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Caverns (novel)

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interviewer. The class soon developed a third rule: there could be no writing outside of class. All work was to be done collaboratively, to help prevent the novel from developing 13 different prose styles. Kesey described his role in the process as quarterback of a football team. The class successfully completed the book, which was published in December 1989.
157:. The cover of the book says it was written by O.U. Levon—the name of this supposed author, spelled backwards, is "novel U.O." (University of Oregon). The full list of authors is: Robert Blucher, Ben Bochner, James Finley, Jeff Forester, Bennett Huffman, Lynn Jeffress, Ken Kesey, Neil Lidstrom, H. Highwater Powers, Jane Sather, Charles Varani, Meredith Wadley, 188:
Kesey laid forth two rules: first, the students could not discuss the plot of the novel with anyone outside of the class; second, for voting purposes Kesey comprised 50 percent of the class, a controlling majority to prevent the class getting "drawn into a lot of democratic discussion", as he told an
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Because of Kesey's attachment to the project, the book was widely reviewed in newspapers and magazines. Critics were generally intrigued by the book but ultimately critical of its shortcomings: noting in particular the lack of a coherent voice and a too-large cast of characters. Writing in the
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The rest of the novel appropriates Loach as its central character. Set in the 1930s, Loach is imagined as a convicted murderer (he killed a photographer to protect the secret of the cave) who is released from
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The work of Kesey and his class departed from previous composite novels by having the thirteen class members and Kesey collaboratively write each sentence. Of the methodology, Alfred Bendixen wrote in
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The characters spend most of the novel together in a military vehicle making their way to Utah where Loach says the cave is located, and getting caught in various comic misadventures along the way.
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story on October 31, 1964, entitled "Charles Oswald Loach, Doctor of Theosophy and discoverer of so-called 'SECRET CAVE OF AMERICAN ANCIENTS,' which stirred archaeological controversy in 1928."
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is an amusing lark, full of weird characters and goofy plot twists. It was a sufficiently intriguing project to make The Mainstream Media swarm around Kesey again. But no one is calling
228:—features a motley crew of characters: Father Paul, an unbalanced priest; an archaeologist, Dr. Jocelyn Crane; Loach's brother, a museum curator; publisher Rodney Makai and the " 177:. Kesey decided the best way to teach the course would be for the class of 13 graduate students to actually produce a novel when they assembled, twice a week, at Kesey's home. 364: 504: 571: 555: 297:
also reminds us - sometimes painfully - that the novel requires an individual voice, fully realized characters and a clear sense of time and place."
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that "The book shows that a group of apprentice writers can collaborate and produce a highly readable tale in a relatively short period of time. But
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icon, by the 1980s Kesey's writing output had slowed significantly. In 1988–89 he agreed to spend a year teaching a creative writing class at the
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Makai sisters"; their African-American driver, Ned; and Juke and Boyle, World War I veterans still suffering the ill effects of
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with five other authors about three mismatched couples searching for their proper mates. A dozen authors, including
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Knox-Quinn, Carolyn. "Collaboration in the Writing Classroom: An Interview with Ken Kesey".
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According to Kesey's "Introduction," the novel was inspired by an actual news clipping, an
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Sipchen, Bob. "Kesey & Co.; The Gregarious Author Is Back in the Spotlight."
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is a 1989 novel written collaboratively as an experiment by
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Collaborative novel by Ken Kesey and creative writing class
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that she was not actually a graduate student at the time.
