Knowledge (XXG)

Cello Sonata (Debussy)

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452: 395: 334: 37: 258:. The cellist seems to have invented this, writing: "Pierrot wakes up with a start and shakes off his stupor. He rushes off to sing a serenade to his beloved who, despite his supplications, remains unmoved. To comfort himself in his failure he sings a song of liberty." Debussy confirmed in a letter to Durand dated 16 October 1916 that the cellist had visited him the previous night, and seemed to have misunderstood him and the music. 1611: 1055: 140:: Prologue, Sérénade and Finale. It was composed and published in 1915. After performances in London and Geneva in 1916, the sonata's official premiere in Paris was played in 1917 by Joseph Salmon and Debussy. It was the first chamber music work in his late style, and became one of the key works in the repertoire from the 20th century. 180:. Throughout his career, he preferred the French keyboard music of the 18th century over German romanticism. Remaining in the French tradition was also a political statement during the World War. He described himself as a French musician on the title pages of project pieces. 271:" (The six sonatas for various instruments are offered to honour Emma-Claude Debussy. Her husband.). He completed only three of the six planned sonatas, a second for viola, flute and harp in October 1915, and the third, a violin sonata, in the winter of 1916–17. 278:
published a critical edition of the sonata, edited by Regina Back. She used Debussy's sketches from a private collection for the first time, dealing with the balance of the instruments and attempting to clarify ambiguities in the
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form. The refrain has been described as "frankly attacking". The first couplet is in Spanish style. After a modified refrain, a second couplet uses an element from the refrain in a slower tempo and marked
528:; They subsequently recorded all pieces on the program, playing Debussy's work with "a heightened sense of expressiveness". The Cello Sonata was recorded in 1991 by cellist François Guye and pianist 121: 53: 363:
elements. The first section consists of three motifs, with cello music reminiscent of a guitar. Its varied repetition uses flexible tempos. A contrasting section, marked
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noted that Guye played "sensitive nuances" and Rogé provided spontaneity and "the requisite spirit of caprice" in the second movement. It was recorded by cellist
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bowing, false harmonics and portamenti. The piece is considered technically demanding. The work takes about 10 minutes to perform. All movements are in
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The cello sonata became a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument.
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The Cello Sonata has been recorded often, played in recitals for cello and piano or in collections of Debussy's chamber music. In 1961,
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of what he described as a sonata in "almost classical form in the best sense of the word". It was printed in December 1915.
1385: 783: 744: 1000: 469:, Debussy followed the models of eighteenth-century mono-thematic sonatas. He was especially influenced by the music of 1378: 1515: 268:
Les Six Sonates pour divers instruments sont offertes en hommage Ă  Emma-Claude Debussy (p.m.) Son mari Claude Debussy
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Debussy composed the Cello Sonata as the first of the set within a few weeks in July at the Normandy seaside town of
1645: 1460: 1392: 390:. It is followed by a shortened repeat of the varied section, with the music disintegrating, leading to the finale. 169: 125: 962: 1061: 1542: 1212: 329:. A middle section varies both ideas, and contains a cello cadenza. The movement ends in a "murmur" in D major. 161: 1104: 484:, as is typical of Debussy's style. It also uses many types of extended cello technique, including left-hand 359:, and has been described as "ironic and voluptuous in character" and "capricious and choppy in speech", with 1614: 1574: 993: 451: 394: 333: 236: 213: 153: 1640: 1579: 1452: 1040: 525: 280: 1147: 859: 533: 513: 220: 201: 36: 1534: 1408: 1350: 1326: 1179: 251: 1499: 1364: 1335: 1318: 1206: 1166: 470: 177: 173: 1430: 1131: 971: 1584: 521: 850: 824: 936: 355:, like a song. The music has been described as almost improvisational and jazzy. It is full of 1401: 1310: 1302: 1278: 882: 543: 165: 351:
