Knowledge

Cerebral Caustic

Source πŸ“

268:, Dave Bush was quoted as claiming to have been virtually erased from the album during the mixing process. The original "rough" mixes were included on the 2006 double-CD reissue by Castle Music and showed no major differences from the released version; the sound is harsher (possibly the result of being mastered from a copy of the cassette), but Bush is no more prominent. 335: 330: 325: 320: 315: 376:, gave it three stars, stating "Generally the band sounds like they're having a great time...Smith himself sounds a touch disconnected around the edges, but makes up for it with some interesting vocal treatments and sudden interjections to leaven things up." Jim Sullivan, reviewing the album for 392:
viewed it as a "prime-slice Fall in all its caustic, cerebral glory. Rich with barbed hooklines and canny catch-phrases from a band that continues to refine its deliciously jagged edge, Cerebral Caustic is the best Fall album in years and a good omen for its future."
279:"If that LP isn't the worst Fall album, it definitely has the worst cover art. When I see it now, the skull clown is Mark. It's prophetic. He looks like a fucking skull and he acts like a fucking clown. It's him. It's life imitating art and art imitating life". 1001:, whom Dave Bush would join after his dismissal from The Fall. Tracks 5-14 are taken from the early mix of the album (see above), tracks 15 and 16 are alternate mixes and track 17 was a promotional item circulated around the time of the album's release. 31: 219:
cover ("I'm Not Satisfied") and a re-recording of a 1990 B-side, "Life Just Bounces". Nevertheless, sales were lower than with other recent albums, and the group, always a busy touring act, performed just 16 times during the year.
214:
had come to an agreement that she would stay in Los Angeles and fly to the UK whenever needed for live performances and recording. Her impact was immediate, and she co-wrote five of this album's 12 tracks. Other tracks included a
224:
turned out to be the beginning of a period of considerable turbulence for the group; having not dismissed anyone since 1990, Smith sacked keyboardist Dave Bush by letter shortly after the album's completion. Guitarist
255:
There were long-standing rumours that an alternative, superior mix of this album existed, partly fuelled by Smith's statement in an interview released to the press on a promotional cassette that he and
229:, who had been with the band for 16 years and co-authored over 120 songs, would be sacked during the sessions for the epic single "The Chiselers" at the end of the year. Smith later admitted to 1589: 2015: 260:
had re-recorded the guitars after the rest of the group had been ejected from the studio. This claim was later clarified by Smith in an interview included on the
1477: 1806: 239:
during this period and he accepted that this had impacted upon the group. Scanlon's dismissal is the only sacking that Smith publicly regretted.
1783: 1266: 386:, gave it 4/10, saying the album "can't help but flip into moments that are worryingly generic" and that "the band sound unremarkable". 1799: 1758: 1336: 1290: 1140: 395: 2042: 1730: 1084: 507: 115: 1859: 1174: 1205: 2009: 1484: 1663: 1449: 765: 1894: 210:
returned to the lineup, having rejoined the group for live shows in 1994 after quitting in 1989. She and ex-husband
1983: 1582: 380:, called it "another jagged pill from this long-churning engine of gleeful bile 'n' vitriol". John Harris, in the 1873: 1561: 1772: 1435: 1953: 1978: 1792: 1751: 1617: 1554: 1365: 1042: 558: 160: 997:, a Christmas-themed session first broadcast within the same programme as a similarly festive session from 1901: 1329: 1533: 1491: 1470: 261: 271:
The album again featured sleeve art by Pascal Le Gras. Brix Smith said of the artwork in her 2017 book
2037: 2004: 1610: 1603: 1498: 1723: 1540: 1068: 194: 142: 1973: 1638: 1568: 1519: 1505: 1456: 1413: 1051: 562: 1845: 1919: 1887: 1716: 1322: 1286: 1253: 1136: 774: 1926: 1645: 1213: 747: 344: 244: 1880: 1677: 1596: 1575: 1442: 1345: 1270: 231: 189: 185: 129: 108: 43: 1988: 1684: 1963: 1737: 778: 2031: 1943: 1866: 1838: 1824: 1526: 1418: 1398: 1373: 1357: 1160: 1090: 1036: 1016: 458: 437: 388: 226: 211: 120: 264:
reissue's bonus disc as referring only to opening track "The Joke". In Simon Ford's
1968: 1958: 1948: 1852: 1744: 1709: 1463: 1408: 1310: 181: 98: 1178: 1670: 1046: 541: 216: 70: 1155: 1831: 1403: 1393: 1388: 1383: 1378: 1061: 1030: 535: 503: 441: 257: 236: 207: 30: 1702: 1624: 1512: 1102: 994: 729: 198:, marking the end of one of the group's relatively more successful periods. 75: 1237: 1230: 1055: 998: 373: 307: 1631: 1024: 1020: 63: 1765: 797:"Numb at the Lodge" (John Peel Session, recorded 20 November 1994) 188:, released in 1995 on Permanent Records. It spent one week on the 38: 1318: 1261: 382: 356: 1314: 1590:
The Real New Fall LP (Formerly Country on the Click)
670:"Middle Class Revolt!" (The Orange in the Mouth Mix) 403:
as "a furious return to noisy, reckless rant form".
