2180:
47:
151:
was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are
159:. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given.
289:(The Relation of Criticism and Poetry—Poetry and Criticism in the Time of Elizabeth—The Classical Tradition: Dryden and Johnson—The Theories of Coleridge and Wordsworth—The Practice of Shelley and Keats—
1259:(In Praise of Shadows—A Brief History of Colonial Revolts—Vertical Thinking: A Johannesburg Biography—Practical Epistemology: Life in the Studio—In Praise of Mistranslation—Anti-Entropy)
493:(Adapting an Island Language to a Continental Thought—Thoreau, or the Bean-Row in the Wilderness—Emily Dickinson, or the Articulate Inarticulate—Walt Whitman and the American Loneliness)
330:(The Old Way to Be New—Vocal Imagination, the Merger of Form and Content—Does Wisdom Signify—Poetry as Prowess (Feat of Words)—Before the Beginning of a Poem—After the End of a Poem)
2265:
2221:
1280:(The Wisdom of Miles Davis—Breaking the Rules—Cultural Diplomacy and the Voice of Freedom—Innovation and New Technologies—Buddhism and Creativity—Once upon a Time...)
64:
1994:
2250:
2245:
2240:
2018:
1238:(What Happens to Us as We Read Novels—Mr. Pamuk, Did You Really Live All of This?—Character, Time, Plot—Pictures and Things—Museums and Novels—The Center)
650:
The
Paradox of Structuralism, Comments on the Collaboration Between Architects and Engineers, The Creative Process and the Expressiveness of Inner Space
1415:
1194:: Anxiety and Perspective at the Seashore—Real Beauty: The Body in Realism—More Beautiful than a Beautiful Thing: The Body, Old Age, Ruin, and Death)
1893:
1323:(The Search for Story, Structure, and Meaning in Documentary Film: Part I—The Search for Story, Structure, and Meaning in Documentary Film: Part II)
833:
1943:
436:
1402:
2214:
35:
111:
83:
1300:(Romancing Slavery—Being and Becoming the Stranger—The Color Fetish—Configurations of Blackness—Narrating the Other—The Foreigner's Home)
31:
1833:
90:
1870:
1810:
979:
130:
1217:
as: Sound and
Thought—Listening and Hearing—Freedom of Thought and Interpretation—The Orchestra—A Tale of Two Palestinians—Finale)
2207:
1969:
1053:
2163:
97:
1746:
68:
1665:
1640:
79:
883:
1614:
2255:
2090:
1470:
412:
1444:
2042:
780:
1721:
1403:
Article from
Harvard Gazette naming 2006 lecturer (date later changed to fall 2006) and giving history of series
2260:
358:
156:
2114:
1785:
57:
104:
901:
269:(8 lectures: ???—The Old Poetry—The Sagas of Iceland—...—The World of Reality—The World of Dreams...)
1944:"The Charles Eliot Norton Lectures by Herbie Hancock; Set 1: The Wisdom of Miles Davis | Harvard College"
1587:
1516:
1407:
152:
usually dated by the academic year in which they are given, though sometimes by just the calendar year.
