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51:(NDR) in Hamburg. The essential ideas occurred to Stockhausen in November–December 1958 while on a tour of the United States where, during hours spent each day flying from one location to another, he experienced the slowest temporal rates of change of his life. The work was composed in 1959–60, in collaboration with Stockhausen's assistant
153:
to compose states and processes in which each moment is a personal, centred one, that can exist on its own and, as something individual, can also always be related to its surroundings and to the whole; something in which everything that happens does not pursue a determined course from a defined
165:
Carré unfolds 101 "moments" with durations varying from 1.5 to 90 seconds, each of which is characterised by one or several notes and chords. However, Stockhausen originally planned 252 sections in his draft form scheme, where eight basic categories of sound are arrayed, each with four levels:
259:
The regular melodic succession of this all-interval row is obscured compositionally, however, through the grouping of some notes into chords—e.g., in the first section, one three-note chord, F
128:) Stockhausen for the first time treated spatial distribution on the same level of structural importance as properties such as pitch, rhythm, timbre, dynamics, register, density, and others.
2462:
629:
1968. WDR Symphony
Orchestra, Cologne, conducted by Karlheinz Stockhausen, Andrzej Markowski, Mauricio Kagel, and Michael Gielen. Recorded May 1965; released with Stockhausen's
1119:
2437:
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1137:
638:
reissued under the same LP disc number, in the first set of
Deutsche Grammophon's Avant Garde series. : Deutsche Grammophon Gesellschaft, ca. 1972.
179:: four "attack transient" percussion instruments, also used to differentiate the four orchestras: Indian bells, drums, Alpine cowbells, and cymbals
2239:
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223:
is so simple that
Stockhausen was able to write it out on a single sheet of music paper. The basic pitch series used throughout the work is
173:: the four solo instruments used to furnish each of the four orchestras with a characteristic timbre: cimbalom, vibraphone, piano, and harp
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A large orchestra of 80 players is divided into four orchestral units, each of approximately the same scoring and each with its own
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911:
Driver, Paul. 2010b. "Labours of love; Two
Contrasting Concerts of Work by Modern Masters Make Paul Driver Mad with Joy".
2402:
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reissued on reel-to-reel 7½ ips tape, as DGC 7002. Elk Grove
Village, Illinois: Ampex/Deutsche Grammophon, ca. 1974.
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In contrast to the complex interrelationships of these eight sound categories, the underlying pitch structure of
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757:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International.
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Karlheinz
Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"
808:, vol. 2, edited by Dieter Schnebel, 102–103. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
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185:: four parameters within which transformations are to occur: rhythm, "height", timbre, and dynamics
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Stockhausen, Karlheinz. 1998. "CARRÉ—Ergänzung 1986 zum Vorwärt der 4 Partituren", in his
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774:, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions.
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on
Deutsche Grammophon DG 137 002 (LP), DG921022 (Cassette). : Polydor International.
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209:: four basic dynamic levels, notated in the sketch (but not the score) with numerals
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1018:, vol. 3, edited by Dieter Schnebel, 22–34. Cologne: Verlag M. DuMont Schauberg.
841:, 166–207. Kürten: Stockhausen-Verlag, for the Stockhausen Foundation for Music.
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reissued on
Stockhausen Complete Edition CD 5. Kürten: Stockhausen-Verlag, 1992.
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1 Harp (amplified—the harp part may be supplemented by an amplified harpsichord)
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162:. A mixed choir of between 12 and 16 singers is attached to each orchestra.
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55:, and was premiered on 28 October 1960 in the Festival Hall of the
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Stockhausen: Sounds in Space – Carré Analysis and
Listening Guide
795:, 222–258. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
787:
Stockhausen, Karlheinz. 1963. "Erfindung und
Entdeckung". In his
92:(orchestra IV). The score is dedicated to the former director of
1003:, 89–210. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
945:
Compositional Techniques in the Music of Stockhausen (1951–1970)
944:
902:
Driver, Paul. 2010a. "Works of Modern Composers That Move You".
821:, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik.
1101:
815:
Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die
122:
composition in which (together with the concurrently composed
36:, and is Work Number 10 in the composer's catalog of works.
925:. Berkeley and Los Angeles: University of California Press.
215:: four basic timbres: voices, strings, woodwinds, and brass
203:: four generic values from "short" to "as long as possible"
16:
Composition by the German composer Karlheinz Stockhausen
984:. Lanham, Maryland, Toronto, Oxford: Scarecrow Press.
2400:
931:. 1971. "One of the Outstanding Scores of Its Time".
839:
Six Lectures from the Stockhausen Courses Kürten 2002
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59:
Park in Hamburg, as part of the NDR's concert series
1048:
Wörner, Karl H. 1961. "Current Chronicle: Germany".
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995:Stockhausen, Karlheinz. 1963. "Momentform". In his
876:Cardew, Cornelius. 1961b. "Report on Stockhausen's
982:Other Planets: The Music of Karlheinz Stockhausen
804:(1959/60), für vier Orchester und Chöre". In his
772:Stockhausen: ... un vaisseau lancé vers le ciel
1113:
8:
2463:Music commissioned by Norddeutscher Rundfunk
947:". PhD diss. Glasgow: University of Glasgow.
889:Stockhausen: Conversations with the Composer
602:1 Hihat (as large as possible, thin cymbals)
525:1 Hihat (as large as possible, thin cymbals)
437:1 Hihat (as large as possible, thin cymbals)
357:1 Hihat (as large as possible, thin cymbals)
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191:: number of notes present, from one to four
84:(orchestra I), Stockhausen (orchestra II),
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923:The Music of Stockhausen: An Introduction
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800:Stockhausen, Karlheinz. 1964. "Nr. 10:
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958:. London and Boston: Faber and Faber.
710:
2438:Compositions by Karlheinz Stockhausen
1037:, 41–49. Kürten: Stockhausen-Verlag.
7:
725:
578:SATB choir (2 or 3 voices per part)
498:SATB choir (2 or 3 voices per part)
410:SATB choir (2 or 3 voices per part)
330:SATB choir (2 or 3 voices per part)
145:(1962–64/69) as representatives of
2240:Center for Art and Media Karlsruhe
884:102, no. 1425 (November): 698–700.
863:. 1961a. "Report on Stockhausen's
599:Suspended Cymbals (large and thin)
522:Suspended Cymbals (large and thin)
513:1 Bass Drum (as large as possible)
434:Suspended Cymbals (large and thin)
425:1 Bass Drum (as large as possible)
354:Suspended Cymbals (large and thin)
345:1 Bass Drum (as large as possible)
14:
873:102, no. 1424 (October): 619–622.
197:: four principal octave registers
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2386:
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891:. New York: Simon and Schuster.
1006:Stockhausen, Karlheinz. 1971. "
837:. 2005. "Form Schemes". In his
608:1 Tamtam (as large as possible)
531:1 Tamtam (as large as possible)
443:1 Tamtam (as large as possible)
363:1 Tamtam (as large as possible)
154:beginning to an inevitable end.
28:and four choirs (1959–60) is a
813:Stockhausen, Karlheinz. 2009.
265:B G, and one two-note chord, B
1:
1033:7, selected and assembled by
605:1 Gong (as large as possible)
528:1 Gong (as large as possible)
440:1 Gong (as large as possible)
360:1 Gong (as large as possible)
291:1 Alto Flute (doubling flute)
2433:20th-century classical music
1054:47, no. 2 (April): 243–247.
2479:
1275:Helikopter-Streichquartett
593:1 Snare Drum (very bright)
516:1 Snare Drum (very bright)
428:1 Snare Drum (very bright)
348:1 Snare Drum (very bright)
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475:1 Baritone Saxophone in E
2295:Gottfried Michael Koenig
952:Stockhausen: A Biography
47:was commissioned by the
1744:Klavierstücke Nos. 1–19
1035:Christoph von Blumröder
817:Darmstädter Ferienkurse
753:Frisius, Rudolf. 2008.
