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Century Record Manufacturing Company

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731:. Ricker was particularly known in the industry as a pioneer and exponent of half-speed mastering, a technique where the cutting lathe turns at exactly half the intended playback speed, which gives the cutting head twice as much time to cut complex analogue grooves into the vinyl, which enhances the sonic accuracy. Records that Ricker mastered are often reflected in the 591:
Century Records was very much a family business. Bud Keysor, the father, and his wife, had three sons and two daughters: James Brain Keysor (1927–2014), Richard "Dick" Keysor, Robert Keysor, Carolyne Pearl Keysor, and Katherine Keysor. The three sons became involved in the business and moved up to
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Keysor-Century Corporation was the parent company of Century Record Manufacturing Company. Its executives included Howard Lydell Hill (1940–2001), who served as president from 1981 until his death in 2001; Robert Keysor, Hill's brother-in-law and third son of Bud Keysor, succeeded Hill in 1971 as
33:. Century Record Manufacturing Company served the music education market (mostly at the collegiate and high school levels) and the music groups of the U.S. Armed Forces, in addition to producing professional recordings. The company went out of business in 1976. 750:
Gabriel Bartold (1919–1980) had been a virtuoso classical trumpeter; as early as 1960, he was (i) director of the Los Angeles Concert Band and (ii) National Director of Custom Recordings for Century Records; he also was the company's first recording engineer.
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as Head of the QC (quality control), overseeing the Recording and Mastering Department, the Pressing and Inspection Department, and the Shipping Department. Ricker went on to become known for his mastering and engineering abilities on revolutionary vinyls by
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Century Custom Recording Service, was a franchise of the Keysor-Century Corporation. By 1963, there were 80 franchise associates in the United States. The franchise associates often produced records as independent labels. Notable franchise associates
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Stanley Forbes Ricker; 1935–2015) began his career in Lawrence, Kansas, working for the Century franchise associate. From 1969 to 1974, Ricker served at Keysor-Century's production facility in
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was an American custom recording company and record manufacturer. It was founded in 1958 as a division of the former Keysor-Century Corporation, a California corporation based in
154:) were the top three American bulk resin suppliers for records. In 1985, Keysor-Century claimed to be the largest U.S. producer of record compound and its customers included 49:
in 1954 and was a partner in Century Record Manufacturing Company. He was also the Corporate Secretary of the company. At its founding, the company was a manufacturer of
94:(for standard records), (ii) a widely popular translucent red, yellow, green, and blue KC-B460/470 series, and later, (iii) an audiophile grade called KC-600. In two 465:
The Great American Gramophone Company – Glen Glancy, President – served as the premium audiophile limited edition version of Century Records; and released only
1399: 558:, founded in the late 1940s, preceding Keysor-Century, where Keysor took plastic powder, colored it transparent red, and pressed it into record discs. 222: 90:
resins for the record industry. Keysor-Century produced (i) a black vinyl record compound called KC-B450 in the form of opaque black free flowing
230: 1225: 1012:"Keysor-Century Calls It Quits – Saugus Plastics Maker Files Liquidation Plan in the Wake of Federal Probe into Alleged Environmental Crimes," 1162: 283:
Thomas Abbott Britton, Jr.; 1939–2002), who, later, between 1979 and 1981, pioneered the production of more than a dozen high-quality
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Altair Records, short-lived, easy listening label, founded 1969; Robert "Bob" Reiter, who had resigned in August 1969 as President of
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Outside of the record industry, Keysor-Century was also a top-twenty supplier to general industry. It also supplied bulk
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This article is about a bygone national label based in California that served the education market. For other uses, see
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Glen Thomas Glancy; born 1943), President – produced jazz albums in the later-half of the 1970s; artists include the
1260:"Company's Woes Still Plague SCV – Environmental Cleanup of Former Record Company Site on Railroad Avenue Continues" 1184: 878: 716: 466: 218: 175: 1203: 217:
The Keysor-Century Corporation submitted a voluntary petition on March 19, 2002, in U.S. Bankruptcy Court in
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Everett Donald Ainge; born 1936) produced several garage band recordings in Eugene; Ainge is the father of
61:(1927–2014), son of James Bernard Keysor, Jr., later served as President of Keysor-Century Record Company. 1304: 1263: 1065: 677:), by Russell W. Peters, Technical Service and Product Manager, Keysor-Century Corporation, August 4, 1975 515: 486: 470: 151: 147: 928: 979:
Debtor: Keysor-Century Corp, Bankruptcy Case No.: 02-12477, Chapter 11, Petition Date: March 19, 2002,
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president. In 2002, Keysor-Century was producing PVC resins for the flooring and packaging markets in
741:) as SR or SR/2, or some variation thereof (the "/2" meant that the mastering was done at half-speed). 1259: 1246: 1229: 1082: 933: 902: 780: 238: 155: 555: 397: 276: 262: 206: 183: 1271: 1019: 866: 542: 529: 303: 76: 50: 46: 30: 1146: 821: 810: 592:
significant areas of responsibility as production manager, sales manager, and finance manager.