1997: 1936: 1911: 1816: 1782: 1694: 1655: 1427: 719: 708: 647: 636: 425: 414: 192:at number 67, 19 places lower than its predecessor 128: 107: 97: 81: 69: 58: 50: 37: 23: 926:M. Smith, B. Smith, Scanlon, Hanley, Wolstencroft 768:" (John Peel Session, recorded 20 November 1994) 750:" (John Peel Session, recorded 20 November 1994) 2016:Hey! Luciani: The Life and Codex of John Paul I 1281:Brackett, Nathan & Hoard, Christian (2004) 993:Tracks 1-4 formed the group's 18th session for 867:"Don't Call Me Darling" (pre-release rough mix) 1217:, 28 December 1995. Retrieved 25 February 2018 1154:Azerrad, Michael; Wolk, Douglas; Pattyn, Jay " 1108:James Birtwistle – production on Peel Sessions 979:"Mark E. Smith and Brix Smith promo interview" 1330: 8: 1081:Lucy Rimmer – backing vocals on "Pearl City" 937:"Bonkers in Phoenix" (pre-release rough mix) 312: 242:The album's title is taken from a review in 909:"I'm Not Satisfied" (pre-release rough mix) 895:"Life Just Bounces" (pre-release rough mix) 1337: 1323: 1315: 1200: 1198: 1196: 287: 29: 20: 1478:The Wonderful and Frightening World Of... 1225: 1223: 1150: 1148: 1111:Paul Allen – engineering on Peel Sessions 372:was mixed. Ned Raggett, reviewing it for 248:by Jim Sullivan of the band's 1994 album 1248: 1246: 705: 630: 411: 1121: 656:"Middle Class Revolt!" (The Prozac Mix) 1285:(4th edn.), Simon & Schuster Ltd, 1127: 1125: 839:"Feeling Numb" (pre-release rough mix) 293: 7: 1807:The Complete Peel Sessions 1978–2004 1093:– cover art (Skull and Spike images) 1064:– guitar, percussion, backing vocals 965:"Bonkers in Phoenix" (alternate mix) 881:"Pearl City" (pre-release rough mix) 825:"Rainmaster" (pre-release rough mix) 1105:– remixing on Japanese bonus tracks 1099:Ian Baldwin – sleeve design, layout 923:"The Aphid" (pre-release rough mix) 732:Session, recorded 20 November 1994) 1759:Touch Sensitive... Bootleg Box Set 1133:The Rise, The Fall, & The Rise 853:"The Joke" (pre-release rough mix) 14: 1283:The New Rolling Stone Album Guide 1175:"The Fall gigography | 1995" 811:"One Day" (pre-release rough mix) 396:The New Rolling Stone Album Guide 314: 273:The Rise, The Fall & the Rise 235:magazine that he had developed a 206:Guitarist and former Fall member 18:1995 studio album by The Fall 620:M. Smith, Scanlon, Hanley, Burns 333: 328: 323: 318: 313: 1800:50,000 Fall Fans Can't Be Wrong 1731:A Part of America Therein, 1981 1305:A web page about the launch of 180:is the seventeenth full-length 709: 637: 415: 1: 1096:Valerie Philips – photography 557:M. Smith, B. Smith, Scanlon, 1450:Grotesque (After the Gramme) 1240:. Retrieved 25 february 2018 1164:. Retrieved 25 February 2018 951:"One Day" (Rex Sargeant mix) 1860:There's a Ghost in My House 766:Hark the Herald Angels Sing 184:by English post-punk group 2059: 1984:Tom Hingley and the Lovers 1583:Are You Are Missing Winner 1485:This Nation's Saving Grace 1269:December 27, 2005, at the 695:As per original UK release 1954:Brix & the Extricated 1902:Theme from Sparta F.C. #2 1895:Why Are People Grudgeful? 