556:-oriented. Lyrically, the album deals with contemporary topics such as love, life in Los Angeles, and complex aspects of the human experience. Manzarek explained the band did not "approach the album with one vision, but after we started working on the songs, we realized that they're talking about L.A. They're about men, women, boys, girls, love, loss, lovers-lost, and lovers-found in Los Angeles". The album, as a whole, demonstrated Morrison's songwriting abilities, combined with his poetic phrasing and enthusiasm for Los Angeles but still a desire to leave the city with his partner,
840:
622:'s tune, "I Will Turn Your Money Green". A conventional blues song reminiscent of Morrison's potential imprisonment from earlier Doors performances, the lyrics showed depression, liberation, and sexuality. Additionally, Morrison wrote the blues number "Cars Hiss by My Window". Unlike most of the other tracks, it was composed in the studio. Manzarek recalled that "Jim said it was about living in Venice , in a hot room, with a hot girlfriend, and an open window, and a bad time. It could have been about Pamela Courson". Of the remaining self-written material on
439:." Rothchild has denied a popular rumor that claimed he directed the remark toward "Riders on the Storm", explaining that he thought that song and "L.A. Woman" were "excellent in rehearsal". He maintains that his cocktail music comment was said to "make angry enough to do something good." Rothchild was frustrated that the group was slow in developing new material, especially as the band contained three songwriters. He was unable to persuade Morrison to consistently attend rehearsals. As
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836:, chief executive officer of Elektra Records: "I wasn't sure there would be another album ever, so I had Bill Harvey create a collector's cover. The Doors' faces were printed on clear film. The backing color of the inner sleeve could be changed and would affect the mood of the package. This is the first album in which Jim is bearded on the front cover. His photo is on the right, no bigger, no smaller than the others, just another guy in the band."
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chose to remix and tinker with , adding and cutting from a few tracks and including unused instrumental parts." For example, "Cars Hiss By My Window" features an extra verse and other additions for a new length of 4:58 (as opposed to 4:10 on the original). In 2009, the album was reissued on 180g vinyl featuring the original mix, cut by
Grundman.
428:, to have a product for the Christmas market. It was released without the band's input, and featured a large image of a younger Morrison, upsetting him enough to threaten signing with another label. As their contract required one more album, the group were unable to follow through with the threat, so they continued rehearsing the new material.
435:, who worked with the band on their first five albums, attended the early sessions but quit following friction with the band. This included his dissatisfaction with the song "Love Her Madly", which "drove out of the studio." He felt that recording the composition was a step backwards artistically, calling it "
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and
Sangwook Nam at The Mastering Lab; the CD layer of the Super Audio CD contains the original stereo mix while the SACD layer contains Botnick's 2006 5.1 surround mix. To commemorate the album’s 50th anniversary, Rhino released a three-CD/one-LP set on December 3, 2021. It was remastered by Botnick
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was digitally remastered again as a part of "The Years of the Doors" series to commemorate its 40th
Anniversary release. This edition was reissued in an expanded format on January 24, 2012, by Elektra and Rhino Records in CD and digital formats, and it includes the 2006 stereo remix done and mastered
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includes two bonus tracks ("Orange County Suite" and "(You Need Meat) Don't Go No
Further") and was made available with or without an accompanying DVD that features the 5.1 surround sound version of the album along with Doors' rehearsal footage. This remix series has been criticized because "the band
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named it the Doors' second best album, with the latter's Ryan Leas adding in the website, "It traveled the same raw blues-rock lane as its predecessor, but now the Doors sounded ragged, bleary. It's one of those early-'70s records that comes off like a beleaguered hangover from the end of the '60s."
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were brought in to provide additional backing. Densmore characterized Scheff as "an in-the-pocket man" for his steady supportive role, and praised how Scheff "allowed me to communicate rhythmically with
Morrison, and he slowed Ray down, when his right hand on the keyboards got too darn fast". By all
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that August. The set included "The
Changeling" and "L.A. Woman" and closed with "When the Music's Over". The concerts were well received, proving the Doors were still a capable live act and leading to an extra performance in Louisiana. Audience recordings from the Doors' performances of "Love Her
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The group and
Botnick organized a makeshift recording studio at their private rehearsal space, the Doors' Workshop, a two-story building at 8512 Santa Monica Boulevard. They could then record in a more comfortable and relaxed setting while avoiding the expenses of a professional studio. A mixing
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recording of the gig secured in a safety deposit box. He explained he discovered the tapes "when Beaver
Productions moved its offices out of the Warehouse, Uptown into a building at the Riverbend. The Doors tape, along with a stack of other Warehouse show tapes, were cast off and left behind as
855:
Three months after release, on July 3, Morrison was found dead. There had been discussions between
Morrison and the others for future recording after he returned from Paris. The album was accompanied by the "Love Her Madly" single, which was released in March and charted at number 11 on the
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by
Botnick at Uniteye. It also features seven alternate versions of songs, and two previously unreleased tracks, "She Smells So Nice" and "Rock Me". This remaster has been praised for leaving the original album "untouched". To accompany this release, a documentary titled
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mostly limited to additional keyboards. Botnick explained, "The overall concept for the recording session was to go back to our early roots and try to get everything live in the studio with as few overdubs as possible". Mixing was completed at Poppi Studios in
56:
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wrote a not-so-favorable review, commending some cuts, especially the "effective electric piano" of "Riders on the Storm", but deemed the rest of the album as just "staleness", and that it's "all so obvious that originality has left them". In
495:, Morrison recorded in the bathroom doorway, singing into the same microphone used on the Doors' final tour. According to Botnick, Morrison was easy to work with and spent long hours in the studio with little consumption of alcohol.
770:", interrupted with speeches and jokes. He sat in front of the drum platform in between Krieger and Manzarek's solos, but did not stand up to finish the song. After prompting by Densmore, he tried to sing, before bashing the
724:'s poem "Praise for an Urn", the track melded Morrison's hitchhiker imagery from his own poetry projects. The faint, ghostly backdrop heard throughout the song was the last recording of Morrison as a member of the Doors.
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832:. The first cover pressing had a burgundy-colored, curved-corner cardboard cutout sleeve, framing a clear embossed cellophane insert, glued in from behind. Photography was credited to Wendell Hamick. According to
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on December 19, 2000; the surround mix was created by Botnick from the original eight-track analog 1" master tapes. In 2006, all six of the Doors' albums with Morrison were remixed in stereo and 5.1 for the
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attributed the record's success to "a stripped-down yet full sound, a developed mysticism tied tightly to the band's brand of rock, and confidence born of having been a functioning unit for several years".
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appreciated Morrison's sense of humor in some of the lyrics and believed "the band has never sounded better", although he was disappointed with "Been Down So Long" and "L'America". In his 1994 book
640:, the lengthiest song on the album. Thought of as Morrison's final goodbye to Los Angeles, it communicated his mixed feelings of passion and disdain for "the city of night". The lyrics feature an
511:
accounts, Morrison – a huge Presley fan – was excited by Scheff's participation. In addition, Benno was asked to participate as a result of his recent notoriety from working with
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had been charged with profanity and indecent exposure at a concert in Miami, Florida. Morrison had mentioned leaving the group at the end of 1968, only to be convinced by keyboardist
369:
The Doors had achieved commercial and critical success by 1969, but for much of that year they were blacklisted from radio playlists and their concert bookings dwindled after singer
690:
sessions with a few drum overdubs. The Doors' arrangement of the traditional "Crawling King Snake" dates back to their early tours, and was sometimes coupled with Morrison's poem "
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s Robert Meltzer was impressed by the sense of fun and the togetherness of the band, saying it was "the Doors' greatest album" and the best album of the year. Reviewing in
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Hot 100 for a stay of 11 weeks, but failed to chart in the UK. An additional single, "Riders on the Storm", was edited and released in June, and reached number 14 on the
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682:, as European filmmakers tend to do when they want rock & roll." Previously titled "Latin America", it was originally written and recorded during the sessions for
592:", which the Doors wanted to be the album's first single. Taken from one of Morrison's journals written in 1968, Holzman overruled the group's decision in favor of "
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The band began recording without much material and needed to compose songs on the spot, either by jamming or talking through ideas. In a 1994 interview, guitarist
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For years, fans speculated over the possible recordings of the New Orleans concert. In 2011, George Friedman, a stage manager of the Warehouse, revealed he had a
305:
after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer
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to be "the sound of a band in perfect harmony". He describes the Doors' material as "disturbing and cynical over the years, and these songs were no exception".
381:, Morrison said of Miami, "I think subconsciously I was trying to get across in that concert, I was trying to reduce it to absurdity. And it worked too well."
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during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album
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in New Orleans for what turned out to be their last live performance with Morrison. Midway through the set, a drunk Morrison began slurring the lyrics to "
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in Dallas. The band opened the first concert with an extended "Love Her Madly", but struggled on older material as they had not played live since the
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694:". "The WASP (Texas Radio and the Big Beat)" is a reworking of Morrison's sample of poetry first appearing on the group's souvenir books in 1968.
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All songs written by the Doors, except where noted. Details are taken from the 1971 Elektra Records album and may differ from other sources.
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1524:". When the list was revised in 2012, to accommodate a number of albums released since 2003, the album was repositioned at number 364. Both
678:. So we played it for him, and it was so loud, it pinned him up against the wall. When it was over, he thanked us and fled. So he turned to
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630:", which echoed his songs of romance and insecurity. He wrote the song, at his house, to alleviate his boredom during Morrison's trial.
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Select "2021" in the "Anno" drop-down menu. Type "L.A. Woman" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
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one of the Doors' best albums, citing Morrison's vocal performance and the band's stripped-down return to their blues-rock roots.
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debris during the move". Despite the confirmation of their existence, there has yet to be an official release of the recordings.
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stated, "Rothchild was gone, which is one reason why we had so much fun. The warden was gone." Despite its troubled beginnings,
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406:, which burdened the group with long, drawn-out recording sessions. The simplified and straightforward style, progressing from
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was distributed. The film includes interviews with all three remaining band members, as well as live and studio performances.
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to stay on another six months. On September 20, 1970, Morrison was convicted for the Miami incident. In a 1970 interview with
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In addition to "The Changeling", the Doors chose to incorporate three other compositions written before 1971: "L' America", "
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exclusive) the studio outtakes from the 50th Anniversary three-CD/one-LP set as a special edition quadruple vinyl entitled
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704:", with lyrics written by Morrison and music by Manzarek. The song shows Manzarek being influenced by the Polish composer
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as "uneven", but noted that the album contains compositions that "rate among their finest and most disturbing work".
648:". Krieger's electric guitar effect at the introduction impersonates the sound of an accelerated automobile engine.
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using the Plangent Process and includes the original stereo mix and two bonus discs of unreleased studio outtakes.
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was digitally remastered by Botnick and Paul A. Rothchild at Digital Magnetics, using the original master tapes.
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magazine as "a return to the tight fury of early Doors' music". The band conflicted with their record company,
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CD remaster liner notes with producer Bruce Botnick's accompanying essay, and may differ from other sources.
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660:", and "The WASP (Texas Radio and the Big Beat)". "L'America" was intended for the soundtrack of director
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Follow the Music: The Life and High Times of Elektra Records in the Great Years of American Pop Culture
705:
316:" was released as a single in March 1971, preceding the album's release, and reached the Top 20 on the
447:, another issue that led to Rothchild's leaving was the emotional devastation he felt at the death of
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828:, remaining on the charts for 36 weeks, and reached number 28 in the UK, spending four weeks on the
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still stands proud, an all-time classic journey into bright shining darkness." David Quantick from
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into the stage until its wood splintered. The Doors agreed to stop touring and focus on completing
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material on tour. On December 11, the Doors performed in front of two sold-out audiences at the
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491:, microphones, and keyboards were set up downstairs. To compensate for the lack of an isolated
457:. Rothchild left before any master takes were complete, recommending that the Doors co-produce
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s Nathan Wisnicki said Morrison's lyrics were less pretentious than previous work because of
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is more loose, it's live – it sounds almost like a rehearsal. It's pure Doors.
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400:". The new songs were a departure from the heavily orchestrated pieces on the earlier album
119:
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6351:"L.A. WOMAN SESSIONS 4-LP SET AVAILABLE EXCLUSIVELY FOR RECORD STORE DAY ON APRIL 23, 2022"
6333:"L.A. WOMAN SESSIONS 4-LP SET AVAILABLE EXCLUSIVELY FOR RECORD STORE DAY ON APRIL 23, 2022"
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contains some of the Doors' most critically acclaimed songs, as well as some of their most
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5790:"How Jim Morrison's Final Sessions with the Doors Produced an L.A. classic Out of Chaos"
5023:"FOR YOUR WEEKEND LISTENING PLEASURE: THE DOORS' FAREWELL AT FAIR PARK IN DECEMBER 1970"
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Jim Morrison on the day of his conviction in Miami for profanity and indecent exposure
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on "The Changeling", "Hyacinth House" and "The WASP (Texas Radio and the Big Beat)";
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technology; it was also released as a standalone CD release. This was followed by a
527:", "Cars Hiss by My Window", and "L.A. Woman". The album had a raw, live sound with
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console previously owned by Elektra was installed upstairs in the Workshop, while
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Dalton, Stephen (March 2012). "The Doors – L.A. Woman 40th Anniversary Edition".
