396:
thoroughly embittered by his exile, especially when he learns about his sister Yeesha and how Atrus is teaching her the D'ni language and the Art of
Writing, which he never taught his sons. Sirrus uses his explosives to breach the linking chamber Atrus installed, and manages to escape. Achenar, trapped in the jungle Age of Haven, becomes a game hunter preying upon the local wildlife. However, he is overcome with remorse when he hunts one species to extinction, and is later befriended by a group of monkey-like creatures. After Sirrus helps Achenar escape, they travel to the Age of Serenia. According to a journal Achenar kept on Serenia twenty years before, Sirrus' original plan was to trap Catherine on Riven and use an aging "Memory Chamber" to steal Atrus' knowledge of the Art. After escaping from Spire, Sirrus kidnaps Yeesha and uses the old Memory Chamber to take over her body, intending to play-act as Yeesha long enough to learn the Art before killing his parents. Achenar, who has reformed during his imprisonment, helps the Stranger set Yeesha's memories right again. Sirrus is killed when the Stranger reverses the mind-switch; Achenar is fatally poisoned when he repairs the machinery to save his sister. In
538:. Depicted as a vengeful and broken man, Saavedro is an inhabitant of the Age of Narayan, one of the Ages chosen by Atrus to try to teach his sons Sirrus and Achenar about the Art of writing books linking to other worlds. Saavedro agrees to help tutor Atrus' sons, but is shocked when the brothers instigate a destructive rebellion and abandon the Age to be destroyed from within. When Saavedro pursues Sirrus and Achenar to the Age of J'nanin, he is assaulted and left for dead. Trapped on J'nanin and believing Narayan destroyed and his family to be dead, Saavedro's mental health deteriorates during his years of captivity. When Saavedro is unexpectedly freed and travels to Tomahna in hope of finding the brothers, he steals the linking book for Releeshahn in a plan to lure Atrus to Narayan and exact revenge. Once on Narayan, Saavedro discovers that his people have not been destroyed. Cornered by the Stranger, Saavedro gives up the Releeshahn book. In the game's optimal ending, the player enables Saavedro to peacefully return to Narayan, before taking Releeshahn back to Atrus. Saavedro is portrayed by veteran actor
558:. Throughout the game he appears to the player, offering advice and background on different Ages. Esher warns the player not to trust Yeesha, suggesting she has tasked the player with unlocking a powerful Tablet in order to steal its power for herself. If the player gives Esher the tablet instead in one of the bad endings of the game, Esher proclaims that he wishes to use the Tablet to control a powerful race of creatures called Bahro for his own purposes, and strands the player on the Age of Myst. The best ending the player can choose results in Esher being handed over to the liberated Bahro to pay for his crimes. Esher is voiced, and portrayed (in the form of video-recorded facial texture-mapping), by
1282:
alive. He wants to learn everything I know. He wants
Narayan to survive. This is what I remember. This is why I said he could send me his sons. Sirrus. And. Achenar. The walls run red with steam and strangling branches. I see their bloated faces laughing at everything. I remember how they lied. I remember what they did. The Lattice Roots were black from too much overgrowth. Puffer spores floated up in the hot steam and burst. No one was there to guide the spores to the branches. No one was waiting to perform the ritual Weaves. The fighting had torn my people apart. They didn’t care. They wanted Narayan to die.—
514:. Gehn is born to Master Aitrus of the Guild of Surveyors (for whom his son is named) and his human wife, Anna (or Ti'ana, as she is known in D'ni), shortly before the downfall of the D'ni civilization. Believing that he creates worlds by writing linking books, Gehn considers himself a god and dedicates his life to rebuilding the fallen D'ni empire. Realizing his madness, Atrus turns against his father; with the help of Catherine, he traps Gehn on the Age of Riven, "a prison of my own creation" as Gehn later relates it, for nearly thirty years.