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Oral History: "Interview with Jack Renner, April 5, 1996 – Custom Century Recording Policy,"
948: 776: 758:, retrieved May 9, 2017) He and his wife died in an automobile accident on October 31, 1980. 391: 323: 313: 288: 202: 179: 80: 1207: 511: 338: 163: 879:"Jim Keysor Dies at 86; California Assemblyman Failed in Other Bids for Elective Office," 583:"Survey of Vinyl Chloride Levels in the Vicinity of Keysor-Century, Saugus, California." 1284:"Survey of Vinyl Chloride Levels in the Vicinity of Keysor-Century, Saugus, California," 382:
Robert Lurie) (main master cutting engineer); in 1965, two additional partners joined –
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K Disc Mastering, a subsidiary of Keysor-Century Corporation – founded in 1975 – was a
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James Bernard ("Bud") Keysor, Jr. (1906–2000) founded Keysor-Century Corporation of
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Johan Kugelberg (ed.), Paul Major & Michael P. Daley (co-eds.), Will Louviere,
728: 478: 441: 401: 383: 371: 333: 34: 354:: J.L. Patterson, Jr., who, later, in 1963, formed the JLP Corporation to operate 1100: 1011: 712: 708: 674: 576: 419: 159: 119: 98: 54: 1226:"NARM '78 Market Condition Report: Audiophile Disks Moving Into Retail Stores," 929:"Styx Album is Audiophile Test – Largest Press Run For Premium Vinyl Compound," 233:. In June 2004 Keysor-Century pleaded guilty to several felony charges by the 1133:
Issue 3, (originally Positive Feedback Vol. 7, No. 6), October/November 2002;
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House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios
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firm that became the successor to Keysor-Century Studios, when it moved to
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William Russell Quinn; 1904–1976), who retired; his partners included
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This was a promo for the Century Records franchise associate program
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William Gordon Hall; 1929–1983), Louis Stevenson, and Bob Lurie
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Gilbert Clark Frilot; 1939–1999) (who later designed and built
1109: 946:"Delaware City Firm Goes For The Record," by Merritt Wallick, 580: 568: 497:; the album catalog numbers began with alpha characters "GADD" 245: 234: 118:(fall 1982), and in the initial production (800,000 disks) of 1002:
April 1, 2002 (retrieved May 10, 2017; subscription required)
473:. It was formed in 1977 by Keysor-Century. Artists include 422:, former professional athlete and current executive with the 567:
In 2000, Keysor-Century was the subject of a probe by the
1302:"Story of Plastics Plant Cancer Threat Slowly Unfolds," 1104:, Vol. 20, No. 6, June 12, 1997 (retrieved May 8, 2017, 1027: 905:), November 28, 1968, pg. 61 (retrieved May 4, 2017, at 893: 891: 571:
in connection over dumping of toxic wastewater into the
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newspaper), December 23, 2003 (retrieved May 5, 2017,
