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Carla Fernández

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inspired by royalty or the Japanese in the Kimono. The brand garments reflect the sophisticated system of indigenous clothing based on the use of the square and rectangle, and works to create contemporary garments that give a new dimension to the body and break the stereotypes that are exported to Mexico. The reinterpretation of this complex system, and working directly with artisans, is the hallmark of the brand, for which the tradition is not static fashion.
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culture. Her father is a historian and traveled to indigenous communities, while her mother visited international fashion centers. Fernández discovered the wealth and potential of Mexican textiles and designs. Her background in art history and fashion design allowed her to study the indigenous dress
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Along with her eponymous line of ready-to-wear clothes — which Fernández began in 2000 and which is inspired by traditional Mexican textiles and geometric patterns — Fernández is the head of Taller Flora, a mobile design laboratory that brings together Mexican designers and indigenous artisans to
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Her proposal is contemporary and edgy with a warm and intellectual touch at the same time. This style is the result of 15 years of experience studying the Mexican Apparel, perceiving in it a striking design potential. Her line takes its roots in the same way that the French make their fashion
203:. She has gained international recognition for her precise approach to documenting and preserving the rich textile heritage of Mexico's indigenous communities by transforming it into abstract contemporary clothing, making a point to demonstrate that tradition is anything but static. 355:
The brand has been recognized simultaneously by two strengths: being at the forefront of design and a business model for its social vision. Fernández was awarded the international prize Young Fashion Entrepreneur in the Year 2008 by the
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and Fonart promoting design and development of craft techniques in indigenous communities, she shaped her knowledge in art history from the Universidad Iberoamericana and was named one of the "50 People that move Mexico" by
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in 2009 presented her as one of the 40 best designers of the moment internationally. Moreover, the revolutionary idea of craft-industrial production has been exhibited in lectures at universities such as
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create lines of couture and ready-to-wear garments. Their goal is to show the world an at once modern and ancient Mexican style that pushes the boundaries of fashion while remaining true to its roots.
691: 494: 606: 274:, Fernández teamed up with ten artisans from Michoacan, Colima, Oaxaca, Chiapas, and Guerrero to make ecological face masks based upon traditional wooden masks. 258: 673: 762: 498: 476: 537: 451: 35: 580: 519: 54: 72: 631: 610: 374: 308: 378: 271: 562: 50: 134: 317: 236: 357: 164: 677: 757: 752: 480: 541: 523: 455: 196: 418: 172: 46: 404: 192: 331: 297:"The Future is Handmade! Fashion + Art + Home" - Red Desert, Downtown Los Angeles CA - 2015 705: 396:
by Hans Ulrich Obristy. Among the fashion publications in which her work has appeared are
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ID 2009 presented her as one of the 40 best designers of the moment internationally
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Fernández combines traditional textiles with avant-garde techniques.
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Her designs have been published in several books, including
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The Denver Art Museum - 2022 “a Mexican Fashion Manifesto”
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Since her childhood, Carla Fernández has been a fan of
