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Following the ideals of an academic, Haes believed that the end result of art should be the truth found in the imitation of nature, the source of all beauty. The painter should imitate nature as closely as possible, and to do so, you must know nature and not rely on imagination. Leaving behind
171:, who mentored Haes from 1850 through 1855, influenced his painting outdoors, and defined his artistic works as a whole. In Brussels, he came in contact with other notable European painters at the annual exhibition of the Brussels Salon. He traveled throughout Holland, France, and Germany.
218:. Haes took his students with him to paint in the countryside; under his teaching the "painters proliferated and took advantage of the new railway system to explore the furthest corners of the nation's topography." He influenced the Spanish novelist,
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connotations, though he lacks the treatment of light and color, and moves away from the spontaneity and immediacy of this art movement. Towards the end of his career, he developed a looser and more direct style associated with the
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In addition to teaching, he continued his painting production, and in 1858, Haes received the first medal at the
National Exhibition. In 1860, he became an Academic at the Royal Academy, and received a medal for his
198:, winning a third place medal for landscapes created around Brussels. Haes was involved in the 1850s rise of the Realist school of landscape. It was coincidental that Haes' landscape and wildlife paintings of the
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in his landscapes, and was considered to be the "first contemporary
Spanish artist able to capture something of a particularly Spanish 'essence' in his work". He was cited along with
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125:, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with
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Painting nature: genre and landscape painting from
Brueghel to Van Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 January 2000
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Painting nature: genre and landscape painting from
Brueghel to Van Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 January 2000
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In the 1850s, Haes was involved in the rise of the
Realist school of landscape. Coincidentally his landscape and wildlife paintings of the
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style, working from outdoor preparatory sketches which were completed within a workshop. In terms of technique, his strokes have
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167:. In 1850, Haes decided to continue his art training by studying with the great Flemish landscape masters. His encounter with
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246:, because of its significance as a realistic Spanish landscape painting. He became ill in 1890 and died in Madrid in 1898.
206:, the selection to be made by a landscape competition. He received the academic appointment in 1857, becoming professor of
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129:("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the
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Landscapes from
Brueghel to Kandinsky: the exhibition in honour of the collector Baron Hans Heinrich Thyssen-Bornemisza
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in 1874. Though it did not win a prize, it was acquired by the
Spanish state to be part of the collection of the
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Painting and the Turn to
Cultural Modernity in Spain: The Time of Eugenio Lucas Velázquez (1850–1870)
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as one of the three
Spanish grand masters of landscape painting, the latter of which was his pupil.
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210:, and becoming the first in Spain to teach painting directly from nature. Among his students were
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98:(January 25, 1829 – June 17, 1898) was a Spanish painter from Belgium. He was noted for the
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From
Zurbaran to Picasso: masterpieces from the collection of Carmen Thyssen-Bornemisza
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Nature, Empire, and Nation: Explorations of the History of Science in the Iberian World
289:. The best of his extensive work (four thousand pictures and notes) can be seen in the
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222:, who perfected his writing technique by repeatedly viewing Haes' works at the museum.
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occurred at the time of an academic opening for the Painting School of the
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occurred at the time of an academic opening for the Painting School of the
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Spain Beyond Spain: Modernity, Literary History, And National Identity
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Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (2001).
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to a family of bankers. The family moved to Spain, settling in
234:. In 1876, he again presented at the National Exhibition with
301:, which received 183 works of Haes which were donated by the
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Serra, Tomás Llorens; Thyssen-Bornemisza, Museo (1999).
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Epps, Bradley S.; Cifuentes, Luis Fernández (2005).
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834:Modernism, RubĂ©n DarĂo, and the Poetics of Despair
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473:. Taylor & Francis. pp. 68, 125, 126–.
470:Current Debates on Hispanism: Spanish Literature
654:. Susquehanna University Press. pp. 351–.
305:. His work has been documented by the likes of
831:Acereda, Alberto; Guevara, Rigoberto (2004).
501:Canizares-Esguerra, Jorge (9 November 2006).
204:Real Academia de Bellas Artes de San Fernando
119:Real Academia de Bellas Artes de San Fernando
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837:. University Press of America. p. 292.
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127:La Canal de Mancorbo en los Picos de Europa
713:. Bucknell University Press. p. 177.
507:. Stanford University Press. p. 222.
230:. In 1862, he medaled with his landscape,
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776:"On-line gallery Reference number P04390"
747:. Museo Thyssen-Bornemisza. p. 152.
583:. Museo Thyssen-Bornemisza. p. 193.
194:After returning to Spain, he entered the
319:List of artists from the MNAC collection
803:. Hatje Cantz Publishers. p. 222.
448:Les Orientalistes de l'Ă©cole Espagnole,
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96:Carlos Sebastián Pedro Hubert de Haes
149:in 1835, where Haes studied with the
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467:Foster, David (27 December 2000).
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919:19th-century Spanish male artists
648:Ginger, Andrew (30 August 2007).
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196:National Exhibition of Fine Arts
617:. Fonds Mercator. p. 631.
914:19th-century Spanish educators
274:, he was early to embrace the
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894:19th-century Spanish painters
577:Serra, Tomás Llorens (1999).
214:, Aureliano de Beruete, and
16:Spanish painter from Belgium
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924:Spanish landscape painters
450:ACR edition, 1997, p. 128
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611:Museo del Prado (1996).
540:Levie, Simon H. (1996).
260:Museu d'Art Jaume Morera
909:Painters from Brussels
546:. Skira. p. 163.
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869:Art Cyclopedia page
390:Un barco naufragado
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258:Collection in the
208:landscape painting
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123:landscape painting
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778:. Museo del Prado
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688:. Museo del Prado
686:"Haes, Carlos de"
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624:978-90-6153-371-9
553:978-88-8118-137-7
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77:Notable work
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889:1898 deaths
884:1829 births
307:RubĂ©n DarĂo
272:Romanticism
161: [
137:Early years
60:Nationality
878:Categories
850:10 October
760:10 October
726:10 October
520:10 October
434:References
373:View near
359:, Normandy
297:, and the
816:6 October
782:6 October
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426:Vriesland
409:Guetaria
313:See also
156:painter
154:portrait
143:Brussels
86:Movement
71:Painting
405:Bajamar
325:Gallery
240:in situ
100:Realism
89:Realism
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175:Career
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250:Style
165:]
852:2012
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106:and
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