in common time and marked (in French) as moderately animated. It is structured in a modified
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and marked (in Italian) as slow, sustained and very determined. It opens in the style of a
1596: 1088: 835: 318: 235:. It took until 24 March 1917 for the French premiere which was given in Paris by cellist 187:, as in French traditional sonatas. He had written many works in three movements such as 1262: 1016: 940: 529: 360: 275: 157: 129: 28: 854: 784:"Britten, Schubert, Debussy: Cello Sonatas review – how history was made in Aldeburgh" 1629: 1286: 481: 322: 189: 805: 788: 539: 477: 440: 431: 356: 243: 224: 876: 1568: 1415: 917: 466: 314: 262: 72: 828: 435: 160:, inspiring Debussy to write chamber music again which he had neglected since 261:
Debussy dedicated the sonata, and actually the complete project, to his wife
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in 2017 in a collection of chamber music including the three late sonatas.
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and the first edition, many of which, unfortunately, remain unresolvable.
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claimed in program notes that Debussy related the music to the character
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encouraged the project, planned as an homage to 18th-century composers
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to compose six sonatas for different instruments. It consists of three
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time, marked (in French) as lively and nervous. It is in a modified
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Despite other information, the sonata was premiered in London's
989: 447:(passionate and animating). The work closes with abrupt chords. 979: 974:
by David Requiro (cello) and Elizabeth DeMio (piano) from the
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on 4 March 1916. It was played at the Casino Saint-Pierre in
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Debussy composed the cello sonata as the first in a project,
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together with the other two late sonatas. A reviewer from
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in 1910, he had not composed at all. Debussy's publisher
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P.P.M.P.C. 1186:Rhapsodie for saxophone and orchestra 764:"Les trois Sonates de Claude Debussy" 664: 628: 613: 16:Sonata for cello and piano by Debussy 7: 1219:Dances for Harp and String Orchestra 896:Serinus, Jason Victor (9 May 2018). 1234:Six sonatas for various instruments 804:Hersh, Stefan (28 September 2021). 461:The final two movements are joined 150:Six sonatas for various instruments 134:Six sonatas for various instruments 44:, 1912 portrait by Raphael Schwartz 769:(in French). Festival du Comminges 14: 1508:Cinq poèmes de Charles Baudelaire 1174:Fantaisie for piano and orchestra 1124:PrĂ©lude Ă  l'après-midi d'un faune 762:Begni, GĂ©rard (22 January 2017). 1610: 1609: 1053: 305:Lent, sostenuto e molto risoluto 254:, and wanted to name the sonata 223:by cellist C. Warwick Evans and 117:Sonate pour violoncelle et piano 1636:Chamber music by Claude Debussy 976:Isabella Stewart Gardner Museum 878:French Cello Sonatas, 1871–1939 782:Clements, Andrew (3 May 2017). 743:Barker, David (November 2017). 480:and whole-tone and pentatonic 1: 1551:Le Martyre de saint SĂ©bastien 132:. It was part of his project 520:played it in concert at the 1379:La fille aux cheveux de lin 1070:La chute de la maison Usher 972:Performance of Cello Sonata 918:"Behind the Moon-eyed Mask" 1667: 1372:Ce qu'a vu le vent d'ouest 963:Sonata for Cello and Piano 875:Sensbach, Stephen (2001). 