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Mexican newspapers, including 23: 763:Mexican women fashion designers 375:Fashion Institute of Technology 309:Isabella Stewart Gardner Museum 477:"Carla Fernández Taller Flora" 379:Institute of Contemporary Arts 1: 646:"Invitados de Lujo en México" 318:Museum of Craft and Folk Art 779: 632:"Design from 5 Continents" 587:(in Spanish). 12 July 2020 307:"The Barefoot Designer" - 135:Universidad Iberoamericana 674:"Cultural Agents Harvard" 94: 16:Mexican fashion designer 720:"Stitching Communities" 706:"Ethnical Fashion Show" 660:"Cultural Centre Spain" 358:British Fashion Council 351:Awards and recognitions 165:British Fashion Council 739:from Archive on Demand 337:Ethnical Fashion Show 263: 248: 322:Cultural Centre Spain 261: 239: 207:Early life and career 55:neutral point of view 185:Carla Fernández Tena 392:by Sandy Black and 270:In response to the 47:promotional content 390:Fashioning Fabrics 264: 249: 197:Saltillo, Coahuila 49:and inappropriate 360:and the magazine 272:COVID-19 pandemic 182: 181: 173:Prince Claus Fund 83: 82: 75: 770: 724: 723: 716: 710: 709: 702: 696: 695: 688: 682: 681: 676:. 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Archived from 448: 325:Cultural Agents 193:fashion designer 114: 112: 107:January 29, 1973 99: 85: 78: 71: 67: 64: 58: 36:an advertisement 27: 26: 19: 778: 777: 773: 772: 771: 769: 768: 767: 743: 742: 733: 728: 727: 718: 717: 713: 704: 703: 699: 690: 689: 685: 672: 671: 667: 658: 657: 653: 644: 643: 639: 630: 629: 625: 616: 614: 605: 604: 600: 590: 588: 579: 578: 574: 561: 560: 556: 547: 545: 536: 535: 531: 518: 517: 513: 504: 502: 493: 492: 488: 475: 474: 470: 461: 459: 450: 449: 445: 440: 419:Harper's Bazaar 394:The Air is Blue 353: 280: 234: 209: 191:, is a Mexican 189:Carla Fernández 178: 152:Carla Fernández 144:Mexican Textile 126: 116: 110: 108: 90: 89:Carla Fernández 79: 68: 62: 59: 40: 28: 24: 17: 12: 11: 5: 776: 774: 766: 765: 760: 755: 745: 744: 741: 740: 732: 731:External links 729: 726: 725: 711: 697: 683: 680:on 2016-03-04. 665: 651: 637: 623: 598: 572: 569:on 2014-09-29. 563:"Taller Flora" 554: 529: 526:on 2014-09-29. 511: 486: 483:on 2014-10-06. 468: 442: 441: 439: 436: 352: 349: 348: 347: 341: 335: 329: 323: 320: 315: 312: 305: 302:Heath Ceramics 298: 295: 279: 276: 233: 230: 208: 205: 180: 179: 177: 176: 170: 167: 160: 158: 154: 153: 150: 146: 145: 142: 141:Known for 138: 137: 132: 128: 127: 117: 105: 101: 100: 92: 91: 88: 81: 80: 51:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 775: 764: 761: 759: 758:Living people 756: 754: 751: 750: 748: 738: 735: 734: 730: 721: 715: 712: 707: 701: 698: 693: 692:"MUSAC Spain" 687: 684: 679: 675: 669: 666: 661: 655: 652: 647: 641: 638: 633: 627: 624: 613:on 2016-04-19 612: 608: 602: 599: 586: 582: 576: 573: 568: 564: 558: 555: 544:on 2010-10-31 543: 539: 533: 530: 525: 521: 515: 512: 501:on 2014-10-04 500: 496: 490: 487: 482: 478: 472: 469: 458:on 2015-03-03 457: 453: 447: 444: 437: 435: 433: 429: 425: 421: 420: 415: 411: 407: 406: 401: 400: 395: 391: 386: 384: 380: 376: 372: 368: 363: 359: 350: 346: 342: 340: 336: 333: 330: 328: 324: 321: 319: 316: 313: 310: 306: 303: 299: 296: 293: 289: 285: 284: 283: 277: 275: 273: 268: 260: 256: 252: 246: 242: 238: 231: 229: 227: 222: 217: 214: 206: 204: 202: 198: 194: 190: 186: 174: 171: 168: 166: 162: 161: 159: 155: 151: 147: 143: 139: 136: 133: 129: 124: 120: 115:(age 51) 106: 102: 98: 93: 86: 77: 74: 66: 63:December 2023 56: 52: 48: 44: 38: 37: 32:This article 30: 21: 20: 714: 700: 686: 678:the original 668: 654: 640: 626: 615:. 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Carla Fernández
Saltillo
Coahuila
Universidad Iberoamericana
British Fashion Council
Prince Claus Fund
fashion designer
Saltillo, Coahuila
Mexico City
Mexican
Conaculta

RISD Museum

COVID-19 pandemic
Museo Jumex
Mexico City
Heath Ceramics
Isabella Stewart Gardner Museum
Museum of Craft and Folk Art
Harvard
Musac
Paris
MIT

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