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611:. From this era the lower part of two of the apses is still preserved, with small windows between inscribed capitals depicted, adorned with so-called "checkered jaqués" on the outside, and, inside, a set of sculptures that at present are hidden behind the main altarpiece. The construction of the original cathedral continued throughout the 13th century.
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was built, all in the Mudéjar style. The only thing that has been preserved is the
Parroquieta or parochial chapel of San Miguel Archangel, that was built as a closed and independent chapel inside the building, and that archbishop Don Lope designed as a funeral chapel. The construction, elegantly
685:
carried out in Gothic-Mudéjar style, is a unique example of the work of the
Aragonese masters and the Seville builders, who covered the exterior wall with geometric drawings made of smooth brick and glazed ceramic. In the interior, the roof is constructed of gilded wood in the Mudéjar style.
887:
In total more than two billion pesetas were spent by the
Government of Aragon, the Archbishopric of Zaragoza and the Metropolitan Chapter, the Department of Education and Culture of Spain, Ibercaja, and Caja de Ahorros de la Inmaculada. As of 2005, the sacristy was still in the process of
672:(1317–1345) a Gothic church with three naves (the present three central naves) was built, keeping the Romanesque apses. The central nave was built higher than those on the sides, making it possible to create windows that from 1447 would be covered with stained glass. In 1346, a
676:
dome was started to provide light at the altar, with the participation of the masters Juan de
Barbastro and Domingo Serrano. The work was finished in 1376, when Don Lope Fernández de Luna was already archbishop, creating a spacious, well-lit Gothic cathedral.
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preserves some remnants of the Gothic organ of 1469 and pipes hailing from the fifteenth to the eighteenth century. The present-day organ is the result of the integration of the complex historical pieces of the instrument, done between 1857 and 1859 by Pedro
2447:
1291:
The choir section is formed by 117 oaken seats built by three monks named Gomar, Bernardo Giner, and Mateo de
Cambiay. It is enclosed by a bronze grating accented with sculptures of gilded wood by Juan Ramírez. The archbishop Dalmau Mir is buried
668:, and with that the building became a metropolitan cathedral. From this point the additions were carried out using cheap materials that were found nearby in abundance: bricks and plaster. Under the supervision of the archbishop
77:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
883:
From 1995 to 1998: restoration of the tower, the spire and the clock, the organ, the main altarpiece; in general all the plasterwork and chapels were cleaned and restored; also the tapestry museum was renovated.
712:), Aragonese by birth, initiated a reconstruction of the building. The Romanesque apses were elevated, two towers buttressing the sides of the apses were added, and a new dome was built in the shape of a
750:- such as the Sánchez, Montesa, Paternoy, and Santángel families - were implicated in the assassination. As a consequence, there arose a popular movement against the Jews; "nine were finally executed
505:, adjoining the river port. The forum, besides being the civic and commercial center of the city, contained the main temple. The Museum of the Forum is found below the plaza del Pilar, across from the
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one year to move out of the town, and on
October 4, 1121, the building was consecrated under the name San Salvador, and the necessary renovations were made to allow the building to be used for
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1124:
towards the end of the sixteenth century as a funerary chapel; only the lid of the sarcophagus has been preserved from that era. Dating from the
Renaissance are altar decorations fashioned by
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863:
The front was constructed in the 18th century in an
Italian-Baroque style that was clearly of a neoclassic aspect. It was entrusted by the Archbishop Añoa to Julian Yarza, a disciple of
626:, would approach from there in a procession. The ceremony included four parts: investiture of weapons, unction with holy oil, placing of the crown and the royal insignia, and oath of the
1421:
994:: mixed with Mudéjar, especially in the upper part of the exterior of the apse. The three central naves with their arches and tracery. Magnificent altarpiece largely of painted
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The cathedral's museum has been restored recently and is open to the public. It is a tapestry museum that displays one of the finest collections of tapestries in the world.
723:(1431–1456). Dalmau Mur concentrated on beautifying the interior of the building, taking charge of, besides the main altarpiece, the chorus and other smaller constructions.
874:
From 1975 to 1987: replacement of the six pillars of the main nave, roofs, eaves, glassworks, foundation, destruction of adjacent buildings, and archeological excavation.
