315:. Of these latter only one is executed. The arcade is carried up to the architrave; but the second story has not been built. This new work was set forward a few feet, so that the old western front is partly discoverable. It consisted of a centre gable for the nave, flanked by two octagonal Italian Romanesque campaniles. The primary aisles again are gabled; but it is impossible to say whether the secondary aisles were gabled, or again terminated westward by turrets. Whatever was their western finish, it is now embedded in the modern work. The Romanesque campaniles are similar to the ones found in the village of Teror, in an old octagonal Italian Romanesque tower of the same date. This exactly reproduces the flanking campaniles of the cathedral, and was probably by the same architect. It rises simply from the ground, and consists of six equal stages; the mouldings are good and divided, and the alternate faces of the top stage are pierced for the bells with a Pisan-looking arcade. It has a pyramidal, and very Norman-looking, capping. Externally, the window-arches—there is one, of course, in each bay of the aisles—are moulded with a single bold roll imposed upon a shaft, with a good base and capital. The bases are some moulded, and some run into a string, enriched with the ball ornament. The buttresses have been cased and modernized; the old gurgoyles remain. The buttresses are joined to the clerestory walls by flying buttresses, of which the outline of the segmental arches remain. The clerestory windows are plain pointed single lights, -with mouldings of three orders; the transept windows the same. Below each clerestory window is a single, recessed, narrow niche, or blank window, in the place of a triforium. There is a very pretty rose window in the western gable of the nave. The rest of the exterior is classicized;; the cimborium, or dome over the cross, is very mean; its curtailment was another of the poor architect's death-blows; and the rest consists of the usual vases, flower-wreaths, knobs, pots and pans, and spikes, and scent bottles of so-called Italian art. Eduardo's elevation is still preserved; but inquiries were made in vain for any memorial drawing of the church before the eighteenth century. In the westernmost chapel of the south aisle is the gigantic St.Christopher, the unfailing accompaniment of so many Spanish churches; here is also a door leading to a pretty semi-Moorish wooden cloister, somewhat too domestic and patio-like in effect; above this are the library and chapter-house, common-place Italian rooms. The sacristy has a very remarkable stone floor, 40 square feet (3.7 m), which is cunningly jointed and dovetailed; how it is supported without piers, or girders, for vaulting, the under surface being entirely horizontal, is a crux to the Canarians and others. The natives always point this floor out as the triumph of Eduardo's genius. The plate and vestments are rich hut late. A pax of Italian enamel is worth attention; and in the sacrarium, capilla mayor, is suspended a lamp of Genoese work—the offering of Bishop Ximenes, (1005–1690). Both the altar and credence have frontals of beaten silver; on the latter, which is at the south side of the altar, are three large salvers arranged, heraldically speaking. The gigantic paschal candle stands on the north side of the altar is about 15 feet (4.6 m). The sacrarium is lined throughout with crimson velvet, canopied into a baldachin over the high altar. The clerestory windows, and those of the cimborium, are basely filled with circular patches of plain coloured glass.
263:, entirely classical on the exterior, but pointed within. The space between the two arches is pierced with three windows; between each window is a statue. The transepts have eastward aisles, the piers of all which are exactly the same palm-trees as in the old work. The sanctuary has one bay more, without aisles, to itself, making in all seven bays to the nave, cross, and sanctuary, and six to the rest of the church. As is frequently the case in Spain, a mass of sacristy and the "panteon" are attached to the east end, which has therefore no constructive architectural feature. The dimensions of the church from the west are as follows:—four bays, each 23 feet (7.0 m) long; three piers, each 5 feet (1.5 m) in the square; two piers for the cross, each 5 feet (1.5 m) in the square; the cross, 30 feet (9.1 m); the aisle of the cross, 25 feet (7.6 m); the sanctuary, 25 feet (7.6 m); equal to 197 feet (60 m), total length. The nave is 36 feet (11 m) wide, and the aisles are each 27 feet (8.2 m); equal to 144 feet (44 m) total width.
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which flow from the shafts as palm-branches do from the trunk. The vaulting is good sexpartite. Between the two aisles are pure pointed arches. The responds to the circular piers,—that is, the responds on the wall between the aisles, into which the vaulting of the primary aisles falls,—are half shafts of ordinary
Pointed work, without fillets, and of five foliaged heads; the caps of the aisle vaulting are also foliaged. The western responds to the circular shafts are also ordinary Pointed. It is plain, therefore, that the architect could only trust to his palmary development in the isolated shafts. This is the old work: the church being left unfinished in the sixteenth century.