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1486:, reviewing the 40th Anniversary Edition of the album, remarks how "the original
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enthusiast and proclaimed the final recording session as "blues day", recording "
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on "L.A. Woman" and "Riders on the Storm"; rhythm guitar on "Been Down So Long"
30:
This article is about the album by the Doors. For the album's title track, see
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804:... It really captured what we were all about. The first record did, too, but
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5245:"Interview: Robby Krieger on The Doors' LA Woman, Jim Morrison and Skrillex"
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In November 1970, shortly after Morrison's trial ended, the Doors entered
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297:. Even more so than its predecessors, the album is heavily influenced by
4395:"The Doors' Robby Krieger Discusses Some of the Best Tracks on Reissued
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for Morrison, who was pleased to finally record a blues-oriented album.
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Set the Night on Fire: Living, Dying, and Playing Guitar with the Doors
2190:
1439:, Peter K. Hogan describes the album as an expansion on the style from
641:
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1629:(2013) and double 45 RPM vinyl (2012), both editions were mastered by
6412:
The Voice of the Blues: Classic Interviews from Living Blues Magazine
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Live in Hollywood: Highlights from the Aquarius Theater Performances
515:. The songs were completed in a few takes on a professional-quality
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The Doors FAQ: All That's Left to Know About the Kings of Acid Rock
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The Doors FAQ: All That's Left to Know About the Kings of Acid Rock
2882:"The Bastard Son Of Jimmy & Mama Reed (Cars Hiss By My Window)"
2502:"The Bastard Son Of Jimmy & Mama Reed (Cars Hiss By My Window)"
600:"(You Need Meat) Don't Go No Further". Morrison also contributed "
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in 1993 and on 180g vinyl in 1998, both versions were mastered by
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63:
6282:(Media notes). The Doors. Analogue Productions (975 011-2). 2012.
6254:(Booklet). The Doors. Analogue Productions (CAPP 75011 SA). 2013.
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recorder, and the album was finished in six days. Morrison was a
465:
who had worked with Rothchild on the band's previous recordings.
6097:(Media notes). The Doors. DCC Compact Classics (LPZ-2050). 1998.
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6226:"The Doors announce the 40th anniversary release of L.A. Woman"
813:– Robby Krieger reflecting on the album during a 2012 interview
716:", a collective effort by the Doors. Based on the arrangement "
821:
was released on April 19, 1971. It reached number nine on the
2023:"The WASP (Texas Radio and the Big Beat)" (alternate version)
7031:
6570:
6568:
6069:(Booklet). The Doors. DCC Compact Classics (GZS-1034). 1993.
5126:"44 Years Ago: Jim Morrison Plays Final Show With the Doors"
4214:"Robby Krieger reopens the Doors to the L.A. Woman sessions"
3939:
Riders on the Storm: My Life with Jim Morrison and the Doors
864:
chart, while managing to peak at number 22 in the UK chart.
6591:(in Finnish) (1st ed.). Helsinki: Tammi. p. 127.
4188:
Waiting for the Sun: A Rock 'n' Roll History of Los Angeles
3606:
The Doors as a group were also given the production credit.
6977:"American album certifications – The Doors – L.A. Woman"
6806:"Canadian album certifications – The Doors – L.A. Woman"
6788:"Austrian album certifications – The Doors – L.A. Woman"
720:" and the line "delicate riders of the storm", taken from
564:
saw the band mixing blues and rock, with some elements of
4595:(1980). "The Rolling Stone: History of Rock & Roll".
6930:"The Official Swiss Charts and Music Community: Awards (
2214:"The WASP (Texas Radio and the Big Beat)" (instrumental)
6905:
Solo Exitos 1959–2002 Ano A Ano: Certificados 1991–1995
4691:"The Story behind the songs of the Doors' last hurrah,
4490:"The Doors' Robby Krieger Sheds Light — Album by Album"
3632:: A Journey Through Psychedelic Rock with Jim Morrison"
2270:
50th Anniversary Second CD: L.A. Woman Sessions, Part 1
323:. Upon release, the album peaked at number nine on the
6523:
Classic Keys: Keyboard Sounds that Launched Rock Music
6472:
The Doors - Sounds for Your Soul - Die Musik Der Doors
5430:
Christgau's Record Guide: Rock Albums of the Seventies
4766:
Riordan, James; Prochnicky, Jerry (October 30, 1992).
3092:
Carl Cossick – album concept and design
2336:
50th Anniversary Third CD: L.A. Woman Sessions, Part 2
2131:"Crawling King Snake" (run-through and studio chatter)
1551:
included it among the 100 top rock albums of the 70s.
1428:
Christgau's Record Guide: Rock Albums of the Seventies
753:
track "Ship of Fools" were included on the 2003 album
388:
in Los Angeles to record early versions of the songs "
6952:"British album certifications – Doors – L.A. Woman"
6878:"Italian album certifications – Doors – L.A. Woman"
4540:
4538:
4536:
4457:"Revisiting the Doors' Last Album with Jim Morrison,
4431:
The Doors: A Lifetime of Listening to Five Mean Years
3531:
Sales+streaming figures based on certification alone.
736:
on December 8, 1970, he felt encouraged to play some
7292:
Live at the Aquarius Theatre: The Second Performance
6824:"French album certifications – Doors – L.A. Woman"
6171:(Media notes). The Doors. Elektra (EKS 75011). 2009.
5152:
Break On Through: The Life and Death of Jim Morrison
5049:
Break On Through: The Life and Death of Jim Morrison
4769:
Break on Through: The Life and Death of Jim Morrison
4104:
Break On Through: The Life and Death of Jim Morrison
4020:
Break On Through: The Life and Death of Jim Morrison
3593:. Hooker claimed that he got the song from bluesman
279:
is the sixth studio album by the American rock band
8005:
7989:
7892:
7860:
7834:
7809:
7784:
7762:
7730:
7691:
7640:
7633:
7560:
7533:
7402:
7284:
Live at the Aquarius Theatre: The First Performance
7239:
7188:
7105:
5700:
5698:
5562:. Farmington Hills, MI: Visible Ink Press. p.
2961:
2953:
2928:
2920:
2836:
2828:
2755:
2747:
2718:
2710:
2670:
2662:
2622:
2614:
2585:
2577:
2351:
2340:
2282:
2274:
2238:
2230:
2205:
2197:
2158:
2150:
2111:
2103:
1958:
1947:
1903:
1892:
1779:
1768:
1683:
1675:
422:, who released the Doors' first compilation album,
223:
174:
155:
143:
127:
106:
98:
90:
75:
62:
48:
7550:When You're Strange: Music from the Motion Picture
6680:(in Dutch). Hung Medien. Retrieved June 21, 2016.
6577:(in Dutch). Hung Medien. Retrieved June 21, 2016.
6125:(Booklet). The Doors. Elektra (EKS-75011-2). 1999.
5644:"L.A Woman (40th Anniversary Edition) – The Doors"
5555:
8086:Light My Fire: A Classic Rock Salute to The Doors
6475:(in German). BoD – Books on Demand. p. 165.
4623:Listen to Classic Rock! Exploring a Musical Genre
3095:Wendell Hamick – cover photography
7507:The Future Starts Here: The Essential Doors Hits
7229:Message to Love: The Isle of Wight Festival 1970
6464:
6462:
6460:
6041:(Booklet). The Doors. Elektra (975 011-2). 1988.
5883:"Rolling Stone: 500 Greatest Albums Of All Time"
1585:and Botnick at Bernie Grundman Mastering, using
1443:, but in a more coherent form. He also believed
749:Madly", "The Changeling", "L.A. Woman", and the
6392:: CS1 maint: others in cite AV media (notes) (
6292:: CS1 maint: others in cite AV media (notes) (
6264:: CS1 maint: others in cite AV media (notes) (
6181:: CS1 maint: others in cite AV media (notes) (
6135:: CS1 maint: others in cite AV media (notes) (
6107:: CS1 maint: others in cite AV media (notes) (
6079:: CS1 maint: others in cite AV media (notes) (
6051:: CS1 maint: others in cite AV media (notes) (
5174:
4579:
4002:
3832:
3527:Shipments figures based on certification alone.
1480:s "more conventional blues". Stephen Dalton of
794:
8079:Night Divides the Day – The Music of the Doors
7300:Backstage and Dangerous: The Private Rehearsal
6628:"Norwegiancharts.com – The Doors – L.A. Woman"
6612:"Offiziellecharts.de – The Doors – L.A. Woman"
6494:
6492:
6441:CAMION BLANC: The Doors Analyse des Influences
6308:"L.A. WOMAN (50TH ANNIVERSARY DELUXE EDITION)"
6201:"L.A. Woman 40th Anniversary Edition – Review"
5589:
5587:
5585:
5583:
4340:"L.A. Woman and the last days of Jim Morrison"
4244:. Penguin Publishing Group. pp. 395–396.
3967:
3965:
3963:
1333:
1257:
957:
919:
712:, during its organ solo. The final track was "
7869:Wilderness: The Lost Writings of Jim Morrison
7047:
6012:Ultimate Classic Rock Staff (March 5, 2015).
5909:entry on the 500 Greatest Albums of All Time"
5848:Hogan, Peter K.; Charlesworth, Chris (1994).
5073:"L.A. Woman and Jim Morrison's Tipping Point"
1156:
1007:
536:, by which time Morrison had moved to Paris.
8:
6767:"ARIA Charts – Accreditations – 2001 Albums"
6740:. Hung Medien. Retrieved December 12, 2021.
6714:"Spanishcharts.com – The Doors – L.A. Woman"
6702:"Italiancharts.com – The Doors – L.A. Woman"
5851:The Complete Guide to the Music of the Doors
5415:
5413:
5359:"L.A. Woman by The Doors Reviews and Tracks"
3585:LP did not indicate a songwriter;. the 2007
2996:"Riders on the Storm" (Sunset Sound version)
2258:"Riders on the Storm" (Sunset Sound version)
2065:"She Smells So Nice" (previously unreleased)
1995:"Cars Hiss by My Window" (alternate version)
1437:The Complete Guide to the Music of The Doors
1403:The album received mostly positive reviews.
1371:
1295:
1219:
1108:
1070:
4156:"Bruce Botnick: The Doors, MC5, Pet Sounds"
3658:
3656:
3654:
3523:Sales figures based on certification alone.
94:December 1970 – January 1971
7925:The Doors – 30 Years Commemorative Edition
7637:
7236:
7054:
7040:
7032:
6750:"Album Top 40 slágerlista – 2022. 37. hét"
6738:"Swisscharts.com – The Doors – L.A. Woman"
6726:"Swisscharts.com – The Doors – L.A. Woman"
5558:MusicHound Rock: The Essential Album Guide
5463:
5461:
5302:The Guide to United States Popular Culture
5212:
5210:
5208:
5150:Riordan, James; Prochnicky, Jerry (2006).
5047:Riordan, James; Prochnicky, Jerry (2006).
4997:"Jim Morrison's Final Show with the Doors"
4990:
4988:
4740:"The Story of the Doors' 'Love Her Madly'"
4362:
4360:
4102:Riordan, James; Prochnicky, Jerry (2006).
4018:Riordan, James; Prochnicky, Jerry (2006).
3345:
3316:
3292:
3208:
3103:
3033: – piano, organ; including
866:
54:
45:
8058:Stoned Immaculate: The Music of The Doors
6981:Recording Industry Association of America
6908:. Solo Exitos 1959–2002 Ano A Ano. 2005.
6852:"Gold-/Platin-Datenbank (The Doors;
6774:Australian Recording Industry Association
6589:Suomi soi 4: Suuri suomalainen listakirja
6575:"Dutchcharts.nl – The Doors – L.A. Woman"
6366:
6364:
5299:Browne, Ray Broadus; Browne, Pat (2001).
4013:
4011:
2904:"The WASP (Texas Radio and the Big Beat)"
2546:"The WASP (Texas Radio and the Big Beat)"
2051:"Riders on the Storm" (alternate version)
1840:"The WASP (Texas Radio and the Big Beat)"
6728:. Hung Medien. Retrieved June 21, 2016.
6716:. Hung Medien. Retrieved June 21, 2016.
6704:. Hung Medien. Retrieved June 21, 2016.
6692:. Hung Medien. Retrieved June 21, 2016.
6690:"Lescharts.com – The Doors – L.A. Woman"
6630:. Hung Medien. Retrieved June 21, 2016.
6521:Lenhoff, Alan; Robertson, David (2019).
6504:Mr. Mojo Risin': The Story of L.A. Woman
4684:
4682:
4649:
4647:
4298:
4296:
4294:
4292:
4290:
4288:
3720:
3718:
3716:
2947:
2914:
2822:
2741:
2704:
2656:
2608:
2571:
2334:
2268:
2224:
2188:
2141:
2094:
1941:
1886:
1762:
1669:
1619:Mr. Mojo Risin': The Story of L.A. Woman
1454:Sal Cinquemani, reviewing the album for
615:Been Down So Long It Looks Like Up to Me
287:. It is the last to feature lead singer
7979:Live at the Isle of Wight Festival 1970
7388:Live at the Isle of Wight Festival 1970
6882:Federazione Industria Musicale Italiana
6443:(in French). Camion Blanc. p. 20.
