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negative shapes, and solids and silhouettes that reference different historical periods: ancient fertility figures with bulging hips; vases with breasts circling their perimeters; murky blobs that recall the paintings of biomorphic
Surrealism. These juxtapositions make a commentary on an unsettling subtext here, a suggestion of the way women have served as talismanic muse-objects in past art instead of intelligent innovators.
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By juxtaposing the ancient, modern, and contemporary, Moyer rips images out of their old contexts and circulates them in a new one—"cross-wiring," she calls it. Slipping between abstract and representational, the raw canvases are built up with strata of translucent and opaque color, positive and
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roughly 5,000 posters featuring lesbian imagery in diverse, highly trafficked neighborhoods, with the goal of dissecting and critiquing mainstream and commercial culture. They frequently repackaged popular and recognizable logos, designs, and slogans to package a lesbian aesthetic, and in using
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Moyer returned to painting in the early 1990s, and continued to explore themes of lesbian identity and sexuality in her work. Her work as a graphic designer continued to influence her painting, and she explored abstraction by adding tactile and spatial effects to her paintings, notably glitter
613:"Painting is a neurotically self-conscious medium—it's always looking over its shoulder, responding to earlier eras and earlier ideas. Carrie Moyer puts that self-consciousness at the center of her work. But where mash-ups of different periods and styles have become popular with
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For the past two decades, Moyer’s paintings have merged abstract aesthetics and political imagery. Complex and seductive paintings layer vividly colored and textured biomorphic forms with a range of historical, stylistic and physical references that include
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In 2003, CANADA Gallery in New York City began representing Moyer and frequently exhibited her work in solo and group shows. In 2015, she left the gallery to be represented by DC Moore
Gallery. In 2004, her abstract paintings were shown alongside
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public advertising space to subvert heterosexual norms, created what Jayne
Caudwell refers to as a "micro dykescape". In 1994, DAM! began focusing on digital techniques and mediums to avoid commodification and assimilation, using domains like
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and Girlie
Network to create interactive narratives and artwork. Moyer and Schaffner produced over 15 projects during their collaboration as DAM!, which came to an end in 2008 after 17 years.
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407:'s sculptures at the Palm Beach Institute of Contemporary Art; in 2020, the couple would again be the subject of a two-person exhibition, "Tabernacles for Trying Times," organized at the
125:, New York. Moyer's paintings and public art projects have been exhibited both in the US and Europe since the early 1990s, and she is best known for her 17-year agitprop project,
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After graduating from Pratt in 1985, Moyer worked as a graphic designer for various advertising agencies, where she first developed skills with computer graphic software like
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art, and bodily forms and fluids. Moyer often works on the floor, pouring, rolling, stippling, mopping, and hand-working the paint, as well as adding sections of glitter.
2007:
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1997:
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220:, Phoebe Helman, Jack Sonnenberg, and Ernest Benkert. She largely produced abstract paintings during this time, and was inspired by painters such as
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In 1995, Moyer met artist Sheila Pepe at the
Skowhegan School of Painting and Sculpture. They began dating in 1998 and were married in 2015.
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325:. Throughout the 1990s, she created posters, pamphlets, and graphics for various lesbian and gay activist groups in New York City, including
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on a dance scholarship until a serious car accident forced her to quit. After one year at
Bennington, she dropped out and moved to
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in 1992, Moyer designed the logo for the group. The logo would be the subject of controversy almost 30 years later in 2021, when
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Caudwell, Jayne (1998). "Sex and
Politics: Sites of Resistance in Women's Football". In Aitchison, Cara; Jordan, Fiona (eds.).
1044:"How Can You Make Art for 'Trying Times'? For the Longtime Artist Couple Carrie Moyer and Sheila Pepe, It's All About Teamwork"
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painters (and often end up looking like conceptual train wrecks), her canvases are cool, seamless—almost alchemical."
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in painting, which allowed her to complete the work for a solo exhibition, "Pirate Jenny", which was shown at the
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Joan
Mitchell Painters and Sculptors Grant, Anonymous Was a Woman Award, Creative Capital Foundation Grant
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and other publications. Since 1997, her essays have also been included in a range of anthologies – from
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used the logo on a t-shirt after purchasing the design from Moyer for $ 7,000, which she donated to the
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and lived in Oregon, California, and
Washington throughout the 1970s. Moyer became interested in
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and graduated with her BFA in painting in 1985. While at Pratt, Moyer studied under artists
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1247:"An Interview with the Guerrilla Girls, Dyke Action Machine (DAM!), and the Toxic Titties"
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1224:. Internet Archive. Eastbourne : Leisure Studies Association. pp. 156–157.
986:"Feminist Painter Shares Relationship Between Art and Activism Through Political Art"
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1894:"Art review: Activist artist couple's PMA exhibit both playful and provocative"
756:. Internet Archive. London ; New York : Phaidon Press. p. 386.
