48:
313:. In the '70s, he received his first accordion mended by his father, which allowed him to fully immerse himself in Colombian music. Piña was self-taught on the accordion with no formal training. It was through consistent playing and rehearsing that he developed his own musical style. Having lived for a majority of his life there, he titled one of his cumbias "Mi colonia Independencia", which is located at the heavily populated area of Cerro de la Campana, near downtown in Monterrey. His father purchased a second button accordion and modified it to achieve Celso's desired sound. His father also fabricated other Colombian instruments such as the Colombian caja and congos.
277:
500:, with whom he struck up a friendship. In 2007, he was honored by the "Colombia tierra querida" association composed of Colombians living in Monterrey with the award "icon of Colombian culture." Piña performed in Colombia for the first time in 2010, where he was greeted by his greatest influences, Aníbal Velázquez and Alfredo Gutiérrez.
323:, forming his own group, Ronda Bogotá, in 1975 alongside his siblings. The group featured Piña on vocals and accordion, his brother Enrique on bass, and his sister Juana on supporting vocals and congas. Piña made waves in the music scene, interpreting original music based on the classic standards of
372:
movement in
Monterrey. The fame brought on by Piña y La Ronda led to the formation of other groups performing Colombian music, like La Tropa Colombiana, made up by former Ronda Bogotá members. Said groups saturated the Monterrey and northern Mexico music scene, leading Piña y la Ronda Bogotá into a
289:
Piña's first experience in the
Monterey music scene began as a member of a group led by Ramón "El Gordo" Morales, Los Jarax. He was not satisfied by the tropical rhythms and ballads the group performed, where he played the maracas despite his wish to play the accordion.
503:
Celso had several successful international tours that included
Germany, Spain, Portugal, Denmark, Sweden, the Czech Republic, Italy, France, Switzerland, Morocco, Colombia, Nicaragua, Guatemala, Argentina, Chile, Canada and the United States. Celso Piña received a
463:
s album cover, referring to Piña as, "a social phenomenon as they rightfully say, and a musical phenomenon as it is rightfully heard ... Celso Piña is a conductor of tribes, if he lived in medieval times, he'd be known as the accordionist of
Hamelin."
316:
Piña shared with his parents his intent to leave his employment with the
Hospital Infantil de Monterrey in order to pursue music full time, which his mother opposed. Nonetheless, he left his job to fully dedicate himself to
251:
Throughout his childhood and teenage years, he held different jobs like working in a tortilla bakery, painter, helper in mechanic shops, and carpet installer, among others. Meanwhile he listened to groups like
818:
539:
of the
Independencia neighborhood, where he was honored by hundreds of followers. After the service, his casket was driven around the neighborhood. A concert honoring his legacy was held in the
528:
On August 21, 2019, Piña died from a heart attack in
Monterrey, Mexico at the age of 66. He had felt unwell and checked in at the hospital San Vicente of his own accord and passed soon after.
844:
509:
346:, in 1983, which included their first single, "La manda". Their first hits featured several cumbias such as "La cumbia de la paz", "El tren", "Como el viento" and the popular
331:. This musical interpretation did not garner a positive reception from the Monterey music scene, due to the popularity of other rhythms at the time such as tropical music and
365:. The decision was well received by his siblings, but other group members felt Piña was taking over the group, although the group name remained Celso Piña y su Ronda Bogotá.
468:
opened the door to more collaborations between rock and tropical music groups of Mexico, and for Piña's consistent performances in musical festivals and rock concerts.
546:
A series of murals with his image were created in the
Independencia neighborhood. The Monterrey government has discussed naming a street in the city after Celso Piña.
47:
869:
1597:
1592:
543:
on August 28, 2019, with performances from artists like El Gran
Silencio, Inspector, Los Siriguayos, Kombolocos, and Los Kumbiamberos Rs, among others.
413:, Julian Villareal. The collaborations in this album would go on to radically embody Piña's musical fusion with reggae, electronic music, dubstep, and
335:. Celso y la Ronda Bogotá were determined to continue performing their musical style of cumbia to provide a local alternative to existing rhythms.
437:. The album was Piña's definitive launch to fame in Mexico and in the Latin American music scene, resulting in several of his most popular hits
562:, the Monterey neighborhood that Celso Piña was raised in and where he was the first to interpret the genre live in dances and family parties.
1176:
794:
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396:, Piña decided to reinvent and fuse his classic cumbia sound with that of groups from different genres like rock, ska and hip hop.
338:
After several unsuccessful meetings with different record labels, La Ronda Bogotá met Felipe "Indio" Jimenez, artistic director of
493:
and once again with
Blanquito Man y "El queso" Bronsman. It was produced by Julián Villarreal, Alfonso Herrera and Toy Selectah.
306:
1119:
1587:
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1189:
302:
248:, Mexico to Tita Arvizu and Isaac Piña. He was the oldest of 9 siblings. The name of Celso was chosen by his grandfather.
