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Schoenberg respected the classical arrangement of the musicians on stage, instructing that all strings should be seated in the front row, the winds in the second row, and all the bass sounds should be grouped together. Although this composition is commonly called a
425:. Some critics and conductors have claimed that an ensemble formed of ten winds and only five strings is inherently unbalanced; however, some of the voices are doubled so that no instrument is playing one-on-one against another.
139:
work which lasts approximately 20 minutes. Even though it is listed as one movement, the form can be considered as subdivided into as many as five continuous movements. Schoenberg himself outlined the following form using the
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The overall duration of the piece is listed as 22 minutes, though in her survey of 11 recordings spanning 1949–1997, Kathleen McGuire finds a difference in duration of over seven minutes, ranging from Boulez's 19:37 to
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26:51. She notes that even in Boulez's comparatively fast recording
Schoenberg's metronome marks are still not always achieved, suggesting that they are perhaps impossible to perform.
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made an arrangement for this composition scored for violin, flute (or second violin), clarinet (or viola), cello, and piano; this arrangement was intended to be played alongside
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737:"Kammersymphonie [Chamber symphony] no. 1, op. 9b (1906) (arr. Arnold Schoenberg (1922) (orchestra); rev. Arnold Schoenberg (1935))"
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Chamber
Symphony No. 1 is one of the most recorded of Schoenberg's works and has received attention from conductors including
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can be observed in the relationship of the
Scherzo theme to the rising chromatic line in the 2nd Violin part in Cadence 1,
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The "motto" theme first appears in measure 5 and is framed by two cadences which introduce the two main key areas.
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Schoenberg's first chamber symphony was finished in 1906 and premiered on 8 February 1907 in Vienna by the
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712:"Kammersymphonie [Chamber symphony] no. 1, op. 9 (1906) (arr. Arnold Schoenberg (piano 4 hands))"
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Schoenberg claimed in later years that the work "was a first attempt to create a chamber orchestra."
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on 5 November 1915. The first
British performance was on 6 May (or possibly on 16 April) 1921, at the
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759:"Kammersymphonie [Chamber symphony] no. 1, op. 9 (1906) (arr. Alban Berg (1914) (2 pianos))"
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848:"Kammersymphonie No. 1, Op. 9, by Arnold Schoenberg (1906): Considerations for the Conductor"
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in 1923 and again in 1935, which was catalogued as Op. 9b. The latter was premiered in
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688:"Meet the Composer: Splitting Adams: John Adams' Chamber Symphonies on Apple Podcasts"
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192:. The "motto" theme helps delineate the structural articulation points in the piece.
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782:"Arnold Schoenberg (1874-1951) arr. Anton Webern - Chamber Symphony No.1 in E, Op.9"
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86:'s works incited the attendees to riot in protest and prematurely end the concert.
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677:(Berkeley and Los Angeles: University of California Press, 1993): pp. 225–226.
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664:(Berkeley and Los Angeles: University of California Press, 1993): p. 223.
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as well as in the relationship of the slow movement theme to
Cadence 2.
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The BBC and Ultra-Modern Music, 1922–1936: Shaping a Nation's Tastes
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The BBC and Ultra-Modern Music, 1922–1936: Shaping a Nation's Tastes
808:/ Chamber Symphony No. 1 / 4 Orchestral Songs (Schoenberg, Vol. 6)"
637:/ Chamber Symphony No. 1 / 4 Orchestral Songs (Schoenberg, Vol. 6)"
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Between 1922 and 1923, at
Schoenberg's suggestion his disciple
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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P. A. S., "Music of the Week: Schönberg and
Kreisler",
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Schoenberg makes use of a "motto" theme constructed of
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649:... a first attempt to create a chamber orchestra.