1664:Bingo-Master's Break-Out! 1352: 1131:Smith Start, Brix (2017) 1027:on "The Joke", production 975: 961: 947: 933: 919: 905: 891: 877: 863: 849: 835: 821: 807: 793: 760: 742: 724: 716: 713: 673:M. Smith, Scanlon, Hanley 666: 659:M. Smith, Scanlon, Hanley 652: 644: 641: 613: 603:"North West Fashion Show" 599: 585: 571: 550: 530: 516: 495: 481: 467: 450: 430: 422: 419: 301: 298: 136: 28: 1773:Last Night at The Palais 1436:Live at the Witch Trials 884:M. Smith, Burns, Bennett 202:Background and recording 1793:Hip Priest and Kamerads 1752:The Twenty-Seven Points 1618:Your Future Our Clutter 1555:The Light User Syndrome 454:"Don't Call Me Darling" 368:Critical reception for 161:The Twenty-Seven Points 2043:The Fall (band) albums 1204:Sullivan, Jim (1995) " 735:Smith, Scanlon, Hanley 728:"Glam Racket - Star" ( 281: 1534:The Infotainment Scan 1471:Perverted by Language 1252:Harris, John (1995) " 1135:, Faber & Faber, 632:Japanese bonus tracks 277: 1611:Imperial Wax Solvent 1604:Reformation Post TLC 1499:The Frenz Experiment 1254:Carp Life! The Fall 1076:Additional personnel 753:Joe Beal, Jim Boothe 575:"Bonkers in Phoenix" 289:Professional ratings 1724:Live in London 1980 1541:Middle Class Revolt 1311:Invisiblegirl.co.uk 633: 592:M. Smith, Dave Bush 520:"Life Just Bounces" 290: 250:Middle Class Revolt 195:Middle Class Revolt 143:Middle Class Revolt 1784:Compilation albums 1639:Sub-Lingual Tablet 1569:The Marshall Suite 1506:I Am Kurious Oranj 1457:Hex Enduction Hour 1414:Simon Wolstencroft 1052:Simon Wolstencroft 968:M. Smith, B. Smith 940:M. Smith, B. Smith 856:M. Smith, B. Smith 842:M. Smith, B. Smith 828:M. Smith, B. Smith 800:M. Smith, B. Smith 631: 578:M. Smith, B. Smith 563:Simon Wolstencroft 488:M. Smith, B. Smith 474:M. Smith, B. Smith 288: 2025: 2024: 1181:on 21 August 2009 989: 988: 898:M. Smith, Scanlon 870:M. Smith, Scanlon 783:arranged by Smith 775:Felix Mendelssohn 680: 679: 627: 626: 536:I'm Not Satisfied 523:M. Smith, Scanlon 366: 365: 173: 172: 169: 168: 103:Permanent Records 2050: 1998:Related articles 1937:Associated bands 1927:I Am Damo Suzuki 1646:New Facts Emerge 1548:Cerebral Caustic 1339: 1332: 1325: 1316: 1307:Cerebral Caustic 1294: 1279: 1273: 1256:Cerebral Caustic 1250: 1241: 1232:Cerebral Caustic 1227: 1218: 1214:The Boston Globe 1208:Cerebral Caustic 1202: 1191: 1190: 1188: 1186: 1177:. Archived from 1171: 1165: 1152: 1143: 1129: 1033:– guitar, vocals 748:Jingle Bell Rock 711: 706: 639: 634: 417: 412: 401:Cerebral Caustic 378:The Boston Globe 370:Cerebral