1243:: They held for more than thirty years, but the corrections I made to Riven have finally failed — the island has resumed the familiar pattern of decay that is the hallmark of my father’s work. I did not create the Age of Riven; unlike my father, I have never presumed to have such power, and yet, the future of all those who live there has fallen into my hands. So far, I’ve managed to read the page before it turns; the island continues to appear stable, and I would like to believe that I have saved a dying world...—
310:, a local inhabitant and a brilliant student of Gehn's who shows promise in the Art of writing Ages, despite not being D'ni herself. Together they trap Gehn on Riven. Atrus' grandmother, Anna ("Ti'ana"), helps Catherine by writing the Age of Myst as an escape route while Atrus destroys every other linking book on Riven. The linking book to Myst is dropped into a starry expanse known as the Star Fissure, where it is presumed lost (but later found by the Stranger, beginning the events of
389:, trapped in two different books. Each swears that he is innocent of plundering their father's Ages, claims that Atrus is dead, and that the other brother is to blame. In actuality, both brothers grew greedy, destroyed Atrus' library, killed the inhabitants of the Ages, and attempted to strand their parents forever. They in turn are trapped in special prison books Atrus designed to imprison unwanted travelers. Once he is freed by the Stranger, Atrus burns Sirrus and Achenar's books.
318:; however, both boys grow greedy and seek to strand their parents, trapping Atrus on K'veer and luring Catherine to Riven, where she is captured by Gehn. The Stranger's discovery of the Myst linking book saves Atrus from being trapped in K'veer a second time, and Catherine from Gehn's clutches. Moving to Tomahna, Atrus and Catherine have a third child, their daughter
1786:
299:. He is a member of the ancient D'ni civilization, though his only D'ni inheritance is through his paternal grandfather. The D'ni perfected a craft known as the Art, which allowed them to create portals to other worlds known as Ages by writing a descriptive "linking book". After the fall of the D'ni civilization, Atrus' father,
303:, teaches him the Art and Atrus creates many linking books, surpassing his father's skill in writing. Atrus comes to understand his father's power-hungry nature; as punishment for defying him, Gehn traps Atrus on K'veer, an island off of the main D'ni city, with a book leading to Gehn's Age of Riven as the only escape.
490:
616:
said that the series' use of real actors and full-motion video endeared the characters to the player, giving the games a distinctively personal touch. Fellow GameSpot reviewer Scott
Osborne stated the actors delivered convincing performances, and were smoothly incorporated into the game's scenes. The
395:
reveals that the brothers remained exiled on two different Ages for twenty years, where Atrus and
Catherine hoped they would reform. During his imprisonment in the inhospitable Age of Spire, Sirrus learns to harness the Age's electromagnetism to create crude airships and crystalline explosives. He is
1281:
This Atrus stayed with us for months. I taught him how to trim the delicate
Lattice roots. How to splice old and new growths together so the walls of our houses will grow strong. I tell him the traditions of the Weave. How by using the spores to support the growing branches, we keep the Lattice Tree
521:
When
Catherine is stranded on Riven, Atrus must send the Stranger to rescue her, as he is busy making changes to the Age to delay its collapse. The Stranger tricks Gehn into a special prison book created by Atrus, and Gehn's oppressed subjects are evacuated from Riven before the Age of Riven closes
244:
s characters were instead computer-generated. A special device was created that captured video of the actors' faces while they spoke their lines, as Cyan did not want to lose the warmth and feeling provided by using a live actor. The video was then manipulated and used as a facial texture that was
517:
Gehn's inability to grasp the fine aspects of the Art of
Writing, leading him to copy or alter sentences from existing books rather than writing original passages, results in his Ages being unstable. Gehn tends to be unimaginative: besides having no talent for the Art, he merely numbers his Ages
272:
is never given a name and remains faceless at all times. Atrus addresses the player character as "my friend" in cutscenes. Cyan's intent was for players to feel as though they were themselves there, stranded on a mysterious island with no choice but to explore. Thus, the games' protagonist is an
647:
stated that Esher moved and acted like a real person, and that the voice of David Ogden Stiers brought "this interesting character to life"; the reviewer did feel that the revelation of Esher and Yeesha's motivations was a letdown, as the character's true motivations were revealed "with all the
40:
of adventure computer games deals with the events following the player's discovery of a mysterious book describing an island known as Myst. The book is no ordinary volume; it is a linking book, which serves as a portal to the world it describes. The player is transported to Myst Island and must
453:, where she tries to persuade the player to help free an enslaved race known as the Bahro by unlocking a powerful Tablet. Over the course of her life, Yeesha takes on many roles, eventually assuming the aspect of a prophesied D'ni savior-figure known as "The Grower". Baby Yeesha is played by
1194:: The Tablet has responded to you. It will be your burden many have taken this Tablet, and they have tried not to let go. I have held it… tasted its sweetness. But I can hold it no longer. First, collect what’s been scattered, and then the Tablet will be released. Then, you will hold it.—
642:
said that the characters felt more real than the full motion video actors of previous games; one reason, the reviewer stated, was because the actors spoke their lines with real conviction. Gamezone credited each character's individualized body language as contributing to their realism.