1691:
937:
286:
The Use of Poetry and the Use of
Criticism: Studies in the Relation of Criticism to Poetry in England
144:
2066:
17:
2187:
1699:
657:
244:
148:
262:
1866:
1806:
1380:
1313:
1250:
827:
738:
2138:
1421:
1995:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part II"
1860:
1206:
1149:
Lasting
Origins—Rain of Fire—Magnificus—Maîtres à Penser—On Native Ground—Unaging Intellect)
668:
645:
612:
594:
376:
2179:
2019:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part I"
1918:
1600:
1529:
1365:
1085:
774:
702:
486:
394:
305:
2191:
1332:
1271:
1136:
756:
720:
522:
468:
430:
341:
290:
190:
2234:
1408:
List of incumbents, 1926–2002, as reported by
Harvard University's English Department
1291:
1161:
1118:
1103:
1067:
973:
919:
865:
847:
794:
504:
208:
1029:
993:
955:
630:
540:
323:
226:
1800:
1567:
1543:
1496:
1347:
1229:
1047:
809:
684:
450:
280:
155:
Many but not all of the Norton
Lectures have subsequently been published by the
46:
889:
The
Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
558:
1772:
Aesthetics and technology in building : the twenty-first-century edition
30:
Not to be confused with the
Charles Eliot Norton Memorial Lectureship of the
1011:
576:
546:
Icon and Idea: The
Function of Art in the Development of Human Consciousness
1747:"Three Architects Share Norton Lecture Series | News | The Harvard Crimson"
1471:"NORDAL LAUDS ICELAND IN FIRST NORTON TALK | News | The Harvard Crimson"
1186:
and the Death of the Heroic Landscape—The Man in the Bathtub: Picasso's
1422:
Norton Lectures at the Mahindra Humanities Center at Harvard University
999:
Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present
815:
Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde
364:
Painter and Poet: Studies in the Literary Relations of English Painting
1615:"FROST GIVES SECOND NORTON TALK TONIGHT | News | The Harvard Crimson"
799:
Problems Relating to Visual Communication and the Visual Environment
40:
293:
and the Academic Mind—The Modern Mind: I—The Modern Mind: II)
491:
The American Characteristics in Classic American Literature
382:
Space, Time and Architecture: The Growth of a New Tradition
871:
The Genesis of Secrecy: On the Interpretation of Narrative
853:
The Secular Scripture: A Study of the Structure of Romance
1178:: Bathing as Practice, Bathing as Representation—Manet's
2164:"Weaving refugee's life into histories of U.S., Vietnam"
1894:"Pamuk delivers first Norton lecture; five more to come"
1666:"Wilder Cites 'Independence' Theme of American Classics"
2195:
437:
Early Netherlandish Painting: Its Origins and Character
166:
1834:"Barenboim to deliver Charles Eliot Norton Lectures"
71:. Unsourced material may be challenged and removed.
1370:Spending the War Without You: Virtual Backgrounds
1297:The Origin of Others - The Literature of Belonging
1970:"Morrison's first Norton Lecture set for March 2"
1353:(Poetry in Motion—The Visible and the Invisible)
1385:To Save and To Destroy: On Writing as an Other
2215:
8:
2091:"Wim Wenders: The Visible and the Invisible"
1692:"Penelope Niven on Thornton Wilder, reading"
1393:The post had no incumbent in years omitted.
474:A Composer's World: Horizons and Limitations
2266:Northeastern United States university stubs
1445:"ELIOT GIVES FIRST IN NORTON LECTURE GROUP"
400:Poetics of Music in the Form of Six Lessons
2222:
2208:
1802:Bathers, Bodies, Beauty: The Visceral Eye
1786:"Lessons of the Masters — George Steiner"
1338:(The 7th Art and Me—Crossing the Borders)
1319:Wide Angle: The Norton Lectures on Cinema
1167:Bathers, Bodies, Beauty: The Visceral Eye
131:Learn how and when to remove this message
1439:
1437:
600:Language and Poetry: Some Poets of Spain
1774:. Urbana: University of Illinois Press.
1433:
2162:O’Grady, Eileen (September 12, 2023).
1596:
1585:
1548:. Harvard University. 1931. p. 44
1525:
1514:
1235:The Naive and the Sentimental Novelist
1108:"The Mute Image and the Meddling Text"
168:Table of lecturers and lectures held:
673:Aesthetics and Technology in Building
418:Literary Currents in Hispanic America
36:Southern Baptist Theological Seminary
7:
2251:Recurring events established in 1925
2246:Lecture series at Harvard University
2241:1925 establishments in Massachusetts
2176:
2174:
214:Italian Sculpture of the Renaissance
69:adding citations to reliable sources
27:Lecture series at Harvard University
267:The Spirit of Icelandic Literature
32:Archaeological Institute of America
2143:mahindrahumanities.fas.harvard.edu
2119:mahindrahumanities.fas.harvard.edu
2095:mahindrahumanities.fas.harvard.edu
2071:mahindrahumanities.fas.harvard.edu
2067:"Agnès Varda: Crossing the Border"
2047:mahindrahumanities.fas.harvard.edu
2023:mahindrahumanities.fas.harvard.edu
1999:mahindrahumanities.fas.harvard.edu
1968:Radsken, Jill (22 February 2016).