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offices celebrated, on the eve of Corpus
Christi, 1570, in the time of the fourteenth Bishop, Fr. Juan de Alzolares. The eighteenth century saw the reconstruction and refurbishment of the cathedral after the Bishop, controlling a large tithe surplus, decided to commence work, overseen by Dean D. Geronimo Roos. The architect of the existing cathedral was Don Diego Nicolas Eduardo. Eduardo's plans were submitted to the St Ferdinand Academy of Madrid, who retained the original drawings, and returned copies for the commencement of the work itself.
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278:. The aisle-windows are broad single-lights, and pointed. Many of them, however, are classicized internally, as the secondary aisles have been tampered with. Several are walled off for chapels, and in the two western bays of the north aisle the vaulting is plaistered over; and in one of the bays of the south aisle, the old piers have been cut away, and Corinthian shafts have been stuck onto the walls. There are two ambons against the easternmost piers of the cross.
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used for chapels. The wall between the two aisles carries a clerestory. The piers are worked in imitation of palm-trees. On a bold square base, 5 square feet (0.46 m), is imposed an octagon. On the octagon, there is a circle of deeply cut classicizing mouldings from which rise columns circular in plan. These columns are finely moulded; four bold circular rolls at the cardinal sides; between each are three fluted members. The whole effect combines the
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sacristies into a complete design. Only the eastern part is finished, in which the sacristy has a somewhat grand, though false, apsidal look, with very lofty columns and recesses; the northern and southern fronts of the transepts were to have been masked by huge, soaring, and deep portals, and the western facade was to have been resolved into a
Corinthian arcade, with flanking
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nearly as possible forming a semi-circle. The square of the cross is like the old work, except that the soffits of the four sustaining arches are enriched with featherings of shell-work, and above these is a deeply sunk hollow, enriched with ornaments. Above the arches rises a second pointed arch, sustaining a vaulted
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Eastward of the four bays is
Eduardo's eighteenth century work; it consists of a cross, with transepts, or rather pseudo-transepts, carried up throughout to the height of the nave and first aisles, but not extending laterally beyond the secondary aisles. Throughout the arches are scarcely pointed, as
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Pointed architectural style. The present structure consists of a nave with double aisles, pseudo-transepts with eastern aisles, and a sanctuary. The nave and aisles are of four bays westward of the cross. The primary aisles are carried to the same height as the nave. The secondary aisles are low, and
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The exterior was intended to be entirely cased by
Eduardo, and reduced to a so-called classical uniformity with the new works, which, though Pointed both in feeling and detail internally, are entirely classical on the exterior. His object was to fuse the whole cathedral, with its vast accessories of
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The present church was commenced in 1500, in the episcopate of Fr. Diego de Muros (d. 1524), dean of
Santiago. He was third Bishop of Las Palmas. The architect was Don Diego Montaude. The design is credited to him, though he was succeeded by Juan de Palacio. The structure was finished, and the first
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and
Pointed. These columns are banded twice with a very rich and effective moulding, combining a cable, with a row of ball-flowers above it; below, a deeply cut chevron, pointing downwards. These shafts have no capitals; they run up into a horizontal fillet, from which spring plain vaulting ribs,
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413:"Decret 1689/1974, de 24 de maig, pel qual es declara monument històric-artístic de caràcter nacional la Catedral de Las Palmas de Gran Canaria, en el Butlletí Oficial de l'Estat de 21 de juny de 1974"
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374:: Ecclesiological society's "The Ecclesiologist: Some Notes on the Cathedral of Las Palmas, with a few thoughts on tropical architecture. By William Scott" (1851)
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The feast of the cathedral's dedication is celebrated every
November 26. The structure is considered the most important monument of Canarian religious architecture.
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Referència en la Pacta
Oficial de la Conferència Episcopal Espanyola sobre la Dedicació d'aquesta Santa Església Catedral, pàgina 154.
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24 horas. La catedral de Santa Ana de las Palmas de Gran
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Institut del Patrimoni Cultural de Espanya-Edificis inclosos en el Pla de Catedrals (Vegeu la Comunitat Autònoma de Canàries).
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La Catedral de Canàries es passejarà per tota Espanya en el cupó de la ONCE, article del periòdic El Día.