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During the second half of the 20th century, a thorough restoration of the building took place, which lasted some 23 years. The project can be divided into four stages:
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form part of the current tower. The construction began in the 12th century in the
Romanesque style, and underwent many alterations and expansions until 1704, when the
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1533:
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1323:, done in hardened plaster, and they form one of the most notable groups of sculpture from the Aragonese Renaissance. To the sides lie the small chapels of
1625:
1224:. Commissioned in Gothic style in the sixteenth century, the construction was delayed by Hernando de Aragón in order to collect the bodies of his servants.
591:
The destruction of the mosque and the construction of the Late
Romanesque cathedral began in 1140. The new church, with a basilical layout consisting of a
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on the external walls, and the floor of the ancient structure. In addition, the entrance was located in the same place as that of the current cathedral.
163:
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1706:
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Main altar decorations. Dedicated to the Savior, it was originally created in alabaster and painted by various artists from 1434 to 1480, most notably
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near the end of the sixteenth century; all of this is below a canopy supported by Solomonic columns of black marble. The decorations are the work of
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734:, was assassinated in the cathedral as he was praying while wearing a helmet and chain mail. This was the consequence of the bad reception that the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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1205:, who ordered its construction, along with that of his mother Ana de Gurrea. Juan Vizcaíno created the sepulchre of the archbishop, and
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of Union. 6 prebendaries and 15 canons would reside in La Seo, and the same in El Pilar, and the dean would live 6 months in each one.
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1371:(1647), a painter from Zaragoza. Alabaster sculpture of the Virgin with child from the fifteenth century made by the French sculptor
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1078:(Valerius). Baroque entryway of gilded wood from the seventeenth century with scenes of the saints Valerius (patron of the city),
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1201:. This is one of the greatest works of the Aragonese Renaissance. Between 1549 and 1555, it contained the tombs of the archbishop
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tower was pulled down, and in 1686 construction was begun on a new one. The new tower, which was designed in Rome in 1683 by
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1491:
754:, in addition to two suicides, thirteen burnings at the stake, and four punished for complicity" according to the account of
716:. Decorated in 1409 by the master Mohammed Rami, it may have been viewed by Benedict XIII on his visit to the city in 1410.
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1147:. This Baroque chapel dates back to the second half of the eighteenth century and houses the remains of the saint himself.
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Chapel of the Birth of Christ. Simple doorway from the sixteenth century. Altar decorations with panels attributed to
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Content in this edit is translated from the existing Spanish Knowledge article at ]; see its history for attribution.
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1375:. On the floor lie various tombstones of the archbishops of Zaragoza from the sixteenth and seventeenth centuries.
1217:. All parts were made of alabaster. The grating is also from the Renaissance and was the work of Guillén Trujarón.
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In 1360, during the archbishopric of Don Lope Fernández de Luna, the main facade was renovated and the so-called
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To the rear of the choir lies the chapel of the Holy Christ, with a representation of the crucified Christ,
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tapestries from the 15th, 16th and 17th centuries, one of the three largest such collections in the world.
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with Mudéjar influences, built in the first third of the 16th century to replace the older Moorish dome.
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Chapel of Our Lady of the Snows, a late Gothic chapel with Baroque altar and altar paintings by
821:. The dome of the cathedral can be seen in the center, to the left of the bridge and the market.
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From 1987 to 1992: wall of the Parroquieta, dome, chapels of the head and neoclassical facade.
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1177:. On the walls appear framed paintings from the seventeenth century attributed to the artist
632:(statutes) and liberties of the Kingdom of Aragon. The last king to be crowned in La Seo was
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1401:. Altar decorations of gilded wood with relief scenes of the lives of Saints Peter and Paul.
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from 1695. An image of St. James the pilgrim, from the 16th century, under a baroque canopy.
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From 1992 to 1994: completion of outside work and excavation of Roman and Muslim remnants.
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Door of the Pabostría and atrium. The interior of the door is the most interesting part.
1016:: exterior wall of the Parish of San Miguel and its interior roof, gilded with wood. The
1268:. Baroque doorway. The sculpture of St. Vincent is from roughly 1760 and was created by
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949:. Of the diverse styles that make up La Seo Cathedral, the most important elements are:
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of El Pilar even brought a suit to win the episcopal seat, a suit that was decided by
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The cathedral is a mixture of styles, from the Romanesque apse (12th century) to the
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style, was started in 1686 and finished in 1704 with the placement of the spire.
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960:. The Roman interior of the apse still remains, but is now covered by the Gothic
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1390:. It can be considered one of the greatest works of European Gothic sculpture.