569:2 Horns (1 high, 1 low)
401:2 Horns (1 high, 1 low)
32:by the German composer
2458:Music with dedications
1072:essay by Ingvar Norden
950:Kurtz, Michael. 1992.
887:Cott, Jonathan. 1973.
770:Rigoni, Michel. 1998.
501:1 Cimbalom (amplified)
156:
49:Norddeutscher Rundfunk
2245:Collegium Vocale Köln
1362:Hymnen (Third Region)
1129:Karlheinz Stockhausen
1051:The Musical Quarterly
999:, vol. 1, 1edited by
587:2 Tomtoms and 1 Bongo
558:1 Alto Saxophone in E
507:2 Tomtoms and 1 Bongo
419:2 Tomtoms and 1 Bongo
339:2 Tomtoms and 1 Bongo
151:
88:(orchestra III), and
78:NDR Sinfonieorchester
34:Karlheinz Stockhausen
2180:Stockhausen Ensemble
1815:Gesang der Jünglinge
1506:Aus den sieben Tagen
1157:Atmen gibt das Leben
1138:List of compositions
791:, vol. 1, edited by
305:Tenor Saxophone in B
297:1 Bass Clarinet in B
149:, in which he tried
2448:Serial compositions
1522:Für kommende Zeiten
937:(28 November): D15.
665:, pp. 102–103.
313:1 Horn (high, in F)
131:Stockhausen groups
2131:Markus Stockhausen
2081:Alphabet für Liège
2065:Musik für ein Haus
934:The New York Times
590:3 Alpine Cowbells
584:2 Percussionists:
510:3 Alpine Cowbells
504:2 Percussionists:
422:3 Alpine Cowbells
416:2 Percussionists:
342:3 Alpine Cowbells
336:2 Percussionists:
24:(Square) for four
2443:1960 compositions
2398:
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2315:Mesías Maiguashca
2280:Nicolaus A. Huber
2235:Boudewijn Buckinx
2137:Simon Stockhausen
2125:Doris Stockhausen
2107:Mary Bauermeister
2044:
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1855:Unsichtbare Chöre
1760:Natürliche Dauern
1423:
1422:
1238:
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882:The Musical Times
870:The Musical Times
861:Cardew, Cornelius
827:978-3-00-027313-1
763:978-3-7957-0249-6
319:Bass Trumpet in B
183:Gestalt variation
111:Material and form
86:Andrzej Markowski
57:Planten un Blomen
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2290:David C. Johnson
2265:Karel Goeyvaerts
2192:Johannes Fritsch
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2119:Suzanne Stephens
2113:Kathinka Pasveer
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1089:Sound examples:
954:, translated by
919:Harvey, Jonathan
913:The Sunday Times
905:The Sunday Times
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575:1 Tenor Trombone
572:1 Trumpet (in C)
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489:1 Trumpet (in C)
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404:1 Trumpet (in C)
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1016:Texte zur Musik
1001:Dieter Schnebel
997:Texte zur Musik
929:Heyworth, Peter
915:(28 March): 30.