Caustic 345:The Boston Globe 338: 337: 336: 332: 331: 327: 326: 322: 321: 317: 316: 291: 245:The Boston Globe 222:Cerebral Caustic 177:Cerebral Caustic 152:Cerebral Caustic 138: 137: 93: 92: 88: 54:27 February 1995 33: 24:Cerebral Caustic 21: 2058: 2057: 2053: 2052: 2051: 2049: 2048: 2047: 2028: 2027: 2026: 2021: 1993: 1932: 1907: 1881:Telephone Thing 1846:Cruiser's Creek 1812: 1778: 1690: 1678:The Remainderer 1651: 1597:Fall Heads Roll 1576:The Unutterable 1423: 1348: 1343: 1303: 1298: 1297: 1280: 1276: 1271:Wayback Machine 1251: 1244: 1228: 1221: 1203: 1194: 1184: 1182: 1173: 1172: 1168: 1153: 1146: 1130: 1123: 1118: 1008: 990: 786: 686: 681: 628: 606:M. Smith, Burns 409: 334: 329: 324: 319: 286: 204: 190:UK Albums Chart 164: 155: 146: 90: 86: 85: 46: 19: 12: 11: 5: 2056: 2054: 2046: 2045: 2040: 2030: 2029: 2023: 2022: 2020: 2019: 2012: 2007: 2001: 1999: 1995: 1994: 1992: 1991: 1986: 1981: 1976: 1971: 1966: 1964:Darker My Love 1961: 1956: 1951: 1946: 1940: 1938: 1934: 1933: 1931: 1930: 1923: 1915: 1913: 1909: 1908: 1906: 1905: 1898: 1891: 1884: 1877: 1870: 1863: 1856: 1849: 1842: 1835: 1828: 1820: 1818: 1814: 1813: 1811: 1810: 1803: 1796: 1788: 1786: 1780: 1779: 1777: 1776: 1769: 1762: 1755: 1748: 1741: 1738:Fall in a Hole 1734: 1727: 1720: 1717:Totale's Turns 1713: 1706: 1698: 1696: 1692: 1691: 1689: 1688: 1681: 1674: 1667: 1659: 1657: 1653: 1652: 1650: 1649: 1642: 1635: 1628: 1621: 1614: 1607: 1600: 1593: 1586: 1579: 1572: 1565: 1558: 1551: 1544: 1537: 1530: 1523: 1516: 1509: 1502: 1495: 1488: 1481: 1474: 1467: 1460: 1453: 1446: 1439: 1431: 1429: 1425: 1424: 1422: 1421: 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1368: 1362: 1361: 1353: 1350: 1349: 1344: 1342: 1341: 1334: 1327: 1319: 1302: 1301:External links 1299: 1296: 1295: 1291:978-0743201698 1274: 1242: 1229:Raggett, Ned " 1219: 1192: 1166: 1144: 1141:978-0571325061 1120: 1119: 1117: 1114: 1113: 1112: 1109: 1106: 1100: 1097: 1094: 1091:Pascal Le Gras 1088: 1082: 1078: 1077: 1073: 1072: 1065: 1059: 1049: 1040: 1034: 1028: 1013: 1012: 1007: 1004: 1003: 1002: 987: 986: 983: 980: 977: 973: 972: 969: 966: 963: 959: 958: 955: 954:M. Smith, Bush 952: 949: 945: 944: 941: 938: 935: 931: 930: 927: 924: 921: 917: 916: 913: 910: 907: 903: 902: 899: 896: 893: 889: 888: 885: 882: 879: 875: 874: 871: 868: 865: 861: 860: 857: 854: 851: 847: 846: 843: 840: 837: 833: 832: 829: 826: 823: 819: 818: 815: 814:M. Smith, Bush 812: 809: 805: 804: 801: 798: 795: 791: 790: 787: 785: 784: 781: 779:Charles Wesley 771: 769: 762: 758: 757: 754: 751: 744: 740: 739: 736: 733: 726: 722: 721: 718: 715: 712: 704: 703: 702: 698: 697: 691: 690: 685: 682: 678: 677: 674: 671: 668: 664: 663: 660: 657: 654: 650: 649: 646: 643: 640: 629: 625: 624: 621: 618: 615: 611: 610: 607: 604: 601: 597: 596: 593: 590: 587: 