Knowledge (XXG)

Carlos Martiel

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135:. His artistic practice uses his own body, often nude, in order to draw attention to the embodied experience of Blackness under systems of violence and exploitation. In his durational performances, Martiel frequently subjects himself to physical pain and 151:
trunk, stitching the collar of a blue shirt to the skin around his neck, and having a piece of his own skin surgically removed and preserved in a gold medal that he had designed. Thematically, his works explore
117: 187:. His awards include a grant from the Franklin Furnace Fund (2016), a Grants & Commissions Program Award from the Cisneros Fontanals Foundation (2014), and the 713: 592: 220: 184: 807: 284: 637: 573: 450: 982: 355: 264: 176: 518: 196: 738: 689: 180: 140: 545: 315:
La Otra Bienal de Arte, Video Art of Central America and the Caribbean, La Macarena, Bogota, Colombia (2013)
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in 2009. In addition, he studied in the Cátedra Arte de Conducta (Behavior Art School) under
937: 890: 819: 788: 462: 245: 109: 86: 83: 763: 303: 274: 192: 90: 690:"Ford, Mellon Foundations Team Up for $ 5 M. Initiative Focused on U.S. Latinx Artists" 121: 593:"From Marina Abramović to Carlos Martiel, a Tradition of Self-Harm in Performance Art" 971: 957: 926:"Contemporary Art of the Hispanophone Caribbean Islands in an Archipelagic Framework" 910: 839: 157: 132: 125: 105: 251:
Gente de color (People of Color), Fourteenth Cuenca Biennial, Cuenca, Ecuador (2018)
894: 714:"Carlos Martiel Wins Museo del Barrio's Inaugural Maestro Dobel Latinx Art Prize" 764:"Cuban Performance Artist Carlos Martiel Brings His Powerful Art Back to Denver" 165: 144: 949: 941: 902: 831: 823: 474: 466: 299:, Museo de Arte Contemporáneo del Zulia (MACZUL), Maracaibo, Venezuela (2016) 622: 136: 293:, Biennale Internationale de Casablanca, Hassan II Mosque, Morocco (2016) 617: 199:, and U.S. Latinx Art Forum. In 2023, he became the first winner of the 139:. This includes piercing his skin with a miniature flagpole flying an 161: 153: 97: 638:"Carlos Martiel, 'Monumento II' ('Monument II') Program Information" 101: 574:"Carlos Martiel and the Transnational Politics of the Black Body" 789:"Sharjah Biennial 14: Leaving the Echo Chamber [review]" 148: 66: 57:
Endurance art, durational art, performance art, installation art
191:(2013). In 2021, he received a Latinx Art Fellowship from the 124:
from 2008 to 2010. Martiel lives and works in both Havana and
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Perugini, Flavia; Mayoral, Flor; Godoy, Daniel (2016-06-01).
420: 263:, Pacific Standard Time: LA/LA Performance Art Festival, 241:, King Juan Carlos I Center, New York University (2020) 175:
Martiel's works are included in the collections of the
