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Channel drift

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916:. To create XYZ, Fox Family would have had to cease to exist — Disney would have had to create XYZ as an entirely new network, and negotiate carriage agreements with pay television providers from scratch (something that, in modern times, is fairly common, but would have been much more disruptive to one of the most widely distributed channels on cable). Nonetheless, under the ABC Family brand, the channel drifted from its strictly family-friendly format under Disney ownership; the channel gradually dropped series aimed at children from its schedule and incorporated programs aimed at young adults featuring 669:
to appeal to a wider audience than a small, highly educated cohort. This especially became the case during pledge drives, which were imagined to be times when non-regular viewers could be appealed to with special programming. With the aging (and eventual death) of audiences who were the most enthusiastic for more serious (and heretofore customary) fare, it was felt that younger viewers with more disposable income would be more interested in programs akin to those they were accustomed to on commercial television rather than formats such as classical dramas (a number of them imports from the
626:, served two specific audiences: first, they provided, on weekdays, instructional programming for children used in school classrooms, to supplement traditional curricula; second, they served adults (on evenings and weekends) by scheduling shows that were alternatives to the fare available on commercial broadcasting, such as theatrical plays, classical music concerts, literary dramas, and serious public affairs initiatives like investigative reporting and civil discussion of political matters, things that had been mostly abandoned by the commercial networks with the end of the 140:, tend to add shows that the channel's management feel that a larger audience wants to see, thus leading to additional profits. By producing irrelevant or low-quality programming they can increase their ratings to a target audience, increase viewership and increase revenues. The degree of channel drift can vary: some of the nonconforming programming may retain some degree of association with the channel's original purpose (such as in the case of the History Channel, 34: 483:, which started as CNN2. Its format originally consisted of rolling half-hour newscasts that were updated periodically throughout the day; one year after its launch, the channel changed its name to CNN Headline News to better reflect the rolling news format. By 2005, its programming began to include hour-long specialty and discussion-based news programs similar to those found on the main CNN channel (such as 521: 717:). This amounted to exchanging what is termed as "high-brow" material for a more "middle-brow" approach to programming, while avoiding conspicuously mass-appeal formats such as adult-oriented game shows, action-oriented crime dramas, sensationalistic news magazines, and celebrity-driven talk shows. By the 1990s and 2000s, pledge drives became mainly reliant on fare such as 581:. During the late 1960s, CBS had a reputation as a network with a disproportionate number of shows that targeted rural and older viewers, seen by advertisers as undesirable due to ingrained buying habits on the one hand and a greater perception of poverty on the other. Beginning in 1970, incoming network vice president 281:. TruTV was further reformatted to a more conventional reality network with a strong emphasis on comedy on 27 October 2014, and then to comedy programming full-time in 2016 with the addition of scripted programming. Court TV was revived as a digital subchannel network in 2019. Other examples include the drifting of 737:, which began offering alternatives to viewers that were generally more sensationalistic and visually compelling than the staid, restrained traditions of the public medium. Some of those new networks in fact began aping the "how-to" and lifestyle formats that originally became popular via PBS (e.g., 668:
In order to attract audiences who would donate to stations, which, in turn, purchased programming from other stations and producers in the PBS system, program managers felt increasingly that it was necessary to reduce the proportion of cultural and informational shows on the adult schedule, in order
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commercial advertising). This generated another large source of revenue. Some stations went so far as to stage week-long "auctions" of merchandise or services donated by retailers and other businesses, to which viewers placed "bids," from which the winner received the item or service in exchange for
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upon its launch in August 1981, but began adding reality programs and other entertainment geared toward a young adult audience in the 1990s, gradually beginning a progression toward its current focus of reality and scripted programming. The music videos on the main channel were eventually limited to
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the network and leading stations developed several animated series with an educational and/or ethical emphasis. Part of that was also occasioned by the fact that commercial stations and networks were canceling children's cartoons, many of which were considered of dubious quality in any case, due to
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that occurred due to political changes and the economic recessions of that period; members of the general public donated money to the station in exchange for certain privileges. Also, stations and program producers began to cultivate so-called "underwriting" (a modified form of advertising that did
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channels were initially subject to conditions of license requiring them to operate within quotas of specific categories of programs. This system was designed primarily to ensure the integrity of channels that were licensed with the expectation of a specific format, and to prevent undue competition