1190:and the Gender of Bathing—Monet's
726:Romanesque Architectural Sculpture
25:
18:Charles Eliot Norton professorship
2043:"Agnès Varda: The 7th Art and Me"
980:Six Memos for the Next Millennium
196:The Classical Tradition in Poetry
2178:
1054:Six Walks in the Fictional Woods
232:Poetry and the Criticism of Life
45:
2115:"Wim Wenders: Poetry in Motion"
1545:Annual Report (Fogg Art Museum)
80:"Charles Eliot Norton Lectures"
56:needs additional citations for
311:The Spirit of Man in Asian Art
1:
1898:Harvard University Press Blog
907:In Defence of the Imagination
163:Charles Eliot Norton Lectures
2194:. You can help Knowledge by
1805:. Harvard University Press.
690:Tragedy in the Art of Music
147:Professorship of Poetry at
2282:
2173:
1859:Barenboim, Daniel (2009).
1770:Nervi, Pier Luigi (2018).
781:Sincerity and Authenticity
34:or the Norton Lectures at
29:
1568:"Harvard Alumni Bulletin"
1497:"Harvard Alumni Bulletin"
1308:
641:
347:The Poetry of Chiaroscuro
456:The Romantic Imagination
359:Chauncey Brewster Tinker
157:Harvard University Press
1799:Nochlin, Linda (2006).
1192:HĂ´tel des Roches Noires
925:The Romantic Generation
834:The Unanswered Question
1720:Gardner, Frederick H.
1641:"Wilder Views Thoreau"
1595:Cite journal requires
1524:Cite journal requires
1142:Lessons of the Masters
1124:Concerto Conversations
1073:Remembering the Future
2190:related article is a
943:The Witness of Poetry
762:Questions about Music
635:The Springs of Pathos
510:Music and Imagination
413:Pedro HenrĂquez Ureña
328:The Renewal of Words
582:The Shape of Content
564:The Estate of Poetry
145:Charles Eliot Norton
65:improve this article
1948:college.harvard.edu
1919:"William Kentridge"
1862:Music Quickens Time
1840:. 21 September 2006
1726:The Harvard Crimson
1670:The Harvard Crimson
1645:The Harvard Crimson
1619:The Harvard Crimson
1477:. November 28, 1931
1475:The Harvard Crimson
1449:The Harvard Crimson
1256:Six Drawing Lessons
1215:Music Quickens Time
744:This Craft of Verse
169:
2256:Works about poetry
2188:Harvard University
1923:AFASIAARCHZINE.COM
1751:www.thecrimson.com
1700:Library of America
1451:. November 4, 1932
1414:- see copy at the
1277:The Ethics of Jazz
1211:Sound and Thought
658:Buckminster Fuller
528:i: six nonlectures
245:Arthur Mayger Hind
167:
149:Harvard University
2203:
2202:
2139:"Norton Lectures"
1690:Niven, Penelope.