592:
called the isolation a distinctive and welcome touch. In comparison to contemporary games, the deep solitude allowed the player to focus on puzzles. "Games with implausible and annoying characters popping up at regular intervals are just too stressful," said Miller.
1134:: Father and Mother will teach you the Art, never knowing it's really me doing the learning! Of course, I'll kill them as soon as I know how to write Ages, then I'll put my new memories back in my body, and no one will be able to stop me!—
22:
518:
rather than naming them (Riven is his "Fifth Age", for instance), and as long as it will give him what he seeks, prefers to smash his way through D'ni puzzle locks made with delicate materials rather than figure them out.
1157:
Yeesha. Sirrus used the machine. He forced the memory chamber to remove all of her memories. This is Sirrus, I tell you!. (to player) You have to set everybody's memories right again. Turn the amber lever to begin the
249:
was also used to ensure lifelike movement. Cyan staff worried that the audio syncing for animation would not be finished in time for the E3 unveiling of the game, but were happy with the end results.
1115:: Find my journal, the one from twenty years ago. Sirrus doesn't even know that I kept one. I hid it in a stone pillar in the forest, near where two rivers are crossing. It'll explain everything.—
546:
fan. Dourif said that his role for the game was much more difficult than working on movie sets, as he could not see the player he was addressing or interact with the game environment.
237:
was developed so that players could freely navigate Ages rendered in real time, which meant that the digital insertion of characters into the settings was not feasible. The models for
123:
have been generally praised in each installment. Reviewers found that the live action characters increased immersion, while the digital body language and spoken conviction in
195:, were apprehensive about how the characters would fit in the finished product. Rand Miller reprised the role of Atrus due to fan expectation, even though he hated acting.
1407:
184:
and a rebel band known as the Moiety address the player and give or take items away from him or her. For the first time, Cyan directed the live action actors for
1311:
656:
considered the character's monologues "hyper emotional", although reviewer Karen Chu admitted the characters still presented a compelling morality play.
328:, Catherine has died (likely from old age), and an elderly Atrus confines himself in Releeshahn to live out the rest of his life. Atrus is played by
1908:
1502:
440:, her brother Sirrus attempts to use Yeesha in a plan to learn the Art and kill his parents, but Yeesha is freed by the Stranger and Achenar.
436:. Yeesha is seen by her parents as a correction to the mistakes they made with their wayward sons. Her parents teach her D'ni and the Art. In
1716:
1621:
1461:
969:
1567:
1262:: Thank God you've returned... I need your help There is a great deal of history you must know, but I'm afraid I must continue writing.—
211:
s developers filmed all the scenes using standard definition cameras, which producer Dan Irish looked back on as a mistake; by not using
1225:
119:, a different approach was taken: a special camera recorded actors' faces and mapped the video onto digital models. The characters of
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1007:
174:
The Ages of Myst were occasionally seen as lonely by players and reviewers. As a result, Cyan added more characters to the sequel,
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25:
Live action footage of actors (top) was combined with prerendered backgrounds to create a finished composite (bottom) in
1903:
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anonymous, gender-neutral entity with no given history, and players are free to imagine themselves as the protagonist.
