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Sermei's pictorial language is expressive and direct; his works are clear, immediate, and easy to understand. He frequently employed architectural elements to create the background of his works. His protagonists are always majestic and grandiose yet remain human. His style was influenced by the
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In 1608 Sermei established himself in Assisi and became a citizen of the city three years later. His career was long and he worked not only in Assisi but all over Umbria, including in the cities of
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in the apse of the Lower Church, the most demanding artistic work done in the
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97:, 1668) was an Italian painter. Son of painter Fernando Sermei, he learned to paint in the workshop of
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Sermei completed 16 canvases, but four were destroyed in 1853 when an earthquake damaged the church.
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La vita nel tugurio di
Rivotorto vista attraverso gli occhi di Cesare Sermei (1653)
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La basilica di S. Francesco in Assisi e la sua documentazione storica
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La basilica di S. Francesco in Assisi e la sua documentazione storica
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by Cesare Sermei, in the
Basilica of Saint Mary of the Angels, Assisi
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This article about an
Italian painter born in the 16th century is a
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by Cesare Sermei (1627-30), Main altar of the Chiesa Nuova, Assisi
246:(in Italian). Assisi: Casa Editrice Francescana. pp. 153–182.
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136:(among other works by him in the Basilica a large fresco of the
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by Cesare Sermei (1630-50), fragment of a fresco in the
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Sermei also collaborated with other artists, including
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242:Lunghi, Elvio (2004). Canil, Egidio (ed.).
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355:Italian painter, 16th-century birth stubs
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350:People from CittĂ della Pieve
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