583: 582: 579: 576: 573: 569: 568: 565: 555: 552: 548: 547: 544: 539: 532: 528: 527: 524: 521: 518: 514: 513: 510: 500: 497: 493: 492: 489: 486: 485:"Feeling Numb" 483: 479: 478: 475: 472: 469: 465: 464: 461: 455: 452: 448: 447: 444: 435: 432: 428: 427: 424: 421: 418: 410: 408: 405: 364: 363: 360: 352: 351: 348: 340: 339: 310: 304: 303: 300: 296: 295: 285: 282: 203: 200: 171: 170: 167: 166: 157: 148: 134: 133: 126: 125: 124: 123: 118: 111: 105: 104: 101: 95: 94: 83: 79: 78: 73: 67: 66: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 2055: 2044: 2041: 2039: 2036: 2035: 2033: 2018: 2017: 2013: 2011: 2008: 2006: 2003: 2002: 2000: 1996: 1990: 1987: 1985: 1982: 1980: 1979:The Teardrops 1977: 1975: 1972: 1970: 1967: 1965: 1962: 1960: 1957: 1955: 1952: 1950: 1947: 1945: 1944:The Adult Net 1942: 1941: 1939: 1935: 1928: 1924: 1921: 1917: 1916: 1914: 1910: 1903: 1899: 1896: 1892: 1889: 1885: 1882: 1878: 1875: 1871: 1868: 1867:Hit the North 1864: 1861: 1857: 1854: 1850: 1847: 1843: 1840: 1839:Totally Wired 1836: 1833: 1829: 1826: 1825:Rowche Rumble 1822: 1821: 1819: 1815: 1809: 1808: 1804: 1802: 1801: 1797: 1795: 1794: 1790: 1789: 1787: 1785: 1781: 1775: 1774: 1770: 1768: 1767: 1763: 1761: 1760: 1756: 1754: 1753: 1749: 1747: 1746: 1742: 1740: 1739: 1735: 1733: 1732: 1728: 1726: 1725: 1721: 1719: 1718: 1714: 1712: 1711: 1707: 1705: 1704: 1700: 1699: 1697: 1693: 1687: 1686: 1682: 1680: 1679: 1675: 1673: 1672: 1668: 1666: 1665: 1661: 1660: 1658: 1654: 1648: 1647: 1643: 1641: 1640: 1636: 1634: 1633: 1629: 1627: 1626: 1622: 1620: 1619: 1615: 1613: 1612: 1608: 1606: 1605: 1601: 1599: 1598: 1594: 1592: 1591: 1587: 1585: 1584: 1580: 1578: 1577: 1573: 1571: 1570: 1566: 1564: 1563: 1559: 1557: 1556: 1552: 1550: 1549: 1545: 1543: 1542: 1538: 1536: 1535: 1531: 1529: 1528: 1527:Code: Selfish 1524: 1522: 1521: 1517: 1515: 1514: 1510: 1508: 1507: 1503: 1501: 1500: 1496: 1494: 1493: 1492:Bend Sinister 1489: 1487: 1486: 1482: 1480: 1479: 1475: 1473: 1472: 1468: 1466: 1465: 1461: 1459: 1458: 1454: 1452: 1451: 1447: 1445: 1444: 1440: 1438: 1437: 1433: 1432: 1430: 1428:Studio albums 1426: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1399:Martin Bramah 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1374:Craig Scanlon 1372: 1369: 1367: 1364: 1363: 1360: 1359: 1358:Mark E. Smith 1355: 1354: 1351: 1347: 1340: 1335: 1333: 1328: 1326: 1321: 1320: 1317: 1313: 1312: 1308: 1300: 1292: 1288: 1284: 1278: 1275: 1272: 1268: 1264: 1263: 1258: 1257: 1249: 1247: 1243: 1239: 1235: 1233: 1226: 1224: 1220: 1216: 1215: 1210: 1209: 1201: 1199: 1197: 1193: 1180: 1176: 1170: 1167: 1163: 1162: 1161:Trouser Press 1157: 1151: 1149: 1145: 1142: 1138: 1134: 1128: 1126: 1122: 1115: 1110: 1107: 1104: 1101: 1098: 1095: 1092: 1089: 1086: 1083: 1080: 1079: 1075: 1074: 