123:The piece is a well-known example of the use of
810:. Naxos Records. March–August 2007. CD 8.557523
675:The Early Works of Arnold Schoenberg, 1893–1908
662:The Early Works of Arnold Schoenberg, 1893–1908
588:British Library, Notable Acquisitions 1985–1994
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438:in 1906. He also revised the composition for
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314:It is scored for the following instruments:
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1906:Concerto for String Quartet and Orchestra
1870:Begleitungsmusik zu einer Lichtspielscene
1132:Begleitungsmusik zu einer Lichtspielscene
880:International Music Score Library Project
639:(Liner notes). Naxos Records. CD 8.557523
1693:Society for Private Musical Performances
1186:, Op. 33a (1928-1929) and Op. 33b (1931)
876:Chamber Symphony No. 1 in E major, Op. 9
63:) is a composition by Austrian composer
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544:
527:received a positive critical response.
92:gave the work its US premiere with the
74:together with a wind ensemble from the
57:Kammersymphonie, fĂĽr 15 soloinstrumente
55:9 (also known by its title in German
7:
1484:(1935, rev. ed. Douglas Jarman 1996)
1013:, Op. 10 (1907-1908, 1919 and 1929
1011:String Quartet No. 2 (with soprano)
846:McGuire, Kathleen (November 2003).
2298:Compositions for chamber orchestra
2293:Chamber music by Arnold Schoenberg
1141:, Op. 38 (1906–1940) and Op. 38b (
993:, Op. 4 (1899, 1916-1917 and 1943
515:. A 1998 performance conducted by
453:also arranged the composition for
25:
2176:Arnold Schönberg Complete Edition
1500:Arnold Schönberg Complete Edition
503:, and chamber groups such as the
135:The Chamber Symphony is a single-
31:Portrait of Arnold Schoenberg by
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2242:
2241:
830:Review for the Naxos CD 8.557523
855:Journal of the Conductors Guild
1409:, Op. 6 (1913-1915, rev. 1929)
1385:, Op. 1 (1907-1908, rev. 1920)
1109:, Op. 5 (1902-1903, rev. 1920)
602:, Cambridge University Press,
570:, Cambridge University Press,
523:label and reissued in 2007 on
1:
2083:Das Buch der hängenden Gärten
1334:Concerto for Nine Instruments
949:Das Buch der hängenden Gärten
566:Jennifer Ruth Doctor (1999),
421:, its performance requires a
1432:SchlieĂźe mir die Augen beide
1367:SchlieĂźe mir die Augen beide
804:"Album Reviews: Schoenberg:
598:Jennifer Ruth Doctor (1999)
470:, which is similarly scored.
294:
272:
246:
224:
199:
521:Koch International Classics
2334:
1968:Sechs kleine KlavierstĂĽcke
1166:Sechs kleine KlavierstĂĽcke
1121:, Op. 16 (1909, rev. 1922)
2239:
1857:Five Pieces for Orchestra
1773:
1391:, Op. 3 (1910, rev. 1924)
1030:Suite, Op. 29 (1925–1926)
1863:Variations for Orchestra
1434:" (second setting, 1925)
1423:(1923-1935; ii "Adagio"
1125:Variations for orchestra
557:(8 May 1921), p. 10
261:Schoenberg's concept of
180:and finale (nos. 90–100)
2313:20th-century symphonies
2303:Compositions in E major
2160:(Relatives by marriage)
1407:Three Orchestral Pieces
1399:, Op. 4 (1911-1912, iv
1369:" (first setting, 1907)
299:download the audio file
277:download the audio file
251:download the audio file
229:download the audio file
204:download the audio file
2207:Second Viennese School
2101:
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2081:
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2043:A Survivor from Warsaw
2023:
2013:
1992:
1976:
1966:
1956:
1929:
1877:Chamber Symphony No. 2
1851:Chamber Symphony No. 1
1841:
1820:
1810:
1800:
1790:
1596:
1275:(1910-1911, rev. 1921)
1139:Chamber Symphony No. 2
1113:Chamber Symphony No. 1
1087:A Survivor from Warsaw
1073:(1914–1922, rev. 1944)
916:Second Viennese School
446:by Schoenberg himself.
239:Cadence 2 in E major:
217:Cadence 1 in F major:
94:Philadelphia Orchestra
45:Chamber Symphony No. 1
40:
18:Chamber Symphony No. 1
2231:Twelve-tone technique
2112:Four Orchestral Songs
1843:Pelleas und Melisande
1710:Twelve-tone technique
1655:Musical fragmentation
1566:Fragmentation (music)
1106:Pelleas und Melisande
828:Blair Sanderson.