132: 373:(January 21, 1990). Retrieved on February 25, 2008. 782: 764: 679: 647: 622: 582: 547: 496: 153:and a creative writing class that he taught at the 130: 118: 104: 92: 84: 74: 64: 54: 46: 36: 181:, then known as Lidia Yukman, notes in her memoir 474: 426:, Vol. 41, No. 3 (Oct., 1990), pp. 309–317. 8: 19: 644: 544: 481: 467: 459: 446:Pintarich, Paul. "Caverns of Curiosity". 25: 18: 442: 440: 332:"Ken Kesey's Eclectic Writing Acid Test" 351: 257:Six of One by Half a Dozen of the Other 424:College Composition and Communication 381: 379: 359: 357: 355: 7: 247:The idea of the composite novel or 14: 330:Weddle, David (October 5, 1989). 613: 404:. Theodore Carter. July 28, 2014 656:The Electric Kool-Aid Acid Test 572:One Flew Over the Cuckoo's Nest 556:One Flew Over the Cuckoo's Nest 505:One Flew Over the Cuckoo's Nest 1: 269:Mary Eleanor Wilkins Freeman 849: 611: 24: 833:Fiction set in the 1930s 564:Sometimes a Great Notion 513:Sometimes a Great Notion 280:Naked Came the Stranger 212:The novel—described by 183:The Chronology of Water 312:, Bob Sipchen noted, " 271:collaborated to write 251:was not new. In 1872 253:Harriet Beecher Stowe 249:collaborative fiction 59:Collaborative fiction 828:Collaborative novels 818:1989 American novels 624:The Merry Pranksters 452:(December 24, 1989). 391:(February 11, 1990). 363:Bendixen, Alfred. " 265:William Dean Howells 225:The Canterbury Tales 175:University of Oregon 155:University of Oregon 138:PS3562.E924 C38 1990 591:Kesey's Garage Sale 365:There Goes The Cave 161:and Ken Zimmerman. 21: 823:Works by Ken Kesey 370:The New York Times 301:Critical reception 290:The New York Times 215:The New York Times 207:San Quentin Prison 805: 804: 760: 759: 680:Notable followers 609: 608: 583:Novel collections 548:Novel adaptations 388:Los Angeles Times 309:Los Angeles Times 142: 141: 85:Publication place 840: 645: 617: 545: 483: 476: 469: 460: 453: 444: 435: 420: 414: 413: 411: 409: 398: 392: 383: 374: 361: 341: 274:The Whole Family 199:Associated Press 179:Lidia Yuknavitch 134: 108: 76:Publication date 29: 22: 848: 847: 843: 842: 841: 839: 838: 837: 808: 807: 806: 801: 791:The Storyteller 778: 756: 707:Dorothy Fadiman 675: 643: 618: 605: 578: 543: 492: 487: 457: 456: 445: 438: 421: 417: 407: 405: 400: 399: 395: 384: 377: 362: 353: 348: 329: 326: 324:Further reading 303: 245: 243:Composite novel 195: 169:Though still a 167: 123: 77: 32: 17: 12: 11: 5: 846: 844: 836: 835: 830: 825: 820: 810: 809: 803: 802: 800: 799: 794: 786: 784: 780: 779: 777: 776: 768: 766: 762: 761: 758: 757: 755: 754: 752:Emilia Hazelip 749: 744: 739: 734: 732:Lee Quarnstrom 729: 724: 719: 714: 709: 704: 699: 697:Carolyn Garcia 694: 689: 683: 681: 677: 676: 674: 673: 666: 659: 651: 649: 642: 641: 636: 628: 626: 620: 619: 612: 610: 607: 606: 604: 603: 595: 586: 584: 580: 579: 577: 576: 568: 560: 551: 549: 542: 541: 533: 525: 517: 509: 500: 498: 494: 493: 488: 486: 485: 478: 471: 463: 455: 454: 436: 432:10.2307/357658 415: 393: 375: 350: 349: 347: 344: 343: 342: 325: 322: 302: 299: 244: 241: 194: 191: 171:counterculture 166: 163: 140: 139: 136: 128: 127: 124: 119: 116: 115: 110: 102: 101: 96: 90: 89: 86: 82: 81: 78: 75: 72: 71: 