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Piña was a pioneer in the mixture and fusion of tropical sounds, with many of his works having elements of cumbia,
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in La Campana, Piña wished to play a different music genre. Through a friend from Colonia Independencia and the
357:
On the following albums, the record labels starting focusing on Piña as an individual, releasing albums like
265:
1512:
1034:
486:
1091:
La colombia de Monterrey: descripción de algunos elementos de la cultura colombiana en la frontera norte
884:"Celso Piña: El rebelde del acordeón, el documental de Alfredo Marrón, que ahonda en la vida del músico"
434:
1361:
991:"LA MÚSICA DE LA COSTA ATLÁNTICA COLOMBIANA Transculturalidad e identidades en México y Latinoamérica"
558:(2012) describes the rise of the sonidero groups and the widespread popularity of Colombian cumbia en
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354:). During this time, performances by the Ronda Bogota were dismissed and negatively received.
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845:"La vida con el acordeón: Celso Piña y el riesgo que tomó para seguir su sueño en la música"
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429:, Poncho Figueroa of Santa Sabina y El Gran Silencio, and in the norteno genre with
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20:
1105:. Instituto Colombiano de Antropología. 2005. Consultado el 22 de agosto de 2019.
368:
Towards the end of the '90s, Piña was the most well-known representative of the
253:
883:
209:, being one of the most important musicians in the style of "cumbia rebajada".
932:
540:
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1145:"Celso Piña: "La música no entiende de fronteras, güey" | Periódico Diagonal"
1046:
1016:
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1190:"La música que hago ya no es vallenato; es fusión: Celso Piña - La Jornada"
1007:
1169:
Transnational Encounters: Music and Performance at the U.S.-Mexico Border
764:
202:
24:
1093:. Centro Cultural Guadalupe. 1996. Consultado el 22 de agosto de 2019.
819:"Celso Piña, Mexican cumbia artist and 'accordion rebel,' dies at 66"
221:
206:
112:
965:"Celso Piña: "La cumbia salió del pueblo para ir a todo el mundo""
275:
1466:"Monterrey contempla nombrar una calle en memoria de Celso Piña"
1066:
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In 2003, he played a concert in Monterrey that was attended by
425:, Blanquito Man of King Changó, Gabriel Bronsman "El queso" of
417:. As well as the collaborations with Mexican rock figures like
409:, member of Control Machete, who was invited by the bassist of
217:
786:
Oye como va!: hybridity and identity in Latino popular music
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205:
singer, composer and accordionist, mainly in the genre of
399:
The result of this fusion was the recording of the album
1286:"LOS CHOLOMBIANOS Y SU FASHION BASTARDO CUMBIATROPICAL"
1124:
Soho - Revista Para Hombres Con Las Mujeres Más Lindas.
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Zona Preferente: En vivo desde el Auditorio Nacional
388:musical movement and the popularity of groups like
293:Due to the popularity of the Colombian rhythms and
224:, rap/hip-hop, R&B, etc. Piña is also known as
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1464:Félix, César Cubero y Victoria (26 August 2019).
1440:"Dan último adiós a Celso Piña en Basílica de NL"
1414:"Dan último adiós a Celso Piña en Basílica de NL"
1167:Madrid, Alejandro L. (29 de septiembre de 2011).
373:period of artistic stagnation in the late '90s.
240:Celso Piña Arvizu was born on April 6, 1953, in
1311:"Recibe Celso Piña reconocimiento en Monterrey"
1270:Rock impop: El rock mexicano en la radio Top 40
695:Mis Primeras Grabaciones... Mis Primeros Exitos
31: and the second or maternal family name is
301:, he was introduced to Colombian artists like
1388:"Muere Celso Piña, el "Rebelde del acordeón""
477:, featuring collaborations with artists like
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868:: CS1 maint: numeric names: authors list (
933:"La historia detrás del mito - Celso Piña"
789:. Temple University Press. pp. 135–.
342:, who agreed to launch their first album,
46:
37:
1438:Lemus, Gustavo Mendoza (24 August 2019).
1412:Lemus, Gustavo Mendoza (24 August 2019).
1006:
16:Mexican musician and producer (1953–2019)
1267:Galván (@Hugokoatl), Hugo (2013-08-04).
843:de 2019, 21 de Agosto (21 August 2019).
783:Hernandez, Deborah Pacini (2009-12-28).
201:(April 6, 1953 – August 21, 2019) was a
775:
1171:(en inglés). Oxford University Press.
1120:"Celso Piña, el rockstar del acordeón"
861:
1179:. Consultado el 22 de agosto de 2019.
7:
1284:Muñoz, María Fernanda (2016-06-02).
817:Smith, Harrison (August 22, 2019).
556:Celso Piña: el rebelde del acordeón
1103:Revista colombiana de antropología
995:Revista Colombiana de Antropología
939:. Season 6 (in Spanish). TV Azteca
380:and the leap to international fame
14:
1598:21st-century Mexican male singers
1593:20th-century Mexican male singers
1033:Rojas, Yumber Vera (2012-10-16).
662:El Canto de un Rebelde para un...