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During the 16th and 17th century, the cathedral was one of the centers of the
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640:. Royal baptisms, weddings, and burials were also performed in the cathedral.
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Conversion of non-Christian religious buildings and structures into churches
1451:(in Spanish). Zaragosa: Ayuntamiento, Servicio de Cultura: Caja Inmaculada.
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of El Pilar and of La Seo was well known in the 17th century. The cathedral
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the elder, is found within the cathedral in the chapel of San Pedro Arbués.
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622:. The king, who the previous night had kept watch over his armaments in the
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in Zaragoza. They both share co-cathedral status in metropolitan Zaragoza.
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Beginning with the foot of the cathedral, the chapels on the right side:
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The cathedral is located on the Plaza de la Seo and is commonly known as
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Historia de cuatro ciudades: Salduie, Caesaraugusta, Saraqusta, Zaragoza
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Beginning with the foot of the cathedral, the chapels on the left side:
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in the seventeenth century. Baroque doorway from the eighteenth century.
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in favor of La Seo. The disputes would not be resolved until, in 1676,
1162:. Renaissance-era altar decorations by Gil Morlanes with sculptures by
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to the source of your translation. A model attribution edit summary is
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1367:(White Virgin). Baroque altar decorations of wood with paintings by
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did not lead to the immediate demolition of the mosque. He gave the
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Tower, roof and dome of the Cathedral of Saint Mary of Mediavilla
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made the Solomon-like decision to merge the two chapters via the
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did that of his mother. The altar decorations for the Chapel of
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The main altarpiece was constructed during the archbishopric of
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were crowned in this church, by a special privilege bestowed by
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Right transept, with the 16th-century chapel of Gabriel Zaporta
552:(1029–1095). The main mosque is certainly one of the oldest of
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of the cathedral. There have been no remains found of either a
26:
972:, built in ivory in the 11th century, and the relic-busts of
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hang over the walls. The painting of the saints was done by
2322: Parish church of Santa Tecla (Cervera de la Cañada)
468:, whose name (pillar) is a reference to an apparition of
1442:, which was accessed in the version of 21 February 2006.
1181:. Below a canopy (pavilion-like draping of fabric) with
599:, constructed of stone, owed much stylistically to the
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The location of the Seo has its roots in the old Roman
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12th-century Roman Catholic church buildings in Spain
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1422:
History of medieval Arabic and Western European domes
742:, where it was seen as an attack by the crown on the
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Apse, cloister and tower of Colegiata de Santa María
1030:: In the Parroquieta of San Miguel, the tomb of the
70:
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a machine-translated version of the Spanish article.
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1447:Lostal Pros, Joaquín; Arturo Ansón Navarro (2001).
1242:from the sixteenth century. Renaissance grating by
848:Also during the 17th century, the old and decrepit
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107:{{Translated|es|Catedral del Salvador de Zaragoza}}
817:, though it is sometimes attributed to his master
1105:are all Baroque works of the seventeenth century.
636:in 1518. Later kings needed only to swear to the
524:Romanesque apse with mudéjar and gothic additions
2468:Buildings converted to Catholic church buildings
544:(? – 718), a disciple of someone close to
489:. Unlike other Roman city forums, the forum of
95:accompanying your translation by providing an
57:Click for important translation instructions.
44:expand this article with text translated from
2234:
1527:
1185:is a sculpture of Saint Pedro Arbués done by
8:
956:: in the exterior and the lower part of the
904:La Seo was built on the site of the ancient
801:, among others, worked and composed there.
2336:Mudéjar remains of the Palace of Aljafería
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2227:
2219:
1534:
1520:
1512:
941:main door (18th century), passing through
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130:
614:From 1204 up until the 15th century, all
493:was not located at the confluence of the
895:
2383:
1151:that arches over very detailed plaster
198:Ecclesiastical or organizational status
825:The long-standing rivalry between the
758:. Pedro de Arbués was sainted by Pope
664:, making it independent of the see of
919:city of Saraqusta, elements of whose
813:View of Zaragoza in 1647, painted by
701:In 1403 the old dome fell down. The
462:") to distinguish it from the nearby
7:
2346:Tower and Parish church of San Pablo
762:in 1867; his sepulchre, designed by
2438:Roman Catholic cathedrals in Aragon
2433:Roman Catholic churches in Zaragoza
1155:(support structures of the cupola).
