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Château de Chambord

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595: 581: 58: 889: 413: 868: 2476: 2315: 543: 821: 743: 693: 42: 478: 401: 805:. Any attempts at restoration ended with the onset of World War I in 1914. The Château de Chambord was confiscated as enemy property in 1915, but the family of the duke of Parma sued to recover it, and that suit was not settled until 1932; restoration work was not begun until a few years after World War II ended in 1945. The Château and surrounding areas, some 5,440 458: 65: 1000: 991: 864:
systems were put out of order. However, the château itself and its collections reportedly were undamaged. The foundation observed that paradoxically the natural disaster affected Francis I's vision that Chambord appears to rise from the waters as if it were diverting the Loire. Repairs are expected to cost upwards of a quarter-million dollars.
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gyratory symmetry. Such a rotative design has no equivalent in architecture at this period of history, and appears reminiscent of Leonardo da Vinci's works on hydraulic turbines or the helicopter. Had it been respected, it is believed that this unique building could have featured the quadruple-spiral open staircase, strangely described by
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massive rooms, open windows and high ceilings meant heating was impractical. Similarly, as the château was not surrounded by a village or estate, there was no immediate source of food other than game. This meant that all food had to be brought with the group, typically numbering up to 2,000 people at a time.
932:. For instance, the twin staircase towers, on the north façade, were inspired by the staircase tower at the château. However, following the theme of unparalleled luxury at Waddesdon, the windows of the towers at Waddesdon were glazed, unlike those of the staircase at Chambord, and were far more ornate. 754:
government ordered the sale of the furnishings; the wall panellings were removed and even floors were taken up and sold for the value of their timber, and, according to M de la Saussaye, the panelled doors were burned to keep the rooms warm during the sales; the empty château was left abandoned until
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The château was built to act as a hunting lodge for King Francis I; however, the King spent barely seven weeks there in total, that time consisting of short hunting visits. As the château had been constructed with the purpose of short stays, it was not practical to live in on a longer-term basis. The
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in the 17th century. In the drawings of the model, the main staircase of the keep is shown with two straight, parallel flights of steps separated by a passage and is located in one of the arms of the cross. According to Jean-Guillaume, this Italian design was later replaced with the centrally located
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said of the staircase, "it is devised with four entries or ascents, which cross one another, so that though four persons meet, they never come in sight, but by small loopholes, till they land. It consists of 274 steps (as I remember), and is an extraordinary work, but of far greater expense than use
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described effects of the flooding on Chambord's 13,000-acre (5,300 ha) property. The 20-mile (32 km) wall around the château was breached at several points, metal gates were torn from their framing, and roads were damaged. Trees were also uprooted and certain electrical and fire protection
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bomber crashed onto the château lawn on 22 June 1944. The image of the château has been widely used to sell commodities from chocolate to alcohol and from porcelain to alarm clocks; combined with the various written accounts of visitors, this made Chambord one of the best known examples of France's
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As a result of all the above, the château was completely unfurnished during this period. All furniture, wall coverings, eating implements and so forth were brought specifically for each hunting trip, a major logistical exercise. It is for this reason that much furniture from the era was built to be
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The roofscape of Chambord contrasts with the masses of its masonry and has often been compared with the skyline of a town: it shows 11 kinds of towers and three types of chimneys, without symmetry, framed at the corners by the massive towers. The design parallels are north Italian and Leonardesque.