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Therefore, with the original mission of public television having drastically changed in both its dimensions since its 1950s origins due to technological, political, and cultural shifts, channel drift became quite endemic to PBS and its affiliates. As such, this occurrence has left voids for adult
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is another example of channel drift, though in that channel's particular case, it has never had a particularly strong focus on anything other than being an overflow channel for Nickelodeon. In 2014, Nicktoons added sports content to its lineup to little viewer interest, but the block continued as
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enabled schoolteachers to bypass the need to schedule their classes around broadcasts of instructional material; typically, either school support staff would record the shows or teachers would do so themselves by using their VCRs' overnight silent-record function (some stations accommodated the
1235:. In these cases, channel drift occurs when a format's older music becomes less popular or profitable (often due to the fans of that music dying, retiring, and leaving the area, or aging out of advertising demographics) and newer music is inserted into the playlist to draw younger listeners. 1101:(who also accused Craig of having used the pretense of a youth-based service to contravene the genre protection rule by, ultimately, offering a music-based service), the CRTC ruled that MTV Canada violated this quota due to music video content contained within programs such as 1096:
was licensed as a channel featuring entertainment and informal education programming targeting youth and young adults, and could not devote more than 10% of its weekly programming to "music video clips" in order to protect MuchMusic. However, following complaints by its owner
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was originally launched as a boy-oriented TV channel, with the parent channel's shows aimed mostly at girls aged 13 – 16. Four years later, after the network was found to have a surprisingly high female audience, Disney XD added some programs with female protagonists, such as
472:, and thus Destination America began adding professional wrestling (briefly) and paranormal ghost-hunting programs to its schedule. Both GAC and Destination America were candidates to be reformatted entirely in 2019 to make way for the Magnolia Network, which replaced 645:, increasingly suspicious of Federal programs especially, and originally-anticipated steady increases in public taxpayer support did not materialize, leaving the new PBS and its stations with significant monetary gaps that had to be filled by other sources. " 765:
latter practice by using what would otherwise be "dead air" time). Some PBS stations, in fact, took advantage of the changes to directly provide educational programs to schools without using airtime at all, something that accelerated with the emergence of
792:, which is funded entirely by an endowment from the estate of its founder and is not dependent whatsoever on private donations or government funding, unlike the PBS system. Second, serious, civil public affairs programming is frequently found on the 821:(TWC), for instance, faced criticism for its attempts to add entertainment programming to its schedule (which had historically focused primarily on weather news and information), culminating in the controversial introduction of a Friday-night movie 201:
into a nationally oriented general entertainment channel; WGN America eventually started a gradual transition away from entertainment programming, structured as such due to contractual commitments to existing syndicated programming, to adopt a
634:, the Federal government, along with those of most U.S. states, invested in production and distribution of such programming via NET/PBS and the construction of a large number of new stations. The political climate of the time was decidedly 434:). For a time, Nicktoons' schedule has begun to feature live-action sitcoms on a cyclical basis, depending on the current output and success of Nickelodeon's animated series. As of mid-2024, Nicktoons became entirely dedicated to reruns of 673:) and documentaries on sometimes arcane subjects. This led to the introduction of things like lifestyle-oriented shows featuring hobbies like gardening, cooking, and home repair; specialty or niche informational programs like the 769:
via the internet in the 2000s. That created a void in the daytime hours that PBS executives decided to fill with a new generation of children's programming, aimed at preschoolers. To supplement beloved historic programs such as
745:). That competition, in turn, began to influence programmers to even further diminish or outright remove any shows considered "stuffy" or slow-paced, which eliminated several long-running staples of the network (e.g., 447:
and drifting one or both channels' formats to avoid overlapping. The aforementioned TNN was one example of this, as its Southern culture programming overlapped extensively with CMT's. ABC Family was also an example as
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One less obvious, but nonetheless true, example of the phenomenon has occurred since the 1980s in American public television. From the origins of the medium in the late 1950s, stations, who were then affiliated with
501:) and by 2013, it had ceased its scaled back rolling news coverage further – relegating it to morning and early afternoon timeslots – and shifted toward crime mysteries and docudramas, showing programs such as 784:
changing viewing habits and the FCC mandate, imposed in 1996, that required broadcast stations (of any kind) to include at least three hours per week of informational and educational programs for young people.