156:(beginning to no. 38)
144:as reference points:
30:
2197:Developing variation
1925:(Opp. 7, 10, 30, 37)
1822:Von heute auf morgen
1776:List of compositions
1581:Josef Matthias Hauer
1556:Developing variation
1427:for cl, vl, pf 1935)
1342:, Op. 27 (1935-1936)
1340:Variations for piano
1336:, Op. 24 (1931-1934)
1330:, Op. 21 (1927-1928)
1250:, Op. 36 (1934-1936)
1221:, Op. 32 (1928-1929)
1218:Von heute auf morgen
1213:, Op. 18 (1910-1913)
1180:, Op. 25 (1921-1923)
1174:, Op. 23 (1920-1923)
1135:, Op. 34 (1929-1930)
1127:, Op. 31 (1926-1928)
1119:FĂĽnf OrchesterstĂĽcke
1040:String Quartet No. 4
1034:String Quartet No. 3
1027:, Op. 26 (1923-1924)
1005:String Quartet No. 1
974:, Op. 22 (1913-1916)
952:, Op. 15 (1907-1909)
263:developing variation
98:Aeolian Hall, London
2202:Expressionist music
1802:Die glĂĽckliche Hand
1725:Alexander Zemlinsky
1650:Jacques-Louis Monod
1561:Expressionist music
1417:, Op. 7 (1914-1922)
1210:Die glĂĽckliche Hand
1145:for 2pf, 1941-1942)
1007:, Op. 7 (1904-1905)
944:, Op. 2 (1899-1900)
761:. www.schoenberg.at
739:. www.schoenberg.at
533:Jascha Horenstein's
76:Vienna Philharmonic
2318:Chamber symphonies
1994:Zwei KlavierstĂĽcke
1978:FĂĽnf KlavierstĂĽcke
1958:Drei KlavierstĂĽcke
1672:Musical set theory
1645:Riccardo Malipiero
1598:Klangfarbenmelodie
1348:, Op. 28 (1937–38)
1172:FĂĽnf KlavierstĂĽcke
1160:Drei KlavierstĂĽcke
1061:, Op. (1900-1903,
836:"4 stars out of 5"
578:, p. 425, note 44.
475:Notable recordings
41:
2288:1906 compositions
2253:
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1767:Arnold Schoenberg
1733:
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1715:Viennese trichord
1705:Eduard Steuermann
1677:Hermann Scherchen
1516:Theodor W. Adorno
1373:Seven Early Songs
1301:
1300:
1291:Der biblische Weg
1229:(1930–32, compl.
1178:Suite fĂĽr Klavier
924:Arnold Schoenberg
784:. www.youtube.com
780:Jarman, Douglas.