801:(ed.), Music Journal, Inc. (publisher), pg. 171 (1959) 205:
and the like, used by the industry as well as its own
1308:, April 14, 1978, pg. A4 (retrieved May 4, 2017, at 265:, became executive director of Altair that same year 142:. At that time, Keysor-Century, Lenahan Chemicals ( 1354:
Enjoy the Experience: Homemade Records — 1958–1992,
579:had been an ongoing matter, as evidenced by a 1978 79:. The firm also operated a compounding facility in 1079:"Keysor-Century Widens Tape Base; Forms Disk Co," 983:, San Fernando Valley, Judge: Arthur M. Greenwald 859:"Bud Keysor, Patriarch–Entrepreneur, Dead at 94," 753:"James B. Keysor – The Sound Of A Secure Future," 953:August 12, 1985, pg. C6 (retrieved May 8, 2017, 225:, and after 21 months (in December, just before 65:Keysor-Century Corporation labels and affiliates 37:and Silver Crest Records are comparable labels. 1286:EPA Publication No. 330/2-77-017A, March 1978; 1386:, by Robert S. Plante (retrieved May 12, 2017) 1333:James B. Keysor – The Sound of A Secure Future 587:Family aspect of the Keysor-Century businesses 400:: LaMont Bench (1916–1992) recorded the hit, " 8: 134:In 1982, Keysor-Century had added plants in 1161:interviewed by Susan Schmidt-Horning, PhD, 618:Side A: "A Project For Your Art Department" 414:Garyl Guy Fisher; born 1924) and Don Ainge 394:) – and renamed the company HSP Corporation 366:under a lease form its founder, Bill Quinn 86:The company had been a pioneer in creating 993:"Chap. 11 Lets Keysor Keep Business Open," 793:"James B. Keysor, Jr." (short biography), 462:United Sound – sub-label of Keysor-Century 777:"KCC Claiming Superior Mix for 1¢ Extra," 248:designated the Keysor-Century plant as a 1364:(contrib. eds.), Sinecure Books (2012); 404:," initially on the Century Custom label 1050:, June 28, 2004 (retrieved May 5, 2017) 769: 691: 662:Interviewer (uncredited) – Gabe Bartold 528:Century Record Manufacturing Company – 57:was Keysor-Century's biggest customer. 1163:Louie B. Nunn Center for Oral History 1061:"EPA finds Keysor is Superfund Site," 795:Music Journal Anthology – 1959 Annual 7: 221:for protection from creditors under 27:Century Record Manufacturing Company 229:2003), it filed to liquidate under 1400:American independent record labels 1233:, March 25, 1978, pps. 60 & 70 256:Labels, recording, and engineering 201:applications in the production of 14: 1243:"L.A. Disc Mastering Firm Opens," 622:B1: "Producing Your Album Covers" 603:A Project For Your Art Department 300:Thomas Fredick Morris; 1937–1992) 16:American custom recording company 1204:"'Oh Happy Day': A Pop Godsend," 1167:University of Kentucky Libraries 784:, April 14, 1973, pps. 4 & 8 614:, promo, yellow translucent disc 146:), and Tenneco Chemical, Inc., ( 1043:"Keysor-Century Pleads Guilty," 332:: Vincent Morette, who founded 981:Central District of California 432:Century Records – Glen Glancy 320:Edward Joseph Down; 1927–1978) 1: 660:Interviewee – James B. Keysor 632:The Sound of a Secure Future 628:B4: "Marketing Your Records" 1250:, September 8, 1979, pg. 36 1129:(Part 3), by Dave Glackin, 616:Recorded in the early 1960s 348:Jack Lee Renner; born 1935) 