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allowed players to move the game camera and interact with the video while it was playing through the use of the ALIVE
710:
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unpleasant abruptness of turning on bright, fluorescent lights in a dark room." Dissenting reviewers such as
376:
365:
322:, and attempt to resurrect the D'ni by writing a new Age for the people called Releeshahn. By the events of
115:
titles used pre-rendered graphics, and digitally inserted footage of live actors into the backgrounds. For
80:
and its sequels introduce a variety of non-player characters. The inhabitants of Myst include the explorer
1898:
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830:
202:
titles improved on the integration of live action sequences in the prerendered environments of the games.
1811:
1804:
1177:
583:
445:
295:
212:
148:, was created, all the characters were created from footage of live actors. The actors were filmed on a
634:
stated that the change was initially jarring, but ultimately helped increase the realism of the game.
1702:
1494:
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are the sons of Atrus and
Catherine and are the eldest of their three children. They first appear in
192:
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349:
324:
233:
217:
65:
59:
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470:
413:
345:
337:
1471:
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621:, on the other hand, called the acting of the earlier installments overwrought and melodramatic.
559:
458:
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1303:
1221:
1098:
1078:
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1003:
935:
462:
1175:
Cook, Denise (August 2004). "Uru: Ages Beyond Myst; Look before you leap into this puzzler".
1536:
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780:
679:
588:
579:
253:
857:
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428:
Yeesha is the only daughter of Atrus and
Catherine. She is briefly mentioned in the novel
204:
53:
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674:
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series, appearing in all five games of the main series; he also narrates the opening of
1563:
1345:
604:
were generally praised in each release. The live-action characters in the pre-rendered
246:
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1215:
775:
108:, a member of an old civilization whose motives for helping the player are ambiguous.
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1785:
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554:
Esher is a D'ni who survived the downfall of his civilization, and the antagonist of
34:
1430:
744:
609:
401:
168:
828:
Saltzman, Mark (October 2, 2004). "Embark on a realistic interactive adventure".
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883:
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180:. Villagers scurry away as the player approaches, and major characters such as
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cameras, the video did not look crisp at high resolutions. For the next game,
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21:
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45:
was a commercial and critical success upon release and spawned four sequels—
887:
718:
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1498:
1403:
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1096:
Odelius, Dwight (October 26, 2004). "Myst IV extends story behind game".
853:
714:
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630:
613:
372:
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1341:
904:
649:
489:
314:). Catherine and Atrus start a family on Myst, raising their two sons,
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endeared the characters to the player. Dissenting reviewers considered
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The change from full motion video to computer generated characters in
582:
called the lack of characters a bad element of the games. Conversely,
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488:
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47:
20:
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894:
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Uhler, Greg (October 2001). "Presto
Studios' Myst III: Exile".
1694:
1594:
635:
1331:
1329:
364:"Sirrus" redirects here. For similar sounding terms, see
542:, who accepted the role of Saavedro because he was a
41:
unravel the world's puzzles in order to return home.
96:. Other characters introduced in the series include
1847:
1821:
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843:
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704:
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996:Wingrove, David; with Rand; Robyn Miller (1995).
955:
953:
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152:, then added to the pre-rendered backgrounds via
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84:, a writer of many linking books, and his wife
69:— as well as several spinoffs and adaptations.
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156:. Due to a limited amount of time and money,
8:
1023:Staff (December 3, 1995). "Books in Brief".
562:, who received acclaim for his performance.
104:, a traumatized victim of Atrus' sons; and
1717:
1703:
1695:
1214:Wingrove, David; with Rand Miller (1996).
784:. Vol. 5, no. 9. pp. 1–15.