5596:"L.A. Woman (40th Anniversary Edition)"
4620:Goldsmith, Melissa Ursula Dawn (2019).
4483:
4481:
4369:"L.A. Woman: 10 Things You Didn't Know"
4333:
4331:
4329:
4327:
4325:
4310:(40th Anniversary edition CD booklet).
4071:
4069:
3798:
3796:
3794:
3618:
3557:
3519:
2037:"Been Down So Long" (alternate version)
1867:
1645:Rhino released on April 23, 2022 (as a
6678:"Ultratop.be – The Doors – L.A. Woman"
6385:
6285:
6257:
6174:
6128:
6100:
6072:
6044:
5930:Gallucci, Michael (October 23, 2015).
3626:Charlies, Cosmic (February 17, 2023).
2226:50th Anniversary First CD bonus tracks
1575:. It was remastered again in 1999 for
1547:the twelfth best album of 1971, while
588:opens with the Morrison-penned track "
5958:"The Doors Albums From Worst To Best"
5788:Roberts, Randall (December 6, 2021).
5628:. London. November 2000. p. 124.
4948:(booklet). Elektra Records. CD-61812.
3758:
3756:
1926:"(You Need Meat) Don't Go No Further"
1868:
900:
877:
7:
7649:Break On Through (To the Other Side)
3972:Weidman, Ritchie (October 1, 2011).
3690:
3688:
3686:
1981:"Love Her Madly" (alternate version)
1967:"The Changeling" (alternate version)
5932:"Doors Albums Ranked Worst to Best"
4908:(booklet). Rhino Records. R2-73889.
4772:. HarperCollins. pp. 429–430.
4078:"BAM Interview with Paul Rothchild"
3936:Densmore, John (November 4, 2009).
1943:40th Anniversary edition bonus disc
1335:
1259:
959:
921:
301:. It was recorded without producer
6640:"Doors | Artist | Official Charts"
5705:Cinquemani, Sal (April 17, 2007).
5554:; Durchholz, Daniel, eds. (1999).
5278:. First Media Books. p. 356.
5274:Holzman, Jac; Daws, Gavan (1998).
5188:"Doors Interactive History – 1970"
5154:. First Harper. pp. 438–439.
4712:Dukes, Billy (September 9, 2011).
4545:Inman, David (February 20, 2012).
4516:"No. 18: The Doors – 'L.A. Woman'"
4367:Runtagh, Jordan (April 19, 2016).
4022:. First Harper. pp. 420–423.
3772:– 40th Anniversary Edition Review"
1625:also reissued the album on hybrid
1593:version of the album, released on
1158:
1009:
873:Retrospective professional ratings
732:After Morrison recorded poetry at
25:
7593:Boot Yer Butt: The Doors Bootlegs
7419:Weird Scenes Inside the Gold Mine
7316:Boot Yer Butt: The Doors Bootlegs
5728:Moody, Paul (December 17, 2021).
5519:Ferrier, Aimee (April 29, 2023).
4823:"The Doors – 'L.A. Woman' Review"
4241:Jim Morrison: Life, Death, Legend
3850:Jim Morrison: Life, Death, Legend
2079:"Rock Me" (previously unreleased)
1373:
1297:
1221:
1110:
1072:
762:On December 12, the Doors played
756:Boot Yer Butt: The Doors Bootlegs
710:Polonaise in A-flat major, Op. 53
644:for Jim Morrison: "Mr. Mojo Risin
283:, released on April 19, 1971, by
34:. For the album by Zane One, see
8178:Albums produced by John Densmore
8168:Albums produced by Robby Krieger
8158:Albums produced by Bruce Botnick
8120:
8119:
7268:Bright Midnight: Live in America
6940:. IFPI Switzerland. Hung Medien.
6756:. Retrieved September 23, 2022.
5911:. rollingstone.com. May 31, 2012
5760:Meltzer, Robert (May 27, 1971).
5734:50th Anniversary Deluxe Edition"
5594:Wisnicki, Nathan (May 6, 2012).
5454:– via robertchristgau.com.
4995:Bray, Ryan (December 13, 2013).
4654:Weiss, Jeff (January 19, 2012).
4514:Swanson, Dave (April 25, 2012).
3664:"The Doors – Chart Positionings"
3011:Details are taken from the 2007
2567:special edition quadruple vinyl)
2009:"L.A. Woman" (alternate version)
1392:
1387:
1382:
1377:
1372:
1354:
1349:
1344:
1339:
1334:
1316:
1311:
1306:
1301:
1296:
1278:
1273:
1268:
1263:
1258:
1240:
1235:
1230:
1225:
1220:
1202:
1197:
1192:
1187:
1182:
1177:
1172:
1167:
1162:
1157:
1129:
1124:
1119:
1114:
1109:
1091:
1086:
1081:
1076:
1071:
1053:
1048:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
978:
973:
968:
963:
958:
940:
935:
930:
925:
920:
102:The Doors' Workshop, Los Angeles
8173:Albums produced by Ray Manzarek
8163:Albums produced by Jim Morrison
6527:University of North Texas Press
4964:"The Making of Jim Morrision's
4923:. IPG Books. pp. 318–319.
4881:. IPG Books. pp. 314–315.
4271:. Backbeat Books. p. 123.
4191:. Backbeat Books. p. 189.
1522:500 Greatest Albums of All Time
686:, and the only work during the
636:closes its first side with the
338:" also achieved chart success.
7577:The Complete Studio Recordings
6382:. 1971. Back cover. EKS-75011.
5305:. Popular Press. p. 248.
4944:Lisciandro, Katherine (1995).
4488:Paul, Alan (January 8, 2016).
4455:Giles, Jeff (April 19, 2015).
2954:
2921:
2829:
2748:
2711:
2663:
2615:
2578:
2341:
2275:
2231:
2198:
2151:
2104:
1948:
1893:
1769:
1676:
1578:The Complete Studio Recordings
412:, was well-received, noted by
27:1971 studio album by the Doors
1:
6956:British Phonographic Industry
5854:. Omnibus Press. p. 67.
5491:Encyclopedia of Popular Music
5051:. First Harper. p. 457.
4689:Allen, Jim (April 19, 2016).
4434:. PublicAffairs. p. 16.
4106:. First Harper. p. 299.
4082:archived.waitingforthesun.net
3944:Random House Publishing Group
3882:"Interview with Jim Morrison"
3051: – lead guitar
1290:The Rolling Stone Album Guide
1065:Encyclopedia of Popular Music
330:and reached number 28 on the
7704:We Could Be So Good Together
6864:Bundesverband Musikindustrie
6550:"Top RPM Albums: Issue 5187"
6469:Gerstenmeyer, Heinz (2001).
5956:Leas, Ryan (July 29, 2015).
4714:"The Doors "Love Her Madly""
3334:
3310:
3286:
3274:
3262:
3250:
3238:
3226:
3202:
3188:
3173:
3161:
3135:
3123:
3089: – production
2970:"Been Down So Long (Part 3)"
2937:"Been Down So Long (Part 2)"
2516:"Been Down So Long (Part 2)"
2456:"Been Down So Long (Part 1)"
451:, having worked with her on
7252:The Bright Midnight Sampler
6668:. Retrieved June 21, 2016.
6646:. Retrieved June 21, 2016.
6618:. Retrieved June 21, 2016.
6562:. Retrieved June 21, 2016.
6560:Library and Archives Canada
5985:"The Top 20 Albums of 1971"
5175:Hopkins & Sugerman 1980
4921:Love Becomes a Funeral Pyre
4879:Love Becomes a Funeral Pyre
4580:Hopkins & Sugerman 1980
4132:Love Becomes a Funeral Pyre
4003:Hopkins & Sugerman 1980
3833:Hopkins & Sugerman 1980
445:Love Becomes a Funeral Pyre
8199:
8097:Patricia Kennealy-Morrison
7883:No One Here Gets Out Alive
7585:No One Here Gets Out Alive
7499:The Very Best of The Doors
7483:The Very Best of The Doors
7213:Live at the Hollywood Bowl
7014:No One Here Gets Out Alive
6656:"The Doors Chart History (
6410:; van Singel, Amy (2002).
6014:"Top 100 '70s Rock Albums"
5385:Reed, Ryan (May 9, 2012).
5334:"Jim Morrison – Biography"
4393:Paul, Alan (May 7, 2012).
4134:. IPG Books. p. 310.
2860:"Get Out of My Life Woman"
2470:"Get Out of My Life Woman"
1888:2006 Remaster bonus tracks
482:advertisement, May 1, 1971
29:
8115:
8072:HWY: An American Pastoral
7909:A Tribute to Jim Morrison
7600:Love/Death/Travel Box Set
7491:Legacy: The Absolute Best
7069:
5837:– via Thedoors.com.
5391:40th Anniversary Edition"
4905:Legacy: The Absolute Best
4856:. Hachette. p. 265.
3696:"DOORS – Official Charts"
3520:
3505:
3490:
3475:
3460:
3439:
3424:
3409:
3394:
3379:
3364:
3356:
3353:
3350:
3322:
3319:
3298:
3295:
3214:
3211:
3109:
3106:
3041:on "Love Her Madly", and
2992:
2977:
2966:
2958:
2933:
2925:
2900:
2889:
2878:
2867:
2856:
2841:
2833:
2808:
2797:
2786:
2771:
2760:
2752:
2723:
2715:
2686:
2679:"Love Her Madly (Part 2)"
2675:
2667:
2638:
2631:"The Changeling (Part 2)"
2627:
2619:
2590:
2582:
2542:
2526:
2512:
2498:
2482:
2466:
2452:
2438:
2422:
2404:
2384:
2370:
2356:
2348:
2345:
2320:
2309:
2298:
2287:
2279:
2254:
2243:
2235:
2210:
2202:
2178:"The Changeling" (take 9)
2174:
2167:"Love Her Madly" (take 1)
2163:
2155:
2127:
2116:
2108:
2075:
2061:
2047:
2033:
2019:
2005:
1991:
1977:
1963:
1955:
1952:
1922:
1908:
1900:
1897:
1850:
1836:
1816:
1798:
1784:
1776:
1773:
1744:
1733:
1718:
1703:
1688:
1680:
1604:box set. This edition of
1516:was ranked number 362 on
908:
905:
885:
882:
872:
692:Celebration of the Lizard
268:
234:
219:
182:
53:
7615:The Doors: Vinyl Box Set
7324:Live in Philadelphia '70
6616:GfK Entertainment Charts
6508:Eagle Rock Entertainment
6197:Erlewine, Stephen Thomas
5762:"L.A. Woman – The Doors"
5671:"The Doors: Album Guide"
5425:"Consumer Guide '70s: D"
5100:"Boot Yer Butt – Review"
4547:"The Doors 'L.A. Woman'"
4265:Weidman, Richie (2011).
3027: – vocals
1737:"Cars Hiss by My Window"
1520:magazine's list of the "
990:Christgau's Record Guide
79:April 19, 1971
8102:George Stephen Morrison
7933:Soundstage Performances
7515:The Platinum Collection
7348:Live at the Matrix 1967
7340:Live in Pittsburgh 1970
5130:ultimateclassicrock.com
4718:Ultimateclassicrock.com
4699:Ultimateclassicrock.com
4238:Davis, Stephen (2005).
3564:With the exception of "
3115:Canada Top Albums/CDs (
2247:"Hyacinth House" (demo)
718:Ghost Riders in the Sky
572:of their early career.
8183:Elektra Records albums
7364:Live in Vancouver 1970
6826:(in French). InfoDisc.
4552:Americansongwriter.com
3070: – bass
2801:"Baby Please Don't Go"
2426:"Baby Please Don't Go"
1567:reissued the album on
1555:Reissues and remasters
852:
810:
746:Isle of Wight FestivaI
662:Michelangelo Antonioni
604:", a song inspired by
483:
386:Sunset Sound Recorders
366:
18:Cars Hiss by My Window
8018:Rick & the Ravens
7475:The Best of The Doors
7451:The Best of The Doors
7427:The Best of The Doors
6018:Ultimate Classic Rock
5936:Ultimate Classic Rock
5488:(2011). "The Doors".
5124:Whittaker, Sterling.
5098:Unterberger, Richie.
4902:McLee, David (2003).
4520:Ultimate Classic Rock
4465:Ultimate Classic Rock
3906:Unterberger, Richie.
2871:"Crawling King Snake"
2812:"L.A. Woman (Part 2)"
2486:"Crawling King Snake"
2442:"L.A. Woman (Part 3)"
2360:"L.A. Woman (Part 2)"
2324:"L.A. Woman (Part 1)"
2313:"Riders on the Storm"
2120:"L.A. Woman" (take 1)
1912:"Orange County Suite"
1549:Ultimate Classic Rock
1527:Ultimate Classic Rock
842:
790:Release and reception
742:State Fair Music Hall
506:and rhythm guitarist
476:
443:revealed in the book
364:
8065:Barbaturex morrisoni
8051:The Lost Paris Tapes
7997:Roadhouse Blues Tour
7372:Live at the Bowl '68
6587:Nyman, Jake (2005).