1071:, programming 1070: 1066: 1063: 1060: 1058:, programming 1057: 1053: 1050: 1048: 1044: 1041: 1038: 1037:Craig Scanlon 1035: 1032: 1029: 1026: 1022: 1018: 1017:Mark E. Smith 1015: 1014: 1010: 1009: 1005: 1000: 996: 992: 991: 984: 981: 978: 974: 970: 967: 964: 960: 956: 953: 950: 946: 942: 939: 936: 932: 928: 925: 922: 918: 914: 911: 908: 904: 900: 897: 894: 890: 886: 883: 880: 876: 872: 869: 866: 862: 858: 855: 852: 848: 844: 841: 838: 834: 830: 827: 824: 820: 816: 813: 810: 806: 802: 799: 796: 792: 788: 782: 780: 776: 773: 772: 770: 767: 763: 759: 755: 752: 749: 745: 741: 737: 734: 731: 727: 723: 707: 700: 699: 696: 693: 692: 688: 687: 683: 675: 672: 669: 665: 661: 658: 655: 651: 635: 622: 619: 617:"Pine Leaves" 616: 612: 608: 605: 602: 598: 594: 591: 588: 584: 580: 577: 574: 570: 566: 564: 560: 556: 553: 549: 545: 543: 540: 537: 533: 529: 525: 522: 519: 515: 511: 509: 505: 501: 498: 494: 490: 487: 484: 480: 476: 473: 470: 466: 462: 460: 459:Craig Scanlon 456: 453: 449: 445: 443: 439: 438:Mark E. Smith 436: 433: 429: 413: 407:Track listing 406: 404: 402: 398: 397: 391: 390: 389:Trouser Press 385: 384: 379: 375: 371: 361: 359: 358: 354: 353: 349: 347: 346: 342: 341: 311: 309: 306: 305: 297: 294:Review scores 292: 283: 280: 276: 274: 269: 267: 263: 259: 253: 251: 247: 246: 240: 238: 237:drink problem 234: 233: 228: 227:Craig Scanlon 223: 218: 213: 212:Mark E. Smith 209: 201: 199: 197: 196: 191: 187: 183: 179: 178: 163: 162: 158: 154: 153: 149: 145: 144: 140: 139: 135: 131: 127: 122: 121:Mark E. Smith 119: 117: 114: 113: 112: 110: 106: 102: 100: 96: 84: 80: 77: 74: 72: 68: 65: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 2014: 2010:Band members 1989:Von SΓΌdenfed 1969:Imperial Wax 1959:The Creepers 1949:Blue Orchids 1912:Album tracks 1853:Hey! Luciani 1805: 1798: 1791: 1771: 1764: 1757: 1750: 1745:Seminal Live 1743: 1736: 1729: 1722: 1715: 1710:Liverpool 78 1708: 1701: 1685:Wise Ol' Man 1683: 1676: 1669: 1662: 1644: 1637: 1630: 1623: 1616: 1609: 1602: 1595: 1588: 1581: 1574: 1567: 1560: 1553: 1547: 1546: 1539: 1532: 1525: 1518: 1511: 1504: 1497: 1490: 1483: 1476: 1469: 1464:Room to Live 1462: 1455: 1448: 1441: 1434: 1409:Simon Rogers 1366:Steve Hanley 1356: 1306: 1304: 1282: 1277: 1260: 1255: 1231: 1212: 1207: 1183:. Retrieved 1179:the original 1169: 1159: 1132: 1087:– production 1085:Mike Bennett 1067:Dave Bush – 1043:Steve Hanley 694: 684:2006 reissue 559:Steve Hanley 508:Mike Bennett 499:"Pearl City" 471:"Rainmaster" 400: 394: 387: 381: 377: 369: 367: 355: 343: 278: 272: 270: 265: 262:Castle Music 254: 249: 243: 241: 230: 221: 205: 193: 182:studio album 176: 175: 174: 159: 151: 150: 141: 116:Mike Bennett 39:Studio album 15: 2038:1995 albums 2005:Discography 1974:The Passage 1695:Live albums 1419:Julia Nagle 1370:Paul Hanley 