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Las Palmas Cathedral was the only cathedral in the Canary Islands until 1819, when it was founded the
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The second and third bays from the west are filled, or rather walled up, with a vile classical
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Catedral de Canàries i Real Santuari-Basílica de Santa Anna, celebra el 360è aniversari de la
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553:"Some Notes on the Cathedral of Las Palmas, with a few thoughts on tropical architecture"
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Referència sobre el Monument Arquitectònic més important de l'Arxipièlag Canari.
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La catedral de Canàries vista en 360 graus des de la pàgina web Canarias 360.
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Himne i Procesó de Santa Anna en la catedral de Canàries en l'any 2009.
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Crucified by José Luján Pérez, 1793, located in the Sala Capitular.
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This article incorporates text from this source, which is in the
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Interior view, demonstrating the piers as imitation palm trees.
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View looking west from atop Santa Ana Cathedral, February 2019
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Santa Ana Plaza in front of Santa Ana Cathedral, February 2019
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La catedral de Canàrias : Apunts de la seva història.
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16th-century Roman Catholic church buildings in Africa
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16th-century Roman Catholic church buildings in Spain
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Roman Catholic Diocese of San Cristóbal de La Laguna
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559:(Public domain ed.). Ecclesiological society
584:La catedral de Canàries a través de la història.
2346:Roman Catholic cathedrals in the Canary Islands
1959:Autoridad Única del Transporte de Gran Canaria
486:Govern de Canàries. Educació. Cultura Canària.
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2351:Roman Catholic churches completed in 1570
617:en la pàgina del Cabildo de Gran Canària.
2273:University of Las Palmas de Gran Canaria
430:"1 Informació de la Diòcesi de Canàries"
1871:Jardín Botánico Canario Viera y Clavijo
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165:Cathedral of Las Palmas de Gran Canaria
67:Ecclesiastical or organizational status
18:Cathedral of Santa Ana (Canary Islands)
2331:Buildings and structures in Las Palmas
1906:Elder Museum of Science and Technology
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1881:Church of San Juan Bautista (Arucas)
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513:"Memoria digital de Canarias - mdC"
673:Roman Catholic cathedrals in Spain
473:"Diòcesis de Canàries. Santa Anna"
245:The cathedral was designed in the
227:province of Santa Cruz de Tenerife
192:Roman Catholic Diocese of Canarias
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2101:Real Club Náutico de Gran Canaria
1774:Maspalomas bow-legged grasshopper
306:Video on Luján Pérez masterpiece.
161:Holy Cathedral-Basilica of Canary
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2341:Churches in the Canary Islands
1694:Conquest of the Canary Islands
209:Vista de catedral de Canàries.
1:
1896:Atlantic Center of Modern Art
852:Archdiocese of Mérida-Badajoz
2356:1570 establishments in Spain
2207:Universidad de Las Palmas CF
2197:UD Villa de Santa Brígida B
1804:Four Doors cave site, Telde
1735:Gran Canaria blue chaffinch
1339:no longer used as cathedral
956:Santo Domingo de la Calzada
388:"La Catedral de Santa Anna"
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2326:Basilica churches in Spain
2223:Centro Insular de Deportes
1064:San Cristóbal de La Laguna
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2192:UD Villa de Santa Brígida
1785:Landmarks and attractions
1747:Gran Canaria giant lizard
1589:San Bartolomé de Tirajana
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1228:Archdiocese of Valladolid
233:Architecture and fittings
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1709:People from Gran Canaria
1621:San Nicolás de Tolentino
1079:Archdiocese of Tarragona
681:Archdiocese of Barcelona
270:The cathedral's windows.
1769:Alvania grancanariensis
1730:Alvania grancanariensis
1276:Archdiocese of Zaragoza
1175:Archdiocese of Valencia
928:Archdiocese of Pamplona
694:Sant Feliu de Llobregat
551:Scott, William (1851).
43:Cathedral of Santa Ana.
2167:Real Sporting San José
2147:UD Las Palmas Atlético
1835:Fuente de los Azulejos
1704:Timeline of Las Palmas
1631:Sta. Lucía de Tirajana
1469:Province of Las Palmas
1026:Archdiocese of Seville
1006:Santiago de Compostela
978:Santiago de Compostela
766:Archdiocese of Granada
455:"Diòcesis de Canàries"
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285:One of the campaniles.