6339:. February 16, 2022.
5642:(February 2, 2012).
5435:Ticknor & Fields
5387:"Review: The Doors:
3982:. pp. 382–383.
3804:"The Miami Incident"
3546:Outline of the Doors
3062:Additional musicians
2764:"She Smells So Nice"
2374:"She Smells So Nice"
1623:Analogue Productions
1565:DCC Compact Classics
868:Professional ratings
596:" and the non-album
247:Released: March 1971
7947:When You're Strange
7940:Live in Europe 1968
7800:Riders on the Storm
7746:Tell All the People
7700:The Unknown Soldier
7130:Waiting for the Sun
6388:cite AV media notes
6288:cite AV media notes
6260:cite AV media notes
6232:. November 19, 2011
6177:cite AV media notes
6131:cite AV media notes
6103:cite AV media notes
6075:cite AV media notes
6047:cite AV media notes
5993:. February 12, 2021
5709:. slantmagazine.com
5396:American Songwriter
5255:on October 16, 2014
5027:The Dallas Observer
4919:Wall, Mick (2015).
4877:Wall, Mick (2015).
3726:Unterberger, Richie
3347:
3306:Schweizer Hitparade
3282:Schweizer Hitparade
2950:
2917:
2825:
2744:
2707:
2692:Riders on the Storm
2659:
2611:
2574:
2561:L.A. Woman Sessions
2337:
2271:
2227:
2194:
2147:
2100:
1944:
1889:
1856:Riders on the Storm
1822:Crawling King Snake
1765:
1672:
1651:L.A. Woman Sessions
1639:L.A. Woman Sessions
1415:New Musical Express
952:American Songwriter
869:
847:, photographed in "
714:Riders on the Storm
658:Crawling King Snake
525:Crawling King Snake
394:Riders on the Storm
336:Riders on the Storm
260:Released: June 1971
255:Riders on the Storm
7901:The Doors Are Open
7876:The American Night
7671:People Are Strange
7569:The Doors: Box Set
7467:Essential Rarities
7443:The Doors Classics
7178:An American Prayer
5885:. rockonthenet.com
5683:on January 6, 2013
5021:Wilonsky, Robert.
4966:An American Prayer
4946:An American Prayer
3880:(March 30, 1970).
3854:Penguin Publishing
3700:Officialcharts.com
3346:
3328:Hungarian Albums (
3167:Norwegian Albums (
3157:Offizielle Top 100
2948:
2915:
2823:
2742:
2705:
2657:
2609:
2572:
2335:
2269:
2225:
2189:
2142:
2095:
1942:
1887:
1763:
1670:
1499:Richie Unterberger
867:
853:
800:was our last album
484:
461:with Botnick, the
367:
343:Richie Unterberger
341:Critics including
294:An American Prayer
8135:
8134:
8107:Paul A. Rothchild
7856:
7855:
7710:Hello, I Love You
7678:Love Me Two Times
7398:
7397:
7308:Live in Hollywood
7024:978-0-446-60228-0
7017:. Grand Central.
6536:978-1-57441-776-0
6482:978-3-8311-2057-4
6425:978-0-415-93654-5
6153:(DVD-A booklet).
5861:978-0-7119-3527-3
5821:(Elektra) Review"
5795:Los Angeles Times
5505:978-0-85712-595-8
5421:Christgau, Robert
5312:978-0-87972-821-2
5161:978-0-688-11915-7
5058:978-0-688-11915-7
4962:(July 23, 2013).
4930:978-1-61373-408-7
4888:978-1-61373-408-7
4821:Planer, Lindsay.
4779:978-0-688-11915-7
4597:The Rolling Stone
4441:978-1-61039-236-5
4428:(April 9, 2013).
4278:978-1-61713-110-3
4251:978-1-59240-099-7
4212:Junior, Chris M.
4198:978-0-87930-943-5
4141:978-1-61373-408-7
4113:978-0-688-11915-7
4029:978-0-688-11915-7
3989:978-1-61713-110-3
3953:978-0-307-42902-5
3537:
3536:
3532:
3528:
3524:
3450:
3448:sales since 2009
3339:
3338:
3315:
3314:
3291:
3290:
3207:
3206:
3144:Soumen Virallinen
3003:
3002:
2944:
2943:
2911:
2910:
2847:Been Down So Long
2819:
2818:
2790:"Mr. Mojo Risin'"
2738:
2737:
2701:
2700:
2653:
2652:
2605:
2604:
2556:
2555:
2331:
2330:
2265:
2264:
2221:
2220:
2185:
2184:
2138:
2137:
2091:
2090:
1938:
1937:
1878:
1877:
1759:
1758:
1724:Been Down So Long
1537:Online newspaper
1401:
1400:
843:Golden Award for
734:Village Recorders
728:Live performances
626:, Krieger wrote "
602:Been Down So Long
433:Paul A. Rothchild
303:Paul A. Rothchild
272:
271:
215:
214:
32:L.A. Woman (song)
16:(Redirected from
8190:
8148:The Doors albums
8123:
8122:
8038:Manzarek–Krieger
8006:Related articles
7971:Feast of Friends
7955:Live at the Bowl
7771:You Make Me Real
7664:The Crystal Ship
7653:End of the Night
7638:
7356:Live in New York
7237:
7205:Alive, She Cried
7056:
7049:
7042:
7033:
7028:
6992:
6991:
6989:
6987:
6973:
6967:
6966:
6964:
6962:
6948:
6942:
6941:
6937:
6933:
6926:
6920:
6919:
6900:
6894:
6892:
6890:
6888:
6874:
6868:
6867:
6859:
6855:
6848:
6842:
6840:
6827:
6820:
6814:
6813:
6802:
6796:
6795:
6784:
6778:
6777:
6771:
6763:
6757:
6752:(in Hungarian).
6747:
6741:
6735:
6729:
6723:
6717:
6711:
6705:
6699:
6693:
6687:
6681:
6675:
6669:
6653:
6647:
6637:
6631:
6625:
6619:
6609:
6603:
6602:
6584:
6578:
6572:
6563:
6547:
6541:
6540:
6518:
6512:
6511:
6496:
6487:
6486:
6466:
6455:
6454:
6439:Terrail, Johan.
6436:
6430:
6429:
6404:
6398:
6397:
6391:
6383:
6368:
6359:
6358:
6347:
6341:
6340:
6329:
6323:
6322:
6320:
6318:
6304:
6298:
6297:
6291:
6283:
6276:
6270:
6269:
6263:
6255:
6248:
6242:
6241:
6239:
6237:
6222:
6216:
6215:
6213:
6211:
6193:
6187:
6186:
6180:
6172:
6165:
6159:
6158:
6157:. 2000. 62612-9.
6147:
6141:
6140:
6134:
6126:
6119:
6113:
6112:
6106:
6098:
6091:
6085:
6084:
6078:
6070:
6063:
6057:
6056:
6050:
6042:
6035:
6029:
6028:
6026:
6024:
6009:
6003:
6002:
6000:
5998:
5981:
5975:
5974:
5972:
5970:
5953:
5947:
5946:
5944:
5942:
5927:
5921:
5920:
5918:
5916:
5901:
5895:
5894:
5892:
5890:
5879:
5873:
5872:
5870:
5868:
5845:
5839:
5838:
5836:
5834:
5813:
5807:
5806:
5804:
5802:
5785:
5779:
5778:
5776:
5774:
5757:
5751:
5750:
5748:
5746:
5725:
5719:
5718:
5716:
5714:
5702:
5693:
5692:
5690:
5688:
5679:. Archived from
5676:rollingstone.com
5667:
5661:
5660:
5658:
5656:
5636:
5630:
5629:
5619:
5613:
5612:
5610:
5608:
5591:
5578:
5577:
5561:
5548:
5542:
5541:
5539:
5537:
5516:
5510:
5509:
5494:(5th ed.).
5482:
5476:
5475:
5465:
5456:
5455:
5453:
5451:
5417:
5408:
5407:
5405:
5403:
5382:
5376:
5375:
5373:
5371:
5355:
5349:
5348:
5346:
5344:
5330:
5324:
5323:
5321:
5319:
5296:
5290:
5289:
5271:
5265:
5264:
5262:
5260:
5251:. Archived from
5240:
5234:
5233:
5231:
5229:
5214:
5203:
5202:
5200:
5198:
5192:doorshistory.com
5184:
5178:
5172:
5166:
5165:
5147:
5141:
5140:
5138:
5136:
5121:
5115:
5114:
5112:
5110:
5095:
5089:
5088:
5086:
5084:
5069:
5063:
5062:
5044:
5038:
5037:
5035:
5033:
5018:
5012:
5011:
5009:
5007:
4992:
4983:
4982:
4980:
4978:
4956:
4950:
4949:
4941:
4935:
4934:
4916:
4910:
4909:
4899:
4893:
4892:
4874:
4868:
4867:
4844:
4838:
4837:
4835:
4833:
4818:
4812:
4811:
4809:
4807:
4794:"Mr Mojo Risin'"
4790:
4784:
4783:
4763:
4757:
4756:
4754:
4752:
4735:
4729:
4728:
4726:
4724:
4709:
4703:
4702:
4686:
4677:
4676:
4674:
4672:
4651:
4642:
4641:
4617:
4611:
4610:
4589:
4583:
4577:
4564:
4563:
4561:
4559:
4542:
4531:
4530:
4528:
4526:
4511:
4505:
4504:
4502:
4500:
4485:
4476:
4475:
4473:
4471:
4452:
4446:
4445:
4422:
4416:
4415:
4413:
4411:
4390:
4384:
4383:
4381:
4379:
4373:Rollingstone.com
4364:
4355:
4354:
4352:
4350:
4335:
4320:
4319:
4300:
4283:
4282:
4262:
4256:
4255:
4235:
4229:
4228:
4226:
4224:
4209:
4203:
4202:
4179:
4173:
4172:
4170:
4168:
4152:
4146:
4145:
4124:
4118:
4117:
4099:
4093:
4092:
4090:
4088:
4076:Jackson, Blair.
4073:
4064:
4063:
4061:
4059:
4040:
4034:
4033:
4015:
4006:
4000:
3994:
3993:
3969:
3958:
3957:
3933:
3927:
3926:
3924:
3922:
3903:
3897:
3896:
3894:
3892:
3874:
3868:
3867:
3842:
3836:
3830:
3824:
3823:
3821:
3819:
3814:on June 28, 2012
3810:. Archived from
3800:
3789:
3788:
3786:
3784:
3760:
3751:
3750:
3748:
3746:
3722:
3711:
3710:
3708:
3706:
3692:
3681:
3680:
3678:
3676:
3660:
3649:
3648:
3646:
3644:
3623:
3607:
3604:
3598:
3579:
3573:
3562:
3530:
3526:
3522:
3491:United Kingdom (
3446:
3348:
3317:
3293:
3268:Spanish Albums (
3256:Italian Albums (
3220:Belgian Albums (
3209:
3141:Finnish Albums (
3104:
2956:
2951:
2923:
2918:
2831:
2826:
2750:
2745:
2713:
2708:
2665:
2660:
2617:
2612:
2580:
2575:
2430:Big Joe Williams
2411:
2343:
2338:
2302:"Love Her Madly"
2291:"The Changeling"
2277:
2272:
2233:
2228:
2200:
2195:
2153:
2148:
2106:
2101:
1950:
1945:
1895:
1890:
1871:
1771:
1766:
1678:
1673:
1479:
1472:
1433:Robert Christgau
1411:
1397:
1396:
1395:
1391:
1390:
1386:
1385:
1381:
1380:
1376:
1375:
1359:
1358:
1357:
1353:
1352:
1348:
1347:
1343:
1342:
1338:
1337:
1321:
1320:
1319:
1315:
1314:
1310:
1309:
1305:
1304:
1300:
1299:
1283:
1282:
1281:
1277:
1276:
1272:
1271:
1267:
1266:
1262:
1261:
1245:
1244:
1243:
1239:
1238:
1234:
1233:
1229:
1228:
1224:
1223:
1207:
1206:
1205:
1201:
1200:
1196:
1195:
1191:
1190:
1186:
1185:
1181:
1180:
1176:
1175:
1171:
1170:
1166:
1165:
1161:
1160:
1134:
1133:
1132:
1128:
1127:
1123:
1122:
1118:
1117:
1113:
1112:
1096:
1095:
1094:
1090:
1089:
1085:
1084:
1080:
1079:
1075:
1074:
1058:
1057:
1056:
1052:
1051:
1047:
1046:
1042:
1041:
1037:
1036:
1032:
1031:
1027:
1026:
1022:
1021:
1017:
1016:
1012:
1011:
983:
982:
981:
977:
976:
972:
971:
967:
966:
962:
961:
945:
944:
943:
939:
938:
934:
933:
929:
928:
924:
923:
878:Aggregate scores
870:
830:UK Albums Charts
814:
803:
647:
560:. Artistically,
431:Record producer
261:
258:
248:
245:
184:
183:
139:
138:
134:
120:psychedelic rock
86:
84:
58:
46:
39:(Zane One album)
21:
8198:
8197:
8193:
8192:
8191:
8189:
8188:
8187:
8138:
8137:
8136:
8131:
8111:
8001:
7985:
7888:
7852:
7847:Moonlight Drive
7830:
7805:
7780:
7775:Roadhouse Blues
7758:
7726:
7687:
7682:Moonlight Drive
7629:
7556:
7529:
7394:
7380:London Fog 1966
7260:Live in Detroit
7243:
7241:
7235:
7197:Absolutely Live
7184:
7138:The Soft Parade
7101:
7065:
7060:
7025:
7009:Sugerman, Danny
7003:
7000:
6995:
6985:
6983:
6975:
6974:
6970:
6960:
6958:
6950:
6949:
6945:
6935:
6931:
6928:
6927:
6923:
6916:
6902:
6901:
6897:
6886:
6884:
6876:
6875:
6871:
6857:
6853:
6850:
6849:
6845:
6838:
6822:
6821:
6817:
6804:
6803:
6799:
6786:
6785:
6781:
6769:
6765:
6764:
6760:
6748:
6744:
6736:
6732:
6724:
6720:
6712:
6708:
6700:
6696:
6688:
6684:
6676:
6672:
6654:
6650:
6644:UK Albums Chart
6638:
6634:
6626:
6622:
6610:
6606:
6599:
6586:
6585:
6581:
6573:
6566:
6548:
6544:
6537:
6529:. p. 234.