879:"Surgery, conservation, art: An unusual collaboration" 519:"Carlos Martiel's performance beyond the museum walls" 61: 53: 45: 37: 25: 18: 143:, having a pest exterminator spray his body with 306:, Wilfredo Lam Center of Contemporary Art (2014) 118:Escuela Nacional de Bellas Artes "San Alejandro" 49:Escuela Nacional de Bellas Artes "San Alejandro" 546:"Carlos Martiel: 2019-2020 Artist In Residence" 739:"Arquitectura para un cuerpo | Carlos Martiel" 229:Solomon R. Guggenheim Museum, New York (2021) 147:, compressing his legs under the weight of a 8: 924:Flores, Tatiana; Stephens, Michelle (2016). 930:Small Axe: A Caribbean Journal of Criticism 312:, Cisneros Fontanals Art Foundation (2014) 15: 812:Latin American and Latinx Visual Culture 455:Latin American and Latinx Visual Culture 387:"Driven by Self-inflicted Physical Pain" 41:Tania Bruguera, Cátedra Arte de Conducta 340: 131:Martiel's work can be characterized as 743:Crystal Bridges Museum of American Art 221:Crystal Bridges Museum of American Art 858:Padiglione d'Arte Contemporanea (PAC) 659: 657: 642:The Guggenheim Museums and Foundation 7: 567: 565: 540: 538: 444: 442: 440: 415: 413: 411: 409: 407: 381: 379: 377: 375: 350: 348: 346: 344: 185:Museum of Modern Art, Rio de Janeiro 327:, Witch House, Liverpool, UK (2010) 116:ancestry. He graduated from Cuba's 795:(426): 24–25 – via ProQuest. 616:Akers, Tyler (20 September 2021). 321:Nitch Museum, Naples, Italy (2013) 14: 806:Rodriguez, Yelaine (2021-04-01). 688:DurĂłn, MaximilĂ­ano (2021-07-12). 391:Cisneros Fontanals Art Foundation 490:"Interview with Carlos Martiel" 360:The Andrew W. Mellon Foundation 285:Padiglione d'Arte Contemporanea 257:, AC Institute, New York (2018) 248:14, United Arab Emirates (2019) 235:, K Contemporary, Denver (2020) 854:"CUBA.Tatuare la storia | PAC" 449:Flores, Tatiana (2021-04-01). 1: 895:10.1080/00393630.2016.1191004 762:Urzua, Barbara (2020-08-13). 517:Mendef, Marina (2022-02-04). 421:"Carlos Martiel (Cuba, 1989)" 310:CondecoraciĂłn Martiel, Carlos 591:Dupuis, Chris (2019-04-05). 425:Museum of Latin American Art 265:Museum of Latin American Art 211:Performances and exhibitions 177:Solomon R. Guggenheim Museum 217:Arquitectura para un cuerpo 29:1989 (age 34–35) 1009: 572:Valencia, Marelys (2010). 233:Black Bodies – White Lies 942:10.1215/07990537-3726878 824:10.1525/lavc.2021.3.2.50 467:10.1525/lavc.2021.3.2.46 203:Latinx Art Prize by the 883:Studies in Conservation 287:, Palermo, Italy (2016) 281:CUBA: Tatuare la storia 669:Sharjah Art Foundation 181:PĂ©rez Art Museum Miami 172:in the United States. 787:Parton, John (2019). 550:Hemispheric Institute 494:Hemispheric Institute 808:"Afro-Latinx at NYU" 170:European colonialism 168:, and the legacy of 96:Martiel was born in 983:Performance artists 580:. Spring 2020 (10). 498:New York University 267:, Long Beach (2018) 100:. He identifies as 255:Intruder (America) 244:Sabor a Lagrimas, 889:(sup2): 315–318. 302:30th Anniversary 197:Mellon Foundation 189:Arte Laguna Prize 82:(born 1989) is a 77: 76: 1000: 962: 961: 921: 915: 914: 874: 868: 867: 865: 864: 850: 844: 843: 803: 797: 796: 784: 778: 777: 775: 774: 759: 753: 752: 750: 749: 735: 729: 728: 726: 725: 710: 704: 703: 701: 700: 685: 679: 678: 676: 675: 665:"Carlos Martiel" 661: 652: 651: 649: 648: 634: 628: 627: 618:"Carlos Martiel" 613: 607: 606: 604: 603: 588: 582: 581: 569: 560: 559: 557: 556: 542: 533: 532: 530: 529: 514: 508: 507: 505: 504: 488:Godoy, Marcial. 