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Charles Eliot Norton Lectures

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was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are
159:. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given. 289:(The Relation of Criticism and Poetry—Poetry and Criticism in the Time of Elizabeth—The Classical Tradition: Dryden and Johnson—The Theories of Coleridge and Wordsworth—The Practice of Shelley and Keats— 1259:(In Praise of Shadows—A Brief History of Colonial Revolts—Vertical Thinking: A Johannesburg Biography—Practical Epistemology: Life in the Studio—In Praise of Mistranslation—Anti-Entropy) 493:(Adapting an Island Language to a Continental Thought—Thoreau, or the Bean-Row in the Wilderness—Emily Dickinson, or the Articulate Inarticulate—Walt Whitman and the American Loneliness) 330:(The Old Way to Be New—Vocal Imagination, the Merger of Form and Content—Does Wisdom Signify—Poetry as Prowess (Feat of Words)—Before the Beginning of a Poem—After the End of a Poem) 2265: 2221: 1280:(The Wisdom of Miles Davis—Breaking the Rules—Cultural Diplomacy and the Voice of Freedom—Innovation and New Technologies—Buddhism and Creativity—Once upon a Time...) 64: 1994: 2250: 2245: 2240: 2018: 1238:(What Happens to Us as We Read Novels—Mr. Pamuk, Did You Really Live All of This?—Character, Time, Plot—Pictures and Things—Museums and Novels—The Center) 650:
The Paradox of Structuralism, Comments on the Collaboration Between Architects and Engineers, The Creative Process and the Expressiveness of Inner Space
1415: 1194:: Anxiety and Perspective at the Seashore—Real Beauty: The Body in Realism—More Beautiful than a Beautiful Thing: The Body, Old Age, Ruin, and Death) 1893: 1323:(The Search for Story, Structure, and Meaning in Documentary Film: Part I—The Search for Story, Structure, and Meaning in Documentary Film: Part II) 833: 1943: 436: 1402: 2214: 35: 111: 83: 1300:(Romancing Slavery—Being and Becoming the Stranger—The Color Fetish—Configurations of Blackness—Narrating the Other—The Foreigner's Home) 31: 1833: 90: 1870: 1810: 979: 130: 1217:
as: Sound and Thought—Listening and Hearing—Freedom of Thought and Interpretation—The Orchestra—A Tale of Two Palestinians—Finale)
2207: 1969: 1053: 2163: 97: 1746: 68: 1665: 1640: 79: 883: 1614: 2255: 2090: 1470: 412: 1444: 2042: 780: 1721: 1403:
Article from Harvard Gazette naming 2006 lecturer (date later changed to fall 2006) and giving history of series
2260: 358: 156: 2114: 1785: 57: 104: 901: 269:(8 lectures: ???—The Old Poetry—The Sagas of Iceland—...—The World of Reality—The World of Dreams...) 1944:"The Charles Eliot Norton Lectures by Herbie Hancock; Set 1: The Wisdom of Miles Davis | Harvard College" 1587: 1516: 1407: 152:
usually dated by the academic year in which they are given, though sometimes by just the calendar year.
