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She reveals to be clothed in a special fire proximity suit, as well as Milo. They seem to let
Carelli and Greek get away to run and trip on a wire connected to explosives. The refinery is blown to pieces, and Carelli, Greek, and Luponi die while Anne and Milo escape. Avoca sends his men after Anne and Milo, but the police surround and arrest them. Nevertheless, Avoca escapes in a helicopter, and Pauling goes after Anne and Milo in his car but misses them as they move in the sewer system nearby.
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manages to once again elude all the men pursuing her. Milo eventually tracks Anne to New Mexico, where he is followed by
Pinella, who is tracking Milo's whereabouts for Carelli. Milo quickly kills Pinella, corners Anne, and offers her a deal: he'll let her live if she does anything and everything he asks. Milo's interest in Anne goes beyond professional, but not exactly as she thinks; he doesn't want her to be his sex slave, although sex is part of the equation.
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Milo and Anne return together to the refinery by the side of the road where Anne witnessed the mob hit that made her run. The refinery, in fact, belongs to Mr. Avoca and bears its name. Milo contacts Leo
Carelli, tells him that he killed Anne, and wants to "make peace" with Carelli, asking to meet in
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wrote: "Somewhere in here is a dark, sassy picture, but the final product is more like a jigsaw with half the pieces. Apart from Foster who's strong, shrewd and sexy, thesping is vaudeville all the way. Pesci rants and raves, Stockwell shows a nice line in a low-key comedy, Ward looks like he hasn't
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Conceptual artist Anne Benton creates electronic pieces that flash evocative statements, and her work has begun to attract major media attention. One night, while driving home, Anne suffers a blowout on a road near some isolated industrial factories. While looking for help, she witnesses a mafia hit
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Avoca and his men wait near the factory, while
Pauling and the police wait in another sector of the same zone. Carelli, his henchman Greek, and Luponi go inside and find Milo waiting for them. When Luponi tries to shoot Milo in the back, Anne shoots from far away and wounds him with a scoped rifle.
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Obsessed, Milo has fallen in love with Anne, and he has no idea how to cope with the unfamiliar emotion. Surprisingly, after a rocky start, Anne realizes that she has also fallen for him. At the same time, failing to kill Anne as hired, Milo has marked himself for death. Anne and Milo flee together
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Months pass, and Anne has severed all ties with her past, re-establishing herself in
Seattle as an advertising copywriter. Milo, relentless in his pursuit, recognizes the tagline of a lipstick ad as one of Anne's catchphrases and tracks her down. Pauling and the police also track Anne down, but she
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The production was marred with difficulties between Foster and Hopper. The differences began on the first day of filming of Foster in the shower scene. Foster, dissatisfied with the scene, yelled "cut", which angered Hopper, who told her to never do that again. Later, according to Hopper in an
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mentality where I was really just doing this sober drunk or something, and I just couldn't possibly understand women. But she didn't say that, confront me with that on the set, so I didn't know where that was coming from, 'cause I thought I treated her rather well."
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Anne and Milo realize that to be free, they must return and confront their pursuers. They concoct a plan, leaving Avoca, Carelli, and all of their men dead. Anne and Milo escape together to a new life, presumably in France.
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been shown the whole script, and Hopper has a go at
Humphrey Bogart in shades". Greg Wroblewski wrote: "It's a mediocre film, with often illogical, even incomprehensible plot twists and poor character development."
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The original screenplay was written by Rachel
Kronstadt Mann, then re-written by Ann Louise Bardach, who was hired by Hopper and producer Steven Reuther. During the
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Milo and Anne move away and start a new life, presumably in France. The end credits show one of Anne's electronic signs spelling THE END in several fonts.
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supervised by Leo
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the Avoca factory. Pauling, who has a wiretap on
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by phone several times to avoid Hopper, who was very keen on working with her. Streep never returned his calls. Hopper stated:
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Two of the mobsters, Greek and
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to an isolated farm that Milo owns. Avoca's men track them there, and they narrowly escape.
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on the script while the film was shooting. Hopper released a
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of the film in the United States on cable television titled
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Anne Benton's text-based art in the film is the work of
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752:Dennis Hopper: The Wild Ride of a Hollywood Rebel
364:United States Federal Witness Protection Program
698:. University of Minnesota Press. p. 155.
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328:of the film was released under the new title
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720:"Backtrack a.k.a Catchfire de Dennis Hopper"
670:The film was not well received by critics.
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1094:Mighty Ducks the Movie: The First Face-Off
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1102:An Alan Smithee Film: Burn Hollywood Burn
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510:Sarina C. Grant as Hooker (Sarina Grant)
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1374:English-language action thriller films
692:Jeremy Braddock; Stephen Hock (2001).
1291:Dennis Hopper: Photographs, 1961–1967
301:by several notable actors, including
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642:1988 Writers Guild of America strike
516:as The Waitress (Katherine La Nasa)
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528:Robert Rothwell as Ad Agency Exec
504:Ayres Donno as Girl In Restaurant
486:Carl David Burks as Ad Agency Man
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776:Rose, Charlie (March 28, 1996).