1522:
1520:
1369:"The Story of the D'ni Comes Full Circle"
1075:Riven: The Sequel to Myst - User's Manual
1181:. Vol. 1, no. 235. p. 62.
962:"'Myst IV: Revelation': A Family Affair"
570:The absence of character interaction in
336:installments. Catherine is portrayed by
289:is the main non-player character in the
171:, took on roles in the game themselves.
749:The Making of Riven: The Sequel to Myst
665:
315:
134:s acting melodramatic and overwrought.
89:
1441:from the original on December 19, 2008
972:from the original on November 16, 2010
142:When the first game in the franchise,
1314:from the original on February 4, 2012
911:from the original on October 14, 2004
788:from the original on October 26, 2012
687:from the original on February 9, 2011
449:and is one of two main characters in
7:
1620:Kasavin, Greg (September 20, 2005).
1398:Sengstack, Jeff (November 3, 1997).
1379:from the original on January 8, 2021
473:voices the character as an adult in
432:, and is first seen as an infant in
1622:"Myst V: End of Ages for PC Review"
1570:from the original on April 17, 2009
1495:"Myst IV: Revelation (Xbox) Review"
1410:from the original on April 16, 2009
1043:Eberle, Matt (September 20, 2005).
709:Muldoon, Moira (October 31, 1997).
191:s scenes; the designers, including
72:While the player, referred to as a
1589:Castro, Juan (February 11, 2005).
1460:Miller, Laura (November 3, 1997).
1400:"Riven: The Sequel to Myst Review"
371:For the stars and other uses, see
16:Fictional characters of video game
14:
1651:Chu, Karen (September 26, 2005).
1560:"The Ultimate Myst V Review List"
1505:from the original on June 7, 2007
1045:"Myst V: End of Ages Review - PC"
73:
1784:
1558:Buck, Blake (October 26, 2005).
1429:Fournier, Heidi (May 20, 2002).
774:Carroll, John (September 1997).
608:titles were favorably received;
76:, remains faceless and unnamed,
1493:Kasavin, Greg (April 8, 2005).
1288:. Ubisoft. Level/area: J'nanin.
850:"Game Room: Myst V End of Ages"
578:was commented upon in reviews.
245:mapped onto the 3D characters.
1909:Lists of video game characters
1367:Cook, Brad (October 1, 2005).
1302:Osborne, Scott (May 1, 2001).
1268:. Ubisoft. Level/area: K'veer.
1249:. Ubisoft. Level/area: K'veer.
1203:. Ubisoft. Level/area: K'veer.
1026:Roanoke Times & World News
534:Saavedro is the antagonist of
522:forever. Gehn is portrayed by
100:, Atrus' power-hungry father;
85:
1:
412:, the brothers are played by
404:, and Achenar by his brother
101:
1591:"Review: Myst V End of Ages"
1336:Semel, Paul (June 1, 2001).
889:Making of Myst Parts 3 and 4
673:Carroll, Jon (August 1993).
683:. Vol. 2, no. 8.
443:An adult Yeesha appears in
344:, with her voice dubbed by
319:
93:
1925:
1653:"Myst V: End of Ages (PC)"
1527:Staff (October 25, 2005).
1047:. GameZone. Archived from
960:Staff (November 1, 2004).
848:Staff (November 2, 2005).
600:onward, the characters of
507:
370:
363:
105:
81:
1782:
711:"Featured Preview: Riven"
300:
181:
97:
1304:"Myst III: Exile Review"
1217:Myst: The Book of Ti'ana
747:., Cyan, &c (1997).
675:"Guerrillas in the Myst"
510:, and the antagonist of
465:plays a young Yeesha in
999:Myst: The Book of Atrus
493:Gehn, as he appears in
400:, Sirrus was played by
377:Sirius (disambiguation)
366:cirrus (disambiguation)
1164:. Level/area: Serenia.
1121:. Level/area: Serenia.