310:on the Century Custom label 1416: 1086:, February 7, 1970, pg. 14 541:Keysor Chemical Company – 18: 1185:University of Texas Press 392:Gilley's Recording Studio 1322:; subscription required) 970:; subscription required) 919:; subscription required) 869:newspaper), May 29, 2000 837:     826:     815:     804:     717:Electric Light Orchestra 637:Century Records FV 13957 219:San Fernando, California 176:Musical Heritage Society 1344:(retrieved May 9, 2017) 1274:newspaper), May 3, 2017 1149:(retrieved May 8, 2017) 937:, March 12, 1983, pg. 4 620:Side B: "Helpful Hints" 502:In-house mastering labs 495:Mormon Tabernacle Organ 330:Williamsville, New York 144:Murfreesboro, Tennessee 136:Delaware City, Delaware 115:...Famous Last Words... 1066:Los Angeles Daily News 507:Keysor-Century Studios 469:jazz; it was based in 306:: Rex Hawley produced 152:Flemington, New Jersey 668:Selected publications 1096:"Analog Corner #23," 1069:, September 15, 2006 903:Van Nuys, California 682:Notes and references 596:Selected discography 239:hazardous substances 1384:Century discography 1098:by Michael Fremer, 1045:by Frank Esposito, 931:by Sam Sutherland, 861:by Diana Sevanian, 624:B2: "How To Record" 554:POLY Laboratories, 398:Oakland, California 277:Montgomery, Alabama 263:Happy Tiger Records 184:Deutsche Grammophon 1305:San Bernardino Sun 1272:Santa Clara Valley 1131:Positive Feedback, 1063:by Judy O'Rourke, 1020:Santa Clara Valley 883:Los Angeles Times, 867:Santa Clara Valley 626:B3: "Tape Editing" 549:Specialty products 458:Hal Galper Quintet 438:Phil Woods Quintet 410:: Garyl G. Fisher 304:Richmond, Virginia 285:digital recordings 77:Saugus, California 51:polyvinyl chloride 1187:(2015), pg. 102; 1183:by Andy Bradley, 1014:by Brian Franks, 995:by Angie DeRosa, 881:by David Colker, 573:Santa Clara River 442:Woody Herman Band 360:Gold Star Records 356:Gold Star Studios 294:Paducah, Kentucky 237:in connection to 199:injection molding 131:(February 1983). 1407: 1372: 1358:Gregg Turkington 1351: 1345: 1329: 1323: 1321: 1318: 1316: 1314: 1312: 1300: 1294: 1281: 1275: 1257: 1251: 1240: 1234: 1223: 1217: 1201: 1195: 1175: 1169: 1156: 1150: 1124: 1118: 1116: 1113: 1111: 1093: 1087: 1076: 1070: 1058: 1052: 1040: 1034: 1032: 1029: 1009: 1003: 990: 984: 977: 971: 969: 966: 964: 962: 960: 944: 938: 926: 920: 918: 915: 913: 911: 909: 895: 886: 885:February 7, 2014 876: 870: 856: 850: 838: 827: 816: 805: 791: 785: 774: 759: 748: 742: 696: 575:. Concern over 386:and Bert Frilot 324:Lawrence, Kansas 314:Lawrence, Kansas 289:Chalfont Records 207:tape duplicating 81:Newark, Delaware 1415: 1414: 1410: 1409: 1408: 1406: 1405: 1404: 1390: 1389: 1380: 1375: 1352: 1348: 1330: 1326: 1309: 1301: 1297: 1282: 1278: 1266:), by Jim Hold 1258: 1254: 1241: 1237: 1224: 1220: 1208:Ben Fong-Torres 1202: 1198: 1176: 1172: 1157: 1153: 1125: 1121: 1108: 1094: 1090: 1077: 1073: 1059: 1055: 1041: 1037: 1026: 1010: 1006: 991: 987: 978: 974: 957: 945: 941: 927: 923: 906: 896: 889: 877: 873: 857: 853: 836: 835: 825: 824: 814: 813: 803: 802: 792: 788: 775: 771: 767: 762: 749: 745: 697: 693: 689: 684: 670: 665: 661: 659: 657: 651: 645: 643: 638: 636: 635:James B. Keysor 634: 