1047:bass guitar 554:"The Aphid" 542:Frank Zappa 217:Frank Zappa 2032:Categories 1920:Paint Work 1888:Free Range 1832:Fiery Jack 1520:Shift-Work 1404:Una Baines 1394:Tony Friel 1389:Karl Burns 1384:Marc Riley 1379:Brix Smith 1116:References 1062:Karl Burns 1031:Brix Smith 504:Karl Burns 502:M. Smith, 457:M. Smith, 442:Brix Smith 434:"The Joke" 399:describes 266:Hip Priest 258:Karl Burns 208:Brix Smith 132:chronology 1869:" (1987) 1703:Live 1977 1625:Ersatz GB 1513:Extricate 1206:The Fall 1103:Drum Club 1069:keyboards 1023:, tapes, 1006:Personnel 995:John Peel 730:John Peel 717:Writer(s) 645:Writer(s) 589:"One Day" 423:Writer(s) 284:Reception 76:Post-punk 1929:" (1985) 1922:" (1985) 1904:" (2004) 1897:" (1992) 1890:" (1992) 1883:" (1990) 1876:" (1988) 1874:Victoria 1862:" (1987) 1855:" (1986) 1848:" (1985) 1841:" (1980) 1834:" (1980) 1827:" (1979) 1562:Levitate 1346:The Fall 1293:, p. 294 1267:Archived 1238:Allmusic 1185:23 April 1039:– guitar 1011:The Fall 999:Elastica 701:Disc two 689:Disc one 374:AllMusic 308:AllMusic 186:The Fall 130:The Fall 109:Producer 62:1994 in 59:Recorded 51:Released 44:The Fall 41: by 1817:Singles 1443:Dragnet 350:neutral 165:(1995) 156:(1995) 147:(1994) 1671:Slates 1632:Re-Mit 1289:  1234:Review 1139:  1025:guitar 1021:vocals 982:  720:Length 648:Length 426:Length 302:Rating 299:Source 82:Length 64:London 1309:from 1056:drums 912:Zappa 714:Title 642:Title 420:Title 99:Label 71:Genre 1766:2G+2 1287:ISBN 1187:2006 1156:Fall 1137:ISBN 985:7:39 971:6:21 957:3:37 943:6:15 929:2:57 915:3:19 901:4:59 887:3:01 873:3:46 859:2:44 845:2:55 831:3:34 817:3:36 803:3:07 789:3:11 756:1:10 738:3:23 676:7:51 662:7:19 623:3:40 609:3:30 595:3:31 581:6:02 567:2:46 546:2:56 526:4:47 512:2:46 491:2:45 477:3:27 463:3:35 446:2:49 362:4/10 232:MOJO 1656:EPs 1265:, 1262:NME 1259:", 1236:", 1211:", 1158:", 976:17. 962:16. 948:15. 934:14. 920:13. 906:12. 892:11. 878:10. 710:No. 667:14. 653:13. 638:No. 614:12. 600:11. 586:10. 416:No. 383:NME 357:NME 2034:: 1245:^ 1222:^ 1195:^ 1147:^ 1124:^ 1054:– 1045:– 1019:– 864:9. 850:8. 836:7. 822:6. 808:5. 794:4. 777:, 761:3. 743:2. 725:1. 572:9. 561:, 551:8. 531:7. 517:6. 506:, 496:5. 482:4. 468:3. 451:2. 440:, 431:1. 275:: 252:. 91:15 87:42 1925:" 1918:" 1900:" 1893:" 1886:" 1879:" 1872:" 1865:" 1858:" 1851:" 1844:" 1837:" 1830:" 1823:" 1338:e 1331:t 1324:v 1189:. 764:" 746:" 538:" 534:" 89::

Index


Studio album
The Fall
London
Genre
Post-punk
Label
Producer
Mike Bennett
Mark E. Smith
The Fall
Middle Class Revolt
The Twenty-Seven Points
studio album
The Fall
UK Albums Chart
Middle Class Revolt
Brix Smith
Mark E. Smith
Frank Zappa
Craig Scanlon
MOJO
drink problem
The Boston Globe
Karl Burns
Castle Music
AllMusic
The Boston Globe
NME
AllMusic

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