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Archaeological findings by Jean-Sylvain Caillou & Dominic Hofbauer have established that the lack of symmetry of some façades derives from an original design, abandoned shortly after the construction began, and which ground plan was organised around the central staircase following a central
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towers at the corners. The keep also forms part of the front wall of a larger compound with two larger towers. Bases for a possible further two towers are found at the rear, but these were never developed, and remain the same height as the wall. The château features 440 rooms,
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Chambord was altered considerably during the 28 years of its construction (1519–1547), during which it was overseen on-site by Pierre Neveu. With the château nearing completion, Francis showed off his enormous symbol of wealth and power by hosting his old archrival,
662: 620:, and a design more compatible with the French preference for spectacular grand staircases. However, "at the same time the result was also a triumph of the centralised layout—itself a wholly Italian element." In 1913 Marcel Reymond suggested that 433:, the internal layout is an early example of the French and Italian style of grouping rooms into self-contained suites, a departure from the medieval style of corridor rooms. The massive château is composed of a central keep with four immense 632:
for the King's mother, and his interests in central planning and double-spiral staircases; the discussion has not yet concluded, although many scholars now agree that Leonardo was at least responsible for the design of the central staircase.
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Châteaux in the 16th century departed from castle architecture. Indeed, while they were off-shoots of castles, with features commonly associated with them, they did not have serious defences. Extensive gardens and water features, such as a
384:, some of the furnishings were sold and timber removed. For a time the building was left abandoned, though in the 19th century some attempts were made at restoration. During the Second World War, art works from the collections of the 527:
Chambord's towers are atypical of French contemporary design in that they lack turrets and spires. In the opinion of author Tanaka Hidemichi, who suggests Leonardo da Vinci influenced the château's design, they are closer in design to
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The château also features 128 metres (420 ft) of façade, more than 800 sculpted columns and an elaborately decorated roof. When Francis I commissioned the construction of Chambord, he wanted it to look like the skyline of
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The castle was never intended to provide any form of defence from enemies; consequently the walls, towers and partial moat are decorative, and even at the time were an anachronism. Some elements of architecture—open windows,
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had the great keep restored and furnished the royal apartments. The king then added a 1,200-horse stable, enabling him to use the château as a hunting lodge and a place to entertain for a few weeks each year, for example
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that is the centrepiece of the château. The two spirals ascend the three floors without ever meeting, illuminated from above by a sort of light house at the highest point of the château. There are suggestions that
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The Château de Chambord has further influenced a number of architectural and decorative elements across Europe. Château de Chambord was the model for the reconstruction and new construction of the original
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remarked on the dilapidation that had set in: "all is mournful and deserted. The grass has overgrown the pavement of the courtyard, and the rude sculpture upon the walls is broken and defaced". During the
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were moved to the Château de Chambord. The château is now open to the public, receiving 700,000 visitors in 2007. Flooding in June 2016 damaged the grounds but not the château itself.
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Regardless of who designed the château, on 6 September 1519 Francis de Pontbriand was ordered to begin construction of the Château de Chambord. The work was interrupted by the
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The final attempt to make use of the colossus came from the Count of Chambord, but after the Count died in 1883, the château was left to his sister's heirs, the titular
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remarked, "the towers, cupolas, the gables, the lanterns, the chimneys, look more like the spires of a city than the salient points of a single building."
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For more than 80 years after the death of King Francis I, French kings abandoned the château, allowing it to fall into decay. Finally, in 1639 King
465:. The keep's façade is asymmetrical, with the exception of the north-west façade, latterly revised, when the two wings were added to the château. 1454: 425:, were common amongst châteaux from this period. Chambord is no exception to this pattern. The layout is reminiscent of a typical castle with a 2575: 2134: 293: 1982: 1904: 1886: 1870: 1851: 1815: 1797: 338:, which blends traditional French medieval forms with classical Renaissance structures. The building was constructed by the king of France, 913: 2495: 666: 734:, who installed his military regiment there. Maurice de Saxe died in 1750, and once again the colossal château sat empty for many years. 2540: 2510: 2446: 2334: 678:
disassembled to facilitate transportation. After Francis died of a heart attack in 1547, the château was not used for almost a century.
2054: 1493: 514:, enclosed by a 31-kilometre (19-mile) wall. The king's plan to divert the Loire to surround the château came about only in a novel; 2585: 2545: 2530: 2520: 946:(2011) – in 2011, Château de Chambord served as the setting to represent the fictional kingdom of Serafia do Norte in the Brazilian 1063: 607:
Who designed the Château de Chambord is a matter of controversy. The original design is attributed, though with several doubts, to
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architectural history. Today, Chambord is a major tourist attraction, and in 2007 around 700,000 people visited the château.