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have emerged to fill this gap with their programming being primarily 1950s–1960s television shows; even those networks have left older content to early hours in their broadcast day for more recent content.
878:) in 1977, it later incorporated family-oriented secular programs by 1984, which became the channel's dominant form of programming for nearly two decades. In 1990, CBN agreed to spin-off the network to 1183:
and additional entertainment programs due to the increase of its commercial load. This changes was targeted by mounting viewers' criticism where entertainment programs should be pre-emptied for the
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music largely abandoned by commercial outlets) and self-help seminars of often questionable integrity (the latter were in fact not officially sanctioned by PBS and even rebuked by the network's
313:. MTV2 itself gradually drifted from an all-music video format to include reruns of MTV programs, original series, and acquired off-network sitcoms; MTV Hits was later discontinued in favor of 1925:"Change in the ownership structure of MTV Canada and MTV2, and the Commission's findings concerning complaints regarding the compliance of these services with their licensing decisions" 924:
in which The Walt Disney Company disowns any connection to the show. Disney further denied the "Family" stipulation existed in late 2015 when it announced plans to rename the channel "
859:, as an alternative. TWC reached a new carriage agreement with DirecTV on 8 April 2014, with the network agreeing to reduce the amount of reality programming it carries on weekdays. 1117:
was able to devote its lineup to music video programming, as it was licensed as part of "Music 5"—a specialty service consisting of channels devoted to specific genres of music.
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networks, non-profit public services provided by cable companies and paid for by a portion of each customer's monthly bill. This supplements PBS news programming such as the
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In some countries, cable television channels are subject to the rules and regulations set forth by each country's communications bureau and must be licensed accordingly.
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to their communities and the country at large (in later years, these grants were targeted more toward certain genres, raising suspicions by critics that they constituted
2134: 1269: 44: 912:'s abbreviation) and shift its target to a more hip audience such as college students or young women; possibly to avoid redundancies with the existing family-friendly 379:
programming on Nick at Nite), only for TV Land itself to eventually shift to more recent programming and even original programming. In recent years, networks such as
2240: 1575: 1733: 2160: 278: 1614: 597: 1486: 1312: 1164:, SABC2 eventually transitioned to a mix of English and other languages, including Afrikaans, and more programming shifting over to other venues such as 444: 336:, perhaps the most dramatic, drifted to general entertainment format as The National Network and then to a heavily male-oriented program lineup known as 920:, some violence, and some sexual content, alongside its family-oriented series and films, and now airs a standard disclaimer before each broadcast of 867: 610:
in the early 2000s, Fox drifted away somewhat from this reputation; its dramas and sitcoms became more conventional, on the level of the historic
190: 1137: 460:, a channel prone to frequent format changes over the course of its history, began as a network targeting rural middle America; parent company 258: 2047: 1970: 788:
viewers that have been filled mainly by two sources. First, the main fine arts source for television is the cable-and-satellite-distributed
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as an established music channel in Canada led to applications of these rules impacting the later launch of MTV-branded channels in Canada;
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USA mostly backed away from that approach by 2014, as it prepared a shift away from its previous "blue sky" direction for its drama slate.
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is one of the few known instances in which the amount of channel drift allowed was limited to some degree. Launching as religious network
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away from its original programming, to either target a newer and more profitable audience, or to broaden its viewership by including less
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for both trademark reasons and to allow a stretching of the network's definition of appropriate programming to include content such as
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in 2005 was also restricted in its airing of music content, but this time as the result of drift from its original format as TalkTV.
733:). Despite the stated aims to appeal to a non-elderly audience, PBS could not keep up, it seemed to many, with rapid developments in 1902: 1077: 642: 564: 78: 2187: 1538: 1179:
began its gradual transition from its original news format to general entertainment and sports, since the acquisition of rights to
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In more recent years, networks have started abandoning the idea of channel drift as some of the channels experienced poor results.
