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nothing unsaid of the varying features of the ocean, whose waves were forever beating at her feet. With the minutest attention to detail; with the keenest observation for shades of difference; with an almost superfine susceptibility to climatic and meteorological changes, so that she might be termed a realist in word-painting, she at the same time possessed the glow and the imagination of the impressionist. Thus we see in her art the happy combination of the two schools. Certainly no one can read her poems without the conviction of certainty that she had seen with her own eyes what she described. There is something beyond the photographic accuracy of experienced observation always to be observed even in her simplest poems. She saw something more than the mere external forms of nature, and however much she may have delighted in these, it was not her sole object to reproduce them for other eyes. Beyond and within the external, she perceived the actuating soul: and it was this quality which gave the greatest value to her pictures of sea and shore.
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313:, and considering that they came from a group of islands, away from the mainland far enough to prevent frequent communication, the debuting work was received with almost as much surprise as pleasure. Although stray poems of the ocean had been published, signed with the name of "Celia Thaxter", still it was difficult for the critical reviewer of Boston to realize that the bearer of this name was actually a long time resident, if not exactly a native of those isles lying off the coast of New Hampshire. Her poetry appeared in the
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In
Thaxter's prose writing, the picturesque prevails, though with some marked exceptions; in all is a moral undercurrent which crops out more or less prominently in all of her productions—prose or poetry. She wrote some charming poems for children, with such an exquisite blending of the didactic with
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themes. Thaxter's "Two
Sonnets," addressed to a woman, parallels the romantic passion present in Wharton's sonnet sequence "The Mortal Lease," addressed to a man. Thaxter frequently brings together natural imagery and romantic desires; in the poem "Alone," she writes "I would have given my soul to be
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Because
Thaxter wrote so well of the sea, her graphic imagery impressed some critics with the idea that she wrote of nothing else. This was untrue: her poems were not confined to the sea, as will be remembered with the story of "A Faded Glove," "Remonstrance," "Piccola," and scores of other verses
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after his serious illness in 1868–69. Her life with Levi was not harmonious, and there were other periods of separation, She missed her islands, and so after ten years away, Thaxter moved back to
Appledore Island. She became the hostess of her father's hotel, the Appledore House, and welcomed many
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Thaxter has done for the sea-shore and the varied aspects of ocean views and the rocky isles of her home, what
Whittier has done for the milder aspects of the river on whose banks he dwelt. As he may be said to have exhausted the descriptive beauties of the Merrimac, Thaxter appears to have left
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Thaxter died suddenly while on
Appledore Island. She was buried not far from her cottage, which burned in the 1914 fire that destroyed The Appledore House hotel. The Kittery Point home stayed in the family until the 1989 death of her granddaughter and biographer, Rosamond Thaxter. In 2008,
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The means of education were comparatively remote, and the permanent society of the islands for the greater part of the year offered very limited resources for a bright child. During the period of 1849–1850, she attended Mount
Washington Female Seminary in
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Thaxter was happy to have attracted, very early in her literary career, the sympathy and admiration of some of the best writers and critics of the day: among the most enthusiastic of her admirers, was
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Karl, who had mental illness since childhood, traveled with
Thaxter during the periods she returned to the islands, while the two younger sons traveled with the husband to
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Literary Eats: Emily
Dickinson's Gingerbread, Ernest Hemingway's Picadillo, Eudora Welty's Onion Pie and 400+ Other Recipes from American Authors Past and Present
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the scenic and emotional, that the intended lesson was conveyed without exciting the natural repulsion of children to "morals," too obviously conveyed.
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also painted the flowers in her garden. Celia was present at the time of the infamous murders on
Smuttynose Island, about which she wrote the essay
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Her first published poem was written during this time on the mainland. That poem, "Land-Locked", was first published in the
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Barbershops, Bullets, and Ballads: An Annotated Anthology of Underappreciated American Musical Jewels, 1865-1918
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at his Appledore Hotel. How she grew up to become a writer is detailed in her early autobiography (published by
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On September 13, 1851, at the age of 16, she married Levi Thaxter and moved to the mainland, residing first in
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selected "A Memorable Murder" for inclusion in its two-century retrospective of American True Crime.
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who taught at Harvard University where he studied insect-associated fungi and Myxobacteria.
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literary and artistic notables to the island and to her parlor, including writers
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This article incorporates text from this source, which is in the
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The lost bell. A legend of the island of Rügen in the Baltic Sea.
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Poet on demand: the life, letters, and works of Celia Thaxter
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American Women Poets of the Nineteenth Century: An Anthology
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Notable American Women, 1607–1950: A Biographical Dictionary
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giving land pictures; not to mention her musical sonnets on
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Beneath the Second Sun: A Cultural History of Indian Summer
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Studwell, William Emmett; Schueneman, Bruce R. (1999).
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Idyls and pastorals, a home gallery of poetry and art.