6520:
6519:
6515:
6498:
6497:
6490:
6483:
6468:
6467:
6458:
6451:
6438:
6437:
6433:
6426:
6418:. p. 208.
6406:
6405:
6401:
6384:
6380:Elektra Records
6374:(Liner notes).
6370:
6369:
6362:
6349:
6348:
6344:
6331:
6330:
6326:
6316:
6314:
6312:Store.rhino.com
6306:
6305:
6301:
6284:
6278:
6277:
6273:
6256:
6250:
6249:
6245:
6235:
6233:
6230:Consequencw.net
6224:
6223:
6219:
6209:
6207:
6195:
6194:
6190:
6173:
6167:
6166:
6162:
6149:
6148:
6144:
6127:
6121:
6120:
6116:
6099:
6093:
6092:
6088:
6071:
6065:
6064:
6060:
6043:
6037:
6036:
6032:
6022:
6020:
6011:
6010:
6006:
5996:
5994:
5990:The Independent
5983:
5982:
5978:
5968:
5966:
5955:
5954:
5950:
5940:
5938:
5929:
5928:
5924:
5914:
5912:
5903:
5902:
5898:
5888:
5886:
5881:
5880:
5876:
5866:
5864:
5862:
5847:
5846:
5842:
5832:
5830:
5829:. July 10, 1971
5815:
5814:
5810:
5800:
5798:
5787:
5786:
5782:
5772:
5770:
5759:
5758:
5754:
5744:
5742:
5727:
5726:
5722:
5712:
5710:
5704:
5703:
5696:
5686:
5684:
5669:
5668:
5664:
5654:
5652:
5638:
5637:
5633:
5621:
5620:
5616:
5606:
5604:
5593:
5592:
5581:
5574:
5550:
5549:
5545:
5535:
5533:
5518:
5517:
5513:
5506:
5484:
5483:
5479:
5467:
5466:
5459:
5449:
5447:
5445:
5419:
5418:
5411:
5401:
5399:
5384:
5383:
5379:
5369:
5367:
5357:
5356:
5352:
5342:
5340:
5332:
5331:
5327:
5317:
5315:
5313:
5298:
5297:
5293:
5286:
5273:
5272:
5268:
5258:
5256:
5242:
5241:
5237:
5227:
5225:
5223:mildequator.com
5216:
5215:
5206:
5196:
5194:
5186:
5185:
5181:
5173:
5169:
5162:
5149:
5148:
5144:
5134:
5132:
5123:
5122:
5118:
5108:
5106:
5097:
5096:
5092:
5082:
5080:
5071:
5070:
5066:
5059:
5046:
5045:
5041:
5031:
5029:
5020:
5019:
5015:
5005:
5003:
5001:consequence.net
4994:
4993:
4986:
4976:
4974:
4958:
4957:
4953:
4943:
4942:
4938:
4931:
4918:
4917:
4913:
4901:
4900:
4896:
4889:
4876:
4875:
4871:
4864:
4846:
4845:
4841:
4831:
4829:
4820:
4819:
4815:
4805:
4803:
4802:. June 29, 2011
4792:
4791:
4787:
4780:
4765:
4764:
4760:
4750:
4748:
4737:
4736:
4732:
4722:
4720:
4711:
4710:
4706:
4688:
4687:
4680:
4670:
4668:
4653:
4652:
4645:
4638:
4619:
4618:
4614:
4607:
4599:. p. 281.
4591:
4590:
4586:
4578:
4567:
4557:
4555:
4544:
4543:
4534:
4524:
4522:
4513:
4512:
4508:
4498:
4496:
4487:
4486:
4479:
4469:
4467:
4454:
4453:
4449:
4442:
4424:
4423:
4419:
4409:
4407:
4392:
4391:
4387:
4377:
4375:
4366:
4365:
4358:
4348:
4346:
4337:
4336:
4323:
4302:
4301:
4286:
4279:
4264:
4263:
4259:
4252:
4237:
4236:
4232:
4222:
4220:
4218:Goldminerag.com
4211:
4210:
4206:
4199:
4183:Hoskyns, Barney
4181:
4180:
4176:
4166:
4164:
4154:
4153:
4149:
4142:
4126:
4125:
4121:
4114:
4101:
4100:
4096:
4086:
4084:
4075:
4074:
4067:
4057:
4055:
4042:
4041:
4037:
4030:
4017:
4016:
4009:
4001:
3997:
3990:
3971:
3970:
3961:
3954:
3935:
3934:
3930:
3920:
3918:
3910:The Soft Parade
3905:
3904:
3900:
3890:
3888:
3876:
3875:
3871:
3864:
3856:. p. 181.
3844:
3843:
3839:
3831:
3827:
3817:
3815:
3802:
3801:
3792:
3782:
3780:
3764:Quantick, David
3762:
3761:
3754:
3744:
3742:
3724:
3723:
3714:
3704:
3702:
3694:
3693:
3684:
3674:
3672:
3662:
3661:
3652:
3642:
3640:
3625:
3624:
3620:
3616:
3611:
3610:
3605:
3601:
3591:John Lee Hooker
3589:edition listed
3583:Elektra Records
3580:
3576:
3563:
3559:
3554:
3542:
3529:
3525:
3506:United States (
3445:
3358:Certified units
3344:
3244:French Albums (
3155:German Albums (
3102:
3039:Vox Continental
3009:
3004:
2945:
2912:
2893:"Mystery Train"
2820:
2739:
2702:
2654:
2606:
2569:
2557:
2530:"Mystery Train"
2490:John Lee Hooker
2474:Allen Toussaint
2409:
2408:"Mr. Mojo Risin
2332:
2266:
2222:
2186:
2139:
2092:
1939:
1884:
1879:
1869:
1828:John Lee Hooker
1760:
1664:
1659:
1643:
1641:special edition
1583:Bernie Grundman
1557:
1540:The Independent
1477:
1470:
1409:
1393:
1388:
1383:
1378:
1355:
1350:
1345:
1340:
1317:
1312:
1307:
1302:
1279:
1274:
1269:
1264:
1241:
1236:
1231:
1226:
1203:
1198:
1193:
1188:
1183:
1178:
1173:
1168:
1163:
1130:
1125:
1120:
1115:
1092:
1087:
1082:
1077:
1054:
1049:
1044:
1039:
1034:
1029:
1024:
1019:
1014:
979:
974:
969:
964:
941:
936:
931:
926:
816:
812:
801:
792:
730:
706:Frédéric Chopin
700:also features "
676:Zabriskie Point
671:Zabriskie Point
654:
645:
583:
578:
542:
498:For recording,
489:studio monitors
471:
420:Elektra Records
403:The Soft Parade
379:Ben Fong-Torres
359:
332:UK Albums Chart
285:Elektra Records
264:
259:
252:
251:
246:
239:
238:
210:
201:
192:
136:
132:
131:
82:
80:
71:
42:
28:
23:
22:
15:
12:
11:
5:
8196:
8194:
8186:
8185:
8180:
8175:
8170:
8165:
8160:
8155:
8150:
8140:
8139:
8133:
8132:
8130:
8129:
8116:
8113:
8112:
8110:
8109:
8104:
8099:
8094:
8092:Pamela Courson
8089:
8082:
8075:
8068:
8061:
8054:
8047:
8040:
8035:
8030:
8028:Danny Sugerman
8025:
8020:
8015:
8009:
8007:
8003:
8002:
8000:
7999:
7993:
7991:
7987:
7986:
7984:
7983:
7975:
7967:
7959:
7951:
7943:
7937:
7929:
7921:
7913:
7905:
7896:
7894:
7893:Video and film
7890:
7889:
7887:
7886:
7879:
7872:
7864:
7862:
7858:
7857:
7854:
7853:
7851:
7850:
7838:
7836:
7832:
7831:
7829:
7828:
7821:
7813:
7811:
7807:
7806:
7804:
7803:
7796:
7793:Love Her Madly
7788:
7786:
7782:
7781:
7779:
7778:
7766:
7764:
7760:
7759:
7757:
7756:
7749:
7742:
7739:Wishful Sinful
7734:
7732:
7728:
7727:
7725:
7724:
7717:
7706:
7695:
7693:
7689:
7688:
7686:
7685:
7674:
7667:
7656:
7644:
7642:
7635:
7631:
7630:
7628:
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7619:
7611:
7603:
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7558:
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7554:
7546:
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7531:
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7528:
7527:
7519:
7511:
7503:
7495:
7487:
7479:
7471:
7463:
7455:
7447:
7439:
7431:
7423:
7415:
7406:
7404:
7400:
7399:
7396:
7395:
7393:
7392:
7384:
7376:
7368:
7360:
7352:
7344:
7336:
7332:Live in Boston
7328:
7320:
7312:
7304:
7296:
7288:
7280:
7272:
7264:
7256:
7247:
7245:
7234:
7233:
7225:
7217:
7209:
7201:
7192:
7190:
7186:
7185:
7183:
7182:
7174:
7166:
7158:
7150:
7146:Morrison Hotel
7142:
7134:
7126:
7118:
7109:
7107:
7103:
7102:
7100:
7099:
7092:
7085:
7078:
7070:
7067:
7066:
7061:
7059:
7058:
7051:
7044:
7036:
7030:
7029:
7023:
7005:Hopkins, Jerry
6999:
6996:
6994:
6993:
6968:
6943:
6921:
6914:
6895:
6880:(in Italian).
6869:
6843:
6815:
6797:
6779:
6758:
6742:
6730:
6718:
6706:
6694:
6682:
6670:
6648:
6632:
6620:
6604:
6597:
6579:
6564:
6542:
6535:
6513:
6488:
6481:
6456:
6450:978-2357794177
6449:
6431:
6424:
6399:
6360:
6342:
6324:
6299:
6271:
6243:
6217:
6188:
6160:
6142:
6114:
6086:
6058:
6030:
6004:
5976:
5948:
5922:
5896:
5874:
5860:
5840:
5808:
5780:
5752:
5720:
5707:"Album Review"
5694:
5662:
5631:
5622:"L.A. Woman".
5614:
5579:
5572:
5543:
5511:
5504:
5477:
5457:
5443:
5409:
5377:
5350:
5325:
5311:
5291:
5284:
5266:
5249:musicradar.com
5235:
5217:Gunn, Gordon.
5204:
5179:
5177:, p. 309.
5167:
5160:
5142:
5116:
5090:
5079:. July 4, 2013
5064:
5057:
5039:
5013:
4984:
4951:
4936:
4929:
4911:
4894:
4887:
4869:
4863:978-0316243544
4862:
4848:Krieger, Robby
4839:
4813:
4785:
4778:
4758:
4730:
4704:
4678:
4643:
4637:978-1440865787
4636:
4630:. p. 95.
4612:
4605:
4584:
4582:, p. 295.
4565:
4532:
4506:
4477:
4447:
4440:
4417:
4385:
4356:
4321:
4304:Botnick, Bruce
4284:
4277:
4257:
4250:
4230:
4204:
4197:
4174:
4147:
4140:
4119:
4112:
4094:
4065:
4035:
4028:
4007:
4005:, p. 318.
3995:
3988:
3980:Backbeat Books
3959:
3952:
3946:. p. 70.
3928:
3898:
3869:
3862:
3846:Davis, Stephen
3837:
3835:, p. 190.
