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162:. It was initially divided into three categories: oriental art, Western paintings and sculpture, and calligraphy. The categories were reorganized in 1932, with calligraphy being put into a new crafts category. It was seen as a premiere authority for the art world of Korea, and seen as a venue to challenge social norms. Nudity featured in some of the art (only drawn; photographed nudity was not allowed), which was seen as scandalous at the time.
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The exhibition had a significant impact on the development of modern Korean art. According to Mok Su-hyeon, the influence of
Western art become increasingly visible in Korean artworks in the exhibition over time. However, the significant Japanese control over the structure of the exhibition and its
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Winners were selected by panels of various judges, who were mainly
Japanese. Various awards and recognitions were granted based on a number of criteria. Winners often received significant recognition, and often had their work purchased later. People would reportedly observe what won the prior year,
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The first exhibition was attended by around 3,000 people. People stood in line before the doors opened for hours in advance. This and each exhibition thereafter was covered in detail by newspapers of the time, including the Korean-owned
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published an article in its July 1924 edition that critically examined the ratio of Korean to
Japanese entrants per year. It described the Chōsen Art Exhibition as a "festival for the Japanese, with Korean bystanders".
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protests. At the time, there was no major organization for the arts in Korea. The government first considered establishing an art school, but considered that too expensive. They established this art exhibition instead.
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was shown and promoted at the exhibition. Many significant figures in the Korean art world during and after this period participated in or had been involved with the exhibition in some capacity. After the 1945
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For much of the exhibition's history, it did not have a consistent venue. In the early 1920s, it was held at a
Government-General building normally used for trade shows (now in
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Japanese people who had lived in Korea for more than six months were eligible to enter. Early on, they were around 70% of entrants. In response to this, the magazine
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judges has been evaluated as creating a disproportionate valuation of
Western and Japanese art, and minimization of Korean art. Despite this, traditional
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105:. The second and third exhibitions had around 30,000 visitors each. Admission fees were collected, with adults charged 20
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The exhibition ran during the 1910 to 1945 Japanese colonial period. It was established by the
Japanese
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succeeded the exhibition, and based its practices largely on those of the Chōsen Art
Exhibition.
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132:. Finally, in 1937, a hall specifically for the Chōsen Art Exhibition was added to the
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Korean students gathered around paintings at the June 1922 Chōsen Art
Exhibition
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1944 disestablishments in the
Japanese colonial empire
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as part of its reform efforts in the wake of the 1919
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62:was an annual art exhibition and competition in
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16:1922–1944 art exhibition in colonial Korea
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183:and borrow ideas from the winners.
134:Government-General Museum of Chōsen
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383:1940s disestablishments in Korea
231:"[동아일보 속의 근대 100景]미술전람회"
203:Republic of Korea Art Exhibition
136:, at the rear of Gyeongbokgung.
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66:that ran between 1922 and 1944.
283:Encyclopedia of Korean Culture
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378:1922 establishments in Korea
76:Government-General of Chōsen
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160:Japan Fine Arts Exhibition
288:Academy of Korean Studies
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413:History of Gyeongbokgung
393:Art exhibitions in Japan
47:Chōsen Bijutsu Tenrankai
60:; short names 鮮展; 朝鮮美展)
347:contents.history.go.kr
64:Korea, Empire of Japan
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29:Chōsen Art Exhibition
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229:김, 동근 (2009-12-31).
343:"관전의 시작, 조선 미술 전람회"
278:"조선미술전람회 (朝鮮美術展覽會)"
199:liberation of Korea
80:March 1st Movement
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130:Chōsen Exhibition
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350:. Retrieved
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239:(in Korean)
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154:Description
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141:Kim Ton-hŭi
122:Sogong-dong
102:Maeil Sinbo
54::
398:Korean art
367:Categories
352:2024-03-12
293:2024-03-12
243:2024-03-12
216:References
194:Korean art
120:(now in
114:Jeo-dong
34:Japanese
341:목, 수현.
276:이, 경성,
168:Kaebyŏk
70:History
57:조선미술전람회
42:Hepburn
38:朝鮮美術展覽會
201:, the
187:Legacy
52:Korean
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93:and
27:The
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301:^
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208:ko
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