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1844:"Pratt Fine Arts Professors and Alumna Win Joan Mitchell Foundation Grants"
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in 1960. She was exposed to art at an early age and frequently visited the
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477:. A piece from the show is also held in the permanent collection of the
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563:, editors; University of Chicago Press, 2010). She also contributed to
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The Artist as
Culture Producer: Living and Sustaining a Creative Life.
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with photographer Sue Schaffner. Moyer's work has been shown at the
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Queers in Space: Communities, Public Spaces and Sites of Resistance
149:, and has contributed writing to anthologies and publications like
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Shuster, Robert; Baker, R.C.; Schwendener, Martha (22 July 2009).
1546:"Carrie Moyer on New Work, Teaching, and Art-Making in a Pandemic"
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453:, and became the co-director of its MFA program in 2021 alongside
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Critic Martha Schwendener has written about Moyer's paintings:
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Gender, space and identity : leisure, culture and commerce
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Suffragettes to she-devils : women's liberation and beyond
848:"Arts feature: "Carrie Moyer: Pirate Jenny" swirls and seduces"
709:"So Appealing, So Different: Carrie Moyer on the Women of Pop,"
1379:"Studio Art Co-Directors: Lisa Corinne Davis and Carrie Moyer"
1308:""Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times""
1957:
1787:"Against All Odds, New York's Artist Buildings Have Survived"
1170:. Internet Archive. London : Phaidon. pp. 150–151.
700:"Carrie Moyer." Grabner, Michelle and Mary Jane Jacobs, eds.
481:. She has also had a solo exhibition, "Interstellar," at the
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1948:
The Brooklyn Rail In Conversation Carrie Moyer and Phong Bui
1762:"Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times"
377:. It began as a working group of the activist organization,
145:. She serves as the director of the graduate MFA program at
1738:"Introducing Heide Hatry, William Lamson, and Carrie Moyer"
1138:"Who Owns the Logo of the Lesbian Avengers, Decades Later?"
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In October 2019, Moyer was elected as a full member of the
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In 1990, she received her MA in Computer Graphics from the
1433:"Hunter Professor Carrie Moyer Wins Guggenheim Fellowship"
1079:. Internet Archive. New York : Rizzoli. p. 176.
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paintings, 1960s and ’70s counter culture graphics, 1970s
361:, a queer interventionist public art project informed by
345:. Some founding members of the Lesbian Avengers, such as
121:(born 1960) is an American painter and writer living in
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in the early 1990s, studying historical movements like
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In 1991, Moyer and photographer Sue Schaffner founded
1366:(1): 90–91. May 10, 2009 – via Yale University.
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Lesbian art in America : a contemporary history
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In 2004, her work appeared in a group exhibition at
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Heresies: A Feminist Publication on Art and Politics
1026:(270): 28–31 – via Alexander Gray Associates.
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1666:"Review: Carrie Moyer's Conflagration of Canvases"
653:1999: Peter Norton Family Foundation Project Grant
633:Since 2018, she has worked out of a studio in the
177:with her mother. In 1969, her family moved to the
141:, and is held in the permanent collections of the
2043:Skowhegan School of Painting and Sculpture alumni
1377:Klich, Lynda; Blum, Andrea (November 10, 2021).
1819:"Sirens and Agitprop: Carrie Moyer in New York"
1406:"Carrie Moyer - MacDowell Fellow in Visual Art"
1616:""Queer Abstraction" at Des Moines Art Center"
1327:"Young and Provocative, Time Is on Their Side"
1105:"The Lesbian Avengers Will Not Be Commodified"
449:. In 2011, Moyer joined the studio faculty of
1785:Miller, M. H.; Barnes, Miranda (2024-02-26).
197:with her girlfriend, and took classes at the
8:
1291:: CS1 maint: DOI inactive as of July 2024 (
870:: CS1 maint: multiple names: authors list (
888:von Arbin Ahlander, Astri (April 9, 2012).
702:The Studio Reader: On the Space of Artists.
650:1999: Elaine de Kooning Memorial Fellowship
1325:Genocchio, Benjamin (September 12, 2004).
820:"Interview: Carrie Moyer by Bruce Pearson"
704:Chicago. University of Chicago Press, 2010
553:The Studio Reader: On the Space of Artists
262:Skowhegan School of Painting and Sculpture
18:
716:"Alina Szapocznikow: My American Dream,"
254:Milton Avery Graduate School of the Arts
2008:New York Institute of Technology alumni
1721:Fall 2012 Hoffberger Visiting Artists:
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1698:"Opener 24 Carrie Moyer Pirate Jenny"
1306:Scott, Andrea K. (January 15, 2024).
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420:Aljira: A Center for Contemporary Art
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1998:21st-century American women painters
1988:20th-century American women painters
1520:"Goings on about town: Carrie Moyer"
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495:Cooper-Hewitt National Design Museum
411:in Maine and later traveling to the
1570:National Academicians Class of 2019
1136:Liscia, Valentina Di (2021-06-25).
1103:Tiefenthäler, Ainara (2021-06-25).
818:Pearson, Bruce (January 25, 2023).