571:The arrival in Zaragoza in 1118 of
134:Cathedral of the Savior of Zaragoza
2328: Church of Saint Mary (Tobed)
1543:Roman Catholic cathedrals in Spain
1434:This article draws heavily on the
1170:(image of St. Augustine from 1720)
25:
2296:and church of San Martín (Teruel)
1470:(in Spanish). Editorial Everest.
140:Catedral del Salvador de Zaragoza
2410:
2398:
2386:
2365:
2306:and church of The Savio (Teruel)
1577:
1120:. The chapel was constructed by
31:
2463:Tourist attractions in Zaragoza
2356:Apse, parish and dome of La Seo
1466:Rincón García, Wifredo (1987).
1213:were entrusted to the sculptor
815:Juan Bautista Martínez del Mazo
161:
2250:Mudéjar architecture of Aragon
1497:Page about Zaragoza and Aragón
915:and of the main mosque of the
444:Mudéjar Architecture of Aragon
430:(also known as Saragossa), in
343:Mudéjar Architecture of Aragon
105:You may also add the template
1:
2284:Tower and church of San Pedro
1722:Archdiocese of Mérida-Badajoz
1492:Page of the Cathedral Council
783:Sebastián Aguilera de Heredia
660:created the archbishopric of
542:Hanas ben Abdallah as San'ani
976:(patron saint of Zaragoza),
721:Don Dalmau de Mur y Cervelló
644:The Gothic-Mudéjar Cathedral
2209:no longer used as cathedral
1826:Santo Domingo de la Calzada
1507:Herensuge the Basque dragon
1341:Nuestra Señora de la Merced
900:Facade, dome and bell tower
2484:
2259:UNESCO World Heritage Site
1934:San Cristóbal de La Laguna
1575:
1440:Spanish-language Knowledge
1279:(Santiago). A painting by
1006:. Choir stalls. Museum of
978:Saint Vincent of Saragossa
595:and three naves ending in
532:Frontal view of both apses
309:UNESCO World Heritage Site
69:Machine translation, like
2363:
2265:
2256:
2202:
2098:Archdiocese of Valladolid
1319:, Arnau de Bruselas, and
1108:Chapel of the archangels
1086:. Walls were painted by
1020:Mudéjar has been named a
361:Spanish Cultural Heritage
358:
306:
145:
138:
46:the corresponding article
1949:Archdiocese of Tarragona
1551:Archdiocese of Barcelona
1412:Catholic Church in Spain
1149:Elliptical cupola (dome)
984:donated by the antipope
587:The Romanesque Cathedral
139:
2453:Former mosques in Spain
2146:Archdiocese of Zaragoza
2045:Archdiocese of Valencia
1798:Archdiocese of Pamplona
1564:Sant Feliu de Llobregat
1345:Saint Leonard of Noblac
1337:St. Thomas of Villanova
1251:Saints Justa and Rufina
1141:Santo Dominguito de Val
1038:from the 16th century.
1036:López Fernández de Luna
726:On September 14, 1485,
501:, but instead near the
403:Cathedral of the Savior
181:Archdiocese of Zaragoza
116:For more guidance, see
1896:Archdiocese of Seville
1876:Santiago de Compostela
1848:Santiago de Compostela
1636:Archdiocese of Granada
1321:Juan Sanz de Tudelilla
1143:, patron saint of the
968:are the "olifante" by
901:
822:
693:
653:
573:Alfonso I, the Battler
533:
525:
411:
234:Geographic coordinates
2194:Zaragoza (The Savior)
2189:Zaragoza (The Pillar)
2063:Ciutadella de Menorca
2058:Castellón de la Plana
2002:Archdiocese of Toledo
1765:Archdiocese of Oviedo
1689:Archdiocese of Madrid
1588:Archdiocese of Burgos
1436:corresponding article
974:Valerius of Saragossa
930:completed the tower.
