jim Sherwood
665:
661:
650:
625:
619:
613:
609:
595:
584:
582:
574:
566:
562:
556:
468:
464:
452:
451:". In 2006,
442:
436:
425:
406:
400:
361:
354:
347:double album
315:studio album
309:
308:
307:
219:
196:
188:
187:
65:Studio album
4445:Freak scene
4089:Little Dots
4082:Chicago '78
3530:Baby Snakes
3365:Waka/Jawaka
3291:Mothermania
3277:Lumpy Gravy
3241:(1966–1993)
3225:Frank Zappa
3011:Lumpy Money
2942:20 November
2833:October 24,
2804:October 24,
2606:. ZR 20004.
2496:"Interview"
2235:1700–1799:
2215:1634–1699:
2166:Let It Rock
1981:Hit Parader
1671:– hypophone
1612:Neil Levang
1575:Roy Estrada
1569:Ray Collins
1542:Frank Zappa
1519:12:22 60:55
1203:Ray Collins
1199:Frank Zappa
1122:the Beatles
796:Frank Zappa
781:Mothermania
740:Watts Riots
723:Hit Parader
687:Neil Levang
598:TTG Studios
563:Hit Parader
487:Watts riots
419:avant-garde
380:Roy Estrada
372:Ray Collins
343:freak scene
339:pop culture
335:Frank Zappa
220:Freak Out!
170:Frank Zappa
106:, Hollywood
36:Wowee Zowee
4399:Categories
4205:Waka/Wazoo
4191:Zappa/Erie
3919:Philly '76
3730:Posthumous
3565:Thing-Fish
3551:Them or Us
3435:Sleep Dirt
3428:Studio Tan
3407:Bongo Fury
3351:200 Motels
3298:Uncle Meat
3256:Freak Out!
3184:Freak Out!
3067:2007-01-20
3036:2007-03-20
2901:2007-12-06
2888:Freak Out!
2755:Freak Out!
2706:Gary Graff
2645:Freak Out!
2627:2007-01-20
2579:Freak Out!
2564:2007-02-07
2512:2007-02-09
2481:2007-01-20
2469:Freak Out!
2444:. Globalia
2417:. Globalia
2395:2007-02-09
2169:. Avo Raup
2147:Freak Out!
2096:2007-02-08
2019:2010-05-28
1986:2007-02-09
1862:2007-02-22
1841:2007-02-22
1820:2015-11-13
1770:References
1687:Les McCann
1669:Kim Fowley
1621:Carol Kaye
1603:Gene Estes
1559:percussion
1397:Side three
1150:Freak Out!
1114:Freak Out!
1098:Freak Out!
1056:Freak Out!
808:Freak Out!
768:conceptual
718:Freak Out!
699:Kim Fowley
691:Les McCann
679:Carol Kaye
675:Gene Estes
673:" members
666:Freak Out!
626:Freak Out!
610:Freak Out!
606:California
585:Freak Out!
567:Freak Out!
550:media help
471:Herb Cohen
461:Background
407:Freak Out!
396:Magic Band
390:(later of
364:Tom Wilson
310:Freak Out!
278:Back cover
189:Freak Out!
176:chronology
163:Tom Wilson
84:1966-06-27
47:Freak Out!
4325:Cucamonga
3814:Halloween
2753:"Review:
2643:"Review:
1757:Billboard
1747:Position
1583:guitarrĂłn
1531:Personnel
1473:Side four
1134:regarded
1086:Freak Out
1061:Billboard
835:Reception
730:liked by
602:Hollywood
493:Recording
351:Bob Dylan
3305:Hot Rats
3149:(2006).
2977:(2007).
2895:AllMusic
2851:(2007).
2820:Tom Hull
2777:(2004).
2676:(2024).
2652:AllMusic
2240:(1992).
2220:(1997).
2173:June 29,
1882:(1969).
1577: –
1565:, vocals
1557: –
1544: –
1310:Side two
1208:Side one
1188:(2000).