1362:"Celso Piña muere a los 66 años"
963:Armas, Ricardo (10 April 2017).
510:Best Contemporary Tropical Album
1513:"Celso Piña: Album Discography"
1368:. Grupo Milenio. 21 August 2019
989:Arboleda, Darío Blanco (2005).
1336:"The Full List of Nominations"
535:was held in his memory at the
405:in 2001, an album produced by
1:
280:Fusion Festival 2012, Germany
1243:"Celso, el del barrio bravo"
594:Celso Piña Y Su Ronda Bogotá
363:Celso Piña y su Ronda Bogotá
23:, the first or paternal
937:La historia detrás del mito
1614:
1273:(in Spanish). Hugo Galván.
588:Ronda Bogota de Celso Piña
384:With the emergence of the
359:Ronda Bogotá de Celso Piña
311:Los Corraleros de Majagual
18:
1149:www.diagonalperiodico.net
931:Sarmiento, Atala (host).
45:
1394:(in Spanish). 2019-08-21
1071:Rolling Stone en Español
890:(in Spanish). 2019-08-22
303:Aníbal Velásquez Hurtado
743:12 Grandes Éxitos Vol.2
737:12 Grandes Éxitos Vol.1
689:Antologia de un Rebelde
541:Macroplaza de Monterrey
471:In 2002, Piña recorded
456:wrote the prologue for
226:El Rebelde del acordeón
1491:"Canal Once Docs 360°"
1035:"El tribal guarachero"
1008:10.22380/2539472X.1206
668:Sin Fecha de Caducidad
498:Gabriel García Márquez
452:Writer and journalist
281:
58:Background information
1588:Mexican accordionists
851:(in European Spanish)
537:Basílica de Guadalupe
524:Death and remembrance
447:Aunque no sea conmigo
279:
268:and Antonio Tanguma.
230:Cacique de la Campana
1472:(in Mexican Spanish)
1446:(in Mexican Spanish)
1420:(in Mexican Spanish)
600:Traicionera falsedad
266:Los Alegres de Terán
1573:Vallenato musicians
1118:Soho (2015-08-12).
823:The Washington Post
487:Alejandro Marcovich
443:Cumbia sobre el río
216:, cumbia sonidera,
1247:www.proceso.com.mx
1218:www.jornada.com.mx
1194:www.jornada.com.mx
719:México y su Música
612:Noche de estrellas
282:
258:The Rolling Stones
1340:Los Angeles Times
1177:978-0-19-987611-2
796:978-1-4399-0090-1
760:
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725:20 Grandes Éxitos
370:cumbia colombiana
350:of "La piragua" (
320:cumbia colombiana
307:Alfredo Gutiérrez
214:regional Mexicano
199:Celso Piña Arvizu
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125:Singer-songwriter
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100:August 21, 2019
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1342:. 25 July 2002
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1545:. Retrieved
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1537:"Celso Piña"
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1493:. Canal Once
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52:Piña in 2012
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21:Spanish name
1583:2019 deaths
1578:1953 births
1346:9 September
1001:: 171–203.
943:16 December
701:Trayectoria
650:Pachanguero
566:Discography
550:Documentary
423:Cafe Tacvba
352:José Barros
254:The Beatles
139:Instruments
119:Occupations
1562:Categories
1547:2022-12-15
1522:2019-08-24
1476:2022-12-19
1450:2022-12-19
1424:2022-12-19
1398:2022-12-19
1321:2022-12-17
1296:2022-12-17
1253:2022-12-17
1223:2022-12-17
1214:"17an1esp"
1199:2022-12-17
1154:2022-12-17
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1077:2022-12-17
1052:2022-12-17
975:2022-12-17
894:2022-12-02
855:2022-12-02
828:August 24,
770:References
713:Super Seis
656:Una Visión
246:Nuevo León
236:Early life
90:Nuevo León
79:1953-04-06
68:Celso Pina
64:Birth name
41:Celso Piña
1497:23 August
1372:21 August
1047:1134-6582
1017:0486-6525
582:Si mañana
344:Si mañana
329:vallenato
242:Monterrey
161:1980–2019
145:Accordion
86:Monterrey
1517:AllMusic
1067:"Inicio"
864:cite web
765:AllMusic
763:Source:
560:La Indep
415:sonidero
131:producer
128:musician
92:, Mexico
19:In this
1541:Discogs
1366:Milenio
1039:El País
849:infobae
636:Rebelde
427:Resorte
333:norteño
228:or the
203:Mexican
180:Website
170:La Tuna
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576:Albums
445:, and
325:cumbia
272:Career
222:reggae
207:cumbia
166:Labels
148:vocals
113:Cumbia
109:Genres
33:Arvizu
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348:cover
185:celso
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1374:2019
1348:2019
1173:ISBN
1043:ISSN
1013:ISSN
945:2022
870:link
830:2019
804:2011
791:ISBN
618:Dile
533:mass
516:for
514:2002
392:and
327:and
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97:Died
73:Born
29:Piña
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