748:musicweb-international.com 126:sonata for cello and piano 1605: 1062:Le diable dans le beffroi 1023: 408:The third movement is in 347:The second movement is a 267: 256:Pierrot Angry at the Moon 34: 26: 1445:Four hands or two pianos 445:appassionato ed animando 164:of 1893. Diagnosed with 1651:Compositions in D minor 1461:Six Ă©pigraphes antiques 1393:La cathĂ©drale engloutie 1386:La sĂ©rĂ©nade interrompue 476:The piece makes use of 404:AnimĂ©, lĂ©ger et nerveux 1580:Impressionism in music 455: 398: 337: 183:Debussy planned three 144:History and background 1411:, Book 2 (1912–1913) 1353:, Book 1 (1909–1910) 916:Welsh, Moray (1992). 514:Mstislav Rostropovich 454: 397: 336: 1575:MusĂ©e Claude-Debussy 1365:Des pas sur la neige 1049:PellĂ©as et MĂ©lisande 1026:List of compositions 309:The first movement, 1041:Rodrigue et Chimène 465:. 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Quartet 1210: 1203: 1201: 1197: 1196: 1193: 1192: 1190: 1189: 1183: 1177: 1171: 1162: 1160: 1159:With a soloist 1153: 1152: 1144: 1136: 1128: 1119: 1117: 1113: 1112: 1110: 1109: 1101: 1093: 1084: 1082: 1078: 1077: 1075: 1074: 1066: 1058: 1045: 1036: 1034: 1030: 1029: 1024: 1021: 1020: 1017:Claude Debussy 1015: 1013: 1012: 1005: 998: 990: 984: 983: 969: 958: 957:External links 955: 954: 953: 933: 922:moraywelsh.com 913: 893: 887: 872: 851:Salter, Lionel 847: 821: 801: 779: 759: 738: 735: 733: 732: 720: 708: 696: 681: 679:, p. 282. 669: 654: 633: 618: 573: 553: 551: 548: 509: 506: 458: 457: 449: 448: 414: 400: 392: 391: 373: 339: 331: 330: 300: 291: 288: 145: 142: 130:Claude Debussy 106: 105: 95: 91: 90: 80: 76: 75: 70: 66: 65: 62: 58: 57: 51: 47: 46: 42:Claude Debussy 40: 32: 31: 29:Claude Debussy 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1663: 1652: 1649: 1647: 1644: 1642: 1641:Cello sonatas 1639: 1637: 1634: 1633: 1631: 1616: 1608: 1607: 1604: 1598: 1595: 1591: 1588: 1587: 1586: 1583: 1581: 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A second 315:common time 276:Bärenreiter 265:, writing " 158:Saint-SaĂ«ns 1630:Categories 1207:Piano Trio 1116:Orchestral 860:Gramophone 806:"Reveries" 665:Welsh 1992 629:Hersh 2021 614:Begni 2017 550:References 535:Gramophone 508:Recordings 436:morbidezza 341:SĂ©rĂ©nade: 327:pentatonic 303:Prologue: 214:manuscript 124:135, is a 69:Dedication 1492:Beau soir 1228:for flute 1132:Nocturnes 829:"Preface" 502:homotonal 494:flautando 486:pizzicato 384:flautendo 296:movements 281:autograph 210:Pourville 185:movements 138:movements 94:Published 79:Performed 50:Catalogue 1615:Category 1409:PrĂ©ludes 1351:PrĂ©ludes 1295:Estampes 947:4 August 927:4 August 907:9 August 866:9 August 841:8 August 827:(1998). 815:8 August 795:9 August 773:8 August 753:9 August 490:spiccato 402:Finale: 353:bar form 349:serenade 313:, is in 311:Prologue 274:In 2008 174:Couperin 61:Composed 1562:Related 1303:Masques 1200:Chamber 498:D minor 463:attacca 443:marked 388:flutter 361:Spanish 250:of the 248:Pierrot 99: ( 86:1917-03 84: ( 1590:crater 1571:(wife) 1554:(1911) 1546:(1909) 1538:(1889) 1495:(1880) 1472:(1915) 1464:(1914) 1433:(1915) 1431:Études 1405:(1910) 1358:Voiles 1347:(1909) 1319:Images 1314:(1904) 1306:(1904) 1298:(1903) 1274:(1890) 1240:(1915) 1230:(1913) 1226:Syrinx 1221:(1904) 1215:(1893) 1209:(1879) 1170:(1884) 1148:Images 1140:La mer 1127:(1894) 1108:(1913) 1089:Khamma 1081:Ballet 982:format 943:. 2022 885:  482:scales 432:rubato 430:molto 365:Vivace 229:Geneva 202:Iberia 199:, and 178:Rameau 170:Durand 154:Septet 1484:Songs 1248:Piano 1033:Opera 836:Henle 832:(PDF) 767:(PDF) 478:modes 425:rondo 323:motif 1255:Solo 1097:Jeux 949:2022 929:2022 909:2022 883:ISBN 868:2022 843:2022 817:2022 797:2022 775:2022 755:2022 516:and 492:and 441:coda 434:con 386:and 263:Emma 176:and 110:The 101:1915 97:1915 64:1915 980:MP3 978:in 325:is 193:, 156:by 128:by 120:), 56:135 27:by 1632:: 939:. 920:. 900:. 857:. 834:. 808:. 786:. 684:^ 657:^ 636:^ 621:^ 576:^ 557:^ 504:. 488:, 473:. 298:: 205:. 122:L. 54:L. 1009:e 1002:t 995:v 951:. 931:. 911:. 891:. 870:. 845:. 819:. 799:. 777:. 757:. 730:. 718:. 706:. 694:. 667:. 652:. 631:. 616:. 571:. 416:4 375:8 114:( 103:) 88:)

Index

Claude Debussy

L.
Emma Claude Debussy
L.
sonata for cello and piano
Claude Debussy
Six sonatas for various instruments
movements
Six sonatas for various instruments
Septet
Saint-Saëns
his string quartet
colorectal cancer
Durand
Couperin
Rameau
movements
Pour le piano
En blanc et noir
Iberia
Pourville
manuscript
Aeolian Hall
Ethel Hobday
Geneva
Marie Panthès
Joseph Salmon
Louis Rosoor
Pierrot

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