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made them decide to remain where they were. Faced with earning a living, they first tried raising vegetables, but ... this experiment proved inadequate.” Out of necessity, Saint-Memin taught himself to work portraits.
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Christopher Rolfe. Saint-Memin, Charles
Balthazar Julien Fevret de (1770–1852). France and the Americas: Culture, Politics, and History. Santa Barbara, CA: ABC-CLIO, 205.
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Frances
Sergeant Childs. French Refugee Life in the United States 1790–1800 – An American Chapter of the French Revolution. Baltimore, The Johns Hopkins press, 1940; p.39
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Miles, Ellen G. Saint-Mémin and the
Neoclassical Profile Portrait in the America. Washington: National Portrait Gallery and the Smithsonian Institution Press, 1994.
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Morgan, John Hill. "The Work of M. Fevret de Saint-Mémin," in the
Brooklyn Museum Quarterly, January 1918, Vol. V, No. 1.
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Miles, Ellen G.. “Saint-Mémin’s
Portraits of American Indians 1804–1807.” American Art Journal 20, no. 4 (1988): 2–33.
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Born in France in 1770 to
Benigne Charles Fevret and Victoire Marie de Motmans, Saint-Memin was educated at
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Howard Rice. Saint-Memin's portrait of
Jefferson. Princeton University Library Chronicle v.20, no.4. 1959
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Norfleet, Fillmore. Saint-Mémin in
Virginia: Portraits and Biographies. Richmond, VA: Dietz Press, 1942.
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Miles, Ellen G. “Saint-Mémin in the South 1803–1809.” Southern
Quarterly 25, no. 1 (1986): 22–39.
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Payouska (Pawhuska, c. 1752–1832), Chief of the Great Osage, 1804 (New-York
Historical Society)
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or Big White c. 1766–1812), Chief of the Mandans, 1806–07 (New-York Historical Society)
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from 1793 to 1814. During this period he created numerous portraits, often using the
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technique, invented in 1786 by Gilles-Louis Chretien. Portrait subjects included
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Unidentified Chief of the Little Osage, 1804 (New-York Historical Society)
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Cachasunghia, Osage Warrior, c. 1804–06 (New-York Historical Society)
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Sketch of the life of Charles Balthazar Julien Fevret de Saint-Mémin
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taken from Mt. Pitt, The Seat of John R. Livingston, Esq., 1794–96,
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Warrior Wearing Bird Headdress, 1807 (New-York Historical Society)
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in the early 19th century. He created portraits from life of
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After returning to France, he worked as director of the
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from 1817 to 1852. He died in Dijon on 23 June 1852.
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Guide to the Saint-Mémin Print Collection, 1794–1808
78:, and others. He later served as museum director in
382:(1774–1809) in Frontiersman's Regalia, 1806–1807 (
555:works by Saint-Mémin in the Museum Collections.
35:Charles Balthazar Julien Févret de Saint-Mémin
8:
43:[ʃaʁlbaltazaʁʒyljɛ̃fevʁɛdəsɛ̃memɛ̃]
365:. Engraving, c. 1807 (Library of Congress)
105:, Saint-Memin and his family travelled to
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28:Musée des Beaux-Arts de Dijon
611:18th-century French painters
305:. 1805 (Library of Congress)
256:. 1799 (Library of Congress)
601:19th-century French artists
561:Items relating to St.-Memin
384:New-York Historical Society
62:, and worked as a portrait
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241:(Detroit Institute of Art)
46:; 1770–1852) was a French
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172:References
60:Revolution
54:. He left
466:Shahaka (
484:Delaware
64:engraver
504:etching
468:Sheheke
66:in the
26:at the
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56:France
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80:Dijon
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