66: 62: 61: 56: 52: 51: 48: 44: 43: 38: 34: 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 845: 834: 831: 829: 826: 824: 821: 819: 816: 815: 813: 798: 795: 793: 792: 788: 787: 785: 781: 775: 774: 770: 769: 767: 763: 753: 750: 748: 745: 743: 742:Gurney Norman 740: 738: 737:Ed McClanahan 735: 733: 730: 728: 727:Paul Krassner 725: 723: 720: 718: 715: 713: 712:Stewart Brand 710: 708: 705: 703: 700: 698: 695: 693: 690: 688: 685: 684: 682: 678: 672: 671: 670:Going Furthur 667: 665: 664: 660: 658: 657: 653: 652: 650: 648:Documentaries 646: 640: 637: 635: 634: 630: 629: 627: 625: 621: 616: 601: 600: 596: 593: 592: 588: 587: 585: 581: 574: 573: 569: 566: 565: 561: 558: 557: 553: 552: 550: 546: 539: 538: 537:Last Go Round 534: 531: 530: 526: 523: 522: 518: 515: 514: 510: 507: 506: 502: 501: 499: 495: 491: 484: 479: 477: 472: 470: 465: 464: 461: 451: 450: 449:The Oregonian 443: 441: 437: 433: 429: 425: 419: 416: 408:September 25, 403: 397: 394: 390: 389: 382: 380: 376: 372: 371: 366: 360: 358: 356: 352: 345: 339: 338: 337:Rolling Stone 333: 328: 327: 323: 321: 320:literature." 319: 315: 311: 310: 300: 298: 296: 292: 291: 284: 282: 281: 276: 275: 270: 266: 262: 258: 255:wrote a book 254: 250: 242: 240: 237: 235: 231: 227: 226: 221: 220:Indiana Jones 217: 216: 210: 208: 202: 200: 192: 190: 186: 184: 180: 176: 172: 164: 162: 160: 156: 152: 148: 147: 137: 135: 133:LC Class 129: 125: 122: 121:Dewey Decimal 117: 114: 111: 109: 103: 100: 99:0-14-012208-7 97: 95: 91: 88:United States 87: 83: 79: 73: 70: 69:Penguin Books 67: 63: 60: 57: 53: 49: 45: 42: 39: 35: 31:First edition 28: 23: 797:Kesey Square 789: 771: 747:Robert Stone 687:Neal Cassady 668: 661: 654: 632: 597: 589: 570: 562: 554: 535: 527: 520: 519: 511: 503: 447: 423: 418: 406:. Retrieved 396: 386: 368: 335: 317: 313: 307: 304: 294: 288: 285: 278: 272: 256: 246: 238: 223: 213: 211: 203: 196: 187: 182: 168: 159:Lidia Yukman 145: 144: 143: 702:Paul Foster 529:Sailor Song 261:Henry James 234:mustard gas 230:Blavatskian 812:Categories 722:Wavy Gravy 663:Magic Trip 639:Acid Tests 346:References 165:Background 126:813/.54 20 783:Memorials 717:Del Close 692:Ken Babbs 599:Demon Box 490:Ken Kesey 151:Ken Kesey 65:Publisher 41:Ken Kesey 113:20131987 47:Language 20:Caverns 773:Twister 633:Furthur 521:Caverns 318:Caverns 314:Caverns 295:Caverns 146:Caverns 50:English 602:(1986) 594:(1973) 575:(1975) 567:(1971) 559:(1963) 540:(1994) 532:(1992) 524:(1989) 516:(1964) 508:(1962) 497:Novels 222:meets 37:Author 765:Plays 55:Genre 410:2015 367:". 267:and 193:Plot 107:OCLC 94:ISBN 80:1989 428:doi 218:as 814:: 439:^ 378:^ 354:^ 334:. 263:, 236:. 482:e 475:t 468:v 434:. 430:: 412:. 340:.

Index


Ken Kesey
Collaborative fiction
Penguin Books
ISBN
0-14-012208-7
OCLC
20131987
Dewey Decimal
LC Class
Ken Kesey
University of Oregon
Lidia Yukman
counterculture
University of Oregon
Lidia Yuknavitch
Associated Press
San Quentin Prison
The New York Times
Indiana Jones
The Canterbury Tales
Blavatskian
mustard gas
collaborative fiction
Harriet Beecher Stowe
Henry James
William Dean Howells
Mary Eleanor Wilkins Freeman
The Whole Family
Naked Came the Stranger

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