3825:
3790:
3752:
3712:
3682:
3650:
3617:
3615:
3612:
3609:
3608:
3599:
3574:
3566:Hyacinth House
3556:
3555:
3553:
3550:
3549:
3548:
3541:
3538:
3535:
3534:
3518:
3517:
3514:
3511:
3503:
3502:
3499:
3496:
3488:
3487:
3484:
3481:
3473:
3472:
3469:
3466:
3458:
3457:
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3433:
3430:
3422:
3421:
3418:
3415:
3407:
3406:
3403:
3400:
3392:
3391:
3388:
3385:
3377:
3376:
3373:
3370:
3362:
3361:
3355:
3352:
3343:
3342:Certifications
3340:
3337:
3336:
3333:
3325:
3324:
3321:
3313:
3312:
3309:
3304:Swiss Albums (
3301:
3300:
3297:
3289:
3288:
3285:
3280:Swiss Albums (
3277:
3276:
3273:
3265:
3264:
3261:
3253:
3252:
3249:
3241:
3240:
3237:
3232:Dutch Albums (
3229:
3228:
3225:
3217:
3216:
3213:
3205:
3204:
3201:
3191:
3190:
3187:
3176:
3175:
3172:
3164:
3163:
3160:
3152:
3151:
3148:
3138:
3137:
3134:
3129:Dutch Albums (
3126:
3125:
3122:
3112:
3111:
3108:
3101:
3098:
3097:
3096:
3093:
3090:
3078:
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3071:
3059:
3058:
3052:
3046:
3028:
3008:
3005:
3001:
3000:
2997:
2994:
2990:
2989:
2986:
2983:Hyacinth House
2979:
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2714:
2703:
2699:
2698:
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2688:
2684:
2683:
2680:
2677:
2673:
2672:
2669:
2666:
2655:
2651:
2650:
2647:
2644:Love Her Madly
2640:
2636:
2635:
2632:
2629:
2625:
2624:
2621:
2618:
2607:
2603:
2602:
2599:
2596:The Changeling
2592:
2588:
2587:
2584:
2581:
2570:
2568:
2558:
2554:
2553:
2550:
2547:
2544:
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2017:
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2013:
2010:
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1804:Hyacinth House
1800:
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1727:
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1716:
1715:
1712:
1709:Love Her Madly
1705:
1701:
1700:
1697:
1694:The Changeling
1690:
1686:
1685:
1682:
1679:
1668:
1663:
1662:Original album
1660:
1658:
1655:
1642:
1636:
1556:
1553:
1501:, writing for
1457:Slant Magazine
1447:was a fitting
1441:Morrison Hotel
1399:
1398:
1369:
1361:
1360:
1331:
1328:Slant Magazine
1323:
1322:
1293:
1285:
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898:
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888:
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884:
880:
879:
875:
874:
849:Hard Rock Café
796:I'm glad that
793:
791:
788:
751:Morrison Hotel
729:
726:
702:Hyacinth House
684:Morrison Hotel
666:counterculture
653:
650:
628:Love Her Madly
610:Richard Fariña
594:Love Her Madly
590:The Changeling
582:
579:
577:
574:
558:Pamela Courson
541:
538:
534:West Hollywood
470:
467:
463:sound engineer
437:cocktail music
415:Jazz & Pop
409:Morrison Hotel
398:Love Her Madly
358:
355:
347:David Quantick
314:Love Her Madly
270:
269:
266:
265:
263:
262:
249:
242:Love Her Madly
235:
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50:
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10:
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6:
4:
3:
2:
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7754:
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7707:
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7697:
7696:
7694:
7690:
7683:
7679:
7675:
7672:
7668:
7665:
7661:
7660:Light My Fire
7657:
7654:
7650:
7646:
7645:
7643:
7639:
7636:
7632:
7625:
7624:
7620:
7617:
7616:
7612:
7609:
7608:
7604:
7601:
7598:
7595:
7594:
7590:
7587:
7586:
7582:
7579:
7578:
7574:
7571:
7570:
7566:
7565:
7563:
7559:
7552:
7551:
7547:
7544:
7543:
7539:
7538:
7536:
7532:
7525:
7524:
7520:
7517:
7516:
7512:
7509:
7508:
7504:
7501:
7500:
7496:
7493:
7492:
7488:
7485:
7484:
7480:
7477:
7476:
7472:
7469:
7468:
7464:
7461:
7460:
7459:Greatest Hits
7456:
7453:
7452:
7448:
7445:
7444:
7440:
7437:
7436:
7435:Greatest Hits
7432:
7429:
7428:
7424:
7421:
7420:
7416:
7413:
7412:
7408:
7407:
7405:
7401:
7390:
7389:
7385:
7382:
7381:
7377:
7374:
7373:
7369:
7366:
7365:
7361:
7358:
7357:
7353:
7350:
7349:
7345:
7342:
7341:
7337:
7334:
7333:
7329:
7326:
7325:
7321:
7318:
7317:
7313:
7310:
7309:
7305:
7302:
7301:
7297:
7294:
7293:
7289:
7286:
7285:
7281:
7278:
7277:
7273:
7270:
7269:
7265:
7262:
7261:
7257:
7254:
7253:
7249:
7248:
7246:
7238:
7231:
7230:
7226:
7223:
7222:
7218:
7215:
7214:
7210:
7207:
7206:
7202:
7199:
7198:
7194:
7193:
7191:
7187:
7180:
7179:
7175:
7172:
7171:
7167:
7164:
7163:
7159:
7156:
7155:
7151:
7148:
7147:
7143:
7140:
7139:
7135:
7132:
7131:
7127:
7124:
7123:
7119:
7116:
7115:
7111:
7110:
7108:
7106:Studio albums
7104:
7098:
7097:
7096:John Densmore
7093:
7091:
7090:
7089:Robby Krieger
7086:
7084:
7083:
7079:
7077:
7076:
7072:
7071:
7068:
7064:
7057:
7052:
7050:
7045:
7043:
7038:
7037:
7034:
7026:
7020:
7016:
7015:
7010:
7006:
7002:
7001:
6997:
6982:
6978:
6972:
6969:
6957:
6953:
6947:
6944:
6939:
6925:
6922:
6917:
6915:84-8048-639-2
6911:
6907:
6906:
6899:
6896:
6883:
6879:
6873:
6870:
6865:
6862:(in German).
6861:
6847:
6844:
6841:
6834:
6830:
6825:
6819:
6816:
6811:
6807:
6801:
6798:
6793:
6790:(in German).
6789:
6783:
6780:
6775:
6768:
6762:
6759:
6755:
6751:
6746:
6743:
6739:
6734:
6731:
6727:
6722:
6719:
6715:
6710:
6707:
6703:
6698:
6695:
6691:
6686:
6683:
6679:
6674:
6671:
6667:
6666:
6661:
6659:
6652:
6649:
6645:
6641:
6636:
6633:
6629:
6624:
6621:
6617:
6614:(in German).
6613:
6608:
6605:
6600:
6598:951-31-2503-3
6594:
6590:
6583:
6580:
6576:
6571:
6569:
6565:
6561:
6557:
6556:
6551:
6546:
6543:
6538:
6532:
6528:
6524:
6517:
6514:
6509:
6505:
6501:
6495:
6493:
6489:
6484:
6478:
6474:
6473:
6465:
6463:
6461:
6457:
6452:
6446:
6442:
6435:
6432:
6427:
6421:
6417:
6413:
6409:
6403:
6400:
6395:
6389:
6381:
6377:
6373:
6367:
6365:
6361:
6356:
6352:
6346:
6343:
6338:
6334:
6328:
6325:
6317:September 30,
6313:
6309:
6303:
6300:
6295:
6289:
6281:
6275:
6272:
6267:
6261:
6253:
6247:
6244:
6231:
6227:
6221:
6218:
6206:
6202:
6198:
6192:
6189:
6184:
6178:
6170:
6164:
6161:
6156:
6152:
6146:
6143:
6138:
6132:
6124:
6118:
6115:
6110:
6104:
6096:
6090:
6087:
6082:
6076:
6068:
6062:
6059:
6054:
6048:
6040:
6034:
6031:
6019:
6015:
6008:
6005:
5992:
5991:
5986:
5980:
5977:
5965:
5964:
5959:
5952:
5949:
5937:
5933:
5926:
5923:
5910:
5908:
5900:
5897:
5884:
5878:
5875:
5863:
5857:
5853:
5852:
5844:
5841:
5828:
5827:
5822:
5820:
5812:
5809:
5797:
5796:
5791:
5784:
5781:
5773:September 27,
5769:
5768:
5767:Rolling Stone
5763:
5756:
5753:
5741:
5740:
5735:
5733:
5730:"The Doors –
5724:
5721:
5708:
5701:
5699:
5695:
5682:
5678:
5677:
5672:
5666:
5663:
5655:September 27,
5651:
5650:
5649:Rolling Stone
5645:
5641:
5635:
5632:
5627:
5626:
5618:
5615:
5603:
5602:
5597:
5590:
5588:
5586:
5584:
5580:
5575:
5573:1-57859-061-2
5569:
5565:
5560:
5559:
5553:
5547:
5544:
5532:
5531:
5526:
5524:
5515:
5512:
5507:
5501:
5497:
5496:Omnibus Press
5493:
5492:
5487:
5486:Larkin, Colin
5481:
5478:
5473:
5472:
5464:
5462:
5458:
5446:
5440:
5436:
5432:
5431:
5426:
5422:
5416:
5414:
5410:
5398:
5397:
5392:
5390:
5381:
5378:
5370:September 12,
5366:
5365:
5360:
5354:
5351:
5339:
5338:biography.com
5335:
5329:
5326:
5314:
5308:
5304:
5303:
5295:
5292:
5287:
5285:0-9661221-0-0
5281:
5277:
5270:
5267:
5254:
5250:
5246:
5239:
5236:
5224:
5220:
5219:"A Warehouse"
5213:
5211:
5209:
5205:
5193:
5189:
5183:
5180:
5176:
5171:
5168:
5163:
5157:
5153:
5146:
5143:
5131:
5127:
5120:
5117:
5105:
5101:
5094:
5091:
5078:
5074:
5068:
5065:
5060:
5054:
5050:
5043:
5040:
5028:
5024:
5017:
5014:
5002:
4998:
4991:
4989:
4985:
4973:
4972:Johnhaeny.com
4969:
4967:
4961:
4955:
4952:
4947:
4940:
4937:
4932:
4926:
4922:
4915:
4912:
4907:
4906:
4898:
4895:
4890:
4884:
4880:
4873:
4870:
4865:
4859:
4855:
4854:
4849:
4843:
4840:
4828:
4824:
4817:
4814:
4801:
4800:
4795:
4789:
4786:
4781:
4775:
4771:
4770:
4762:
4759:
4747:
4746:
4741:
4734:
4731:
4719:
4715:
4708:
4705:
4700:
4696:
4694:
4685:
4683:
4679:
4667:
4666:
4661:
4660:: Track List"
4659:
4650:
4648:
4644:
4639:
4633:
4629:
4625:
4624:
4616:
4613:
4608:
4606:0-394-51322-3
4602:
4598:
4594:
4593:Bangs, Lester
4588:
4585:
4581:
4576:
4574:
4572:
4570:
4566:
4554:
4553:
4548:
4541:
4539:
4537:
4533:
4521:
4517:
4510:
4507:
4495:
4491:
4484:
4482:
4478:
4466:
4462:
4460:
4451:
4448:
4443:
4437:
4433:
4432:
4427:
4426:Marcus, Greil
4421:
4418:
4406:
4405:
4400:
4398:
4389:
4386:
4374:
4370:
4363:
4361:
4357:
4345:
4341:
4334:
4332:
4330:
4328:
4326:
4322:
4317:
4316:Rhino Records
4313:
4309:
4305:
4299:
4297:
4295:
4293:
4291:
4289:
4285:
4280:
4274:
4270:
4269:
4261:
4258:
4253:
4247:
4243:
4242:
4234:
4231:
4219:
4215:
4208:
4205:
4200:
4194:
4190:
4189:
4184:
4178:
4175:
4163:
4162:
4157:
4151:
4148:
4143:
4137:
4133:
4129:
4123:
4120:
4115:
4109:
4105:
4098:
4095:
4083:
4079:
4072:
4070:
4066:
4054:
4050:
4048:
4043:Eder, Bruce.