1094:PolyGram
1045:Tom Hull
958:OndaRock
859:AllMusic
794:—
683:Dr. John
158:Producer
92:Recorded
77:Released
67: by
3877:Buffalo
3189:YouTube
2658:13 June
1887:(audio)
1073:of the
802:Release
636:song, "
411:doo-wop
216:Singles
202:(1967)
193:(1966)
82: (
4356:series
3761:Läther
3621:Guitar
3163:
3117:
3088:. 2012
2991:
2865:
2795:
2722:
2688:
2536:
2067:
2010:
1949:
1792:
1744:Chart
1729:Charts
1581:&
1550:vocals
1546:guitar
1486:Length
1410:Length
1323:Length
1221:Length
939:8.5/10
853:Rating
850:Source
759:bridge
129:Length
100:Studio
4141:2020s
3929:2010s
3891:Wazoo
3807:FZ:OZ
3799:2000s
3739:1990s
3659:1990s
3473:1980s
3315:1970s
3248:1960s
2247:(PDF)
2227:(PDF)
1943:65–80
1752:1967
1741:Year
1734:Album
1563:drums
1509:12:22
1483:Title
1464:14:30
1407:Title
1388:15:33
1320:Title
1301:18:20
1218:Title
951:4.5/5
590:'
415:blues
368:blues
321:band
218:from
151:Verve
146:Label
112:Genre
4378:2011
4373:2010
4368:2008
4363:2006
3227:and
3161:ISBN
3115:ISBN
3094:2019
2989:ISBN
2944:2009
2863:ISBN
2835:2020
2806:2020
2793:ISBN
2720:ISBN
2686:ISBN
2660:2009
2534:ISBN
2450:2017
2423:2017
2369:2017
2362:WRVR
2335:2017
2293:2017
2266:2024
2200:2017
2175:2019
2065:ISBN
2008:ISBN
1947:ISBN
1790:ISBN
1763:130
1579:bass
1454:8:37
1425:5:53
1378:3:41
1367:2:41
1356:2:55
1345:3:21
1334:2:55
1291:2:16
1280:2:50
1269:3:43
1258:3:25
1243:2:34
1232:3:32
1104:and
963:9/10
662:MOFO
376:bass
319:rock
172:and
2757:".
1759:200
1491:14.
1479:No.
1430:13.
1415:12.
1403:No.
1372:11.
1361:10.
1316:No.
1214:No.
1182:'s
1146:".
714:LSD
648:".
600:in
475:MGM
394:'s
353:'s
104:TTG
4401::
3084:.
3053:.
2928:.
2892:.
2877:^
2861:.
2826:.
2822:.
2791:.
2718:.
2684:.
2649:.
2586:^
2498:.
2458:^
2440:.
2413:.
2386:.
2343:^
2321:.
2301:^
2274:^
2249:.
2229:.
2208:^
2163:.
2120:^
2105:^
2079:^
2028:^
1979:.
1961:^
1945:.
1905:^
1895:.
1889:.
1871:^
1561:,
1350:9.
1339:8.
1328:7.
1285:6.
1274:5.
1263:4.
1248:3.
1237:2.
1226:1.
1130:.
1124:'
1112:.
701:,
697:,
677:,
604:,
432:CD
374:,
138:55
134:60
3217:e
3210:t
3203:v
3169:.
3123:.
3096:.
3070:.
3039:.
2997:.
2946:.
2904:.
2890:"
2871:.
2837:.
2808:.
2760:Q
2742:.
2728:.
2694:.
2662:.
2647:"
2630:.
2621:"
2567:.
2542:.
2515:.
2484:.
2471:"
2452:.
2425:.
2398:.
2371:.
2337:.
2295:.
2268:.
2253:.
2233:.
2202:.
2177:.
2099:.
2073:.
2022:.
1989:.
1955:.
1899:.
1865:.
1844:.
1823:.
1798:.
1494:"
1433:"
1422:"
1418:"
1255:"
1251:"
1049:B
970:Q
743:"
552:.
257:"
252:/
248:"
136::
86:)
38:.
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