899:
854:Juan Bautista Contini
812:
730:, the canon and head
691:
651:
607:, a nursery, and two
531:
523:
412:Catedral del Salvador
118:Knowledge:Translation
89:copyright attribution
18:Cathedral of Zaragoza
1333:St. John the Baptist
1128:, bronze grating by
892:Architectural styles
732:Inquisitor of Aragón
438:. It is part of the
256:41.65456°N 0.87585°W
2458:Museums in Zaragoza
1373:Fortaner de Uesques
1277:St. James the Great
1022:World Heritage Site
670:Pedro López de Luna
440:World Heritage Site
319:Cultural: (iv)
252: /
1468:La Seo de Zaragoza
1203:Hernando de Aragón
1099:Francesco Lupicini
970:Gaston IV of Béarn
902:
823:
694:
654:
560:king of Zaragoza,
534:
526:
417:La Seo de Zaragoza
261:41.65456; -0.87585
97:interlanguage link
2374:
2373:
2216:
2215:
2078:Palma de Mallorca
1697:Alcalá de Henares
1349:Saint Philip Neri
1313:Arnau de Bruselas
1244:Hernando de Ávila
1183:Solomonic columns
1048:: Tower and gate.
865:Ventura Rodríguez
620:Pope Innocent III
601:Cathedral of Jaca
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58:
54:
16:(Redirected from
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1388:Hans Piet D'anso
1317:Jerónimo Vallejo
1259:Francisco Camilo
1240:Jerónimo de Mora
1173:Chapel of Saint
1130:Guillén Trujarón
1126:Juan de Anchieta
1069:Francisco Ximeno
805:Recent centuries
775:polyphonic music
771:Aragonese school
334:
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2140:
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2092:
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1996:
1962:La Seu d'Urgell
1943:
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1369:Jusepe Martínez
1253:. Paintings by
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1207:Juan de Liceire
1122:Gabriel Zaporta
1058:
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795:Jusépe Ximénez
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1160:St. Augustine
1157:
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1123:
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1088:García Ferrer
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986:Benedict XIII
983:
979:
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950:
948:
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939:Neo-Classical
936:
931:
929:
926:
922:
918:
914:
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907:
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888:restoration.
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706:Benedict XIII
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491:Caesaraugusta
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395:RI-51-0001028
394:
392:Reference no.
390:
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349:Reference no.
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62:
61:
55:
49:
47:
42:You can help
38:
29:
28:
19:
2393:Architecture
2355:
2206:co-cathedral
2193:
1972:Lleida (New)
1967:Lleida (Old)
1712:Madrid (New)
1707:Madrid (Old)
1467:
1448:
1433:
1358:
1353:Saint Orosia
1286:
1270:Carlos Salas
1222:St. Benedict
1192:
1187:Juan Ramírez
1175:Pedro Arbués
1164:Gabriel Yoly
1152:
1134:Pedro Morone
1059:
1051:
982:St. Lawrence
932:
903:
886:
869:
862:
849:
847:
824:
791:Diego Pontac
777:. Musicians
768:
764:Gil Morlanes
751:
743:
725:
718:
709:
700:
679:
655:
637:
627:
613:
590:
570:
540:
484:
463:
451:
449:
442:
416:
406:
402:
400:
272:Architecture
93:edit summary
84:
51:
43:
2405:Catholicism
2316:(Calatayud)
2025:Guadalajara
2015:Ciudad Real
1329:St. Matthew
1311:created by
1307:(Mary) and
1266:St. Vincent
1255:Juan Galván
1199:St. Bernard
1095:Saint Helen
1028:Renaissance
736:Inquisition
714:Papal Tiara
697:Renaissance
682:Parroquieta
387:3 June 1931
371:Non-movable
259: /
164:Affiliation
2427:Categories
2358:(Zaragoza)
2348:(Zaragoza)
2338:(Zaragoza)
2154:Albarracín
2131:Valladolid
1929:Las Palmas
1502:The shrine
1428:References
1393:Chapel of
1380:Pere Johan
1325:St. Martha
1275:Chapel of
1264:Chapel of
1249:Chapel of
1227:Chapel of
1220:Chapel of
1197:Chapel of
1158:Chapel of
1145:Infanticos
1139:Chapel of
1093:Chapel of
1076:San Valero
1074:Chapel of
1032:archbishop
1000:Pere Johan
962:altarpiece
954:Romanesque
937:tower and
752:in persona
583:purposes.
554:Al-Andalus
550:Al-Ḥumaydī
537:The Mosque
503:Ebro river
384:Designated
324:Designated
293:Romanesque
244:41°39′16″N
191:Roman Rite
48:in Spanish
2159:Barbastro
1982:Tarragona
1866:Mondoñedo
1806:Calahorra
1788:Santander
1654:Cartagena
1559:Barcelona
1417:Aljafería
1395:St. Peter
1211:San Bruno
1168:José Sanz
1136:of Siena.