1391:
1390:
1381:Viet Thanh Nguyen
1354:
1339:
1324:
1314:Frederick Wiseman
1301:
1281:
1260:
1251:William Kentridge
1239:
1218:
1195:
1150:
1091:Writing and Being
828:Leonard Bernstein
739:Jorge Luis Borges
708:The Lyric Impulse
494:
331:
294:
270:
141:
140:
133:
115:
16:(Redirected from
2273:
2224:
2217:
2210:
2182:
2175:
2168:
2167:
2159:
2153:
2152:
2150:
2149:
2135:
2129:
2128:
2126:
2125:
2111:
2105:
2104:
2102:
2101:
2087:
2081:
2080:
2078:
2077:
2063:
2057:
2056:
2054:
2053:
2039:
2033:
2032:
2030:
2029:
2015:
2009:
2008:
2006:
2005:
1991:
1985:
1984:
1982:
1980:
1965:
1959:
1958:
1956:
1954:
1940:
1934:
1933:
1931:
1929:
1915:
1909:
1908:
1906:
1904:
1890:
1884:
1883:
1881:
1879:
1856:
1850:
1849:
1847:
1845:
1830:
1824:
1823:
1821:
1819:
1796:
1790:
1789:
1782:
1776:
1775:
1767:
1761:
1760:
1758:
1757:
1743:
1737:
1736:
1734:
1732:
1717:
1711:
1710:
1708:
1706:
1687:
1681:
1680:
1678:
1676:
1662:
1656:
1655:
1653:
1651:
1637:
1631:
1630:
1628:
1626:
1621:. March 18, 1936
1611:
1605:
1604:
1598:
1593:
1591:
1583:
1581:
1579:
1564:
1558:
1557:
1555:
1553:
1540:
1534:
1533:
1527:
1522:
1520:
1512:
1510:
1508:
1493:
1487:
1486:
1484:
1482:
1467:
1461:
1460:
1458:
1456:
1441:
1352:
1337:
1322:
1320:
1299:
1298:
1279:
1278:
1258:
1257:
1237:
1236:
1212:
1207:Daniel Barenboim
1173:
1169:
1168:
1148:
1144:
1143:
1125:
1092:
1074:
1056:
1036:
1035:Other Traditions
1018:
1000:
982:
962:
944:
926:
908:
890:
872:
854:
836:
816:
783:
763:
745:
727:
709:
691:
669:Pier Luigi Nervi
619:
601:
583:
565:
547:
529:
511:
492:
475:
457:
439:
419:
401:
383:
377:Sigfried Giedion
365:
348:
329:
312:
288:
287:
268:
251:
233:
215:
197:
170:
136:
129:
125:
122:
116:
114:
73:
49:
41:
21:
2281:
2280:
2276:
2275:
2274:
2272:
2271:
2270:
2261:American poetry
2231:
2230:
2229:
2228:
2172:
2171:
2161:
2160:
2156:
2147:
2145:
2137:
2136:
2132:
2123:
2121:
2113:
2112:
2108:
2099:
2097:
2089:
2088:
2084:
2075:
2073:
2065:
2064:
2060:
2051:
2049:
2041:
2040:
2036:
2027:
2025:
2017:
2016:
2012:
2003:
2001:
1993:
1992:
1988:
1978:
1976:
1974:Harvard Gazette
1967:
1966:
1962:
1952:
1950:
1942:
1941:
1937:
1927:
1925:
1917:
1916:
1912:
1902:
1900:
1892:
1891:
1887:
1877:
1875:
1873:
1865:. Verso Books.
1858:
1857:
1853:
1843:
1841:
1838:Harvard Gazette
1832:
1831:
1827:
1817:
1815:
1813:
1798:
1797:
1793:
1784:
1783:
1779:
1769:
1768:
1764:
1755:
1753:
1745:
1744:
1740:
1730:
1728:
1719:
1718:
1714:
1704:
1702:
1689:
1688:
1684:
1674:
1672:
1664:
1663:
1659:
1649:
1647:
1639:
1638:
1634:
1624:
1622:
1613:
1612:
1608:
1594:
1584:
1577:
1575:
1574:(17). 1933: 488
1566:
1565:
1561:
1551:
1549:
1542:
1541:
1537:
1523:
1513:
1506:
1504:
1503:(19). 1932: 601
1495:
1494:
1490:
1480:
1478:
1469:
1468:
1464:
1454:
1452:
1443:
1442:
1435:
1430:
1416:Wayback Machine
1399:
1366:Laurie Anderson
1321:
1318:
1312:
1296:
1276:
1255:
1234:
1171:
1166:
1146:
1141:
1123:
1090:
1086:Nadine Gordimer
1072:
1052:
1034:
1016:
998:
978:
960:
942:
924:
906:
888:
870:
852:
832:
814:
779:
775:Lionel Trilling
761:
743:
725:
707:
703:Cecil Day-Lewis
689:
618:Musical Thought
617:
599:
581:
563:
545:
527:
509:
487:Thornton Wilder
473:
455:
435:
417:
399:
395:Igor Stravinsky
381:
363:
346:
310:
306:Laurence Binyon
285:
263:SigurĂ°ur Nordal
249:
231:
213:
195:
165:
137:
126:
120:
117:
74:
72:
62:
50:
39:
28:
23:
22:
15:
12:
11:
5:
2279:
2277:
2269:
2268:
2263:
2258:
2253:
2248:
2243:
2233:
2232:
2227:
2226:
2219:
2212:
2204:
2201:
2200:
2183:
2170:
2169:
2154:
2130:
2106:
2082:
2058:
2034:
2010:
1986:
1960:
1935:
1910:
1885:
1871:
1851:
1825:
1811:
1791:
1777:
1762:
1738:
1722:"Eric Bentley"
1712:
1682:
1657:
1632:
1606:
1597:|journal=
1559:
1535:
1526:|journal=
1488:
1462:
1432:
1431:
1429:
1426:
1425:
1424:
1419:
1413:
1405:
1398:
1397:External links
1395:
1389:
1388:
1386:
1383:
1378:
1374:
1373:
1371:
1368:
1363:
1359:
1358:
1355:
1350:
1344:
1343:
1340:
1335:
1329:
1328:
1325:
1316:
1310:
1306:
1305:
1302:
1294:
1289:
1285:
1284:
1282:
1274:
1272:Herbie Hancock
1269:
1265:
1264:
1261:
1253:
1248:
1244:
1243:
1240:
1232:
1227:
1223:
1222:
1219:
1213:(published in
1209:
1204:
1200:
1199:
1196:
1170:(published as:
1164:
1159:
1155:
1154:
1151:
1145:(published as:
1139:
1137:George Steiner
1134:
1130:
1129:
1126:
1121:
1116:
1112:
1111:
1109:
1106:
1101:
1097:
1096:
1093:
1088:
1083:
1079:
1078:
1075:
1070:
1065:
1061:
1060:
1057:
1050:
1045:
1041:
1040:
1037:
1032:
1027:
1023:
1022:
1019:
1014:
1009:
1005:
1004:
1001:
996:
991:
987:
986:
983:
976:
971:
967:
966:
963:
958:
953:
949:
948:
945:
940:
938:Czesław Miłosz
935:
931:
930:
927:
922:
917:
913:
912:
909:
904:
899:
895:
894:
891:
886:
881:
877:
876:
873:
868:
863:
859:
858:
855:
850:
845:
841:
840:
837:
830:
825:
821:
820:
817:
812:
807:
803:
802:
800:
797:
792:
788:
787:
784:
777:
772:
768:
767:
764:
759:
757:Roger Sessions
754:
750:
749:
746:
741:
736:
732:
731:
728:
723:
721:Meyer Schapiro
718:
714:
713:
710:
705:
700:
696:
695:
692:
687:
682:
678:
677:
674:
671:
665:
664:
662:
660:
654:
653:
651:
648:
643:
639:
638:
636:
633:
628:
624:
623:
620:
615:
610:
606:
605:
602:
597:
592:
588:
587:
584:
579:
574:
570:
569:
566:
561:
556:
552:
551:
548:
543:
538:
534:
533:
530:
525:
523:E. E. Cummings
520:
516:
515:
512:
507:
502:
498:
497:
495:
489:
484:
480:
479:
476:
471:
469:Paul Hindemith
466:
462:
461:
458:
453:
448:
444:
443:
440:
433:
431:Erwin Panofsky
428:
424:
423:
420:
415:
410:
406:
405:
402:
397:
392:
388:
387:
384:
379:
374:
370:
369:
366:
361:
356:
352:
351:
349:
344:
342:Johnny Roosval
339:
335:
334:
332:
326:
321:
317:
316:
313:
308:
303:
299:
298:
295:
283:
278:
274:
273:
271:
265:
260:
256:
255:
252:
247:
242:
238:
237:
234:
229:
224:
220:
219:
216:
211:
206:
202:
201:
198:
193:
191:Gilbert Murray
188:
184:
183:
180:
177:
174:
164:
161:
139:
138:
53:
51:
44:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2278:
2267:
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2242:
2239:
2238:
2236:
2225:
2220:
2218:
2213:
2211:
2206:
2205:
2199:
2197:
2193:
2189:
2184:
2181:
2177:
2165:
2158:
2155:
2144:
2140:
2134:
2131:
2120:
2116:
2110:
2107:
2096:
2092:
2086:
2083:
2072:
2068:
2062:
2059:
2048:
2044:
2038:
2035:
2024:
2020:
2014:
2011:
2000:
1996:
1990:
1987:
1975:
1971:
1964:
1961:
1949:
1945:
1939:
1936:
1924:
1920:
1914:
1911:
1899:
1895:
1889:
1886:
1874:
1872:9781844674022
1868:
1864:
1863:
1855:
1852:
1839:
1835:
1829:
1826:
1814:
1812:9780674021167
1808:
1804:
1803:
1795:
1792:
1787:
1781:
1778:
1773:
1766:
1763:
1752:
1748:
1742:
1739:
1727:
1723:
1716:
1713:
1701:
1697:
1693:
1686:
1683:
1671:
1667:
1661:
1658:
1646:
1642:
1636:
1633:
1620:
1616:
1610:
1607:
1602:
1589:
1573:
1569:
1563:
1560:
1547:
1546:
1539:
1536:
1531:
1518:
1502:
1498:
1492:
1489:
1476:
1472:
1466:
1463:
1450:
1446:
1440:
1438:
1434:
1427:
1423:
1420:
1417:
1411:
1409:
1406:
1404:
1401:
1400:
1396:
1394:
1387:
1384:
1382:
1379:
1376:
1375:
1372:
1369:
1367:
1364:
1361:
1360:
1356:
1351:
1349:
1346:
1345:
1341:
1336:
1334:
1331:
1330:
1326:
1317:
1315:
1311:
1307:
1303:
1295:
1293:
1292:Toni Morrison
1290:
1287:
1286:
1283:
1275:
1273:
1270:
1267:
1266:
1262:
1254:
1252:
1249:
1246:
1245:
1241:
1233:
1231:
1228:
1225:
1224:
1220:
1216:
1210:
1208:
1205:
1202:
1201:
1197:
1193:
1189:
1185:
1181:
1177:
1176:Great Bathers
1165:
1163:
1162:Linda Nochlin
1160:
1157:
1156:
1152:
1140:
1138:
1135:
1132:
1131:
1127:
1122:
1120:
1119:Joseph Kerman
1117:
1114:
1113:
1110:
1107:
1105:
1104:Leo Steinberg
1102:
1099:
1098:
1094:
1089:
1087:
1084:
1081:
1080:
1076:
1071:
1069:
1068:Luciano Berio
1066:
1063:
1062:
1058:
1055:
1051:
1049:
1046:
1043:
1042:
1038:
1033:
1031:
1028:
1025:
1024:
1020:
1015:
1013:
1010:
1007:
1006:
1002:
997:
995:
992:
989:
988:
984:
981:
977:
975:
974:Italo Calvino
972:
969:
968:
964:
961:Working Space
959:
957:
954:
951:
950:
946:
941:
939:
936:
933:
932:
928:
923:
921:
920:Charles Rosen
918:
915:
914:
910:
905:
903:
902:Helen Gardner
900:
897:
896:
892:
887:
885:
882:
879:
878:
874:
869:
867:
866:Frank Kermode
864:
861:
860:
856:
851:
849:
848:Northrop Frye
846:
843:
842:
838:
835:
831:
829:
826:
823:
822:
818:
813:
811:
808:
805:
804:
801:
798:
796:
795:Charles Eames
793:
790:
789:
785:
782:
778:
776:
773:
770:
769:
765:
