202:. His mode of writing creates binary relationship between human beings and animals but not to only discuss "national and ethnic issues" or environmental issues but to reveal a "deep-rooted animality in human nature". An example of Chang's critique of "human exploitation of the natural world" is drawn in "repetitive scenes where humans destroy the rainforest vegetation and hunt local wildlife". The usage of animals in Chang's literary works is to "manifest an ecological world in which both humans and animals are members of the same dynamic ecological system, interactively participating in the material energy cycle" and to form a never ending cycle where both species need each other to live.
174:
rewriting in
Sinophone literature”, and “literary tropes to depict interethnic relations and Chinese settler history”. Chang Kuei-hsing's Elephant Herd is an example of his Sinophone literature, revealing a settler community history through war, colonialism, racial tension, national liberation, and communism into one. In Chang's work he "offers tales of violence, bigotry, incest, and destruction and his narratives are products of a different kind of settler-colonial historiography".
183:"settler-colonial" (Huang, 240) concept that is "economically privileged by politically disadvantaged minority who lives alongside a regionally prominent but legally embattled population". The ambiguity of the history regarding the Sinophone Malaysian community is elaborated by Chang's literary devotion to offering explorations of the "settler history amidst the entangled colonial, postcolonial, and interracial relations in the Sarawak rainforest".'
92:, where he also earned a degree in English. He pursued a higher education and careers in Taiwan due to his "marginal status in Malaysia" and the support of the Taiwan government's "long-standing incentive scholarship programs". He later had taught English at a high school in Taipei for almost forty years. During that time, he was writing a series of novels, many set partly in Borneo and partly in Taiwan.
182:
The majority of Chang's novel highlights the political geography of
Sinophone Malaysians that "continue to occupy an ambiguous position as the country's non-native majority and as an ethnic minority marginalized by national policies favouring the majority Malay". He goes on to depict the study of
147:
revolves around a protagonist Shi Shicai, who is on a mission to murder his uncle Yu
Jiatong to avenge for the death of his elder brothers. The backdrop of the story reflects the "struggle between the Communist insurgency and government forces that are a threat to the newly independent Southeast
114:
Chang's writings are unique, in the sense that they have "adopted a transgressive role to investigate and manipulate the structural limits of language and cultural supremacy of major literatures in the (re)shaping of identity, identification, and the politics of acculturation". His works tend to
173:
to extend beyond its empirical category and examine the implications of globalization through minor literatures. Many scholars have examined Chang Kuei-hsing's work in their research in
Sinophone literature as “a manifestation of linguistic and narrative heteroglossia”, mediation for history
148:
Asian nation states of
Malaysia and Indonesia" (Rojas, 113); however, Chang overlaps two sets of the southern movement (one being the Chinese presence and the other the indigenous presence) to complete a complex novel with a twist to the end plot.
152:
is a novel of "how a region in the Global South itself (in this case, the
Malaysian state of Sarawak) is impacted by metaphorically infectious agents linked to a powerful nation directly to North (namely, China)".
142:
to spread cultural and historical knowledge on the topics of
Sinophone Malaysian literature. The "main diegesis begins in late 1973, at a crucial turning point in Sarawak's multi-decade Communist insurgency".
351:
has won the 2019 Taiwan
Literature Award, where Keui-hsing received US$ 32,000 in prize money. The novel also won the 8th Dream of the Red Chamber Ward as "The World’s Distinguished Novel in Chinese today".
138:), “employs poetic wordplay and explores anthropological metaphors of movement from the two competing homelands - one in original (Borneo) and the other imaginary (China)” (Tan, 236) providing a Sinophone
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Throughout 1980s-1990s Chang has influenced the literary culture in Taiwan and won many literary awards. Chang has won literary awards in Taiwan, Malaysia, and Hong Kong, including three prizes for
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writing examines "parsing hierarchies of power relations often defined by neo-colonialism, imperialism, and nationalism". Chang Kuei-hsing's
Sinophone literature is acknowledged to allow the
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809:
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revolve around a wild environment, where he often uses the Borneo jungle and its civilizations as a main setting, which is exemplified in some of his novels such as
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In his childhood, Chang has accounted his experiences living alongside the
Sarawak rainforests and travelling deep into the jungles alongside his Indigenous
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Rojas, Carlos (December 4, 2021). "Contagion and Dissemination: An Immunological Reading of Chang Kuei-hsing's Elephant Herd".