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The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England
144: 2066: 17: 2187: 1699: 657: 244: 148: 262: 1866: 1806: 1380: 1313: 1250: 827: 738: 2138: 1421: 1995:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part II" 1860: 1206: 1149:
Lasting Origins—Rain of Fire—Magnificus—Maîtres à Penser—On Native Ground—Unaging Intellect)
668: 645: 612: 594: 376: 2179: 2019:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part I" 1918: 1600: 1529: 1365: 1085: 774: 702: 486: 394: 305: 2191: 1332: 1271: 1136: 756: 720: 522: 468: 430: 341: 290: 190: 2234: 1408:
List of incumbents, 1926–2002, as reported by Harvard University's English Department
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Many but not all of the Norton Lectures have subsequently been published by the
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The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
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Aesthetics and technology in building : the twenty-first-century edition
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Not to be confused with the Charles Eliot Norton Memorial Lectureship of the
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Icon and Idea: The Function of Art in the Development of Human Consciousness
1747:"Three Architects Share Norton Lecture Series | News | The Harvard Crimson" 1471:"NORDAL LAUDS ICELAND IN FIRST NORTON TALK | News | The Harvard Crimson" 1186:
and the Death of the Heroic Landscape—The Man in the Bathtub: Picasso's
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Norton Lectures at the Mahindra Humanities Center at Harvard University
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Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present
815:
Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde
364:
Painter and Poet: Studies in the Literary Relations of English Painting
1615:"FROST GIVES SECOND NORTON TALK TONIGHT | News | The Harvard Crimson" 799:
Problems Relating to Visual Communication and the Visual Environment
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and the Academic Mind—The Modern Mind: I—The Modern Mind: II)
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The American Characteristics in Classic American Literature
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Space, Time and Architecture: The Growth of a New Tradition
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The Genesis of Secrecy: On the Interpretation of Narrative
853:
The Secular Scripture: A Study of the Structure of Romance
1178:: Bathing as Practice, Bathing as Representation—Manet's 2164:"Weaving refugee's life into histories of U.S., Vietnam" 1894:"Pamuk delivers first Norton lecture; five more to come" 1666:"Wilder Cites 'Independence' Theme of American Classics" 2195: 437:
Early Netherlandish Painting: Its Origins and Character