789:"Beer with a Painter: Carrie Moyer"
504:, and described as a "standout" by
457:. In 2011 and 2013, she received a
236:. She also worked as an intern for
1664:Schwendener, Martha (2016-03-24).
723:"Maria Lassnig: The Pitiless Eye,"
475:Savannah College of Art and Design
471:Columbus College of Art and Design
287:Lafayette Square, Washington, D.C.
14:
260:in 2001. She also studied at the
1353:"Faculty Profiles: Carrie Moyer"
1042:Dafoe, Taylor (March 17, 2020).
1024:A&U: America's AIDS Magazine
523:Moyer's writing has appeared in
250:New York Institute of Technology
189:as a child and briefly attended
59:New York Institute of Technology
1932:"Gynadome: a Separate Paradise"
1590:Mueller, Stephen (2009-10-22).
1544:Kirkman, Rebekah (2021-04-27).
846:Alive, Jesse Tigges, Columbus.
732:The Brooklyn Rail, October 2006
718:The Brooklyn Rail, October 2010
281:Example of agitprop posters by
2063:American LGBT rights activists
2003:21st-century American painters
1993:20th-century American painters
1461:The Metropolitan Museum of Art
399:beginning in the late 1990s.
1:
1457:"Carrie Moyer | Pirate Jenny"
1018:Strong, Lester (April 2017).
958:"CARRIE MOYER with Phong Bui"
435:Rhode Island School of Design
1963:Art & Queer Culture book
1482:"Whitney Biennial: New York"
725:Art in America, January 2009
667:Painters and Sculptors Grant
461:. In 2013, Moyer received a
16:American painter (born 1960)
1892:Kors, Stacey (2020-03-08).
1360:Bulletin of Yale University
730:"Dona Nelson: Brain Stain,"
690:2013: Guggenheim Fellowship
672:Anonymous Was A Woman Award
359:Dyke Action Machine! (DAM!)
185:and choreographers such as
32:1960 (age 63–64)
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587:Metropolitan Museum of Art
513:National Academy of Design
485:in 2012, and exhibited at
479:Metropolitan Museum of Art
143:Metropolitan Museum of Art
111:http://www.carriemoyer.com
1766:Museum of Arts and Design
1641:"Carrie Moyer | Artspace"
1245:Raizada, Kristen (2007).
1073:Hammond, Harmony (2000).
956:Bui, Phong (2011-09-05).
413:Museum of Arts and Design
343:Lesbian Herstory Archives
175:Detroit Institute of Arts
169:Carrie Moyer was born in
135:Museum of Arts and Design
2068:American lesbian artists
2058:MacDowell Colony fellows
2013:Lesbian Avengers members
1723:November 6: Carrie Moyer
1263:10.2979/NWS.2007.19.1.39
984:Li, Karen (2018-10-02).
750:Lord, Catherine (2013).
665:Joan Mitchell Foundation
429:Moyer has taught at the
165:Early life and education
2048:Women graphic designers
1726:. Retrieved 2020-03-21.
1580:. Retrieved 2020-03-21.
1486:The Burlington Magazine
1265:(inactive 2024-07-14).
1164:McQuiston, Liz (1997).
753:Art & queer culture
491:Weatherspoon Art Museum
445:, Pratt Institute, and
2053:Hunter College faculty
2023:Pratt Institute alumni
1930:Dyke Action Machine!,
635:Brooklyn Army Terminal
598:, Social Realist, and
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409:Portland Museum of Art
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2018:Artists from Brooklyn
1898:Portland Press Herald
1873:Anonymous Was A Woman
1196:dykeactionmachine.com
990:The Cornell Daily Sun
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551:(Bay Press, 1997) to
463:Guggenheim Fellowship
394:Painting and teaching
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208:Moyer transferred to
1958:Carrie Moyer website
1953:The Lesbian Avengers
1926:Dyke Action Machine!
1869:"Recipients to Date"
1848:Pratt Institute News
1702:Tang Teaching Museum
711:Artforum, April 2010
483:Worcester Art Museum
459:MacDowell Fellowship
353:Dyke Action Machine!
252:and an MFA from the
127:Dyke Action Machine!
2038:People from Detroit
2028:Bard College alumni
1480:Byers, Dan (2017).
443:Tyler School of Art
242:as an undergraduate
199:Art Students League
83:Dyke Action Machine
1937:2009-05-03 at the
1850:. February 9, 2010
1791:The New York Times
1670:The New York Times
1576:2019-11-01 at the
1331:The New York Times
1109:The New York Times
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455:Lisa Corinne Davis
447:Yale School of Art
439:Rutgers University
291:
203:Barnes & Noble
191:Bennington College
1742:The Village Voice
1492:(1372): 585–586.
1231:978-0-906337-73-8
1177:978-0-7148-3619-5
1086:978-0-8478-2248-5
1020:"Authentic Voice"
962:The Brooklyn Rail
763:978-0-7148-4935-5
695:Selected writings
321:and artists like
307:Avram Finkelstein
201:while working at
179:Pacific Northwest
171:Detroit, Michigan
152:The Brooklyn Rail
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36:Detroit, Michigan
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