627: 625: 623: 621: 619: 617: 615: 609: 608:Century Records 607: 605: 598: 589: 565: 551: 538: 525: 504: 339:Cleveland, Ohio 258: 215: 203:cassette shells 128:Kilroy Was Here 72: 67: 43: 24: 21:Century Records 17: 12: 11: 5: 1413: 1411: 1403: 1402: 1392: 1391: 1388: 1387: 1379: 1378:External links 1376: 1374: 1373: 1346: 1324: 1295: 1276: 1264:alternate link 1252: 1235: 1218: 1216:, May 17, 1969 1196: 1170: 1151: 1119: 1088: 1071: 1053: 1035: 1004: 985: 972: 939: 921: 887: 871: 851: 799:Sigmund Spaeth 786: 768: 766: 763: 761: 760: 743: 690: 688: 685: 683: 680: 679: 678: 669: 666: 664: 663: 629: 599: 597: 594: 588: 585: 564: 561: 560: 559: 550: 547: 546: 545: 537: 534: 533: 532: 524: 523:Pressing plant 521: 520: 519: 512:disc mastering 508: 503: 500: 499: 498: 491:Robert Cundick 467:direct to disc 463: 460: 429: 428: 427: 426: 424:Boston Celtics 408:Eugene, Oregon 405: 395: 352:Houston, Texas 349: 343:Jack L. Renner 336: 327: 321: 311: 301: 291: 279:: Tom Britton 271: 270: 266: 257: 254: 214: 211: 71: 70:Parent company 68: 66: 63: 42: 39: 15: 13: 10: 9: 6: 4: 3: 2: 1412: 1401: 1398: 1397: 1395: 1385: 1382: 1381: 1377: 1371: 1367: 1363: 1359: 1355: 1350: 1347: 1343: 1342: 1338: 1335: 1334: 1328: 1325: 1320: 1307: 1306: 1299: 1296: 1293: 1289: 1285: 1280: 1277: 1273: 1269: 1265: 1261: 1256: 1253: 1249: 1248: 1244: 1239: 1236: 1232: 1231: 1227: 1222: 1219: 1215: 1214: 1213:Rolling Stone 1209: 1205: 1200: 1197: 1194: 1190: 1186: 1182: 1180: 1174: 1171: 1168: 1164: 1160: 1155: 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1123: 1120: 1115: 1112:.analogplanet 1107: 1103: 1102: 1097: 1092: 1089: 1085: 1084: 1080: 1075: 1072: 1068: 1067: 1062: 1057: 1054: 1051: 1049: 1048:Plastics News 1044: 1039: 1036: 1031: 1025: 1021: 1017: 1013: 1008: 1005: 1001: 999: 998:Plastics News 994: 989: 986: 982: 976: 973: 968: 956: 952: 950: 943: 940: 936: 935: 930: 925: 922: 917: 904: 900: 894: 892: 888: 884: 880: 875: 872: 868: 864: 860: 855: 852: 849: 845: 841: 834: 830: 823: 819: 812: 808: 800: 796: 790: 787: 783: 782: 778: 773: 770: 764: 757: 754: 747: 744: 740: 737: 734: 730: 726: 722: 721:Stevie Wonder 718: 714: 710: 705: 701: 695: 692: 686: 681: 676: 672: 671: 667: 655: 649: 644:Recorded 1961 642: 633: 630: 613: 604: 601: 600: 595: 593: 586: 584: 582: 578: 574: 570: 562: 557: 553: 552: 548: 544: 540: 539: 536:Milling plant 535: 531: 527: 526: 522: 517: 513: 509: 506: 505: 501: 496: 492: 488: 484: 480: 476: 472: 468: 464: 461: 459: 455: 454:Benny Goodman 451: 447: 443: 439: 435: 431: 430: 425: 421: 417: 413: 409: 406: 403: 399: 396: 393: 389: 385: 381: 377: 373: 369: 365: 361: 357: 353: 350: 347: 344: 340: 337: 335: 331: 328: 326:: Stan Ricker 325: 322: 319: 315: 312: 309: 308:The Chantells 305: 302: 299: 296:: Tom Morris 295: 292: 290: 286: 282: 278: 275: 274: 273: 272: 267: 264: 260: 259: 255: 253: 251: 247: 244:In 2006, the 242: 240: 236: 232: 228: 224: 220: 212: 210: 208: 204: 200: 196: 191: 189: 185: 181: 177: 173: 169: 165: 161: 157: 153: 149: 145: 141: 140:Ajax, Ontario 137: 132: 130: 129: 124: 121: 117: 116: 111: 108: 104: 100: 97: 93: 89: 84: 82: 78: 69: 64: 62: 60: 56: 52: 48: 40: 38: 36: 32: 28: 22: 1361: 1353: 1349: 