166: 1834:"Barenboim to deliver Charles Eliot Norton Lectures" 71:. Unsourced material may be challenged and removed. 1370:Spending the War Without You: Virtual Backgrounds 1297:The Origin of Others - The Literature of Belonging 1970:"Morrison's first Norton Lecture set for March 2" 1353:(Poetry in Motion—The Visible and the Invisible) 1385:To Save and To Destroy: On Writing as an Other 2215: 8: 2091:"Wim Wenders: The Visible and the Invisible" 1692:"Penelope Niven on Thornton Wilder, reading" 1393:The post had no incumbent in years omitted. 474:A Composer's World: Horizons and Limitations 2266:Northeastern United States university stubs 1445:"ELIOT GIVES FIRST IN NORTON LECTURE GROUP" 400:Poetics of Music in the Form of Six Lessons 2222: 2208: 1802:Bathers, Bodies, Beauty: The Visceral Eye 1786:"Lessons of the Masters — George Steiner" 1338:(The 7th Art and Me—Crossing the Borders) 1319:Wide Angle: The Norton Lectures on Cinema 1167:Bathers, Bodies, Beauty: The Visceral Eye 131:Learn how and when to remove this message 1439: 1437: 600:Language and Poetry: Some Poets of Spain 1774:. Urbana: University of Illinois Press. 1433: 2162:O’Grady, Eileen (September 12, 2023). 1596: 1585: 1548:. Harvard University. 1931. p. 44 1525: 1514: 1235:The Naive and the Sentimental Novelist 1108:"The Mute Image and the Meddling Text" 168:Table of lecturers and lectures held: 673:Aesthetics and Technology in Building 418:Literary Currents in Hispanic America 36:Southern Baptist Theological Seminary 7: 2251:Recurring events established in 1925 2246:Lecture series at Harvard University 2241:1925 establishments in Massachusetts 2176: 2174: 214:Italian Sculpture of the Renaissance 69:adding citations to reliable sources 27:Lecture series at Harvard University 267:The Spirit of Icelandic Literature 32:Archaeological Institute of America 2143:mahindrahumanities.fas.harvard.edu 2119:mahindrahumanities.fas.harvard.edu 2095:mahindrahumanities.fas.harvard.edu 2071:mahindrahumanities.fas.harvard.edu 2067:"Agnès Varda: Crossing the Border" 2047:mahindrahumanities.fas.harvard.edu 2023:mahindrahumanities.fas.harvard.edu 1999:mahindrahumanities.fas.harvard.edu 1968:Radsken, Jill (22 February 2016). 1190:and the Gender of Bathing—Monet's 726:Romanesque Architectural Sculpture 25: 18:Charles Eliot Norton professorship 2043:"Agnès Varda: The 7th Art and Me" 980:Six Memos for the Next Millennium 196:The Classical Tradition in Poetry 2178: 1054:Six Walks in the Fictional Woods 232:Poetry and the Criticism of Life 45: 2115:"Wim Wenders: Poetry in Motion" 1545:Annual Report (Fogg Art Museum) 80:"Charles Eliot Norton Lectures" 56:needs additional citations for 311:The Spirit of Man in Asian Art 1: 1898:Harvard University Press Blog 907:In Defence of the Imagination 163:Charles Eliot Norton Lectures 2194:. You can help Knowledge by 1805:. Harvard University Press. 690:Tragedy in the Art of Music 147:Professorship of Poetry at 2282: 2173: 1859:Barenboim, Daniel (2009). 1770:Nervi, Pier Luigi (2018). 781:Sincerity and Authenticity 34:or the Norton Lectures at 29: 1568:"Harvard Alumni Bulletin" 1497:"Harvard Alumni Bulletin" 1308: 641: 347:The Poetry of Chiaroscuro 456:The Romantic Imagination 359:Chauncey Brewster Tinker 157:Harvard University Press 1799:Nochlin, Linda (2006). 1192:HĂ´tel des Roches Noires 925:The Romantic Generation 834:The Unanswered Question 1720:Gardner, Frederick H. 1641:"Wilder Views Thoreau" 1595:Cite journal requires 1524:Cite journal requires 1142:Lessons of the Masters 1124:Concerto Conversations 1073:Remembering the Future 2190:related article is a 943:The Witness of Poetry 762:Questions about Music 635:The Springs of Pathos 510:Music and Imagination 413:Pedro HenrĂ­quez Ureña 328:The Renewal of Words 582:The Shape of Content 564:The Estate of Poetry 145:Charles Eliot Norton 65:improve this article 1948:college.harvard.edu 1919:"William Kentridge" 1862:Music Quickens Time 1840:. 