531: 453: 955:(originally an outlet for "American Movie Classics") drifted successfully into premium scripted dramas in the late 2000s, such as 670: 497: 249: 1435: 908:
acquired the channel from News Corporation in 2001, Disney planned to reformat the channel as "XYZ" (a reverse reference to the
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programming designed solely for the entertainment of a mass audience. Channel drift frequently features the incorporation of
1851: 1295: 1869: 1783: 1565: 909: 611: 589:," in which these shows were canceled in favor of shows targeting younger, suburban viewers with more disposable income. 577:
One of the earliest examples of channel drift, and one that predates modern cable television, was programming changes by
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not interrupt shows in progress) from businesses, particularly large corporations who were then motivated by a sense of
2235: 1808: 1196: 944: 546: 60: 2217: 1707: 1113:—even though the program categories distinguish music-related programs and music videos. Contrarily, sister channel 359:
purposes is a separate channel from Nickelodeon) has drifted greatly from airing classic television (first from the
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and thus supportive of generous governmental funding of the medium, which developed its institutions accordingly.
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on 21 May 2010, only to reach a deal to carry TWC again three days later. In January 2014, TWC faced a similar
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as a spin-off channel due to its increased focus on more recent programming (as well as the elimination of non-
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dramatically reduced its carriage of children's programming in order to avoid redundancy with Disney Channel.
2022: 1383: 1996: 1049: 905: 675: 491: 449: 1759: 900:, CBN made another long-term time-buy on the station to air a daily half-hour CBN talk show, then known as 863: 707: 688: 604:
of other networks' hit shows, both aimed at a very young demographic. Beginning with the major success of
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a donation to the station; these were quite successful in many markets from the 1970s through the 2000s.
2072: 925: 789: 681: 465: 436: 368: 364: 333: 290: 851:, who dropped the channel by citing its carriage fees, and complaints from viewers over the amount of 1249: 893: 649:," at least an annual occurrence on stations, emerged in the mid-1970s to address cutbacks from the 2109: 1647: 1043: 818: 694: 457: 107: 367:, to its current focus on adolescent and young adult audiences similar to that of ABC Family (now 2086: 1387: 1140:
originally had its 3 main channels dedicated to specific ethnic groups and their home languages.
852: 699: 363:, later expanding to shows from the 1960s and 1970s), to more recent shows still airing in local 337: 274: 262: 111: 99: 56: 1461: 1835:
AMC Scraps Second Season of ‘Game of Arms,’ Other Shows as Cabler Reconsiders Unscripted Genre
1655: 1114: 822: 341: 286: 166: 2191: 1180: 1103: 981: 952: 897: 856: 844: 840: 753: 734: 480: 282: 148: 289:"TLC" since its transition to primarily reality television series, and that of most of the 185:
in 2005, so the network began transitioning toward a general sports network known today as
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has largely remained a children's-oriented channel throughout its history, its late-night
17: 1517: 1957: 1542: 1313:"WGN America will change its name to NewsNation, moving to compete with CNN, Fox, MSNBC" 243:, which allowed it to show more reality-based programming (though initially retaining a 1945: 1001: 913: 582: 503: 999:) were mostly unsuccessful, prompting the network to cancel all but two of the shows ( 217:
itself to more accurately reflect its new content. Sci-Fi Channel changed its name to
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overnight and morning time periods, and were eventually pushed to spinoff networks
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with established channels–a practice referred to as the "genre protection" rules.
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is the most prominent network still focused on 1950s and 1960s television shows.
2023:"GMA News TV trends on Twitter as netizens look for updates about typhoon Rolly" 1224: 1208: 1188: 1176: 1089: 1030: 1010: 985: 718: 586: 473: 348: 301: 232: 177:
of popular television series that would otherwise not fit the channel's format;
831:). Citing the network's carriage fees and drift towards entertainment content, 2076: 1109: 431: 270: 207: 142: 1659: 1161: 1153: 1085: 1018: 932: 917: 730: 314: 310: 193:
abandoned its expensive sports packages in 2014 as part of its drift from a
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aimed at cultured and educated viewers toward sensational, ratings-based or
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Top 10 Misbegotten Media Mergers of the Decade – 10. Disney buys Fox Family
882:, but with strings attached: it is required to air CBN's flagship program 2221: 2110:"GMA News TV rebranded as Gtv following launch of entertainment programs" 889: 601: 340:, only to drift back toward general entertainment in 2015 and become the 236: 154: 106:
programming. Often, this results in a shift from informative or artistic
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Channel drift is not always successful, and can often lead to backlash.