485: 479: 478: 446: 435: 434: 432: 431: 417: 402: 401: 399: 397: 383: 370: 369: 367: 366: 356:"Carlos Martiel" 352: 319:Vanishing Point, 246:Sharjah Biennial 205:Museo del Barrio 73: 70: 68: 16: 1008: 1007: 1003: 1002: 1001: 999: 998: 997: 968: 967: 966: 965: 923: 922: 918: 876: 875: 871: 862: 860: 852: 851: 847: 805: 804: 800: 786: 785: 781: 772: 770: 761: 760: 756: 747: 745: 737: 736: 732: 723: 721: 712: 711: 707: 698: 696: 687: 686: 682: 673: 671: 663: 662: 655: 646: 644: 636: 635: 631: 615: 614: 610: 601: 599: 590: 589: 585: 571: 570: 563: 554: 552: 544: 543: 536: 527: 525: 516: 515: 511: 502: 500: 487: 486: 482: 448: 447: 438: 429: 427: 419: 418: 405: 395: 393: 385: 384: 373: 364: 362: 354: 353: 342: 337: 304:Havana Biennial 275:Venice Biennale 213: 193:Ford Foundation 65: 46:Alma mater 33: 30: 21: 12: 11: 5: 1006: 1004: 996: 995: 990: 985: 980: 970: 969: 964: 963: 916: 869: 845: 798: 779: 754: 730: 705: 680: 653: 629: 608: 583: 561: 534: 523:Bubblegum Club 509: 480: 436: 403: 371: 339: 338: 336: 333: 329: 328: 322: 316: 313: 307: 300: 294: 288: 278: 268: 258: 252: 249: 242: 239:Afro Syncretic 236: 230: 224: 212: 209: 122:Tania Bruguera 80:Carlos Martiel 75: 74: 69:.carlosmartiel 63: 59: 58: 55: 51: 50: 47: 43: 42: 39: 35: 34: 31: 27: 23: 22: 20:Carlos Martiel 19: 13: 10: 9: 6: 4: 3: 2: 1005: 994: 993:Living people 991: 989: 986: 984: 981: 979: 978:Cuban artists 976: 975: 973: 959: 955: 951: 947: 943: 939: 935: 931: 927: 920: 917: 912: 908: 904: 900: 896: 892: 888: 884: 880: 873: 870: 859: 855: 849: 846: 841: 837: 833: 829: 825: 821: 817: 813: 809: 802: 799: 794: 790: 783: 780: 769: 765: 758: 755: 744: 740: 734: 731: 719: 715: 709: 706: 695: 691: 684: 681: 670: 666: 660: 658: 654: 643: 639: 633: 630: 625: 624: 619: 612: 609: 598: 597:Hyperallergic 594: 587: 584: 579: 575: 568: 566: 562: 551: 547: 541: 539: 535: 524: 520: 513: 510: 499: 495: 491: 484: 481: 476: 472: 468: 464: 460: 456: 452: 445: 443: 441: 437: 426: 422: 416: 414: 412: 410: 408: 404: 392: 388: 382: 380: 378: 376: 372: 361: 357: 351: 349: 347: 345: 341: 334: 332: 326: 323: 320: 317: 314: 311: 308: 305: 301: 298: 295: 292: 291:We the People 289: 286: 282: 279: 276: 272: 269: 266: 262: 259: 256: 253: 250: 247: 243: 240: 237: 234: 231: 228: 227:Monumento II, 225: 222: 218: 215: 214: 210: 208: 206: 202: 201:Maestro Dobel 198: 194: 190: 186: 182: 178: 173: 171: 167: 163: 159: 158:racialization 155: 150: 146: 142: 141:American flag 138: 134: 133:endurance art 129: 127: 126:New York City 123: 119: 115: 111: 107: 103: 99: 94: 92: 88: 85: 81: 72: 64: 60: 56: 52: 48: 44: 40: 36: 28: 24: 17: 936:(3): 80–99. 933: 929: 919: 886: 882: 872: 861:. 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Index

www.carlosmartiel.net
contemporary
installation
performance
Havana, Cuba
queer
Afro-Latinx
Haitian
Jamaican
Escuela Nacional de Bellas Artes "San Alejandro"
Tania Bruguera
New York City
endurance art
self-harm
American flag
insecticide
pear-tree
racism
racialization
gender
immigration
European colonialism
Solomon R. Guggenheim Museum
PĂ©rez Art Museum Miami
Museum of Modern Art, Rio de Janeiro
Arte Laguna Prize
Ford Foundation
Mellon Foundation
Maestro Dobel
Museo del Barrio

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