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Yet in the later half of the 19th century, the château's style proliferated across the United Kingdom, influencing the
1911: 837: 2169: 928:, was built with similar architectural frameworks as the Château de Chambord, disseminated via the architect Gabriel- 719: 867: 2580: 2535: 2396: 2224: 778: 686: 389: 2441: 2431: 853: 2294: 510:
The château is surrounded by a 52.5-square-kilometre (13,000-acre) wooded park and game reserve maintained with
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The Loire Valley between Sully-sur-Loire and Chalonnes, previously inscribed as Chateau and Estate of Chambord
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near Amboise, was responsible for the original design, which reflects Leonardo's plans for a château at
2264: 2149: 1823: 909: 858: 2456: 2421: 2391: 2386: 2254: 2204: 2194: 2184: 2179: 1588: 1458: 802: 629: 612: 570: 439: 349:; it was built to serve as a hunting lodge for Francis I, who maintained his royal residences at the 2416: 2376: 2279: 2274: 2249: 2139: 844:
After unusually heavy rainfall, Chambord was closed to the public from 1 to 6 June 2016. The River
783: 768: 617: 608: 362: 350: 339: 327: 233: 201: 820: 742: 692: 2550: 1962: 1925: 1756:"Loir-et-Cher : le château de Chambord, décor naturel de "Comme un prince" avec Ahmed Sylla" 756: 2199: 516: 2411: 2357: 1978: 1900: 1882: 1866: 1847: 1811: 1793: 959: 751: 731: 621: 491: 462: 381: 366: 1640: 1247: 2451: 1954: 1831: 942: 41: 2051: 2360: 2071: 2058: 1627: 1498: 1412: 925: 902: 893: 872: 794: 727: 642: 477: 318: 763:. The château was subsequently purchased from his widow for the infant Duke of Bordeaux, 2000: 917: 504: 1696: 1503: 2489: 2464: 2460: 2406: 1728: 970: 875:, inspired by those at the Château de Chambord and disseminated by architect Gabriel- 2036: 1865:, edited by Jane Turner, reprinted with minor corrections in 1998. New York: Grove. 2436: 1835: 1572: 726:, lived at Chambord. In 1745, as a reward for valour, the king gave the château to 654: 114: 17: 1619: 1070:(1885) found that there was "nothing Italianate  ..., in thought or in form". 625: 828:
In 1939, shortly before the outbreak of World War II, the art collections of the
975: 921: 814: 661: 638: 495: 471: 400: 2077: 520:, which Francis had translated. In the novel the château is referred to as the 2064: 947: 706: 682: 331: 1859:
Guillaume, Jean (1996). "Chambord, château of", vol. 6, pp. 415–417, in
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Reymond, Marcel (June 1913), "Leonardo da Vinci, architect de Chambord",
1555:"Video: France’s famed Chambord castle left heavily damaged after floods" 723: 689:, who saved the château from ruin by carrying out much restoration work. 511: 494:
may have designed the staircase, but this has not been confirmed. Writer
722:(Stanislas I), the deposed King of Poland and the father-in-law of King 611:, whose wooden model for the design survived long enough to be drawn by 1993:
Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle
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Tanaka, Hidemichi (1992), "Leonardo da Vinci, Architect of Chambord?",
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in 1870. Between 1874 and 1889, the country house in Buckinghamshire,
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Château de Chambord: Well Preserved Renaissance Château in France
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The château and decorative moat viewed from the north-west (2015)
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Today, the Château de Chambord is a popular tourist attraction.
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282 fireplaces, and 84 staircases. Four rectangular
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is sentenced to community service at the Château de Chambord.
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here. Nonetheless, Louis XIV abandoned the château in 1685.