1018:Aragonese
996:alabaster
964:. In the
835:Philip IV
710:Papa Luna
666:Tarragona
634:Charles I
624:Aljafería
609:cloisters
605:refectory
581:Christian
515:Mozarabic
499:Decumanus
456:Aragonese
424:cathedral
247:0°52′33″W
202:Cathedral
111:talk page
2352:378-010:
2342:378-009:
2332:378-008:
2326:378-007:
2320:378-006:
2310:378-005:
2300:378-004:
2290:378-003:
2286:(Teruel)
2280:378-002:
2276:(Teruel)
2270:378-001:
2179:Tarazona
2088:Valencia
2073:Orihuela
2053:Alicante
2030:Sigüenza
2010:Albacete
1821:Pamplona
1611:Palencia
1569:Terrassa
1406:See also
1399:St. Paul
1309:St. John
1261:in 1644.
1229:St. Mark
1179:Berdusán
1153:pechinas
1103:Florence
1084:Lawrence
1056:Interior
998:made by
966:sacristy
913:Augustus
703:Antipope
662:Zaragoza
656:In 1318
593:transept
562:Mundir I
546:Mohammed
517:church.
511:Visigoth
497:and the
465:El Pilar
428:Zaragoza
421:Catholic
379:Monument
376:Criteria
316:Criteria
226:Zaragoza
222:Location
217:Location
176:Province
169:Catholic
158:Religion
87:provide
2379:Portals
2126:Segovia
2083:Segorbe
1987:Tortosa
1977:Solsona
1939:Seville
1914:Córdoba
1871:Ourense
1811:Logroño
1773:Astorga
1740:Cáceres
1730:Badajoz
1659:Granada
1644:Almería
1438:in the
1359:Apses:
1300:Roqués.
1287:Choir:
1118:Raphael
1114:Gabriel
1110:Michael
1080:Vincent
1046:Baroque
1014:Mudéjar
1008:Flemish
943:Mudéjar
935:Baroque
925:Baroque
921:minaret
917:Moorish
858:Baroque
856:in the
850:Mudéjar
831:chapter
760:Pius IX
738:had in
674:Mudéjar
577:Muslims
566:minaret
476:History
408:Spanish
353:378-010
331:session
301:Mudéjar
228:, Spain
109:to the
91:in the
50:.
2354:
2344:
2334:
2312:
2302:
2292:
2282:
2272:
2184:Teruel
2169:Huesca
2164:Monzón
2136:Zamora
2035:Toledo
2020:Cuenca
1957:Girona
1919:Huelva
1856:Ferrol
1836:Tudela
1783:Oviedo
1745:Mérida
1702:Getafe
1679:Murcia
1674:Málaga
1664:Guadix
1601:Bilbao
1596:Burgos
1474:
1455:
1386:, and
1351:, and
1116:, and
1082:, and
992:Gothic
980:, and
947:Gothic
827:canons
744:fueros
740:Aragón
638:fueros
629:fueros
507:facade
481:Origin
452:La Seo
432:Aragon
329:(25th
297:Gothic
281:Church
2417:Spain
2304:Tower
2294:Tower
2106:Ávila
2068:Ibiza
1924:Jerez
1909:Ceuta
1904:Cádiz
1735:Coria
1616:Soria
1297:organ
1292:here.
928:spire
909:forum
906:Roman
597:apses
558:Taifa
513:or a
495:Cardo
487:forum
458:for "
436:Spain
419:is a
415:) or
327:2001
288:Style
71:DeepL
1886:Vigo
1861:Lugo
1816:Jaca
1778:León
1669:Jaén
1649:Baza
1606:Osma
1472:ISBN
1453:ISBN
1397:and
1295:The
1166:and
1040:Dome
1034:Don
1002:and
958:apse
945:and
843:Bull
797:and
748:Jews
470:Mary
401:The
368:Type
277:Type
212:1318
187:Rite
85:must
83:You
64:View
1992:Vic
1881:Tui
1238:or
1101:of
911:of
773:of
460:see
426:in
73:or
2429::
1382:,
1347:,
1343:,
1339:,
1335:,
1331:,
1327:,
1112:,
867:.
793:,
789:,
785:,
781:,
447:.
434:,
410::
299:,
295:,
2381::
2242:e
2235:t
2228:v
1535:e
1528:t
1521:v
1480:.
1461:.
1355:.
1272:.
1246:.
1231:.
1090:.
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1024:.
988:.
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120:.
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