4039:
4036:
4031:
4025:
4021:
4014:
4012:
4008:
4004:
3999:
3996:
3991:
3985:
3981:
3977:
3976:
3968:
3966:
3964:
3960:
3955:
3949:
3945:
3941:
3940:
3932:
3929:
3917:
3913:
3911:
3902:
3899:
3887:
3883:
3879:
3873:
3870:
3865:
3863:1-59240-064-7
3859:
3855:
3851:
3847:
3841:
3838:
3834:
3829:
3826:
3813:
3809:
3805:
3799:
3797:
3795:
3791:
3779:
3778:
3773:
3771:
3765:
3759:
3757:
3753:
3741:
3740:
3735:
3733:
3727:
3721:
3719:
3717:
3713:
3701:
3697:
3691:
3689:
3687:
3683:
3671:
3670:
3669:billboard.com
3665:
3659:
3657:
3655:
3651:
3639:
3638:
3633:
3631:
3622:
3619:
3613:
3603:
3600:
3596:
3592:
3588:
3587:Rhino Records
3584:
3578:
3575:
3571:
3570:Robby Krieger
3567:
3561:
3558:
3551:
3547:
3544:
3543:
3539:
3533:
3515:
3512:
3509:
3504:
3500:
3497:
3494:
3489:
3485:
3482:
3480:Switzerland)
3479:
3476:Switzerland (
3474:
3470:
3467:
3464:
3459:
3455:
3452:
3449:
3443:
3438:
3434:
3431:
3428:
3423:
3419:
3416:
3413:
3408:
3404:
3401:
3398:
3393:
3389:
3386:
3383:
3378:
3374:
3371:
3368:
3363:
3359:
3354:Certification
3349:
3341:
3331:
3327:
3326:
3320:Chart (2022)
3318:
3307:
3303:
3302:
3296:Chart (2021)
3294:
3283:
3279:
3278:
3271:
3267:
3266:
3259:
3255:
3254:
3247:
3243:
3242:
3235:
3234:Album Top 100
3231:
3230:
3223:
3219:
3218:
3212:Chart (2012)
3210:
3200:
3198:
3193:
3192:
3185:
3181:
3178:
3177:
3170:
3166:
3165:
3158:
3154:
3153:
3149:
3146:
3145:
3140:
3139:
3132:
3131:Album Top 100
3128:
3127:
3120:
3119:
3114:
3113:
3107:Chart (1971)
3105:
3099:
3094:
3091:
3088:
3087:Bruce Botnick
3085:
3084:
3083:
3082:
3075:
3072:
3069:
3066:
3065:
3064:
3063:
3056:
3055:John Densmore
3053:
3050:
3049:Robby Krieger
3047:
3044:
3040:
3036:
3035:Hammond organ
3032:
3029:
3026:
3023:
3022:
3021:
3020:
3016:
3014:
3013:Rhino Records
3006:
2998:
2995:
2991:
2987:
2984:
2980:
2976:
2972:
2969:
2965:
2952:
2939:
2936:
2932:
2919:
2906:
2903:
2899:
2895:
2892:
2888:
2884:
2881:
2877:
2873:
2870:
2866:
2862:
2859:
2855:
2851:
2848:
2844:
2840:
2827:
2814:
2811:
2807:
2803:
2800:
2796:
2792:
2789:
2785:
2781:
2778:
2774:
2770:
2766:
2763:
2759:
2746:
2733:
2730:
2726:
2722:
2709:
2696:
2693:
2689:
2685:
2681:
2678:
2674:
2661:
2648:
2645:
2641:
2637:
2633:
2630:
2626:
2613:
2600:
2597:
2593:
2589:
2576:
2566:
2562:
2559:
2551:
2548:
2545:
2541:
2537:
2535:
2534:Junior Parker
2532:
2529:
2525:
2521:
2518:
2515:
2511:
2507:
2504:
2501:
2497:
2493:
2491:
2488:
2485:
2481:
2477:
2475:
2472:
2469:
2465:
2461:
2458:
2455:
2451:
2447:
2444:
2441:
2437:
2433:
2431:
2428:
2425:
2421:
2417:
2414:
2407:
2403:
2399:
2397:
2394:
2391:
2387:
2383:
2379:
2376:
2373:
2369:
2365:
2362:
2359:
2355:
2339:
2326:
2323:
2319:
2315:
2312:
2308:
2304:
2301:
2297:
2293:
2290:
2286:
2273:
2260:
2257:
2253:
2249:
2246:
2242:
2229:
2216:
2213:
2209:
2196:
2192:
2180:
2177:
2173:
2169:
2166:
2162:
2149:
2145:
2133:
2130:
2126:
2122:
2119:
2115:
2102:
2098:
2086:
2084:
2081:
2078:
2074:
2070:
2067:
2064:
2060:
2056:
2053:
2050:
2046:
2042:
2039:
2036:
2032:
2028:
2025:
2022:
2018:
2014:
2011:
2008:
2004:
2000:
1997:
1994:
1990:
1986:
1983:
1980:
1976:
1972:
1969:
1966:
1962:
1946:
1933:
1931:
1928:
1925:
1921:
1917:
1914:
1911:
1907:
1891:
1881:
1873:
1870:Total length:
1863:
1860:
1857:
1853:
1849:
1845:
1842:
1839:
1835:
1831:
1829:
1826:
1823:
1819:
1815:
1811:
1808:
1805:
1801:
1797:
1793:
1790:
1787:
1783:
1767:
1754:
1751:
1747:
1743:
1739:
1736:
1732:
1728:
1725:
1721:
1717:
1713:
1710:
1706:
1702:
1698:
1695:
1691:
1687:
1674:
1667:
1661:
1657:Track listing
1656:
1654:
1652:
1648:
1640:
1637:
1635:
1632:
1628:
1624:
1620:
1615:
1610:
1607:
1603:
1602:
1596:
1592:
1588:
1584:
1580:
1579:
1574:
1573:Steve Hoffman
1570:
1566:
1562:
1554:
1552:
1550:
1546:
1542:
1541:
1535:
1534:
1529:
1528:
1523:
1519:
1518:Rolling Stone
1515:
1510:
1508:
1504:
1500:
1495:
1494:
1489:
1485:
1484:
1476:
1469:
1468:
1463:
1459:
1458:
1452:
1450:
1446:
1442:
1438:
1434:
1430:
1429:
1423:
1422:
1417:
1416:
1408:
1407:
1406:Rolling Stone
1370:
1368:
1367:
1363:
1362:
1332:
1330:
1329:
1325:
1324:
1294:
1292:
1291:
1287:
1286:
1256:
1254:
1253:
1252:Rolling Stone
1249:
1248:
1218:
1216:
1215:
1211:
1210:
1155:
1153:
1152:
1148:
1147:
1143:
1141:
1138:
1137:
1107:
1105:
1104:
1100:
1099:
1069:
1067:
1066:
1062:
1061:
1006:
1004:
1003:
999:
998:
994:
992:
991:
987:
986:
956:
954:
953:
949:
948:
918:
916:
913:
912:
904:
901:Review scores
899:
895:
893:
890:
889:
881:
876:
871:
865:
863:
859:
850:
846:
841:
837:
835:
831:
827:
825:
820:
815:
809:
807:
799:
789:
787:
784:
779:
777:
773:
769:
768:Light My Fire
765:
764:the Warehouse
760:
758:
757:
752:
747:
743:
739:
735:
727:
725:
723:
719:
715:
711:
707:
703:
699:
695:
693:
689:
685:
681:
677:
673:
672:
667:
663:
659:
651:
649:
643:
639:
635:
631:
629:
625:
621:
617:
616:
611:
607:
603:
599:
595:
591:
587:
580:
575:
573:
571:
567:
563:
559:
555:
551:
547:
546:Robby Krieger
539:
537:
535:
530:
526:
522:
518:
514:
509:
505:
501:
500:Elvis Presley
496:
494:
490:
481:
480:
475:
468:
466:
464:
460:
456:
455:
450:
446:
442:
441:Bruce Botnick
438:
434:
429:
427:
426:
421:
417:
416:
411:
410:
405:
404:
399:
395:
391:
387:
382:
380:
376:
372:
363:
356:
354:
352:
348:
344:
339:
337:
334:. The track "
333:
329:
327:
322:
320:
315:
310:
308:
307:Bruce Botnick
304:
300:
296:
295:
290:
286:
282:
278:
277:
267:
256:
250:
243:
237:
236:
233:
230:
226:
222:
218:
209:
208:
204:
200:
199:
195:
191:
190:
186:
185:
181:
177:
173:
168:
167:Bruce Botnick
165:
162:
161:
160:
158:
154:
151:
148:
146:
142:
130:
126:
121:
118:
116:
113:
112:
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109:
105:
101:
97:
93:
89:
78:
74:
70:
65:
61:
57:
52:
47:
44:
40:
38:
33:
19:
8124:
8084:
8077:
8070:
8063:
8056:
8049:
8023:Bill Siddons
7977:
7969:
7961:
7953:
7945:
7939:
7931:
7923:
7915:
7907:
7899:
7881:
7874:
7867:
7818:The Mosquito
7753:Runnin' Blue
7623:A Collection
7621:
7613:
7605:
7599:
7591:
7583:
7575:
7567:
7548:
7540:
7521:
7513:
7505:
7497:
7489:
7481:
7473:
7465:
7457:
7449:
7441:
7433:
7425:
7417:
7409:
7403:Compilations
7386:
7378:
7370:
7362:
7354:
7346:
7338:
7330:
7322:
7314:
7306:
7298:
7290:
7282:
7274:
7266:
7258:
7250:
7227:
7219:
7211:
7203:
7195:
7176:
7168:
7162:Other Voices
7160:
7153:
7152:
7144:
7136:
7128:
7122:Strange Days
7120:
7112:
7094:
7087:
7082:Ray Manzarek
7080:
7075:Jim Morrison
7073:
7013:
6998:Bibliography
6984:. Retrieved
6971:
6959:. Retrieved
6946:
6924:
6904:
6898:
6887:December 29,
6885:. Retrieved
6872:
6846:
6836:
6832:
6828:
6818:
6810:Music Canada
6800:
6782:
6761:
6745:
6733:
6721:
6709:
6697:
6685:
6673:
6664:
6657:
6651:
6635:
6623:
6607:
6588:
6582:
6553:
6545:
6522:
6516:
6503:
6471:
6440:
6434:
6411:
6402:
6371:
6354:
6345:
6337:Thedoors.com
6336:
6327:
6315:. Retrieved
6311:
6302:
6279:
6274:
6251:
6246:
6234:. Retrieved
6229:
6220:
6208:. Retrieved
6205:allmusic.com
6204:
6191:
6168:
6163:
6150:
6145:
6122:
6117:
6094:
6089:
6066:
6061:
6038:
6033:
6021:. Retrieved
6017:
6007:
5995:. Retrieved
5988:
5979:
5967:. Retrieved
5961:
5951:
5939:. Retrieved
5935:
5925:
5913:. Retrieved
5906:
5899:
5887:. Retrieved
5877:
5865:. Retrieved
5850:
5843:
5831:. Retrieved
5826:Melody Maker
5824:
5818:
5817:"The Doors:
5811:
5799:. Retrieved
5793:
5783:
5771:. Retrieved
5765:
5755:
5743:. Retrieved
5737:
5731:
5723:
5711:. Retrieved
5685:. Retrieved
5681:the original
5674:
5665:
5653:. Retrieved
5647:
5640:Hermes, Will
5634:
5623:
5617:
5605:. Retrieved
5599:
5557:
5546:
5536:December 14,
5534:. Retrieved
5528:
5525:– The Doors"
5522:
5514:
5490:
5480:
5471:Classic Rock
5469:
5450:February 24,
5448:. Retrieved
5429:
5400:. Retrieved
5394:
5388:
5380:
5368:. Retrieved
5362:
5353:
5341:. Retrieved
5337:
5328:
5316:. Retrieved
5301:
5294:
5275:
5269:
5257:. Retrieved
5253:the original
5243:Busso, Joe.
5238:
5228:February 19,
5226:. Retrieved
5222:
5195:. Retrieved
5191:
5182:
5170:
5151:
5145:
5133:. Retrieved
5129:
5119:
5107:. Retrieved
5104:allmusic.com
5103:
5093:
5081:. Retrieved
5076:
5067:
5048:
5042:
5030:. Retrieved
5026:
5016:
5004:. Retrieved
5000:
4975:. Retrieved
4971:
4965:
4954:
4945:
4939:
4920:
4914:
4904:
4897:
4878:
4872:
4852:
4842:
4830:. Retrieved
4826:
4816:
4804:. Retrieved
4797:
4788:
4768:
4761:
4749:. Retrieved
4745:Teamrock.com
4743:
4733:
4721:. Retrieved
4717:
4707:
4698:
4692:
4669:. Retrieved
4663:
4657:
4622:
4615:
4596:
4587:
4556:. Retrieved
4550:
4523:. Retrieved
4519:
4509:
4497:. Retrieved
4494:Guitar World
4493:
4468:. Retrieved
4464:
4458:
4450:
4430:
4420:
4408:. Retrieved
4404:Guitar World
4402:
4396:
4388:
4376:. Retrieved
4372:
4347:. Retrieved
4344:Teamrock.com
4343:
4318:. R2-101155.
