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166:. In Venice she met and married an American man and moved to California. She subsequently divorced and returned to Italy, where she settled in Rome and began a practice of creating sculptural portraits. A self-taught artist, Lavatelli was commercially successful, securing several important commissions for notable sitters, including
328:, in France, commissioned her to create a stone bench installation with a fountain set into a rough-hewn travertine in Place du Banc des Amis off the Rue d'Eglisse. On the occasion of the unveiling of the sculpture, Lavatelli was presented with the town's honorary Gold Medal in 1995.
226:
exhibited her entire studio in his gallery in
Manhattan. In the mid-1970s, Lavatelli worked with the Gimpel & Weizenhoffer Gallery, where she showed her granite and marble pieces as well several floor sculptures. Between 1976 and 1996 she had a studio in
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resembled a “giant chrome-plated engine part,” and that “had she not become a sculptor, clearly had a future as a sports car designer.” In 1978, Lavatelli was commissioned to permanently install a spherical bronze sculpture in a newly created pond at the
253:(1971), carved from red Persian travertine, which is located in the Phillips Collection in Washington, D.C. The work had been gifted to the Phillips by Lavatelli in 1974 on the occasion of her exhibition there the same year. Other important works include
31:
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Carla
Lavatelli's sculptures are in many prominent museum and private collections across the United States and Europe, as well as in public and communal spaces and university campuses. Notable examples include her first abstract work,
231:
at 140 Thompson Street. Many of the abstract works that
Lavatelli produced with Cidonio at the Officina in Pietrasanta were exhibited in major museums in the early 1970s. In 1972, Lavatelli's sculptures were exhibited at the
112:(August 21, 1928 – January 18, 2006) was an Italian-American artist whose career spanned five decades, from the 1950s into the early 2000s. Her work is in the permanent collections of several major museums, including the
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During the 1960s and 1970s, Lavatelli worked primarily in the United States. In 1968–69, she exhibited her sculptural works, including her fountain “The
Rainbow,” at the Palm Beach Galleries in
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to have their work enlarged in the
Henraux workshops in Querceta in the 1950s. In Pietrasanta, Lavatelli, the only female artist invited, worked alongside famed sculptor
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1986 – Invited to create a paper happening, "Festa," at the
Cathedral of St John the Divine, New York City, to celebrate Centennial of the Cathedral with a Bach concert.
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in Hakone, Japan, which subsequently acquired one of her works for its permanent collection. Two years later, six of
Lavatelli's sculptures were exhibited at the
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320:. During the 1990s, she worked on several temporary and permanent site-specific installations, including "happenings" involving paper and reed sculptures in
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1995 – Hangs her weavings outdoors at the Musée Renoir in Cagnes sur Mer, France, between the olive trees. Ephemeral event is called "Parmis Les
Oliviers."
1125:"Carla Lavatelli: Friend of Stone and Water (Amica della peitra e dell'acqua: E ammidata tra la Versilia e le Apuane la casa-studio di una scultrice"
162:, in 1928. She spent much of her childhood in different parts of Africa. She returned to Italy at the end of the World War II to study literature at
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1998 – Creates cope, high altar cloth & processional banner using raw, handmade Indian silks for Easter celebration in San
Francisco, CA.
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in Texas. In the late 1960s and early 70s, Lavatelli participated in the “Officina
Cidonio,” a non-profit organization in the Tuscan town of
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1989 – Lavatelli's home and studio in Camaiore, Italy, is featured in the Italian Architectural Digest series: “Sculptors in Their Studio.”
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1980–82 Exhibits "The Life of a Boomerang" and "Stele for a Prayer" at the Einstein Institute of Advanced Studies in Princeton, New Jersey.
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1994 – Invited to exhibit her alabaster carving "The Light and the Limit" at the St. Augustine church and cloister in Pietrasanta, Italy
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1993 – Inaugurates a photographic exhibit, "4 Photographes et Carla Lavatelli," at the Picasso Museum of Photography in Mougins, France.
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132:. She was noted primarily for her abstract sculptures in stone and bronze, which appeared in reproduction in such publications as
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1995 – Awarded commission for a photographic project commemorating the United Nations Project for Peace 50th Anniversary.
222:. She also had a series of exhibitions of her work at the Selected Artists Gallery in New York in 1968 and 1970. In 1972
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170:, Princess of Monaco, and her three children in 1969. In 1981, she married former Italian Formula 1 racecar driver
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206:. Upon Cidonio's death in 1971, Lavatelli purchased and restored a 16th-century olive mill in the nearby town of
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1972 – A documentary is filmed about Carla working at the 75th Street studio by Josh Gawronsky in New York
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high-rise Science Library building since its installation in 1985. Bill Van Siclen, an art critic for the
261:. Her carved stone and silver jewelry, which she called "Sculptures to Wear" are in the collection of the
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1311:"COVER STORY – Art for all outdoors – Three walking tours take people to Rhode Island's art al fresco",
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Ronde de Mouettes in Mougins 2014 - flying over the plain of Grasse with Castellaras in the background
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265:. Several versions of Lavatelli's large-scale abstract sculpture in bronze and stainless steel,
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1985 – Lavatelli self-publishes “The Work of Carla Lavatelli by Carla Lavatelli... 1970-1984”.