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One of the architectural highlights is the spectacular open
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by the Media Center for Art History, Columbia University
1457:. Aerosteles.hydroretro.net. 31 May 2008. Archived from 1208:(2nd ed.). London: William Heinemann. p. 40. 1101:"The unsolved mystery of France's iconic Loire Valley" 836:) were stored at the Château de Chambord. An American 786:(1870–1871) the château was used as a field hospital. 454:—are less practical in cold and damp northern France. 2061:– Official website for tourism in France (in English) 1828:
Mémoires pour servir à l'histoire des maisons royales
1526:"Sauvegarde Du Domaine De Chambord Après Inondations" 289: 279: 264: 256: 248: 240: 231: 227: 215: 207: 197: 192: 184: 176: 168: 129: 121: 106: 93: 85: 80: 34: 1317: 1315: 429:, corner towers, and defended by a moat. Built in 1877:Caillou, Jean-Sylvain; Hofbauer, Dominic (2016). 1068:Dictionnaire raisonné de l'architecture française 817:), have belonged to the French state since 1930. 709:presented the premiere of his celebrated comedy, 2037:World History Encyclopedia - Chateau de Chambord 1647:. Emons Verlag GmbH. Retrieved 19 February 2019. 1455:"Liberator 22 juin 1944 – Chambord – Aérostèles" 1645:111 Places in Edinburgh That You Shouldn't Miss 1332: 1330: 1121: 27:Castle in Chambord, Centre-Val de Loire, France 2052:Rendez-vous at the National Domain of Chambord 1172: 616:spiral staircase, which is similar to that at 2516:Historic house museums in Centre-Val de Loire 2342: 2093: 1660:, published by Rothschild Waddesdon, 1998: 24 1359: 771:(1824–1830) but in 1830 both were exiled. In 334:in the world because of its very distinctive 8: 2556:Monuments historiques of Centre-Val de Loire 1395: 1393: 1217: 1215: 1563:. 6 August 2016. Accessed 24 December 2022. 1321: 1304:Château de Chambord programme archéologique 1279: 1187: 1185: 552:Northwest façade of the Château de Chambord 442:hallways on each floor form a cross-shape. 64: 2349: 2335: 2327: 2100: 2086: 2078: 1899:. Westport, Connecticut: Greenwood Press. 1806:Creighton, Oliver; Higham, Robert (2003), 1677:(in Brazilian Portuguese). 29 October 2021 330:, France, is one of the most recognisable 31: 2065:360° Panoramas of Le Château de Chambord' 1788:Chirol, Serge; Seydoux, Philippe (1992), 1156: 1154: 1046:, their meaning is different. In French, 974:(2023) – the main character portrayed by 962:in the Château de Chambord to escape the 1145: 1133: 1054:more properly describes a country house. 222:Official site of the Chateau de Chambord 1697:"Valiant Hearts de Mona Achache (2021)" 1479: 1400: 1371: 1268: 1222: 1160: 1082: 1027: 986: 1761:La Nouvelle République du Centre-Ouest 1336: 1283: 1250:(Félibien's description of the model). 1234: 1191: 1176: 774:Outre-Mer: A Pilgrimage Beyond the Sea 46:Aerial view of the Château de Chambord 1094: 1092: 1090: 1088: 1086: 832:and Compiègne museums (including the 369:may have also influenced the design. 