477:John Apicella as Man At Refinery
1344:Films directed by Dennis Hopper
832:from the original on 2018-04-18
501:Satya De La Manitou as Car Thug
483:Kevin Bourland as Ad Agency Man
1349:Films credited to Alan Smithee
1329:American action thriller films
519:Lauren Lloyd as Margaret Mason
507:Tomás Goros as Golf Course Fed
480:Clifford Bartholomew as Fed #2
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1359:1990s English-language films
1030:Morgan Stewart's Coming Home
820:Variety Staff (1991-01-01).
459:as Greek (G. Anthony Sirico)
492:as Bank Teller (Grand Bush)
429:as Leo Carelli (uncredited)
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1334:American crime drama films
1324:1990 action thriller films
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695:Directed by Allen Smithee
531:Jerry Summers as Rianetti
39:Backtrack: Director's Cut
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16:1990 action thriller film
1110:A River Made to Drown In
1078:The Birds II: Land's End
1062:The Shrimp on the Barbie
749:Winkler, Peter (2012).
198:April 3, 1990
172:Mack-Taylor Productions
1354:Vestron Pictures films
1319:1990 crime drama films
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582:as Artist (uncredited)
1086:Hellraiser: Bloodline
1006:Appointment with Fear
982:Death of a Gunfighter
782:The Charlie Rose Show
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87:Rachel Kronstadt Mann
65:Rachel Kronstadt Mann
1364:1990s American films
468:Frank Gio as Frankie
382:Alternative ending (
472:Helena Kallianiotes
267:is a 1990 American
1137:Related pseudonyms
537:as Police Sargeant
67:Ann Louise Bardach
1339:1990s chase films
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1283:Photography books
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762:978-1-84954-522-8
705:978-0-8166-3534-4
632:conceptual artist
564:as Trucker's Girl
465:as Captain Walker
299:cameo appearances
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175:Dick Clark Cinema
33:Video poster for
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514:Katherine LaNasa
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311:Catherine Keener
224:(director's cut)
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167:Vestron Pictures
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635:Jenny Holzer
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615:Meryl Streep
611:Charlie Rose
607:
598:(uncredited)
592:(uncredited)
574:Burke Byrnes
541:Michael Yama
523:Anthony Pena
498:as Hit Woman
447:as Mr. Avoca
409:Jodie Foster
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319:Alan Smithee
283:Jodie Foster
277:directed by
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248:$ 10 million
220:(theatrical)
214:Running time
191:Release date
108:Jodie Foster
69:
55:Alan Smithee
38:
34:
1207:Filmography
1144:David Agnew
1046:I Love N.Y.
1038:Ghost Fever
886:Film portal
851:"Backtrack"
822:"Catchfire"
726:(in French)
457:Tony Sirico
451:Julie Adams
324:In 1992, a
256:$ 5 million
222:116 minutes
92:Produced by
70:Uncredited:
46:Directed by
1314:1990 films
1308:Categories
1224:Easy Rider
860:2021-09-25
836:2021-09-25
787:October 6,
730:2022-03-13
679:References
604:Production
596:Toni Basil
549:as Trucker
547:John Zenda
535:Gary Wills
496:Tod Davies
441:as Pauling
435:as Pinella
285:, Hopper,
253:Box office
218:99 minutes
202:1990-04-03
159:Production
152:Curt Sobel
96:Dick Clark
78:Tod Davies
1256:Catchfire
1054:Catchfire
917:Catchfire
906:Catchfire
895:Catchfire
666:Reception
659:Backtrack
580:Bob Dylan
576:as Fed #1
453:as Martha
439:Fred Ward
427:Joe Pesci
384:Backtrack
331:Backtrack
315:Bob Dylan
307:Joe Pesci
287:Fred Ward
264:Catchfire
161:companies
140:Edited by
124:Fred Ward
35:Catchfire
22:Catchfire
1014:Stitches
830:Archived
646:Alex Cox
586:Alex Cox
269:romantic
237:Language
148:Music by
102:Starring
84:Story by
74:Alex Cox
1272:Chasers
974:Fade In
826:Variety
672:Variety
417:as Milo
344:Blu-ray
297:, with
240:English
229:Country
200: (
1294:(2009)
1275:(1994)
1267:(1990)
1259:(1990)
1251:(1988)
1248:Colors
1243:(1980)
1235:(1971)
1227:(1969)
1129:(2015)
1126:Old 37
1121:(1999)
1113:(1999)
1105:(1997)
1097:(1997)
1089:(1996)
1081:(1994)
1073:(1990)
1065:(1990)
1057:(1990)
1049:(1987)
1041:(1987)
1033:(1987)
1025:(1986)
1017:(1985)
1009:(1985)
1001:(1980)
993:(1970)
985:(1969)
977:(1969)
759:
702:
650:polish
570:as Bob
555:Cameos
272:action
245:Budget
966:Films
900:IMDb
807:IMDB
789:2023
757:ISBN
700:ISBN
402:Cast
350:Plot
342:and
313:and
293:and
53:(as
920:at
909:at
898:at
588:as
360:FBI
340:DVD
336:VHS
37:as
1310::
853:.
828:.
824:.
805:.
780:.
739:^
722:.
637:.
623:AA
346:.
338:,
309:,
305:,
289:,
1188:e
1181:t
1174:v
950:e
943:t
936:v
863:.
839:.
809:.
791:.
765:.
733:.
708:.
386:)
204:)
57:)
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