760:
758:
755:
752:
751:
747:
742:
740:
737:
734:
733:
729:
724:
722:
719:
716:
715:
711:
706:
704:
701:
698:
697:
693:
688:
686:
683:
680:
679:
675:
672:
670:
667:
666:
663:
661:
659:
656:
655:
652:
649:
647:
646:FĂ©lix Candela
644:
640:
637:
634:
632:
629:
626:
625:
621:
616:
614:
613:Carlos Chávez
611:
608:
607:
603:
598:
596:
595:Jorge Guillén
593:
590:
589:
585:
580:
578:
575:
572:
571:
567:
562:
560:
557:
554:
553:
549:
544:
542:
539:
536:
535:
531:
526:
524:
521:
518:
517:
513:
508:
506:
505:Aaron Copland
503:
500:
499:
496:
490:
488:
485:
482:
481:
477:
472:
470:
467:
464:
463:
459:
454:
452:
449:
446:
445:
441:
438:
434:
432:
429:
426:
425:
421:
416:
414:
411:
408:
407:
403:
398:
396:
393:
390:
389:
385:
380:
378:
375:
372:
371:
367:
362:
360:
357:
354:
353:
350:
345:
343:
340:
337:
336:
333:
327:
325:
322:
319:
318:
314:
309:
307:
304:
301:
300:
296:
292:
284:
282:
279:
276:
275:
272:
266:
264:
261:
258:
257:
253:
248:
246:
243:
240:
239:
235:
230:
228:
225:
222:
221:
217:
212:
210:
209:Eric Maclagan
207:
204:
203:
199:
194:
192:
189:
186:
185:
181:
178:
175:
172:
171:
162:
160:
158:
153:
150:
146:
135:
132:
124:
121:November 2020
113:
110:
106:
103:
99:
96:
92:
89:
85:
82: –
81:
77:
76:Find sources:
70:
66:
60:
59:
54:This article
52:
48:
43:
42:
37:
33:
19:
2196:expanding it
2185:
2157:
2146:. Retrieved
2142:
2133:
2122:. Retrieved
2118:
2109:
2098:. Retrieved
2094:
2085:
2074:. Retrieved
2070:
2061:
2050:. Retrieved
2046:
2037:
2026:. Retrieved
2022:
2013:
2002:. Retrieved
1998:
1989:
1977:. Retrieved
1973:
1963:
1951:. Retrieved
1947:
1938:
1926:. Retrieved
1922:
1913:
1901:. Retrieved
1897:
1888:
1876:. Retrieved
1861:
1854:
1842:. Retrieved
1837:
1828:
1816:. Retrieved
1801:
1794:
1780:
1771:
1765:
1754:. Retrieved
1750:
1741:
1729:. Retrieved
1725:
1715:
1703:. Retrieved
1696:blog.loa.org
1695:
1685:
1673:. Retrieved
1669:
1660:
1648:. Retrieved
1644:
1635:
1623:. Retrieved
1618:
1609:
1588:cite journal
1576:. Retrieved
1571:
1562:
1550:. Retrieved
1544:
1538:
1517:cite journal
1505:. Retrieved
1500:
1491:
1479:. Retrieved
1474:
1465:
1453:. Retrieved
1448:
1392:
1214:
1191:
1187:
1183:
1179:
1175:
1030:John Ashbery
994:Harold Bloom
956:Frank Stella
884:James Cahill
631:Eric Bentley
541:Herbert Read
324:Robert Frost
227:H. W. Garrod
154:
142:
127:
118:
108:
101:
94:
87:
75:
63:Please help
58:verification
55:
1979:24 November
1953:24 November
1928:24 November
1903:24 November
1878:24 November
1844:24 November
1818:24 November
1731:24 November
1705:24 November
1675:24 November
1650:24 November
1625:24 November
1578:24 November
1552:24 November
1507:24 November
1481:24 November
1455:24 November
1348:Wim Wenders
1333:Agnès Varda
1230:Orhan Pamuk
1048:Umberto Eco