500:
430:Myst: The Book of D'ni
306:On Riven, Atrus meets
30:
1812:Myst Online: Uru Live
1805:Uru: Ages Beyond Myst
1178:Computer Gaming World
492:
446:Uru: Ages Beyond Myst
296:Uru: Ages Beyond Myst
213:high definition video
24:
1632:on December 16, 2008
1140:. Level/area: Dream.
1051:on December 14, 2005
193:Richard Vander Wende
1663:on January 14, 2006
1601:on November 3, 2005
1539:on January 10, 2013
1474:on December 5, 2008
1348:on December 3, 2008
1201:Myst V: End of Ages
1162:Myst IV: Revelation
1138:Myst IV: Revelation
1119:Myst IV: Revelation
1081:version ed.).
938:version ed.).
930:Cyan, Inc. (1993).
628:was well received.
282:Atrus and Catherine
234:Myst V: End of Ages
218:Myst IV: Revelation
117:Myst V: End of Ages
88:and their children
1904:Fictional families
1822:Novels and fiction
1220:. Hyperion Books.
1002:. Hyperion Books.
860:on January 8, 2021
560:David Ogden Stiers
501:
383:Sirrus and Achenar
360:Sirrus and Achenar
316:Sirrus and Achenar
90:Sirrus and Achenar
31:
1884:
1883:
1099:Houston Chronicle
506:is the father of
463:Juliette Gosselin
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1659:. Archived from
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1628:. Archived from
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1597:. Archived from
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1535:. Archived from
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1470:. Archived from
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1435:Adventure Gamers
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932:Myst User Manual
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856:. Archived from
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717:. Archived from
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580:Adventure Gamers
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420:, respectively.
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254:player character
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1830:The Myst Reader
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1529:"Myst V Review"
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1431:"'Myst' Review"
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1286:Myst III: Exile
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1775:V: End of Ages
1771:
1768:IV: Revelation
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1564:InsideMacGames
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1338:"Myst-ery Man"
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1667:November 15,
1665:. Retrieved
1661:the original
1646:
1634:. Retrieved
1630:the original
1615:
1603:. Retrieved
1599:the original
1584:
1574:November 21,
1572:. Retrieved
1553:
1541:. Retrieved
1537:the original
1507:. Retrieved
1488:
1478:November 12,
1476:. Retrieved
1472:the original
1465:
1462:"Riven Rapt"
1455:
1445:November 17,
1443:. Retrieved
1424:
1414:November 21,
1412:. Retrieved
1393:
1381:. Retrieved
1362:
1350:. Retrieved
1346:the original
1316:. Retrieved
1285:
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1102:. p. 4.
1097:
1091:
1074:
1065:
1053:. Retrieved
1049:the original
1024:
1018:
998:
974:. Retrieved
942:. p. 2.
931:
925:
913:. Retrieved
888:
880:Miller, Rand
874:
862:. Retrieved
858:the original
829:
823:
817:(10): 40–47.
814:
808:
802:
790:. Retrieved
779:
769:
748:
745:Robyn Miller
735:
723:. Retrieved
719:the original
689:. Retrieved
678:
668:
629:
625:
623:
610:Greg Kasavin
605:
601:
597:
595:
587:
584:Laura Miller
575:
571:
569:
555:
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494:
478:
474:
471:Rengin Altay
466:
454:
450:
444:
442:
437:
433:
429:
427:
414:Brian Wrench
409:
402:Robyn Miller
397:
392:
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386:
381:
353:
346:Rengin Altay
341:
338:Sheila Goold
333:
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169:Robyn Miller
163:s creators,
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52:
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32:
26:
18:
1855:Cyan Worlds
1636:October 15,
1543:November 2,
1318:November 8,
1197:Cyan Worlds
1077:. Credits (
1055:October 29,
976:November 9,
915:October 24,
884:Cyan Worlds
831:The Gazette
640:Juan Castro
626:End of Ages
556:End of Ages
540:Brad Dourif
524:John Keston
479:End of Ages
451:End of Ages
332:in all the
330:Rand Miller
325:End of Ages
239:End of Ages
227:game engine
138:Development
125:End of Ages
66:End of Ages
1893:Categories
1761:III: Exile
1373:Apple, Inc
1153:: This is
1083:Brøderbund
940:Brøderbund
776:"(D)Riven"
761:Brøderbund
660:References
467:Revelation
459:Greg Uhler
438:Revelation
418:Guy Sprung
410:Revelation
393:Revelation
277:Characters
270:Revelation
154:chroma key
150:bluescreen
111:The first
60:Revelation
1875:Firmament
1868:Obduction
1279:Saavedro:
1160:Ubisoft.