317: 288: 278: 263: 255: 247: 239: 230: 7: 1099:Bernhard, Adrienne (17 March 2020). 914:Royal Holloway, University of London 871:One of the twin staircase towers at 738:French Revolution and modern history 2047:Programme archéologique de Chambord 1709:from the original on 7 October 2022 1494:"Drone Films Flooded French Castle" 1492:Atherton, Kelsey D. (3 June 2016). 896:was inspired by Château de Chambord 573:'s drawings based on a wooden model 404:Plan of the château as engraved by 2571:Renaissance architecture in France 801:, who died in 1907 and after him, 25: 2561:Ancien Régime French architecture 1879:Chambord, le projet perdu de 1519 2474: 2447:Château de Saint-Germain-en-Laye 1007: 998: 989: 593: 579: 541: 63: 56: 40: 2566:French Renaissance architecture 1991:Viollet-le-Duc, Eugene (1875), 645:, although it was never built. 336:French Renaissance architecture 175: 125:Chateau 41250, Chambord, France 2023:Les Châteaux de la Renaissance 1764:(in French). 14 December 2023. 1620:"Fettes College: The Building" 1431:. Chambord.org. Archived from 696:Louis XIV's ceremonial bedroom 669:of Château de Chambord in 1722 1: 2576:1547 establishments in France 1844:The Loire: a Cultural History 375:Charles V, Holy Roman Emperor 2501:Châteaux of the Loire Valley 2109:Châteaux of the Loire Valley 1790:Chateaux of the Val de Loire 1658:A Hundred Years at Waddesdon 1594:, accessed 18 February 2019. 759:gave it to his subordinate, 380:In 1792, in the wake of the 2021:Gebbelin, François (1927), 1846:, Oxford University Press, 1783:(in French), Fernand Lanore 1579:, accessed 18 February 2019 1532:(in French). Archived from 1418:, accessed 18 February 2019 1309:, accessed 18 February 2019 1122:Creighton & Higham 2003 854:French Patrimony Foundation 481:The double-spiral staircase 406:Jacques Androuet du Cerceau 347:château in the Loire Valley 2602: 2541:Royal residences in France 2511:National museums of France 2005:The Architecture of Europe 1050:refers to a castle, while 920:in Edinburgh, designed by 779:Henry Wadsworth Longfellow 777:, published in the 1830s, 461:The elaborately developed 234:UNESCO World Heritage Site 2472: 2367: 2311: 2115: 1975:The Decline of the Castle 1973:Thompson, M. W. (1994) , 1895:Hanser, David A. (2006). 1630:. Retrieved 21 March 2009 1416:castlesandmanorhouses.com 1360:Chirol & Seydoux 1992 1175:, p. 189, quoted in 303: 299: 220: 51: 39: 2586:Henri, Count of Chambord 2546:Double spiral staircases 2531:Hunting lodges in France 2521:Houses completed in 1547 2496:Châteaux in Loir-et-Cher 2070:20 December 2012 at the 2007:, London: B. T. Batsford 1842:Garrett, Martin (2010), 761:Louis Alexandre Berthier 712:Le Bourgeois Gentilhomme 685:gave it to his brother, 650:Italian War of 1521–1526 624:, a guest of Francis at 452:Renaissance architecture 345:Chambord is the largest 319:[ʃɑtod(ə)ʃɑ̃bɔʁ] 2506:Museums in Loir-et-Cher 2402:Palace of Fontainebleau 1917:The Burlington Magazine 1589:Schöner als das Vorbild 1530:Fondation du Patrimoine 1259:Guillaume 1996, p. 416. 1206:A Little Tour in France 905:between 1845 and 1857. 