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To a certain extent, channel drift can also occur in radio, especially
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featuring films with some relation to weather as a plot point (such as
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two of the remaining public affairs programs on the national schedule.
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Channel drift can also result from the acquisition of sports rights or
158:), while other programming may have no association whatsoever (such as 332:
drifted to southern culture and general rerun programming as CMT; and
118:, reality television and heavy advertising into the channel's lineup. 1619: 1615:"October 21, 2009 It's Always Fair Weather... on The Weather Channel" 1212: 1169: 1157: 1149: 1141: 793: 722: 376: 160: 549:. Statements consisting only of original research should be removed. 1734:"DirecTV no longer carrying Weather Channel after contract dispute" 296:
MTV Networks were a pioneer in channel drift. Music Television (as
2135:"The news you trust and new shows to love: GMA News TV is now GTV" 614:, and it put less emphasis on reality programs later that decade. 240: 186: 178: 174: 2161:"GTV offers more variety for 'young and young at heart' audience" 1852:
USA Network Pulls Away From Scripted Comedy, Ramps Up Drama Slate
2048:"GMA 7 beats TV5 for right to broadcast NCAA games, says source" 1270:"TV 101: Channel Drift (or, what the hell happened to A&E?)" 1165: 738: 600:, Fox had a reputation for lowbrow, alternative programming and 384: 306: 218: 1160:
aimed at the English-speaking South Africans. With the fall of
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cable networks brought it under the same corporate umbrella as
1870:"USA Network Revamps Brand Image, Tagline for 'Mr. Robot' Era" 1570: 1296:
Cubs, WLS-Ch. 7 closing in on deal to air 25 games next season
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Phenomena of programming format changes by television networks
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Demographic Downfall: Television Executives Missing the Point
285:, which has officially renamed itself under the three-letter 760:
At about the same time, development in technologies such as
1411:. Katu.com. Associated Press. 23 June 2008. Archived from 1339:"SciFi Channel Changes Name ... To 'Syfy' | Airlock Alpha" 1037:
through the 2000s—attempted to augment them with original
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Networks primarily focused on a particular topic, such as
1798:
ABC Family Channel condemns Robertson but has to keep him
1053:) to build upon its acquisition of off-network reruns of 269:'s legal news section and occasional court coverage from 1026:) in favor of focusing more on its core scripted slate. 324:
before transitioning to an urban pop culture channel as
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was originally known) was originally devoted to popular
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on the mainline channel. TruTV then aired competitions,
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However, a further drift into unscripted shows such as
721:'s nostalgic music specials (which themselves focus on 538: 52: 1809:"ABC Family to Rebrand Network 'Freeform' in January" 596:. Throughout its early existence, and even after its 443:
Channel drift can also result from a network's owner
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reruns of certain former commercial TV shows (e.g.,
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Another example of channel drift is the case of the
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prank shows, and even the first three rounds of the