1339: 1336: 1332: 1327: 1303: 1298: 1279: 1267: 1255: 1245: 1238: 1228: 1221: 1211: 1199: 1177: 1173: 1154: 1130: 1122: 1105: 1099: 1091: 1081: 1074: 1064: 1056: 1046: 1038: 1023: 1015: 1007: 996: 988: 975: 954: 949:News-Journal 947: 942: 932: 924: 898: 882: 874: 862: 854: 794: 789: 779: 772: 755: 746: 735: 729:Eric Clapton 699: 698:Stan Ricker 694: 656:® XY 13957-2 650:® XY 13957-1 631: 602: 590: 566: 493:playing the 479:Woody Herman 433: 415: 411: 402:Oh Happy Day 387: 384:Bill Holford 379: 375: 374:, Bill Hall 372:Jack Clement 367: 345: 334:Mark Records 317: 297: 280: 243: 216: 192: 133: 126: 113: 107:Supertramp's 85: 73: 44: 35:Mark Records 26: 25: 1313:.newspapers 1101:Stereophile 961:.newspapers 910:.newspapers 899:Valley News 733:matrix code 713:Frank Zappa 709:The Beatles 675:white paper 577:carcinogens 563:Controversy 420:Danny Ainge 99:mass market 55:RCA Records 1268:The Signal 1028:scvhistory 1016:The Signal 967:/157572527 863:The Signal 765:References 725:Pink Floyd 606:Jim Keysor 483:Phil Woods 475:Buddy Rich 456:, and the 450:Buddy Rich 316:: Ed Down 223:Chapter 11 213:Bankruptcy 148:Burlington 96:audiophile 59:Jim Keysor 1370:904539096 1319:/59198498 1292:829110624 1247:Billboard 1230:Billboard 1193:960230247 1147:1082-2178 1083:Billboard 934:Billboard 916:/30371671 844:763016112 822:0077-2437 811:0196-1225 781:Billboard 673:"Horns" ( 516:Hollywood 487:Les Brown 471:Hollywood 446:Mel Torme 269:included: 250:Superfund 231:Chapter 7 227:Christmas 209:service. 101:tests by 1394:Category 1139:51463856 739:dead wax 652:Side B: 646:Side A: 180:Nonesuch 53:resins. 1341:Discogs 848:4764064 833:5399116 756:Discogs 556:Burbank 518:in 1979 364:Houston 188:A&M 164:Capitol 103:A&M 92:pellets 41:History 1368:  1362:et al. 1317:/image 1290:  1191:  1145:  1137:  965:/image 914:/image 842:  831:  820:  809:  727:, and 704:Saugus 654:Matrix 648:Matrix 639:Vinyl 612:45 RPM 543:Saugus 530:Saugus 489:, and 440:, the 252:site. 186:, and 168:Motown 156:Warner 150:& 138:, and 120:Styx's 47:Saugus 31:Saugus 687:Notes 362:) of 195:resin 1366:OCLC 1315:.com 1288:OCLC 1189:OCLC 1143:ISSN 1135:OCLC 1114:.com 1030:.com 963:.com 912:.com 840:OCLC 829:OCLC 818:ISSN 807:ISSN 736:(aka 448:and 287:for 197:for 123:L.P. 110:L.P. 1311:www 1206:by 1110:www 1106:via 1024:via 959:www 955:via 908:www 700:(né 610:7" 581:EPA 569:EPA 434:(né 416:(né 412:(né 388:(né 380:(né 376:(né 368:(né 346:(né 318:(né 298:(né 281:(né 246:EPA 235:EPA 172:CBS 160:RCA 88:PVC 1396:: 1360:, 1210:, 1165:, 1141:, 890:^ 846:, 797:, 723:, 719:, 715:, 711:, 641:LP 485:, 481:, 477:, 452:, 444:, 341:: 241:. 190:. 182:, 178:, 174:, 170:, 166:, 162:, 158:, 125:, 112:, 83:. 1337:, 1270:( 1262:( 1181:, 1117:) 1033:) 1018:( 1000:, 951:, 901:( 865:( 751:( 358:( 23:.

Index

Century Records
Saugus
Mark Records
Saugus
polyvinyl chloride
RCA Records
Jim Keysor
Saugus, California
Newark, Delaware
PVC
pellets
audiophile
mass market
A&M
Supertramp's
L.P.
...Famous Last Words...
Styx's
L.P.
Kilroy Was Here
Delaware City, Delaware
Ajax, Ontario
Murfreesboro, Tennessee
Burlington
Flemington, New Jersey
Warner
RCA
Capitol
Motown
CBS

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