687:Gaston, Duke of Orléans 487:double-spiral staircase 193:Design and construction 188:56 m (184 ft) 2442:Château de Saint-Cloud 2432:Château de Rambouillet 2318: 1938:Gazette des Beaux-Arts 1912:Heydenreich, Ludwig H. 1897:Architecture of France 1779:Boucher, J.J. (1980), 1729:"Like a Prince (2023)" 1626:6 January 2019 at the 1608:Times Higher Education 1385:Le Château de Chambord 1204:James, Henry (1907) . 1042:derive from the Latin 897: 880: 879:between 1874 and 1889. 825: 803:Elias, Prince of Parma 747: 697: 670: 482: 466: 417: 409: 72:Location within France 2317: 1881:. Faton. p. 64. 1862:The Dictionary of Art 1810:, Shire Archaeology, 1639:Gillian Tait (2016). 930:Hippolyte Destailleur 891: 877:Hippolyte Destailleur 870: 848:, a tributary of the 823: 799:Robert, Duke of Parma 745: 720:Stanisław Leszczyński 695: 664: 480: 460: 415: 403: 315:French pronunciation: 102:Classical Renaissance 2457:Palace of Versailles 2427:Château de la Muette 2397:Château de Compiègne 1947:Artibus et Historiae 1573:"Schweriner Schloss" 892:The architecture of 390:Château de Compiègne 169:Construction started 153:47.61611°N 1.51722°E 2382:Château de Chambord 2057:6 June 2016 at the 2042:Château de Chambord 1604:"Original features" 1307:chambord-archeo.com 1294:Hanser 2006, p. 47. 1173:Viollet-le-Duc 1875 793:, then resident in 784:Franco-Prussian War 746:On the second floor 718:From 1725 to 1733, 667:Pierre-Denis Martin 609:Domenico da Cortona 522:Palace of Firm Isle 363:Domenico da Cortona 328:Centre-Val de Loire 311:Château de Chambord 208:Structural engineer 202:Domenico da Cortona 149: /  94:Architectural style 81:General information 35:Château de Chambord 18:Château of Chambord 2319: 1536:on 13 October 2016 1435:on 7 November 2013 1148:, pp. 117–120 1066:, however, in his 936:In popular culture 910:Founder's Building 898: 881: 826: 757:Napoleon Bonaparte 748: 698: 671: 586:Façade of the keep 483: 467: 418: 410: 280:Reference no. 98:French Renaissance 2581:Castles in France 2536:Palaces in France 2483: 2482: 2422:Château de Meudon 2412:Luxembourg Palace 2392:Palais de la Cité 2387:Château de Choisy 2372:Château d'Amboise 2324: 2323: 2240:Plessis-lez-Tours 1984:978-1-8542-2608-2 1905:978-0-313-31902-0 1888:978-2-8784-4228-1 1871:978-1-8844-4600-9 1853:978-0-19-976839-4 1817:978-0-7478-0546-5 1799:978-0-8656-5134-0 1792:, Vendôme Press, 1610:. 5 February 2009 1461:on 21 August 2009 1387:(Blois) 1865 etc. 960:French Resistance 732:Marshal of France 622:Leonardo da Vinci 492:Leonardo da Vinci 431:Renaissance style 382:French Revolution 367:Leonardo da Vinci 307: 306: 275: 158:47.61611; 1.51722 16:(Redirected from 2593: 2478: 2452:Tuileries Palace 2417:Château de Marly 2377:Château of Blois 2361:royal residences 2351: 2344: 2337: 2328: 2215:Montreuil-Bellay 2102: 2095: 2088: 2079: 2025: 2008: 1996: 1987: 1969: 1941: 1932: 1924:(595): 277–285, 1892: 1856: 1820: 1808:Medieval Castles 1802: 1784: 1766: 1765: 1752: 1746: 1745: 1743: 1741: 1725: 1719: 1718: 1716: 1714: 1693: 1687: 1686: 1684: 