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Nineteenth-Century American Women Poets: An Anthology
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was born in 1858, and went on to become a prominent
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The Woman's Story: As Told by Twenty American Women
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579:The cruise of the Mystery and other poems
468:Several of her poems are noted for their
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1033:Sandpiper: The Life of Celia Thaxter
966:Scharnhorst, Gary (April 11, 2014).
926:Annie Adams Fields: Woman of Letters
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473:That rose she touched so tenderly!"
1218:19th-century American women writers
850:"True Crime: An American Anthology"
1233:American women short story writers
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829:www.rosamondthaxterfoundation.org
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910:(Public domain ed.). Hurst.
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567:The Nursery for youngest readers
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1161:Works by or about Celia Thaxter
930:. Univ of Massachusetts Press.
904:Holloway, Laura Carter (1889).
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761:Studwell & Schueneman 1999
691:Bennett, Paula Bernat (1998).
606:Stories and Poems for Children
585:My lighthouse, and other poems
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1141:Resources in other libraries
1117:Resources in other libraries
1071:. Rutgers University Press.
951:. Harvard University Press.
1228:19th-century American poets
1176:(public domain audiobooks)
459:Celia Thaxter in her Garden
425:, where they built a grand
193:Celia Laighton was born in
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1243:People from Kittery, Maine
1029:Thaxter, Rosamond (1962).
1008:Sweeting, Adam W. (2003).
945:Radcliffe College (1971).
598:The poems of Celia Thaxter
490:Thomas Wentworth Higginson
383:Henry Wadsworth Longfellow
349:Return to Appledore Island
1136:Resources in your library
1112:Resources in your library
1042:Vallier, Jane E. (1982).
561:Among the Isles of Shoals
280:, built in 1856 near the
189:Early years and education
179:Among the Isles of Shoals
177:), and her book entitled
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118:Among the Isles of Shoals
66:Portsmouth, New Hampshire
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1268:American lesbian writers
1253:Poets from New Hampshire
922:Gollin, Rita K. (2002).
799:"Celia Thaxter Timeline"
270:Watertown, Massachusetts
1063:Walker, Cheryl (1992).
305:in 1861 and earned her
1170:Works by Celia Thaxter
1151:Works by Celia Thaxter
734:Radcliffe College 1971
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444:The Library of America
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612:Woman's heartlessness
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357:Thaxter's cottage on
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211:Isles of Shoals Light
1238:American women poets
993:. Psychology Press.
528:Good bye, sweet day.
431:Kittery Point, Maine
331:New England Magazine
1037:. Wake-Brook House.
415:William Morris Hunt
395:William Morris Hunt
379:Nathaniel Hawthorne
375:Ralph Waldo Emerson
278:Celia Thaxter House
259:Celia Thaxter House
1258:Writers from Maine
1185:A Memorable Murder
854:Library of America
825:"Rosamond Thaxter"
555:A memorable murder
534:& Elsie Baker)
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408:A Memorable Murder
393:, and the artists
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246:Thaxter's home in
1093:Library resources
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1055:978-0-914339-47-2
1021:978-1-58465-330-1
1000:978-0-7890-0766-7
979:978-1-4766-1252-2
958:978-0-674-62734-5
391:Sarah Orne Jewett
219:Appledore Islands
207:lighthouse keeper
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16:(Redirected from
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1125:By Celia Thaxter
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78:(1894-08-25)
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1213:1894 deaths
1208:1835 births
888:Attribution
834:January 12,
785:Gollin 2002
749:Walker 1992
543:Land-locked
532:Kate Vannah
461:, 1892, by
371:New England
327:Independent
286:Newtonville
274:Newburyport
263:Newtonville
201:, first on
89:, Maine, US
1202:Categories
1155:Faded Page
623:References
419:depression
335:Scribner's
294:mycologist
215:Smuttynose
195:Portsmouth
94:Occupation
59:1835-06-29
483:Beethoven
311:Driftwood
248:Watertown
147:Signature
1174:LibriVox
1157:(Canada)
1014:. UPNE.
859:July 25,
323:Harper's
315:Atlantic
238:Mainland
167:Laighton
102:Language
1163:at the
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366:Florida
319:Century
209:of the
183:lesbian
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809:May 1,
614:, 1900
600:, 1896
593:, 1894
587:, 1890
581:, 1886
575:, 1886
569:, 1878
563:, 1878
557:, 1875
551:, 187?
545:, 1861
516:(1894)
450:Themes
333:, and
307:US$ 10
290:Roland
233:Career
185:poet.
124:Spouse
496:Style
165:(née
135:(
131:
1073:ISBN
1050:ISBN
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995:ISBN
974:ISBN
953:ISBN
932:ISBN
861:2019
836:2018
811:2006
397:and
341:and
257:The
217:and
73:Died
68:, US
51:Born
1172:at
1153:at
284:at
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718:^
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411:.
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377:,
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329:,
325:,
321:,
317:,
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137:m.
116:,
85:,
1081:.
1058:.
1024:.
1003:.
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961:.
940:.
863:.
838:.
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61:)
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