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Christopher Rea, "The Modern Chinese Novel online course: Chang Kuei-hsing 張貴興 and Malaysian-Chinese 馬華 literature" (2022),
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Rethinking Chineseness: Translational Sinophone Identities in the Nanyang Literary World
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57:: Chông Kui-hin, b. 1956) is a Taiwanese author, novelist and educator. Born in
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754:"Malaysian-Chinese writer Chang Kuei-hsing wins Newman Prize - Focus Taiwan"
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Translated by Valerie Jaffee. New York: Columbia University Press, 2007.
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260:: Ngài Sṳ̂-nyam Ti̍t Chhòng-mìn Chung Ti̍t Nàm-kwet Kûng-chú) (2001)
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is a literary technique used by Chang in many of his novels such as
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My South Sea's Sleeping Beauty: A Tale of Memory and Longing.
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Literary critics often classify him as a representative of
483:"The Modern Chinese Novel: Free course on YouTube"
508:"Review of Sound and Script in Chinese Diaspora"
319:Translated by Pierre-Mong Lim. Picquier, 2022.
512:Chinese Literature: Essays, Articles, Reviews
119:(analyzed in a series of video lectures) and
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355:In March 2023, Chang was awarded the eighth
313:Translated by Anna Gustafson. (January 2016)
178:Reference to Sinophone Malaysians in Sarawak
381:https://www.youtube.com/watch?v=tkUpU008KR0
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581:Sun Yat-sen Journal of Humanities
461:. Cambria Press. pp. 44–45.
90:National Taiwan Normal University
870:20th-century Taiwanese educators
332:(2000), several awards for 2020
88:in 1976 to attend university at
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349:When Wild Boars Cross the River
277:When Wild Boars Cross the River
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413:Archiving Settler Colonialism
251:My South Seas Sleeping Beauty
117:My South Seas Sleeping Beauty
660:"La Traversée des sangliers"
603:Sheng, Zhifan (2021-06-01).
684:News, Taiwan (2019-11-13).
487:Department of Asian Studies
317:La Traversée des sangliers.
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338:Wild Boars Ford the River
273:: Sâ-liòng Tsú-mû) (2013)
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825:Taiwanese male novelists
421:10.4324/9781351142045-15
334:Dream of the Red Chamber
73:Early life and education
572:Tan, E.K. (July 2021).
407:Huang, Yu-ting (2018),
286:: Yâ-chû Thu-hò) (2018)
187:Use of anthropomorphism
162:Sinophone writing style
126:For example, his novel
850:20th-century novelists
830:Malaysian male writers
361:University of Oklahoma
336:Novel Prize, and for
234:: Khiùn-siong) (1998)
840:Malaysian novelists
800:People from Sarawak
506:Tan, E. K. (2013).
734:bunews.hkbu.edu.hk
714:has generic name (
634:Abrahamsen, Eric.
457:Tan, E.K. (2013).
96:Critical reception
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430:978-1-351-14204-5
305:978-0-231-14058-4
264:Salon Grandmother
225:Herd of Elephants
221:: Fu̍k-fú) (1979)
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666:(in French)
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311:Siren Song.
284:Pha̍k-fa-sṳ
271:Pha̍k-fa-sṳ
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232:Pha̍k-fa-sṳ
219:Pha̍k-fa-sṳ
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779:Categories
764:2023-12-28
739:2021-12-06
695:2021-12-06
670:2022-05-12
645:2021-12-07
587:: 129–154.
492:2022-05-12
444:2021-11-30
367:References
342:Yezhu duhe
330:Monkey Cup
238:Monkey Cup
200:Monkey Cup
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