657:. San Francisco, CA: San Francisco Museum of Modern Art Permanent Collection. Archived from
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Brown, G. (November 1970), "Selected artists galleries, New York: Exhibition review",
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1254:. Minneapolis, MN: Minneapolis Institute of Arts Permanent Collection. Archived from
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Carla Lavatelli (1984), "The Work of Carla Lavatelli by Carla Lavatelli, 1970–1984",
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257:(1971), a monolithic work in white Carrara marble and slate in the collection of the
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was restored in 1996 by Lavatelli and relocated in the Fairchild Chapel. At Brown,
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1414:"The Carla Lavatelli Working Place and Sculpture Garden" - Official Website, 2011
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Brown, G. (November 1970), "Selected artists gallery, New York: exhibition",
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1995 – Awarded the Gold medal honorary award of the City of Mougins, France.
415:'Happening for a Prayer' - San Giovanni Batista Church - Pistoia, Italy 1991
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285:. Originally installed on the Stanford campus in front of the law school,
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Virtual visit of "The Carla Lavatelli Working Place and Sculpture Garden"
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Carla with her creation - Place du Banc des Amis - Mougins, France - 1995
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431:"The Wave" (2014), Collezione Gori, Fattoria di Celle, Pistoia, Italy
1358:. CĂ´te d'Azur, France: CĂ´te d'Azur: The Coast, Resorts and Villages.
442:"Swirling Seagulls or Une Ronde de Mouettes" (2014) Mougins, France
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Paper Installation: "Happening for a Prayer" (1995), Pistoia, Italy
354:"Stele for a Prayer" (1971), San Francisco Museum of Modern Art, CA
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269:(1969–70), are in the museum collections of institutions such as
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Stele for a Prayer - San Francisco Museum of Modern Art - 1971
210:, which became her home and studio for the next four decades.
370:"Ginko Biloba" (1974), The Phillips Collection, Washington DC
337:"Portrait of Princess Grace of Monaco" (1969), Monaco, France
186:. Cidonio had previously invited prominent sculptors such as
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Ginko Biloba - Philips Collection, Washington, D.C. - 1974
367:"Untitled", Hakone Open-Air Sculpture Garden (1972), Japan
1333:. Freiburg, Germany: Universität Freiburg. Archived from
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The Eye of Duncan Phillips: A Collection in the Making
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Carla Lavatelli (March 1990), "Little roof big sun",
1277:"Carla Lavatelli's sculpture installed, May 21, 1997"
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Passantino, Erika D. and David W. Scott, ed. (1998),
670:
668:
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LexisNexis Academic. Web. Date Accessed: 2014/05/31.
1240:, Washington DC: The Phillips Collection, p. 44
1231:"Exhibitions at the Phillips Collection, 1919–1998"
1215:. New York, NY: Gimpel Weitzenhoffer. pp. 2–3.
637:. Washington, DC: National Museum of Women Artists.
420:"La Place du Banc des Amis" (1995), Mougins, France
395:"Little Roof Big Sun" (1979–80), Private Collection
93:
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61:
40:
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404:'1 1/2' - Brown University - Providence, RI - 1985
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1113:(in Italian). Pietrasanta, Italy: Museo Bozzetti.
1005:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
969:Apollo: The International Magazine for Collectors
955:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
930:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
897:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
872:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
859:"Rectilinear metal sculpture resting on a ball",
847:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
822:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
797:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
772:(H.W. Wilson), EBSCOhost (accessed June 27, 2014)
1252:"Sculptures to Wear: Jewelry by Carla Lavatelli"
980:(H.W. Wilson), EBSCOhost(accessed June 27, 2014)
747:(H.W. Wilson), EBSCOhost(accessed June 27, 2014)
437:The Wave - Gori Collection - Celle, Italy - 2014
343:Princess Grace posing for Carla Lavatelli - 1969
1356:"Cultural and tourist sites in Mougins, France"
695:. Hakone, Japan: Hakone Open-Air Museum. 1972.
678:. Washington DC: The Phillips Collection. 1971.
303:, remarked in a 2007 article that Lavatelli's
100:, Stone Carving, Silk and Paper Installations,
1099:. Querceta, Italy: Fondazione Henraux Museum.