1682: 1667: 1661: 1654: 1648: 1641:"Fettes College" 1637: 1631: 1617: 1611: 1601: 1595: 1586: 1580: 1577:schwerin.m-vp.de 1570: 1564: 1552: 1546: 1545: 1543: 1541: 1522: 1516: 1515: 1513: 1511: 1502:. Archived from 1489: 1483: 1482:, pp. 78–79 1477: 1471: 1470: 1468: 1466: 1451: 1445: 1444: 1442: 1440: 1425: 1419: 1410: 1404: 1397: 1388: 1381: 1375: 1369: 1363: 1357: 1351: 1346: 1340: 1339:, pp. 92–93 1334: 1325: 1322:Heydenreich 1952 1319: 1310: 1301: 1295: 1292: 1286: 1280:Heydenreich 1952 1277: 1271: 1266: 1260: 1257: 1251: 1244: 1238: 1232: 1226: 1219: 1210: 1209: 1201: 1195: 1189: 1180: 1170: 1164: 1158: 1149: 1143: 1137: 1131: 1125: 1119: 1113: 1112: 1110: 1108: 1096: 1071: 1061: 1055: 1032: 1011: 1002: 993: 943:Cordel Encantado 862: 797:. First left to 600:Plan of the keep 597: 583: 545: 532:of 15th-century 351:Château de Blois 321: 316: 269: 164: 163: 161: 160: 159: 154: 150: 147: 146: 145: 142: 67: 66: 60: 44: 32: 21: 2601: 2600: 2596: 2595: 2594: 2592: 2591: 2590: 2526:Hunting museums 2486: 2485: 2484: 2479: 2470: 2459:(including the 2363: 2355: 2325: 2320: 2309: 2260:Selles-sur-Cher 2210:Meung-sur-Loire 2145:La Bourdaisière 2111: 2106: 2072:Wayback Machine 2059:Wayback Machine 2033: 2028: 2020: 2016: 2014:Further reading 2011: 2001:Yarwood, Doreen 1999: 1990: 1985: 1977:, Magna Books, 1972: 1959:10.2307/1483458 1944: 1935: 1910: 1889: 1876: 1854: 1841: 1824:Félibien, André 1818: 1805: 1800: 1787: 1778: 1769: 1754: 1753: 1749: 1739: 1737: 1727: 1726: 1722: 1712: 1710: 1695: 1694: 1690: 1680: 1678: 1669: 1668: 1664: 1656:Girouard, Mark 1655: 1651: 1638: 1634: 1628:Wayback Machine 1618: 1614: 1602: 1598: 1587: 1583: 1571: 1567: 1553: 1549: 1539: 1537: 1524: 1523: 1519: 1509: 1507: 1506:on 19 June 2016 1499:Popular 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1429:"Presentation" 1420: 1405: 1403:, p. xxii 1389: 1376: 1364: 1352: 1341: 1326: 1311: 1296: 1287: 1272: 1261: 1252: 1239: 1227: 1211: 1196: 1181: 1165: 1150: 1138: 1126: 1114: 1081: 1073: 1072: 1064:Viollet-le-Duc 1056: 1026: 1025: 1018: 1015: 1014: 1013: 1006: 1004: 997: 995: 988: 984: 981: 980: 979: 967: 955:Valiant Hearts 951: 937: 934: 918:Fettes College 885: 882: 838:B-24 Liberator 791:Dukes of Parma 739: 736: 613:André Félibien 599: 592: 591: 590: 585: 578: 577: 576: 569: 568: 567: 566: 564: 561: 559: 556: 548: 547: 540: 539: 538: 505:Constantinople 397: 394: 305: 304: 301: 300: 297: 296: 291: 287: 286: 281: 277: 276: 266: 262: 261: 258: 254: 253: 250: 246: 245: 242: 238: 237: 232: 229: 228: 225: 224: 218: 217: 213: 212: 209: 205: 204: 199: 195: 194: 190: 189: 186: 182: 181: 178: 174: 173: 170: 166: 165: 133: 127: 126: 123: 119: 118: 108: 104: 103: 95: 91: 90: 87: 83: 82: 78: 77: 71: 62: 61: 55: 54: 53: 52: 49: 48: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2598: 2587: 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2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2117: 2114: 2110: 2103: 2098: 2096: 2091: 2089: 2084: 2083: 2080: 2073: 2069: 2066: 2063: 2060: 2056: 2053: 2050: 2048: 2045: 2043: 