21 September 2006 1726:The Harvard Crimson 1670:The Harvard Crimson 1645:The Harvard Crimson 1619:The Harvard Crimson 1477:. November 28, 1931 1475:The Harvard Crimson 1449:The Harvard Crimson 1256:Six Drawing Lessons 1215:Music Quickens Time 744:This Craft of Verse 169: 2256:Works about poetry 2188:Harvard University 1923:AFASIAARCHZINE.COM 1751:www.thecrimson.com 1700:Library of America 1451:. November 4, 1932 1414:- see copy at the 1277:The Ethics of Jazz 1211:Sound and Thought 658:Buckminster Fuller 528:i: six nonlectures 245:Arthur Mayger Hind 167: 149:Harvard University 2203: 2202: 2139:"Norton Lectures" 1690:Niven, Penelope. 1391: 1390: 1381:Viet Thanh Nguyen 1354: 1339: 1324: 1314:Frederick Wiseman 1301: 1281: 1260: 1251:William Kentridge 1239: 1218: 1195: 1150: 1091:Writing and Being 828:Leonard Bernstein 739:Jorge Luis Borges 708:The Lyric Impulse 494: 331: 294: 270: 141: 140: 133: 115: 16:(Redirected from 2273: 2224: 2217: 2210: 2182: 2175: 2168: 2167: 2159: 2153: 2152: 2150: 2149: 2135: 2129: 2128: 2126: 2125: 2111: 2105: 2104: 2102: 2101: 2087: 2081: 2080: 2078: 2077: 2063: 2057: 2056: 2054: 2053: 2039: 2033: 2032: 2030: 2029: 2015: 2009: 2008: 2006: 2005: 1991: 1985: 1984: 1982: 1980: 1965: 1959: 1958: 1956: 1954: 1940: 1934: 1933: 1931: 1929: 1915: 1909: 1908: 1906: 1904: 1890: 1884: 1883: 1881: 1879: 1856: 1850: 1849: 1847: 1845: 1830: 1824: 1823: 1821: 1819: 1796: 1790: 1789: 1782: 1776: 1775: 1767: 1761: 1760: 1758: 1757: 1743: 1737: 1736: 1734: 1732: 1717: 1711: 1710: 1708: 1706: 1687: 1681: 1680: 1678: 1676: 1662: 1656: 1655: 1653: 1651: 1637: 1631: 1630: 1628: 1626: 1621:. 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Verso Books. 1858: 1857: 1853: 1843: 1841: 1838:Harvard Gazette 1832: 1831: 1827: 1817: 1815: 1813: 1798: 1797: 1793: 1784: 1783: 1779: 1769: 1768: 1764: 1755: 1753: 1745: 1744: 1740: 1730: 1728: 1719: 1718: 1714: 1704: 1702: 1689: 1688: 1684: 1674: 1672: 1664: 1663: 1659: 1649: 1647: 1639: 1638: 1634: 1624: 1622: 1613: 1612: 1608: 1594: 1584: 1577: 1575: 1574:(17). 1933: 488 1566: 1565: 1561: 1551: 1549: 1542: 1541: 1537: 1523: 1513: 1506: 1504: 1503:(19). 1932: 601 1495: 1494: 1490: 1480: 1478: 1469: 1468: 1464: 1454: 1452: 1443: 1442: 1435: 1430: 1416:Wayback Machine 1399: 1366:Laurie Anderson 1321: 1318: 1312: 1296: 1276: 1255: 1234: 1171: 1166: 1146: 1141: 1123: 1090: 1086:Nadine Gordimer 1072: 1052: 1034: 1016: 998: 978: 960: 942: 924: 906: 888: 870: 852: 832: 814: 779: 775:Lionel Trilling 761: 743: 725: 707: 703:Cecil Day-Lewis 689: 618:Musical Thought 617: 599: 581: 563: 545: 527: 509: 487:Thornton Wilder 473: 455: 435: 417: 399: 395:Igor Stravinsky 381: 363: 346: 310: 306:Laurence Binyon 285: 263:SigurĂ°ur Nordal 249: 231: 213: 195: 165: 137: 126: 120: 117: 74: 72: 62: 50: 39: 28: 23: 22: 15: 12: 11: 5: 2279: 2277: 2269: 2268: 2263: 2258: 2253: 2248: 2243: 2233: 2232: 2227: 2226: 2219: 2212: 2204: 2201: 2200: 2183: 2170: 2169: 2154: 2130: 2106: 2082: 2058: 2034: 2010: 1986: 1960: 1935: 1910: 1885: 1871: 1851: 1825: 1811: 1791: 1777: 1762: 1738: 1722:"Eric Bentley" 1712: 1682: 1657: 1632: 1606: 1597:|journal= 1559: 1535: 1526:|journal= 1488: 1462: 1432: 1431: 1429: 1426: 1425: 1424: 1419: 1413: 1405: 1398: 1397:External links 1395: 1389: 1388: 1386: 1383: 1378: 1374: 1373: 1371: 1368: 1363: 1359: 1358: 1355: 1350: 1344: 1343: 1340: 1335: 1329: 1328: 1325: 1316: 1310: 