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855:Further reading
833:
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806:Texte zur Musik
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793:Dieter Schnebel
789:Texte zur Musik
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139:(1958–60) and
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98:Herbert Hübner
90:Michael Gielen
82:Mauricio Kagel
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2351:
2350:Roger Smalley
2348:
2346:
2343:
2341:
2338:
2336:
2335:Nam June Paik
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2316:
2313:
2311:
2310:György Ligeti
2308:
2306:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
2283:
2281:
2278:
2276:
2275:Hans G. Helms
2273:
2271:
2268:
2266:
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2258:
2256:
2253:
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2248:
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2238:
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2228:
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2218:
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2208:
2205:
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2200:
2198:
2197:Rolf Gehlhaar
2195:
2193:
2190:
2188:
2185:
2184:
2182:
2178:
2172:
2169:
2167:
2164:
2162:
2159:
2158:
2156:
2152:
2149:
2147:Collaborators
2145:
2138:
2135:
2132:
2129:
2126:
2123:
2120:
2117:
2114:
2111:
2108:
2105:
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2098:
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2075:
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2059:
2058:
2054:
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2047:
2036:
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2028:
2027:
2023:
2020:
2019:
2015:
2012:
2011:
2007:
2004:
2003:
1999:
1996:
1995:
1991:
1988:
1987:
1983:
1980:
1979:
1975:
1972:
1971:
1967:
1964:
1963:
1959:
1956:
1955:
1951:
1948:
1947:
1943:
1940:
1939:
1935:
1932:
1931:
1927:
1924:
1923:
1919:
1916:
1915:
1914:Mikrophonie I
1911:
1910:
1908:
1906:With soloists
1904:
1897:
1896:
1892:
1889:
1888:
1887:Cosmic Pulses
1884:
1881:
1880:
1876:
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1479:
1476:
1475:
1471:
1468:
1467:
1463:
1460:
1459:
1455:
1452:
1451:
1450:Kontra-Punkte
1447:
1444:
1443:
1439:
1436:
1433:
1432:
1430:
1426:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1393:
1391:
1389:With soloists
1387:
1380:
1379:
1375:
1372:
1371:
1367:
1364:
1363:
1359:
1356:
1355:
1351:
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1123:
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1058:
1053:
1052:
1047:
1044:
1043:3-00-002131-0
1040:
1036:
1032:
1028:
1025:
1024:3-7701-0493-5
1021:
1017:
1013:
1009:
1005:
1002:
998:
994:
991:
990:0-8108-5356-6
987:
983:
979:
976:
973:
972:0-571-17146-X
969:
965:
964:0-571-14323-7
961:
957:
953:
949:
946:
942:
941:Kelsall, John
939:
936:
935:
930:
927:
924:
920:
917:
914:
910:
907:
906:
901:
898:
897:0-671-21495-0
894:
890:
886:
883:
879:
875:
872:
871:
866:
862:
859:
858:
854:
848:
847:3-00-016185-6
844:
840:
836:
835:Toop, Richard
832:
828:
824:
820:
818:
811:
807:
803:
798:
794:
790:
785:
781:
780:2-911906-02-0
777:
773:
768:
764:
760:
756:
751:
750:
747:Cited sources
746:
739:
734:
731:
727:
722:
720:
716:
712:
707:
704:
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695:
692:
688:
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623:
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546:
541:
538:
535:
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527:
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521:
518:
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512:
509:
506:
505:
503:
500:
497:
494:
491:
488:
485:
482:
474:
466:
463:
462:
459:Orchestra III
458:
453:
450:
447:
442:
439:
436:
433:
430:
427:
424:
421:
418:
417:
415:
412:
409:
406:
403:
400:
397:
389:
387:1 Cor anglais
386:
383:
382:
378:
373:
370:
367:
362:
359:
356:
353:
350:
347:
344:
341:
338:
337:
335:
332:
329:
327:Bass Trombone
326:
318:
315:
312:
304:
296:
293:
290:
289:
285:
280:
278:
224:
222:
214:
211:
208:
205:
202:
199:
196:
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187:
184:
181:
178:
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172:
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161:
155:
150:
148:
144:
143:
138:
134:
129:
127:
126:
121:
117:
110:
108:
104:
99:
95:
94:Das neue Werk
91:
87:
83:
79:
75:
71:
68:
63:
62:Das neue Werk
58:
54:
50:
46:
39:
37:
35:
31:
27:
23:
22:
2384:
2365:Thomas Wells
2325:John McGuire
2225:Junsang Bahk
2187:Péter Eötvös
2166:Richard Toop
2087:
2079:
2071:
2063:
2055:
2032:
2024:
2016:
2008:
2000:
1992:
1984:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1920:
1912:
1893:
1885:
1877:
1869:
1861:
1853:
1845:
1837:
1829:
1821:
1813:
1805:
1797:
1766:
1758:
1750:
1742:
1723:
1715:
1707:
1699:
1691:
1672:
1664:
1656:
1648:
1640:
1632:
1624:
1616:
1608:
1600:
1593:
1584:
1578:Europa-Gruss
1576:
1568:
1560:
1552:
1544:
1536:
1528:
1520:
1514:Dr K–Sextett
1512:
1504:
1496:
1488:
1480:
1472:
1464:
1456:
1448:
1440:
1411:
1403:
1395:
1376:
1368:
1360:
1352:
1344:
1336:
1329:
1328:
1320:
1312:
1304:
1281:
1273:
1265:
1257:
1249:
1226:
1218:
1210:
1202:
1194:
1186:
1178:
1168:
1155:
1093:(selections)
1090:
1069:
1065:
1049:
1030:
1015:
1011:
1007:
996:
981:
956:Richard Toop
951:
932:
922:
912:
903:
888:
881:
877:
868:
864:
838:
814:
805:
801:
788:
771:
754:
738:Frisius 2008
733:
706:
694:
682:
670:
658:
630:
596:Indian Bells
547:Orchestra IV
519:Indian Bells
486:1 Horn (low)
431:Indian Bells
379:Orchestra II
351:Indian Bells
258:
220:
218:
212:
206:
200:
194:
188:
182:
176:
170:
164:
157:
152:
140:
136:
132:
130:
123:
115:
114:
93:
60:
44:
43:
20:
19:
18:
2355:Tim Souster
2320:Tomás Marco
2300:Jerome Kohl
2285:Alden Jenks
2270:Georg Heike
2250:Hugh Davies
2220:David Ahern
2207:David Tudor
2049:Other works
1768:Himmelfahrt
1747:(1952–2003)
1709:Drei Lieder
1283:Himmels-Tür
1251:Herbstmusik
908:(28 March).
880:: Part 2".
711:Rigoni 1998
624:Discography
495:1 Bass Tuba
286:Orchestra I
147:moment form
101: [
72:, with the
65: [
30:composition
2427:Categories
2345:Otto Piene
2171:Jill Purce
2154:Assistants
2127:(1st wife)
2109:(2nd wife)
2073:Sternklang
1946:Kurzwellen
1938:Prozession
1863:Oktophonie
1780:Electronic
1725:Litanei 97
1586:Trumpetent
1490:Plus-Minus
1458:Schlagtrio
1442:Kreuzspiel
1294:Orchestral
1180:Donnerstag
1014:". In his
651:References
413:Vibraphone
26:orchestras
2360:Avo Sõmer
2121:(partner)
2115:(partner)
1839:Telemusik
1807:Studie II
1626:Schönheit
1610:Harmonien
1554:Tierkreis
1259:Originale
943:. 1975. "
726:Toop 2005
613:4 Violins
566:1 Bassoon
536:4 Violins
483:1 Bassoon
448:4 Violins
398:1 Bassoon
368:4 Violins
207:Amplitude
160:conductor
2391:Category
2092:(2004–7)
2057:Ensemble
2026:Paradies
2018:Orvonton
1978:Strahlen
1879:Strahlen
1871:Weltraum
1823:Kontakte
1799:Studie I
1736:Keyboard
1717:Stimmung
1666:Hoffnung
1642:Erwachen
1618:Katikati
1538:Harlekin
1466:Zeitmaße
1435:Sonatine
1378:Jubiläum
1220:Mittwoch
1204:Dienstag
980:. 2005.
966:(cloth)
921:. 1975.