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157:Cathedral of Santa Ana
2268:Schools in Las Palmas
2256:Education and science
1367:28.10083°N 15.41472°W
1324:Zaragoza (The Savior)
1319:Zaragoza (The Pillar)
1193:Ciutadella de Menorca
1188:Castellón de la Plana
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718:Archdiocese of Burgos
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60:Roman Catholic Church
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1974:Tren de Gran Canaria
1943:Gran Canaria Airport
1886:Las Palmas Cathedral
1809:Painted Cave, Galdar
1799:El Maipés Necropolis
1699:Battle of Las Palmas
1513:Puerto de las Nieves
615:La Huella y la Senda
32:Catedral de Canarias
30:Las Palmas Cathedral
2162:CF Panadería Pulido
1969:Guaguas Municipales
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2307:Islands portal
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2243:Gran Canaria Arena
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461:on June 29, 2012.
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1614:San Fernando
1412:Gran Canaria
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1336:co-cathedral
1102:Lleida (New)
1097:Lleida (Old)
1058:
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837:Madrid (Old)
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561:. Retrieved
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545:Bibliography
517:mdc.ulpgc.es
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105:Architecture
2127:Castillo CF
1855:Roque Nublo
1668:Valsequillo
1582:San Agustin
1565:Puerto Rico
1555:Arguineguín
1370: /
1155:Guadalajara
1145:Ciudad Real
174:located in
128:(Pointed),
55:Affiliation
2320:Categories
2137:AD Huracán
2096:BM Remudas
1850:Pilancones
1636:Vecindario
1609:Sonnenland
1599:Maspalomas
1577:Las Palmas
1457:Governance
1448:Wikivoyage
1358:15°24′53″W
1355:28°06′03″N
1284:Albarracín
1261:Valladolid
1059:Las Palmas
535:Scott 1851
497:Scott 1851
398:2014-10-25
360:References
313:campaniles
252:Corinthian
176:Las Palmas
138:Romanesque
130:Corinthian
95:Las Palmas
78:Leadership
2132:UD Gáldar
1976:(planned)
1929:Transport
1663:Valleseco
1289:Barbastro
1112:Tarragona
996:Mondoñedo
936:Calahorra
918:Santander
784:Cartagena
689:Barcelona
563:30 August
319:Panoramas
184:cathedral
149:Siglo XVI
72:Cathedral
2182:UD Telde
2115:Football
1742:Reptiles
1525:Artenara
1428:Category
1309:Tarazona
1218:Valencia
1203:Orihuela
1183:Alicante
1160:Sigüenza
1140:Albacete
951:Pamplona
741:Palencia
699:Terrassa
261:ciborium
91:Location
86:Location
49:Religion
2064:General
1864:General
1759:Mammals
1682:History
1545:Ingenio
1520:Agüimes
1438:Commons
1256:Segovia
1213:Segorbe
1117:Tortosa
1107:Solsona
1069:Seville
1044:Córdoba
1001:Ourense
941:Logroño
903:Astorga
870:Cáceres
860:Badajoz
789:Granada
774:Almería
201:History
190:of the
186:is the
167:) is a
134:Moorish
2216:Venues
1964:Global
1718:Nature
1648:Tejeda
1594:Fataga
1540:Gáldar
1535:Firgas
1530:Arucas
1508:Agaete
1314:Teruel
1299:Huesca
1294:Monzón
1266:Zamora
1165:Toledo
1150:Cuenca
1087:Girona
1049:Huelva
986:Ferrol
966:Tudela
913:Oviedo
875:Mérida
832:Getafe
809:Murcia
804:Málaga
794:Guadix
731:Bilbao
726:Burgos
247:Gothic
182:. The
172:church
126:Gothic
114:church
2056:Sport
1984:Roads
1725:Birds
1658:Teror
1653:Telde
1550:Mogán
1236:Ávila
1198:Ibiza
1054:Jerez
1039:Ceuta
1034:Cádiz
865:Coria
746:Soria
416:(PDF)
121:Style
99:Spain
2001:GC31
1572:Moya
1016:Vigo
991:Lugo
946:Jaca
908:León
799:Jaén
779:Baza
736:Osma
565:2013
276:coro
155:The
110:Type
2020:Sea
2011:GC5
2006:GC4
1996:GC2
1991:GC1
1936:Air
1122:Vic
1011:Tui
188:see
163:or
2322::
555:.
525:^
515:.
504:^
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178:,
136:,
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159:(
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