948:, while maintaining a mostly action-driven format. 855:it had carried. DirecTV added a competing channel, 892:each January in perpetuity as part of a long-term 253:) and slowly phase out their advertiser-repelling 1895:"Chum complaint "an exercise in turf protection"" 418:) were produced by sports leagues or to promote 1539:"Nicktoons - TV Schedule & Listings Guide" 1462:"MTV to Put a Bit More Music Back, in the A.M." 320:Video Hits One likewise began as an outlet for 235:in 2016.) Another example is the conversion of 1518:"TNN Hopes Mainly Men Will Watch "Spike TV"s" 888:twice each weekday as well as a day-long CBN 41:The examples and perspective in this article 8: 1997:"Enough already with all the TV after-shows" 1487:"The new TNN: T&A, trekking and sleuths" 1144:primarily broadcasts shows that target the 279:NCAA Division I men's basketball tournament 181:, for instance, acquired the rights to the 2021:Anarcon, James Patrick (1 November 2020). 1648:"Just Weather, Thanks, Dish Tells Channel" 261:. This process ended in October 2009 when 2236:Top 5 Networks That Have Sold Their Souls 1971:"CTV prepares to launch 'new' MTV Canada" 1682:"The Weather Channel To Continue On Dish" 1598:Dish Network Dropping the Weather Channel 1211:: see, for instance, the transition from 565:Learn how and when to remove this message 79:Learn how and when to remove this message 1760:"The Weather Channel Returns To DirecTV" 1436:"Look Who's Trashing 'Jersey Shore' Now" 641:However, the 1970s saw a political turn 1261: 630:in and around 1960. Beginning with the 2186:Cua, Aric John Sy (19 February 2021). 1357:"Cartoon Network's new reality shows?" 1138:South African Broadcasting Corporation 1033:—which built a niche for lighthearted 231:professional wrestling. (WWE moved to 2089:from the original on 21 December 2021 2077:"Something good is coming this 2.22!" 1833:Littleton, Cynthia (9 October 2014). 1708:"Weather Channel Pulled from DirecTV" 995:reality series following competitive 452:'s 2001 purchase of the channel from 422:personalities on other networks (for 224:Law & Order: Special Victims Unit 7: 1868:Littleton, Cynthia (14 April 2016). 1578:from the original on 5 December 2015 1384:"TV rebranding a tricky proposition" 1382:Schneider, Michael (20 March 2009). 870:(a cable extension of televangelist 1434:Caramanica, Jon (26 October 2011). 651:Corporation for Public Broadcasting 1946:Broadcasting Decision CRTC 2003-65 1706:Spangler, Todd (13 January 2014). 984:owned by members of the rock band 880:International Family Entertainment 14: 1901:. 1 February 2002. Archived from 1758:Lieberman, David (8 April 2014). 1564:Michael Gelter (21 August 2014). 1516:Romano, Allison (21 April 2003). 835:dropped TWC and replaced it with 479:Another case of channel drift is 1680:Andreeva, Nellie (24 May 2010). 1566:"August Escape? Not from Pledge" 1460:Stelter, Brian (29 March 2009). 1341:. 30 August 2009. Archived from 1122:second incarnation of MTV Canada 671:British Broadcasting Corporation 519: 263:the remaining courtroom analysis 32: 2220:. Off the Telly. Archived from 2188:"GMA News TV to rebrand to GTV" 1995:Rorke, Robert (28 March 2016). 632:Public Broadcasting Act of 1967 622:, the precursor to the current 620:National Educational Television 498:Issues with Jane Velez-Mitchell 1732:Flint, Joe (14 January 2014). 1646:Stelter, Brian (22 May 2010). 1485:Downey, Kevin (9 April 2001). 876:Christian Broadcasting Network 698:specials); and British-import 598:ascent to major network status 445:purchasing a competing channel 1: 1541:. 1 July 2024. Archived from 1409:"AP: Court TV becomes Tru TV" 1302:. Retrieved 12 December 2014. 1272:. Tvsquad.com. Archived from 1084:For example, the presence of 980:(a docuseries focusing on an 910:American Broadcasting Company 612:Big Three television networks 355:programming block (which for 250:World's Wildest Police Videos 1858:. Retrieved 10 October 2014. 1841:. Retrieved 10 October 2014. 1596:Ovide, Shira (21 May 2010). 1172:the most prominent example. 