505:Hyperion Ensemble
497:Giuseppe Sinopoli
303:
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255:
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142:rehearsal numbers
90:Leopold Stokowski
65:Arnold Schoenberg
35:(ca. June 1905) (
16:(Redirected from
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1551:David Josef Bach
1546:Darmstadt School
1541:Ferruccio Busoni
1492:Related articles
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1070:Die Jakobsleiter
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449:Fellow composer
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2143:(Grandchildren)
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2103:Pierrot lunaire
2049:
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1986:Suite for Piano
1944:
1931:Verklärte Nacht
1923:String quartets
1911:
1894:Violin Concerto
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1660:Max Oppenheimer
1610:Oskar Kokoschka
1526:Peter Altenberg
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1482:Violin Concerto
1442:(1925-1926 for
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1297:
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1256:, Op. 42 (1942)
1248:Violin Concerto
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1205:, Op. 17 (1909)
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1168:, Op. 19 (1911)
1162:, Op. 11 (1909)
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1090:, Op. 46 (1947)
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1042:, Op. 37 (1936)
1036:, Op. 30 (1927)
990:Verklärte Nacht
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968:, Op. 21 (1912)
965:Pierrot lunaire
960:, Op. 20 (1911)
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440:large orchestra
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310:Instrumentation
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125:quartal harmony
106:John Barbirolli
100:, conducted by
61:Kammersymphonie
59:, or simply as
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1900:Piano Concerto
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1444:string quartet
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1389:String Quartet
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1346:String Quartet
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1324:, Op. 1 (1908)
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1316:Langsamer Satz
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1254:Piano Concerto
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1226:Moses und Aron
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870:External links
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692:Apple Podcasts
679:
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493:Claudio Abbado
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33:Richard Gerstl
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2149:(Grandnephew)
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2147:Claude-Michel
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2132:(Second wife)
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2035:Genesis Suite
2031:
2027:
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2017:
2016:
2011:
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1996:
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1640:Gustav Mahler
1638:
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1623:
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1620:Louis Krasner
1618:
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1571:Stefan George
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1446:, 1928 ii-iv
1445:
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1426:
1422:
1421:Kammerkonzert
1419:
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1272:Harmonielehre
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1184:KlavierstĂĽcke
1182:
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1079:Genesis Suite
1076:"Prelude" to
1075:
1072:
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716:schoenberg.at
713:
707:
704:
693:
689:
683:
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667:
663:
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638:
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633:"Schoenberg:
630:
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616:
613:
609:
608:9780521661171
605:
601:
595:
592:
589:
584:
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576:9780521661171
573:
569:
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560:
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536:
534:
528:
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522:
518:
514:
510:
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502:
498:
494:
490:
486:
482:
481:Pierre Boulez
474:
469:
468:
463:
459:
456:
452:
448:
445:
441:
437:
433:
432:
428:
426:
424:
420:
412:
408:
406:
402:
400:
396:
393:
390:
386:
385:
382:
378:
377:
374:
373:contrabassoon
370:
368:
364:
362:
361:bass clarinet
358:
356:
352:
350:
340:
338:
334:
332:
328:
325:
321:
317:
316:
315:
309:
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288:
278:
268:
267:
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252:
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230:
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186:
179:
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155:
151:
148:
147:
145:
143:
138:
130:
128:
126:
121:
119:
115:
111:
110:LĂ©on Goossens
107:
103:
99:
95:
91:
87:
85:
81:
77:
73:
68:
66:
62:
58:
54:
50:
46:
38:
37:Vienna Museum
34:
29:
19:
2220:Sprechstimme
2218:
2211:
2174:
2110:
2093:Herzgewächse
2063:Zwei Gesänge
2041:
2033:
2015:Gurre-Lieder
1949:Instrumental
1939:Wind Quintet
1868:
1850:
1720:Franz Werfel
1699:Sprechstimme
1697:
1682:Egon Schiele
1664:
1625:Ernst Krenek
1605:Gustav Klimt
1536:Athematicism
1498:
1473:
1462:(1928-1935,
1457:
1437:
1412:
1394:
1383:Piano Sonata
1375:(1905-1908,
1307:Anton Webern
1289:
1270:
1224:
1216:
1208:
1200:
1153:Instrumental
1130:
1112:
1104:
1085:
1077:
1068:
1058:Gurre-Lieder
1056:
1025:Wind Quintet
988:
963:
957:Herzgewächse
955:
947:
939:
858:
854:
841:
824:
814:30 September
812:. Retrieved
805:
798:
786:. Retrieved
775:
763:. Retrieved
753:
741:. Retrieved
731:
721:30 September
719:. Retrieved
715:
706:
695:. Retrieved
691:
682:
674:
669:
661:
656:
648:
643:30 September
641:. Retrieved
634:
629:Robert Craft
599:
594:
583:
567:
562:
554:The Observer
552:
547:
529:
517:Robert Craft
485:Simon Rattle
478:
465:
462:Anton Webern
429:Arrangements
419:chamber work
415:
381:Vienna horns
337:English horn
313:
286:
260:
238:
216:
213:
187:
184:
174:(nos. 77–90)
168:(nos. 60–77)
162:(nos. 38–60)
134:
122:
118:Alfred Brain
114:Aubrey Brain
102:Edward Clark
88:
72:Rosé Quartet
69:
60:
56:
44:
42:
2136:Eric Randol
2073:Vier Lieder
2032:Prelude to
2019:(1900–1911)
1887:Concertante
1635:Alma Mahler
1521:Guido Adler
1439:Lyric Suite
1359:(1885-1935)
1322:Passacaglia
1309:(1883-1945)
1294:(1922-1927)
1241:Concertante
972:Vier Lieder
941:Vier Lieder
926:(1874-1951)
788:12 December
501:Zubin Mehta
444:Los Angeles
411:double bass
394:1 violin II
166:Development
2282:Categories
2158:Luigi Nono
1834:Orchestral
1615:Karl Kraus
1470:1962-1978)
1452:str. orch.