810:Octavio Paz
685:Leo Schrade
451:C. M. Bowra
281:T. S. Eliot
2235:Categories
2148:2021-01-14
2124:2021-01-14
2100:2021-01-14
2076:2021-01-14
2052:2021-01-14
2028:2021-01-14
2004:2021-01-14
1756:2021-03-14
1428:References
1377:2023-2024
1362:2021-2022
559:Edwin Muir
277:1932–1933
182:Published
91:newspapers
1412:Dead link
1309:2017-2018
1288:2015–2016
1268:2013–2014
1247:2011–2012
1226:2009–2010
1203:2006–2007
1188:Le Meutre
1174:Renoir's
1158:2003–2004
1133:2001–2002
1115:1997–1998
1100:1995–1996
1082:1994–1995
1064:1993–1994
1044:1992–1993
1026:1989–1990
1012:John Cage
1008:1988–1989
990:1987–1988
970:1985–1986
952:1983–1984
934:1981–1982
916:1980–1981
898:1979–1980
880:1978–1979
862:1977–1978
844:1974–1975
824:1973–1974
806:1971–1972
791:1970–1971
771:1969–1970
753:1968–1969
735:1967–1968
717:1966–1967
699:1964–1965
681:1962–1963
642:1961–1962
627:1960–1961
609:1958–1959
591:1957–1958
577:Ben Shahn
573:1956–1957
555:1955–1956
537:1953–1954
519:1952–1953
501:1951–1952
483:1950–1951
465:1949–1950
447:1948–1949
427:1947–1948
409:1940–1941
391:1939–1940
373:1938–1939
355:1937–1938
338:1936–1937
320:1935–1936
302:1933–1934
259:1931–1932
250:Rembrandt
241:1930–1931
223:1929–1930
205:1927–1928
187:1926–1927
176:Lecturer
1357:
1342:
1327:
1184:DĂ©juner
1180:Le Bain
105:scholar
1869:
1809:
1182:: The
1172:
1147:
291:Arnold
107:
100:
93:
86:
78:
2186:This
1304:2017
1263:2012
1242:2010
1221:2008
1198:2006
1153:2003
1128:1999
1095:1995
1077:2006
1059:1994
1039:2000
1021:1990
1003:1989
985:1988
965:1986
947:1983
929:1995
911:1982
893:1982
875:1979
857:1976
839:1976
819:1974
786:1972
766:1970
748:2000
730:2006
712:1965
694:1964
676:1965
622:1961
604:1961
586:1957
568:1962
550:1955
532:1953
514:1952
478:1952
460:1949
442:1953
422:1945
404:1942
386:1941
368:1938
315:1935
297:1933
254:1932
236:1931
218:1935
200:1927
179:Title
173:Years
112:JSTOR
98:books
2192:stub
1981:2018
1955:2018
1930:2018
1905:2018
1880:2018
1867:ISBN
1846:2018
1820:2018
1807:ISBN
1733:2018
1707:2018
1677:2018
1652:2018
1627:2018
1601:help
1580:2018
1554:2018
1530:help
1509:2018
1483:2018
1457:2018
1017:I-VI
143:The
84:news
67:by
2237::
2141:.
2117:.
2093:.
2069:.
2045:.
2021:.
1997:.
1972:.
1946:.
1921:.
1896:.
1836:.
1749:.
1724:.
1698:.
1694:.
1668:.
1643:.
1617:.
1592::
1590:}}
1586:{{
1572:35
1570:.
1521::
1519:}}
1515:{{
1501:34
1499:.
1473:.
1447:.
1436:^
2223:e
2216:t
2209:v
2198:.
2166:.
2151:.
2127:.
2103:.
2079:.
2055:.
2031:.
2007:.
1983:.
1957:.
1932:.
1907:.
1882:.
1848:.
1822:.
1788:.
1759:.
1735:.
1709:.
1679:.
1654:.
1629:.
1603:)
1599:(
1582:.
1556:.
1532:)
1528:(
1511:.
1485:.
1459:.
1418:)
1410:(
134:)
128:(
123:)
119:(
109:·
102:·
95:·
88:·
61:.
38:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.