2040: 2038: 2035: 2034: 2030: 2024: 2019: 2018: 2013: 2006: 2002: 1998: 1995:, vol. 3 1994: 1989: 1986: 1980: 1976: 1971: 1968: 1964: 1960: 1956: 1952: 1948: 1943: 1939: 1934: 1931: 1927: 1923: 1919: 1918: 1913: 1909: 1906: 1902: 1898: 1894: 1890: 1884: 1880: 1875: 1872: 1868: 1864: 1863: 1858: 1855: 1849: 1845: 1840: 1837: 1833: 1829: 1825: 1822: 1819: 1813: 1809: 1804: 1801: 1795: 1791: 1786: 1782: 1777: 1776: 1774: 1773: 1763: 1762: 1757: 1751: 1748: 1736: 1735: 1730: 1724: 1721: 1708: 1704: 1703: 1698: 1692: 1689: 1676: 1672: 1666: 1663: 1659: 1653: 1650: 1646: 1642: 1636: 1633: 1629: 1625: 1621: 1616: 1613: 1609: 1605: 1600: 1597: 1593: 1590: 1585: 1582: 1578: 1574: 1569: 1566: 1562: 1561: 1556: 1551: 1548: 1535: 1531: 1527: 1521: 1518: 1505: 1501: 1500: 1495: 1488: 1485: 1481: 1476: 1473: 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Retrieved 1732: 1723: 1711:. Retrieved 1700: 1691: 1679:. Retrieved 1675:memoriaglobo 1674: 1671:"BASTIDORES" 1665: 1657: 1652: 1644: 1635: 1615: 1607: 1599: 1591: 1584: 1576: 1568: 1558: 1550: 1538:. Retrieved 1534:the original 1529: 1520: 1508:. Retrieved 1504:the original 1497: 1487: 1480:Garrett 2010 1475: 1463:. Retrieved 1459:the original 1449: 1437:. Retrieved 1433:the original 1423: 1415: 1408: 1401:Garrett 2010 1384: 1379: 1374:, p. 34 1372:Boucher 1980 1367: 1362:, p. 53 1355: 1344: 1306: 1299: 1290: 1275: 1269:Reymond 1913 1264: 1255: 1242: 1237:, p. 85 1230: 1225:, p. 78 1223:Garrett 2010 1205: 1199: 1194:, p. 96 1179:, p. 85 1168: 1161:Yarwood 1974 1141: 1129: 1117: 1105:. 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BBC 1022:Notes 861:] 850:Loire 811:acres 700:King 618:Blois 534:Milan 322:) in 270:(5th 268:1981 2463:and 2290:Ussé 2200:Lude 1979:ISBN 1901:ISBN 1883:ISBN 1867:ISBN 1848:ISBN 1832:Copy 1812:ISBN 1794:ISBN 1742:2024 1715:2023 1683:2024 1542:2016 1512:2016 1467:2011 1441:2013 1109:2020 1038:and 641:and 427:keep 423:moat 353:and 309:The 249:Type 180:1547 172:1519 1955:doi 1834:at 1643:in 912:at 284:933 2492:: 1961:, 1951:13 1949:, 1922:94 1920:, 1758:. 1731:. 1705:. 1699:. 1673:. 1622:. 1606:. 1575:. 1557:. 1528:. 1496:. 1392:^ 1329:^ 1314:^ 1282:; 1214:^ 1184:^ 1153:^ 1085:^ 859:fr 730:, 658:. 536:. 524:. 507:. 365:; 342:. 326:, 113:, 2467:) 2350:e 2343:t 2336:v 2101:e 2094:t 2087:v 1957:: 1907:. 1891:. 1873:. 1838:. 1744:. 1717:. 1685:. 1544:. 1514:. 1469:. 1443:. 1111:. 966:. 950:. 313:( 274:) 100:, 20:)

Index

Château of Chambord

Château de Chambord is located in France
French Renaissance
Chambord
Loir-et-Cher
Coordinates
47°36′58″N 01°31′02″E / 47.61611°N 1.51722°E / 47.61611; 1.51722
Domenico da Cortona
Official site of the Chateau de Chambord
UNESCO World Heritage Site
session
933
Europe
[ʃɑtod(ə)ʃɑ̃bɔʁ]
Chambord
Centre-Val de Loire
châteaux
French Renaissance architecture
Francis I
château in the Loire Valley
Château de Blois
Amboise
Tuscan
Domenico da Cortona
Leonardo da Vinci
Charles V, Holy Roman Emperor
French Revolution
Louvre
Château de Compiègne

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