714:Monty Python's Flying Circus 395:Nickelodeon's cable channel 1005:, a docuseries following a 945:Star vs. the Forces of Evil 545:the claims made and adding 55:, discuss the issue on the 2282: 1195:which later re-branded as 982:Arena Football League team 476:when it launched in 2021. 247:focus, such as repeats of 98:is the gradual shift of a 15: 1927:. CRTC. 20 September 2007 1064:Outside the United States 464:' purchase of the former 371:). Nick at Nite launched 265:programs transitioned to 2108:Anarcon, James Patrick. 1132:Outside of North America 896:. Following its sale to 762:video cassette recorders 628:Golden Age of Television 594:Fox Broadcasting Company 462:Discovery Communications 390:Retro Television Network 361:Golden Age of Television 330:Country Music Television 322:adult contemporary music 16:Not to be confused with 1604:. Retrieved 2010-05-21. 1602:The Wall Street Journal 906:The Walt Disney Company 904:, to the lineup. After 676:Nightly Business Report 450:The Walt Disney Company 400:three of the programs ( 2256:Television terminology 2216:Dominic Small (2009). 1958:Decision CRTC 2000-539 689:The Lawrence Welk Show 470:Great American Country 183:National Hockey League 868:CBN Satellite Service 790:Classic Arts Showcase 708:Are You Being Served? 682:The Charlie Rose Show 437:SpongeBob SquarePants 334:The Nashville Network 259:courtroom programming 1899:Mediacaster Magazine 1497:on 30 September 2007 1250:Radio homogenization 1193:Typhoon Goni (Rolly) 1078:specialty television 1029:In the early-2010s, 928:" in January 2016. 283:The Learning Channel 179:Outdoor Life Network 61:create a new article 53:improve this article 43:may not represent a 1491:Media Life Magazine 1415:on 22 February 2012 1187:, notably when the 1175:In September 2020, 1009:owned by filmmaker 853:reality programming 819:The Weather Channel 695:National Geographic 458:Destination America 108:quality programming 2218:"Channel Changing" 2167:. 19 February 2021 2141:. 19 February 2021 1975:The Globe and Mail 1850:Andreeva, Nellie. 1764:Deadline Hollywood 1652:The New York Times 1627:on 23 October 2009 1465:The New York Times 1440:The New York Times 1345:on 30 August 2009. 1294:Channick, Robert. 1233:adult contemporary 1203:Radio format drift 1199:in February 2021. 931:In February 2009, 700:situation comedies 585:orchestrated the " 530:possibly contains 100:television network 1738:Los Angeles Times 1319:. 25 January 2021 1317:Los Angeles Times 828:The Perfect Storm 575: 574: 567: 532:original research 342:Paramount Network 287:orphan initialism 167:Ice Road Truckers 112:reality-formatted 89: 88: 81: 63:, as appropriate. 2273: 2261:Cable television 2225: 2224:on 23 July 2011. 2203: 2202: 2200: 2198: 2192:The Manila Times 2183: 2177: 2176: 2174: 2172: 2157: 2151: 2150: 2148: 2146: 2131: 2125: 2124: 2122: 2120: 2105: 2099: 2098: 2096: 2094: 2069: 2063: 2062: 2060: 2058: 2044: 2038: 2037: 2035: 2033: 2018: 2012: 2011: 2009: 2007: 1992: 1986: 1985: 1983: 1981: 1967: 1961: 1955: 1949: 1943: 1937: 1936: 1934: 1932: 1921: 1915: 1914: 1912: 1910: 1905:on 26 March 2012 1891: 1885: 1884: 1882: 1880: 1865: 1859: 1848: 1842: 1831: 1825: 1824: 1822: 1820: 1815:. 6 October 2015 1805: 1799: 1792: 1786: 1781: 1775: 1774: 1772: 1770: 1755: 1749: 1748: 1746: 1744: 1729: 1723: 1722: 1720: 1718: 1703: 1697: 1696: 1694: 1692: 1677: 1671: 1670: 1668: 1666: 1643: 1637: 1636: 1634: 1632: 1623:. Archived from 1611: 1605: 1594: 1588: 1587: 1585: 1583: 1561: 1555: 1554: 1552: 1550: 1535: 1529: 1528: 1526: 1524: 1513: 1507: 1506: 1504: 1502: 1493:. 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Index

Frequency drift
worldwide view
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television network
niche
quality programming
reality-formatted
infotainment
History Channel
Pawn Stars
American Pickers
Top Shot
Ax Men
Ice Road Truckers
reruns
Outdoor Life Network
National Hockey League
NBCSN
WGN America
Chicago
superstation
cable news
NewsNation
rebrand
Syfy
Law & Order: Special Victims Unit
WWE

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