8:
1058:"Les sculptures de Carla Lavatelli en deuil"
687:
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615:
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536:1972 – Hakone Open Air Museum, Hakone, Japan
398:"1½" (1985), Brown University, Providence RI
324:, Italy, and New York. In 1995, the town of
1161:"PB Galleries Showing Sculptress Lavatelli"
635:"CLARA: National Registry of Women Artists"
553:Centro per l'arte contemporanea Luigi Pecci
182:for artists who sculpt in stone founded by
714:
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548:1976 – Gimpel & Weizenhoffer, New York
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1097:"Henraux Marble Workshops, 1950s – 1970s"
526:1971 – Sari Heller Gallery, Beverly Hills
469:1964 – Sari Heller Gallery, Beverly Hills
1149:, no. 43, p. 65, December 1968
967:"Two abstract forms with center holes",
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646:
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1494:Ca' Foscari University of Venice alumni
1072:"Harris County, Texas Marriage Records"
609:
498:1969 – Herbert Kende Gallery, New York,
150:during the late 1960s and early 1970s.
1489:Italian emigrants to the United States
784:"Circular abstract metal sculpture",
35:Carla Lavatelli at Cidonio Foundation
7:
1297:. Providence, RI: Brown University.
545:1975 – Palm Beach Galleries, Florida
495:1969 – Palm Beach Galleries, Florida
1499:21st-century American women artists
1479:20th-century American women artists
950:: Inside back cover, January 1973,
723:. Stanford, CA: Cantor Arts Center.
693:Exhibition catalog: Carla Lavatelli
392:"1½"(1975), Stanford University, CA
16:Italian-American artist (1928–2006)
1459:20th-century Italian women artists
1056:Alain Dartigues (March 13, 2006).
259:San Francisco Museum of Modern Art
202:and met with Moore, Lipschitz and
14:
1134:(in Italian): 122–130, March 1989
994:Art International (Archive Press)
293:has been on view in front of the
1074:. State of Texas. Archived from
1021:, New York: ABBA International,
479:1966 – Galleria Il Carpine, Rome
164:Ca' Foscari University of Venice
29:
1474:20th-century American sculptors
539:1974 – The Philips Collection,
482:1967 – Galleria degli Argenti,
1454:20th-century Italian sculptors
1373:. Minneapolis Institute of Art
1369:Minneapolis Institute of Art.
1209:Weitzenhoffer, Gimpel (1976).
621:"Carla Lavatelli Bibliography"
1:
1484:American contemporary artists
1060:. Paris Cote-d'Azur Magazine.
1043:"Carla Lavatelli: Chronology"
348:"Sculptures to Wear" (1969),
263:Minneapolis Institute of Arts
1464:Italian contemporary artists
1299:See section 'D4' on the map.
488:1967 – Galleria La Vernice,
463:1960 – Sari Heller Gallery,
350:Minneapolis Institute of Art
316:, Germany, which she titled
158:Carla Lavatelli was born in
1290:Carla Lavatelli (1969–70).
1019:The Work of Carla Lavatelli
719:Carla Lavatelli (1969–70).
460:1959 – Galleria Russo, Rome
114:San Francisco Museum of Art
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564:Honors and accomplishments
1198:, no. 45, p. 67
1045:. www.carlalavatelli.com.
508:1970 – Benjamin Gallery,
455:Selected solo exhibitions
120:in Washington, D.C., the
28:
1329:Carla Lavatelli (1978).
653:Carla Lavatelli (1972).
283:Providence, Rhode Island
1469:Italian women sculptors
1003:Art Index Retrospective
978:Art Index Retrospective
953:Art Index Retrospective
928:Art Index Retrospective
925:: 4, 26, January 1972,
895:Art Index Retrospective
870:Art Index Retrospective
845:Art Index Retrospective
820:Art Index Retrospective
795:Art Index Retrospective
770:Art Index Retrospective
745:Art Index retrospective
522:Palm Springs Art Museum
1279:. The Stanford Report.
759:"Abstract sculpture",
501:1970 – Galerie Motte,
472:1965 – Palazzo Cerio,
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381:"Golden Pond" (1973),
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234:Hakone Open-Air Museum
122:Hakone Open-Air Museum
1165:Palm Beach Daily News
1145:"Lavatelli bronzes",
1000:: 17, February 1973,
867:: 16, November 1970,
817:: 59, November 1970,
811:Connaissance des Arts
792:: 11, November 1970,
767:: 26, February 1970,
742:: 65, December 1968,
734:"Lavatelli bronzes",
555:and Fondazione Gori,
514:1970 – Galerie Moos,
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275:Palo Alto, California
1167:. February 16, 1969.
1132:Architectural Digest
1111:"Laboratio Officina"
915:Sculpture of 2 Wings
892:: 19, January 1971,
655:"Stele For A Prayer"
387:Freiburg im Breisgau
240:in Washington, D.C.
992:"Vertical thrust",
975:: 53,71, May 1972,
271:Stanford University
238:Phillips Collection
220:Palm Beach, Florida
130:Stanford University
118:Phillips Collection
1313:Providence Journal
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255:Stele For a Prayer
126:Cantor Arts Center
124:in Japan, and the
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1180:New York Magazine
310:Botanical Gardens
174:and relocated to
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