1158:process.—
1136:Ubisoft.
1117:Ubisoft.
966:Apple Inc
566:Reception
308:Catherine
86:Catherine
1626:GameSpot
1605:June 14,
1568:Archived
1509:June 19,
1503:Archived
1499:GameSpot
1439:Archived
1408:Archived
1404:GameSpot
1383:June 12,
1377:Archived
1312:Archived
1308:GameSpot
1284:Presto.
1073:(1997).
970:Archived
909:Archived
886:(2005).
864:June 12,
854:Macworld
792:March 6,
786:Archived
715:GameSpot
691:March 6,
685:Archived
645:GameSpot
631:Macworld
614:GameSpot
530:Saavedro
373:Achernar
102:Saavedro
74:Stranger
1686:Cyan's
1657:1UP.com
1352:June 5,
1342:GameSpy
1151:Achenar
1113:Achenar
1079:Windows
936:Windows
905:Ubisoft
725:May 25,
650:1UP.com
223:Ubisoft
1729:series
1224:
1192:Yeesha
1132:Sirrus
1006:
753:CD-ROM
424:Yeesha
348:, and
320:Yeesha
198:Later
94:Yeesha
38:series
1797:games
1754:Riven
1739:games
1467:Salon
1266:Riven
1260:Atrus
1247:Riven
1241:Atrus
781:Wired
680:Wired
598:Exile
596:From
589:Salon
576:Riven
550:Esher
536:Exile
512:Riven
508:Atrus
496:Riven
455:Exile
434:Exile
408:; in
354:Exile
342:Riven
287:Atrus
266:Exile
262:Riven
242:'
209:'
189:'
186:Riven
177:Riven
161:'
132:'
106:Esher
82:Atrus
54:Exile
48:Riven
1861:Pyst
1838:Myst
1747:Myst
1737:Myst
1727:Myst
1690:page
1669:2008
1638:2008
1607:2008
1576:2008
1545:2008
1533:G4tv
1511:2008
1480:2008
1447:2008
1416:2008
1385:2008
1354:2008
1320:2008
1222:ISBN
1071:Cyan
1057:2008
1004:ISBN
978:2008
917:2008
895:.MOV
866:2008
794:2017
757:Cyan
743:and
741:Rand
727:2008
693:2017
654:G4tv
652:and
619:G4tv
606:Myst
602:Myst
574:and
572:Myst
544:Myst
504:Gehn
485:Gehn
477:and
469:and
416:and
406:Rand
398:Myst
387:Myst
375:and
334:Myst
312:Myst
301:Gehn
291:Myst
268:and
258:Myst
252:The
200:Myst
182:Gehn
167:and
165:Rand
158:Myst
145:Myst
129:Myst
121:Myst
113:Myst
98:Gehn
92:and
78:Myst
63:and
43:Myst
36:Myst
33:The
1795:Uru
1595:IGN
1155:not
899:WMV
897:, .
755:).
638:'s
636:IGN
612:of
586:of
475:Uru
352:in
340:in
256:in
1895::
1655:.
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1566:.
1562:.
1531:.
1519:^
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1375:.
1371:.
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1328:^
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907:.
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840:^
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778:.
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701:^
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759:/
751:(
729:.
695:.
499:.
379:.
368:.
29:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