619:2 Cellos
616:2 Violas
561:♭
542:2 Cellos
539:2 Violas
478:♭
470:♭
454:2 Cellos
451:2 Violas
393:♭
374:2 Cellos
371:2 Violas
322:♭
308:♭
300:♭
274:♭
268:♭
262:♯
253:♭
247:♭
241:♯
235:♯
229:♭
201:Duration
195:Register
137:Kontakte
125:Kontakte
74:NDR Chor
2010:Nebadon
2002:Jerusem
1986:Edentia
1634:Balance
1474:Refrain
1428:Chamber
1397:Momente
1322:Gruppen
1243:Theatre
1228:Sonntag
1212:Freitag
1188:Samstag
1066:Gruppen
1008:Gruppen
632:Gruppen
552:1 Flute
384:1 Flute
189:Density
142:Momente
40:History
2403:Portal
2100:Family
2084:(1972)
2076:(1971)
2068:(1968)
2060:(1967)
2037:(2007)
2034:Uversa
2029:(2007)
2021:(2007)
2013:(2007)
2005:(2007)
1997:(2007)
1994:Havona
1989:(2007)
1981:(2002)
1973:(1970)
1965:(1970)
1957:(1968)
1954:Spiral
1949:(1968)
1941:(1967)
1933:(1966)
1925:(1965)
1917:(1964)
1898:(2006)
1890:(2006)
1882:(2002)
1874:(1994)
1866:(1991)
1858:(1979)
1850:(1967)
1847:Hymnen
1842:(1966)
1834:(1964)
1831:Mixtur
1826:(1960)
1818:(1956)
1810:(1954)
1802:(1953)
1794:(1952)
1771:(2005)
1763:(2006)
1755:(1970)
1752:Mantra
1728:(1997)
1720:(1968)
1712:(1950)
1704:(1950)
1696:(1950)
1693:Choral
1677:(2007)
1669:(2007)
1661:(2007)
1653:(2007)
1645:(2007)
1637:(2007)
1629:(2006)
1621:(2006)
1613:(2006)
1605:(2005)
1602:Freude
1597:(1997)
1594:Rotary
1589:(1995)
1581:(1992)
1573:(1977)
1565:(1976)
1557:(1975)
1549:(1975)
1541:(1975)
1533:(1972)
1525:(1971)
1517:(1969)
1509:(1968)
1501:(1966)
1493:(1963)
1485:(1959)
1482:Zyklus
1477:(1959)
1469:(1956)
1461:(1952)
1453:(1952)
1445:(1951)
1437:(1951)
1416:(1974)
1408:(1964)
1405:Mixtur
1400:(1964)
1381:(1977)
1373:(1971)
1365:(1969)
1357:(1969)
1354:Fresco
1349:(1965)
1341:(1962)
1338:Punkte
1333:(1960)
1325:(1957)
1317:(1952)
1309:(1951)
1306:Formel
1286:(2005)
1278:(1993)
1270:(1977)
1267:Sirius
1262:(1961)
1254:(1974)
1231:(2003)
1223:(1997)
1215:(1994)
1207:(1991)
1199:(1988)
1196:Montag
1191:(1983)
1183:(1980)
1160:(1977)
1145:Operas
1041:
1022:
988:
974:(pbk).
970:
962:
895:
845:
825:
778:
761:
464:1 Oboe
294:1 Oboe
213:Colour
177:Attack
120:serial
2139:(son)
2133:(son)
2089:Klang
1895:Türin
1685:Vocal
1674:Treue
1658:Glück
1650:Glanz
1562:Amour
1498:Adieu
1413:Inori
1370:Trans
1330:Carré
1314:Spiel
1170:Licht
1091:Carré
1083:Media
1070:Carré
1031:Texte
1012:Carré
878:Carré
865:Carré
802:Carré
333:Piano
244:B G B
238:F C F
232:D E C
221:Carré
135:with
133:Carré
118:is a
116:Carré
105:]
69:]
45:Carré
21:Carré
1970:Pole
1962:Expo
1930:Solo
1530:Ylem
1346:Stop
1068:and
1039:ISBN
1020:ISBN
1010:und
986:ISBN
968:ISBN
960:ISBN
893:ISBN
867:" .
843:ISBN
823:ISBN
819:1970
776:ISBN
759:ISBN
171:Type
76:und
2429::
718:^
277:.
256:A.
107:.
103:de
96:,
67:de
2405::
1121:e
1114:t
1107:v
1045:.
1026:.
992:.
899:.
849:.
829:.
782:.
765:.
271:A
250:A
226:E
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.