1357:Alban Berg
1098:Orchestral
1065:1910-1911)
1019:str. orch.
999:str. orch.
861:(1): 2–32.
697:2023-01-05
539:References
455:two pianos
451:Alban Berg
322:(doubling
84:Alban Berg
2192:Atonality
2029:(1917–22)
1816:(1930–32)
1792:Erwartung
1531:Atonality
1202:Erwartung
423:conductor
131:Structure
120:(horns).
108:(cello),
2247:Category
2226:Students
2115:, Op. 22
2107:, Op. 21
2097:, Op. 20
2087:, Op. 15
2046:, Op. 46
2038:, Op. 44
1998:, Op. 33
1988:, Op. 25
1982:, Op. 23
1972:, Op. 19
1962:, Op. 11
1941:, Op. 26
1902:, Op. 42
1896:, Op. 36
1879:, Op. 38
1873:, Op. 34
1865:, Op. 31
1859:, Op. 16
1826:, Op. 32
1806:, Op. 18
1796:, Op. 17
1475:Der Wein
1328:Symphony
834:AllMusic
765:26 April
743:26 April
631:(2007).
457:in 1914.
355:clarinet
349:clarinet
346:♭
137:movement
112:(oboe),
2168:Related
2141:Marlena
2130:Gertrud
2077:, Op. 2
2067:, Op. 1
1935:, Op. 4
1916:Chamber
1853:, Op. 9
1847:, Op. 5
1466:compl.
1414:Wozzeck
982:Chamber
519:on the
513:Orpheus
367:bassoon
324:piccolo
190:fourths
160:Scherzo
154:Allegro
49:E major
2258:Portal
2123:Family
2006:Choral
1908:(1933)
1689:(1913)
1478:(1929)
1401:rearr.
1318:(1905)
1231:Kocsis
1082:(1945)
1050:Choral
612:p. 339
606:
574:
389:violin
172:Adagio
150:Sonata
2187:6-Z44
2054:Vocal
1783:Opera
1511:6-Z44
1468:Cerha
1464:orch.
1403:1917)
1379:1928)
1377:orch.
1283:Drama
1233:2010)
1194:Opera
1063:orch.
933:Vocal
851:(PDF)
525:Naxos
405:cello
399:viola
320:flute
2182:6-20
1506:6-20
1459:Lulu
1450:for
1448:arr.
1425:arr.
1264:Text
1143:arr.
1017:for
1015:arr.
997:for
995:arr.
816:2021
790:2022
767:2014
745:2014
723:2021
645:2021
604:ISBN
572:ISBN
511:and
331:oboe
116:and
43:The
832:at
53:Op.
47:in
2284::
859:24
857:.
853:.
714:.
690:.
647:.
618:^
610:,
507:,
499:,
495:,
491:,
487:,
483:,
409:1
403:1
397:1
387:1
379:2
371:1
365:1
359:1
353:1
341:1
335:1
329:1
318:1
152:.
127:.
67:.
51:,
2260::
1759:e
1752:t
1745:v
1454:)
1430:"
1365:"
1021:)
1001:)
908:e
901:t
894:v
818:.
792:.
769:.
747:.
725:.
700:.
391:I
343:E
326:)
301:.
279:.
253:.
231:.
206:.
39:)
20:)
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