201:. The finale is lively and playful. The musicologist Calum MacDonald writes: "Just before the coda there is a moment of quiet reflection that brings home how the opening phrase of the finale theme echoes that of the first movement’s first subject, before the tumultuous closing bars. In the final cadence the piano alludes to the dotted figure with which the sonata had begun". Gavin Dixon notes in a review that "intense drama is present from the first note of the First Sonata", and summarizes that the cello sonatas are "psychologically turbulent", complex and traumatic.
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208:(cello) and Édouard Oganessian (piano) as part of their recordings of the complete works by Reger for cello and piano. They played the four sonatas in 1997 and the other pieces in 2008 and 2009. Another recording of Reger's cello sonatas and cello suites was made by
166:
for seven years. They published the cello sonata in
September 1893. Reger dedicated the work to the cellist Oskar BrĂĽckner who performed it first, with the composer as the pianist, in Wiesbaden on 17 October 1893.
193:, in harmony, rhythm, figuration, a rich piano part and passionate cello lines. The opening of the first movement has been described as "surging passionately and heroically". The second movement in
220:
notes that "both artists produce the passionate response demanded", especially
Gerhardt's "warm, resonant middle register" and Becker's ability to meet "the music's considerable virtuosity".
138:. He dedicated it to the cellist Oskar BrĂĽckner who performed it first, with the composer as the pianist, in Wiesbaden on 17 October 1893. It was published by
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in 1892. Riemann got Reger his first publishing contract, with the London house
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The sonata shares characteristics with the works in the genre by
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Reger studied at the
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begins almost like an operatic scene, with a cello line like
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367:"Max Reger (1873–1916) / Complete Works for Cello and Piano"
332:"Max Reger (1873–1916) / Complete Works for Cello and Piano"
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Phantasie ĂĽber den Choral "Ein' feste Burg ist unser Gott"
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175:The sonata is structured in three movements:
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158:. Reger composed his first Cello Sonata in
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620:Variations and Fugue on a Theme by Mozart
590:Variations and Fugue on a Theme by Hiller
425:International Music Score Library Project
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182:Adagio con gran affetto – Più mosso assai
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401:(in German). Max-Reger-Institute. 2016
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185:Finale / Allegro (un poco scherzando)
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421:Cello Sonata No.1, Op.5 (Reger, Max)
743:Introduction, Passacaglia and Fugue
612:Vier Tondichtungen nach A. Böcklin
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354:"Reger Cello Sonatas and Suites"
204:Recordings have included one by
179:Allegro maestoso ma appassionato
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369:. musicweb-international.com.
334:. musicweb-international.com.
142:, London, in September 1893.
539:Der Mensch lebt und bestehet
375:"Max Reger Curriculum vitae"
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857:Compositions by Max Reger
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555:Unser lieben Frauen Traum
339:MacDonald, Calum (2008).
90:17 October 1893
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365:Woolf, Jonathan (2013).
867:Compositions in F minor
810:Meiningen Court Theatre
805:Schloss Elisabethenburg
604:Eine romantische Suite
775:Adele Bloesch-Stöcker
716:Drei Choralphantasien
707:Zwei Choralphantasien
484:Gesang der Verklärten
330:Dixon, Gavin (2011).
832:List of compositions
531:Lateinisches Requiem
385:on 28 September 2015
171:Music and recordings
815:Max-Reger-Institute
517:Die Weihe der Nacht
379:Max-Reger-Institute
780:Caesar Hochstetter
638:Cello Sonata No. 1
508:Geistliche Gesänge
216:in 2007. Reviewer
130:, was composed by
862:1892 compositions
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681:Mariae Wiegenlied
476:Drei Chöre, Op. 6
206:Alexander Kniazev
164:Augener & Co.
140:Augener & Co.
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763:Related articles
746:, Op, 127 (1913)
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403:. Retrieved
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383:the original
324:Bibliography
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195:D-flat major
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156:Hugo Riemann
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120:Cello Sonata
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19:Cello Sonata
755:(1915/1916)
738:(1902/1904)
512:(1909–1912)
405:14 December
152:composition
134:in 1892 in
846:Categories
820:Reger-Chor
800:Jenő Zádor
770:Elsa Reger
582:Orchestral
500:Die Nonnen
358:Gramophone
315:Woolf 2013
303:Dixon 2011
224:References
218:Ivan March
199:recitative
94:1893-10-17
79:Dedication
753:, Op. 145
547:Nachtlied
510:, Op. 110
461:Max Reger
389:2 October
136:Wiesbaden
132:Max Reger
102:Published
87:Performed
26:Max Reger
736:, Op. 80
727:, Op. 65
718:, Op. 52
709:, Op. 40
683:" (1912)
676:" (1912)
667:, Op. 35
345:Hyperion
64:Composed
658:, Op. 4
631:Chamber
571:Requiem
160:F minor
146:History
124:F minor
107: (
92: (
69: (
48:F minor
729:(1902)
720:(1900)
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479:(1892)
468:Choral
691:Organ
648:Songs
288:March
154:with
128:Op. 5
407:2016
391:2012
212:and
118:The
109:1893
105:1893
71:1892
67:1892
55:Opus
122:in
44:Key
24:by
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