4307:
4267:
4260:
4240:
4233:
4221:. Retrieved
4217:
4207:
4187:
4177:
4165:. Retrieved
4159:
4150:
4131:
4122:
4103:
4097:
4085:. Retrieved
4081:
4056:. Retrieved
4052:
4046:
4038:
4019:
3998:
3974:
3938:
3931:
3919:. Retrieved
3915:
3909:
3901:
3889:. Retrieved
3886:Thedoors.com
3885:
3872:
3849:
3840:
3828:
3816:. Retrieved
3812:the original
3807:
3781:. Retrieved
3775:
3769:
3768:"The Doors:
3743:. Retrieved
3737:
3731:
3703:. Retrieved
3699:
3673:. Retrieved
3667:
3641:. Retrieved
3635:
3629:
3628:"The Doors'
3621:
3602:
3595:Tony Hollins
3577:
3560:
3521:
3513:3× Platinum
3447:
3417:2× Platinum
3402:3× Platinum
3397:Music Canada
3372:4× Platinum
3196:
3143:
3116:
3080:
3079:
3068:Jerry Scheff
3061:
3060:
3043:Rhodes piano
3031:Ray Manzarek
3025:Jim Morrison
3018:
3017:
3010:
2777:Rock Me Baby
2560:
2390:Rock Me Baby
2146:bonus tracks
2099:bonus tracks
2083:Muddy Waters
1930:Willie Dixon
1665:
1650:
1644:
1638:
1618:
1613:
1611:
1605:
1599:
1591:5.1 surround
1576:
1569:24kt gold CD
1560:
1558:
1548:
1544:
1538:
1531:
1525:
1517:
1513:
1511:
1506:
1505:, described
1491:
1487:
1483:Classic Rock
1481:
1474:
1465:
1461:
1460:, considers
1455:
1453:
1444:
1440:
1436:
1426:
1421:Melody Maker
1419:
1413:
1404:
1402:
1364:
1326:
1288:
1250:
1212:
1149:
1101:
1063:
1002:Classic Rock
1000:
988:
950:
861:
857:
854:
844:
823:
818:
817:
811:
805:
797:
795:
783:reel to reel
780:
775:
761:
754:
750:
737:
731:
697:
696:
687:
683:
675:
669:
655:
633:
632:
623:
613:
585:
584:
561:
549:
543:
513:Leon Russell
504:Jerry Scheff
497:
485:
477:
458:
452:
449:Janis Joplin
444:
430:
423:
413:
407:
401:
383:
375:Ray Manzarek
371:Jim Morrison
368:
350:
349:have called
340:
325:
318:
311:
292:
289:Jim Morrison
275:
274:
273:
228:
207:Other Voices
205:
197:
196:
187:
64:Studio album
43:
36:
8153:1971 albums
8013:Discography
7963:R-Evolution
7714:Love Street
7534:Soundtracks
7523:The Singles
7189:Live albums
7170:Full Circle
6986:December 3,
6408:O'Neal, Jim
5552:Graff, Gary
5474:(168): 109.
5197:October 10,
5109:October 10,
5077:uncut.co.uk
5032:October 10,
4960:Haeny, John
4799:BBC Radio 2
4738:Bell, Max.
4558:October 18,
4349:October 19,
4338:Bell, Max.
4223:October 15,
4167:October 18,
4087:October 15,
4058:October 15,
3365:Australia (
2193:bonus track
1788:"L'America"
1587:96khz/24bit
1581:box set by
834:Jac Holzman
638:title track
620:Furry Lewis
566:psychedelic
502:'s bassist
493:vocal booth
229:L.A. Woman
8142:Categories
8044:Craigslist
8033:Butts Band
7607:Perception
7221:In Concert
7154:L.A. Woman
6961:October 4,
6934:L.A. Woman
6856:L.A. Woman
6833:and click
6372:L.A. Woman
6355:Mailchi.mp
6280:L.A. Woman
6252:L.A. Woman
6169:L.A. Woman
6151:L.A. Woman
6123:L.A. Woman
6095:L.A. Woman
6067:L.A. Woman
6039:L.A. Woman
5941:August 13,
5907:L.A. Woman
5833:August 22,
5819:L.A. Woman
5687:August 31,
5601:PopMatters
5523:L.A. Woman
5444:089919026X
5389:L.A. Woman
5364:Metacritic
5083:October 9,
4693:L.A. Woman
4658:L.A. Woman
4499:August 17,
4459:L.A. Woman
4397:L.A. Woman
4308:L.A. Woman
4161:Tapeop.com
4128:Wall, Mick
3770:L.A. Woman
3732:L.A. Woman
3643:January 4,
3630:L.A. Woman
3614:References
3516:3,000,000
3463:PROMUSICAE
3270:PROMUSICAE
3224:Flanders)
3074:Marc Benno
2949:Side eight
2916:Side seven
2729:L.A. Woman
2658:Side three
1750:L.A. Woman
1614:L.A. Woman
1606:L.A. Woman
1601:Perception
1561:L.A. Woman
1545:L.A. Woman
1514:L.A. Woman
1507:L.A. Woman
1488:L.A. Woman
1475:L.A. Woman
1467:PopMatters
1462:L.A. Woman
1445:L.A. Woman
1151:PopMatters
1140:MusicHound
892:Metacritic
845:L.A. Woman
819:L.A. Woman
806:L.A. Woman
798:L.A. Woman
776:L.A. Woman
738:L.A. Woman
722:Hart Crane
698:L.A. Woman
688:L.A. Woman
680:Pink Floyd
634:L.A. Woman
624:L.A. Woman
586:L.A. Woman
562:L.A. Woman
550:L.A. Woman
508:Marc Benno
459:L.A. Woman
390:L.A. Woman
357:Background
351:L.A. Woman
276:L.A. Woman
198:L.A. Woman
178:chronology
115:Blues rock
83:1971-04-19
49:L.A. Woman
37:L.A. Woman
7917:The Doors
7825:Treetrunk
7542:The Doors
7114:The Doors
7063:The Doors
6665:Billboard
6658:Billboard
6500:The Doors
6416:Routledge
6376:The Doors
6023:August 5,
5997:April 23,
5963:Stereogum
5801:April 15,
5402:April 15,
5343:April 22,
5318:April 15,
5135:April 12,
4977:August 2,
4806:March 15,
4665:LA Weekly
4525:March 23,
4470:March 23,
4410:March 14,
4312:The Doors
4049:– Review"
3912:– Review"
3878:Fing, Ben
3808:Doors.com
3783:April 12,
3777:Bbc.co.uk
3745:April 12,
3734:– Review"
3705:April 12,
3675:April 12,
3581:The 1971
3468:Platinum
3453:Platinum
3425:Germany (
3384:Austria)
3380:Austria (
3197:Billboard
3180:UK Albums
3081:Technical
3019:The Doors
3007:Personnel
2849:(Part 1)"
2743:Side five
2731:(Part 1)"
2706:Side four
2646:(Part 1)"
2598:(Part 1)"
2396:B.B. King
2349:Writer(s)
1956:Writer(s)
1901:Writer(s)
1777:Writer(s)
1612:In 2012,
1595:DVD-Audio
1559:In 1988,
1533:Stereogum
1512:In 2003,
1493:BBC Music
1449:swan song
862:Billboard
858:Billboard
824:Billboard
772:mic stand
570:jazz rock
479:Billboard
469:Recording
326:Billboard
319:Billboard
281:the Doors
176:The Doors
163:The Doors
69:the Doors
8126:Category
7721:Touch Me
7561:Box sets
7244:Archives
7242:Midnight
7011:(1980).
6794:Austria.
6502:(2011).
5732:LA Woman
5423:(1981).
5006:July 14,
4850:(2021).
4832:July 12,
4827:AllMusic
4751:July 10,
4723:July 10,
4628:ABC-CLIO
4378:July 15,
4306:(2007).
4185:(2009).
4130:(2015).
4053:AllMusic
3916:AllMusic
3891:July 15,
3848:(2004).
3739:AllMusic
3540:See also
3501:100,000
3471:100,000
3435:250,000
3420:600,000
3410:France (
3405:300,000
3395:Canada (
3375:280,000
3222:Ultratop
3169:VG-lista
2985:" (demo)
2824:Side six
2610:Side two
2573:Side one
1882:Reissues
1764:Side two
1671:Side one
1631:Doug Sax
1503:AllMusic
1431:(1981),
915:AllMusic
664:'s 1970
652:Side two
612:'s book
581:Side one
529:overdubs
157:Producer
91:Recorded
76:Released
66: by
7634:Singles
6829:Select
6236:May 16,
6210:May 16,
6155:Elektra
5969:May 28,
5867:May 26,
5745:July 3,
5713:May 26,
5607:May 26,
5530:Far Out
5259:May 26,
4671:June 8,
3921:May 10,
3818:May 10,
3486:25,000
3461:Spain (
3456:50,000
3440:Italy (
3390:25,000
3360:/sales
3351:Region
2191:Spotify
1103:Far Out
642:anagram
608:singer
517:8-track
396:" and "
321:Hot 100
225:Singles
211:(1971)
202:(1971)
193:(1970)
150:Elektra
81: (
7982:(2018)
7974:(2014)
7966:(2013)
7958:(2012)
7950:(2009)
7942:(2004)
7936:(2002)
7928:(1999)
7920:(1991)
7912:(1981)
7904:(1968)
7843:Gloria
7626:(2011)
7618:(2008)
7610:(2006)
7602:(2005)
7596:(2003)
7588:(2002)
7580:(1999)
7572:(1997)
7553:(2010)
7545:(1991)
7526:(2017)
7518:(2008)
7510:(2008)
7502:(2007)
7494:(2003)
7486:(2001)
7478:(2000)
7470:(1999)
7462:(1996)
7454:(1985)
7446:(1985)
7438:(1980)
7430:(1973)
7422:(1972)
7414:(1970)
7391:(2018)
7383:(2016)
7375:(2012)
7367:(2010)
7359:(2009)
7351:(2008)
7343:(2008)
7335:(2007)
7327:(2005)
7319:(2003)
7311:(2002)
7303:(2002)
7295:(2001)
7287:(2001)
7279:(2001)
7271:(2001)
7263:(2000)
7255:(2000)
7240:Bright
7232:(1996)
7224:(1991)
7216:(1987)
7208:(1983)
7200:(1970)
7181:(1978)
7173:(1972)
7165:(1971)
7157:(1971)
7149:(1970)
7141:(1969)
7133:(1968)
7125:(1967)
7117:(1967)
7021:
6912:
6839:
6754:MAHASZ
6595:
6533:
6479:
6447:
6422:
5915:May 5,
5889:May 5,
5858:
5570:
5502:
5441:
5309:
5282:
5158:
5055:
4927:
4885:
4860:
4776:
4634:
4603:
4438:
4399:Album"
4275:
4248:
4195:
4138:
4110:
4026:
3986:
3950:
3860:
3637:Medium
3330:MAHASZ
3100:Charts
2962:Length
2929:Length
2837:Length
2756:Length
2719:Length
2671:Length
2623:Length
2586:Length
2563:(2022
2549:
2519:
2505:
2459:
2445:
2415:
2377:
2363:
2352:Length
2283:Length
2239:Length
2206:Length
2159:Length
2144:Amazon
2112:Length
2097:iTunes
2068:
2054:
2040:
2026:
2012:
1998:
1984:
1970:
1959:Length
1915:
1904:Length
1861:
1843:
1809:
1791:
1780:Length
1684:Length
1543:cited
909:Rating
906:Source
896:93/100
886:Rating
883:Source
802:
598:B-side
128:Length
99:Studio
7990:Tours
7861:Books
7845:" / "
7773:" / "
7712:" / "
7702:" / "
7680:" / "
7662:" / "
7651:" / "
6936:'
6932:'
6858:'
6854:'
6831:DOORS
6770:(PDF)
6660:200)"
5739:Uncut
3552:Notes
3498:Gold
3483:Gold
3432:Gold
3387:Gold
3323:Peak
3299:Peak
3215:Peak
3110:Peak
2959:Title
2940:15:08
2926:Title
2834:Title
2815:13:25
2753:Title
2734:19:45
2716:Title
2697:18:09
2668:Title
2649:15:48
2620:Title
2601:23:40
2583:Title
2522:23:00
2448:13:42
2410:'
2346:Title
2327:11:04
2316:18:09
2305:21:10
2294:26:50
2280:Title
2236:Title
2203:Title
2156:Title
2109:Title
1953:Title
1898:Title
1874:48:25
1774:Title
1681:Title
1478:'
1471:'
1410:'
1366:Uncut
668:film
576:Songs
554:blues
540:Music
521:blues
454:Pearl
299:blues
227:from
145:Label
108:Genre
7835:1983
7810:1972
7785:1971
7763:1970
7731:1969
7692:1968
7641:1967
7019:ISBN
6988:2021
6963:2022
6910:ISBN
6889:2021
6792:IFPI
6593:ISBN
6531:ISBN
6477:ISBN
6445:ISBN
6420:ISBN
6394:link
6319:2021
6294:link
6266:link
6238:2015
6212:2015
6183:link
6137:link
6109:link
6081:link
6053:link
6025:2022
5999:2021
5971:2016
5943:2022
5917:2015
5891:2015
5869:2015
5856:ISBN
5835:2022
5803:2023
5775:2015
5747:2022
5715:2015
5689:2015
5657:2015
5609:2015
5568:ISBN
5538:2023
5500:ISBN
5452:2019
5439:ISBN
5404:2023
5372:2021
5345:2015
5320:2015
5307:ISBN
5280:ISBN
5261:2015
5230:2016
5199:2015
5156:ISBN
5137:2015
5111:2015
5085:2015
5053:ISBN
5034:2015
5008:2016
4979:2022
4925:ISBN
4883:ISBN
4858:ISBN
4834:2022
4808:2021
4774:ISBN
4753:2016
4725:2016
4673:2022
4632:ISBN
4601:ISBN
4560:2015
4527:2020
4501:2020
4472:2020
4436:ISBN
4412:2021
4380:2016
4351:2015
4273:ISBN
4246:ISBN
4225:2015
4193:ISBN
4169:2015
4136:ISBN
4108:ISBN
4089:2015
4060:2015
4024:ISBN
3984:ISBN
3948:ISBN
3923:2015
3893:2016
3858:ISBN
3820:2015
3785:2015
3747:2015
3707:2015
3677:2015
3645:2024
3508:RIAA
3478:IFPI
3442:FIMI
3427:BVMI
3412:SNEP
3382:IFPI
3367:ARIA
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