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363:. The chapel once had a choir at the rear of the nave; a single wooden beam is the only remnant of the choir. A pulpit was located to the left of the nave that was accessed via a small staircase in the left-hand sacristy. Both the pulpit and it staircase are now missing, but its stone volute pediment, once painted blue, remains. A window with a wooden shutter with ornate lattice-work once connected the right sacristy to the chancel; it is now missing.
359:. The nave and chancel are of equal width; the chancel is accessed via a large marble slab, now broken. Both the nave and chancel had marble floors. The nave flooring is in a black and white square and triangular pattern. The ceiling of the nave is flat, while that of the chancel is vaulted. The nave and chancel are separated by a chancel arch. The walls of the nave and chancel were lined with semi-industrial
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370:. It was painted green and has a floral pattern in relief. The altar had a large niche at center that once housed an image of Our Lady of Victory. Oval-shaped oculi are placed to the left and right of the high altar; the left of the chancel had a door to the ossuary, and the right of the chancel opened to the right-side sacristy. The
277:) were introduced from France via Portugal in the early 19th century. The imported seeds were expensive, and presence of the palms among the rolling hills indicated the power and prestige of both plantations and some religious institutions, especially in the Recôncavo. Two of the palms from the period remain in front of the chapel.
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The Chapel of Our Lady of
Victory is built of mixed masonry with two towers on either side of the facade. The towers are topped by distinctive tiled Byzantine-style domes, a style unique among Bahian churches and chapels. The tiles on the domes were industrially produced in Portugal; they have a blue
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The Chapel of Our Lady of
Victory sits on a bluff in the Mataripe district of São Francisco do Conde, at the highest elevation in the district. The ruins of the plantation house are located adjacent to the west facade of the structure, and the former workers quarters are located to the east. A
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level, which are instead placed on the two towers. Cross-shaped openings are placed in the tower at the base of the domes. Each of the sacristies, located to the left and right of the nave, had two portals with arches spanning the length of the chapel.
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above the portal has three small relief plaques with an anchor, cross, and heart in each. A relief of an eight-pointed star is located between the portal and pediment with a shell design at its base. A large relief of a dove, as a symbol of the
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of Nossa
Senhora do Monte do Recôncavo. The chapel was built by the owner of the Paramirim Sugar Plantation, who owned other plantations and properties in the interior Recôncavo region of Bahia. The chapel was built in the 18th century in the
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The chapel is now in an advanced state of ruin; the portals and windows are missing, the roof of the sacristy has collapsed, and all interior elements have been removed. The plantation house of the
Paramirim Plantation is entirely in ruins.
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spread from
Salvador to the interior of Bahia in the 19th century; this was reflected in the renovation of the plantation house, now lost, and the Neoclassical design of the chapel altar.
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French-style garden was constructed near the chapel and plantation house in the early 19th century; it is now lost. Imperial palms are located to the left and right of the facade.
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marble and images of the church were relocated to Usina Cinco Rios in this period. The factory is now in ruins and the location of the baptismal font and images is unknown.
235:. The chapel was once adjacent to the plantation house of the Engenho do Paramirim. The chapel covers 279 square metres (3,000 sq ft) and is noted for its large,
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floral geometric design at center on a white background. Semi-oval openings are placed on all four sides of the belfries of both towers. The chapel lacks windows at the
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to either side; the first has a long diamond pattern with a rosette at center, the second has a relief of brickwork, and the third has the design of a simple column.
322:-style facade was added when the chapel was renovated in the 19th century. It is composed of stucco and has complex design elements across the entire surface. An
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The
Paramirim Sugar Plantation was established in the mid-18th century by Frutuoso Vicente Viana, also the owner of the Madruga plantation in present-day
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domes covered in blue and white industrial tiles imported from
Portugal. The chapel is in ruins and its images and baptismal font were first taken to
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The Chapel of Our Lady of
Victory lacks municipal, state, or federal protection. It is recognized as a heritage site of Portuguese history by the
255:. The construction of the chapel dates to at least 1757, when Vigário Miguel Teixeira Pinto reported on the chapel as part of his report on the
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Salvador e a Baía de Todos os Santos: guía de arquitectura e paisagem; Salvador y la Bahía de Todos los Santos: guía de arquitectura y paisaje
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560:. Sevilla: Consejería de Obras Públicas y Vivienda Governo do Estado da Bahia. p. 459.
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A utilização do HBIM na documentação, na gestão e na preservação do Patrimônio
Arquitetônico
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474:. Lisbon, Portugal: Heritage of Portuguese Influence/Património de Influência Portuguesa
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509:. Vol. 3. Salvador, Brazil: Secretaria da Indústria e Comércio. pp. 195–196.
436:. Brasília, Brazil: Monumenta, IPHAN, Ministério da Cultura, Brasil, Governo Federal.
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The high altar was designed in the
Neoclassical style and is composed of
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style. The movement to replace Baroque architectural elements with the
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Secretaria da Indústria, Comércio e Turismo (Bahia, Brazil) (1997).
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on either side of the nave, arched side galleries, and an
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Location of the Chapel of Our Lady of Victory in Brazil
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18th-century Roman Catholic church buildings in Brazil
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The Paramirim plantation was sold to the owner of the
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538:. SIGRADI (in Portuguese). Florianópolis: SIGRADI.
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602:Portuguese colonial architecture in Brazil
534:Tolentino, Mônica Martins Andrade (2016).
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378:limestone and the baptismal font was of
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401:Calouste Gulbenkian Foundation
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597:State heritage sites of Bahia
205:Chapel of Our Lady of Victory
22:Chapel of Our Lady of Victory
434:Engenhos do Recôncavo Baiano
432:Azevedo, Esterzilda (2009).
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157:12.649238°S 38.603018°W
286:São Sebastião do Passé
253:São Francisco do Conde
231:. It was dedicated to
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162:-12.649238; -38.603018
135:Geographic coordinates
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556:Rosa, Dora (2012).
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173:Architecture
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329:Holy Spirit
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49:Affiliation
581:Categories
478:2019-07-10
407:References
353:sacristies
209:Portuguese
148:38°36′11″W
145:12°38′57″S
515:cite book
386:Condition
333:pilasters
324:archivolt
305:Structure
257:freguesia
361:azulejos
339:Interior
296:Location
70:Location
54:Catholic
43:Religion
357:ossuary
349:chancel
262:Baroque
247:History
95:Country
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372:lavabo
368:stucco
351:, two
320:Rococo
229:Brazil
99:Brazil
312:choir
225:Bahia
189:1700s
89:Bahia
85:State
64:Roman
562:ISBN
521:link
438:ISBN
376:lioz
345:nave
318:The
290:lioz
203:The
178:Type
60:Rite
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