1306: 1305: 1302: 1294: 1289: 1285: 1284: 1282: 1274: 1272:Herbie Hancock 1269: 1265: 1264: 1261: 1253: 1248: 1244: 1243: 1240: 1232: 1227: 1223: 1222: 1219: 1213:(published in 1209: 1204: 1200: 1199: 1196: 1170:(published as: 1164: 1159: 1155: 1154: 1151: 1145:(published as: 1139: 1137:George Steiner 1134: 1130: 1129: 1126: 1121: 1116: 1112: 1111: 1109: 1106: 1101: 1097: 1096: 1093: 1088: 1083: 1079: 1078: 1075: 1070: 1065: 1061: 1060: 1057: 1050: 1045: 1041: 1040: 1037: 1032: 1027: 1023: 1022: 1019: 1014: 1009: 1005: 1004: 1001: 996: 991: 987: 986: 983: 976: 971: 967: 966: 963: 958: 953: 949: 948: 945: 940: 938:CzesĹ‚aw MiĹ‚osz 935: 931: 930: 927: 922: 917: 913: 912: 909: 904: 899: 895: 894: 891: 886: 881: 877: 876: 873: 868: 863: 859: 858: 855: 850: 845: 841: 840: 837: 830: 825: 821: 820: 817: 812: 807: 803: 802: 800: 797: 792: 788: 787: 784: 777: 772: 768: 767: 764: 759: 757:Roger Sessions 754: 750: 749: 746: 741: 736: 732: 731: 728: 723: 721:Meyer Schapiro 718: 714: 713: 710: 705: 700: 696: 695: 692: 687: 682: 678: 677: 674: 671: 665: 664: 662: 660: 654: 653: 651: 648: 643: 639: 638: 636: 633: 628: 624: 623: 620: 615: 610: 606: 605: 602: 597: 592: 588: 587: 584: 579: 574: 570: 569: 566: 561: 556: 552: 551: 548: 543: 538: 534: 533: 530: 525: 523:E. 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Cummings 520: 516: 515: 512: 507: 502: 498: 497: 495: 489: 484: 480: 479: 476: 471: 469:Paul Hindemith 466: 462: 461: 458: 453: 448: 444: 443: 440: 433: 431:Erwin Panofsky 428: 424: 423: 420: 415: 410: 406: 405: 402: 397: 392: 388: 387: 384: 379: 374: 370: 369: 366: 361: 356: 352: 351: 349: 344: 342:Johnny Roosval 339: 335: 334: 332: 326: 321: 317: 316: 313: 308: 303: 299: 298: 295: 283: 278: 274: 273: 271: 265: 260: 256: 255: 252: 247: 242: 238: 237: 234: 229: 224: 220: 219: 216: 211: 206: 202: 201: 198: 193: 191:Gilbert Murray 188: 184: 183: 180: 177: 174: 164: 161: 139: 138: 53: 51: 44: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2278: 2267: 2264: 2262: 2259: 2257: 2254: 2252: 2249: 2247: 2244: 2242: 2239: 2238: 2236: 2225: 2220: 2218: 2213: 2211: 2206: 2205: 2199: 2197: 2193: 2189: 2184: 2181: 2177: 2165: 2158: 2155: 2144: 2140: 2134: 2131: 2120: 2116: 2110: 2107: 2096: 2092: 2086: 2083: 2072: 2068: 2062: 2059: 2048: 2044: 2038: 2035: 2024: 2020: 2014: 2011: 2000: 1996: 1990: 1987: 1975: 1971: 1964: 1961: 1949: 1945: 1939: 1936: 1924: 1920: 1914: 1911: 1899: 1895: 1889: 1886: 1874: 1872:9781844674022 1868: 1864: 1863: 1855: 1852: 1839: 1835: 1829: 1826: 1814: 1812:9780674021167 1808: 1804: 1803: 1795: 1792: 1787: 1781: 1778: 1773: 1766: 1763: 1752: 1748: 1742: 1739: 1727: 1723: 1716: 1713: 1701: 1697: 1693: 1686: 1683: 1671: 1667: 1661: 1658: 1646: 1642: 1636: 1633: 1620: 1616: 1610: 1607: 1602: 1589: 1573: 1569: 1563: 1560: 1547: 1546: 1539: 1536: 1531: 1518: 1502: 1498: 1492: 1489: 1476: 1472: 1466: 1463: 1450: 1446: 1440: 1438: 1434: 1427: 1423: 1420: 1417: 1411: 1409: 1406: 1404: 1401: 1400: 1396: 1394: 1387: 1384: 1382: 1379: 1376: 1375: 1372: 1369: 1367: 1364: 1361: 1360: 1356: 1351: 1349: 1346: 1345: 1341: 1336: 1334: 1331: 1330: 1326: 1317: 1315: 1311: 1307: 1303: 1295: 1293: 1292:Toni Morrison 1290: 1287: 1286: 1283: 1275: 1273: 1270: 1267: 1266: 1262: 1254: 1252: 1249: 1246: 1245: 1241: 1233: 1231: 1228: 1225: 1224: 1220: 1216: 1210: 1208: 1205: 1202: 1201: 1197: 1193: 1189: 1185: 1181: 1177: 1176:Great Bathers 1165: 1163: 1162:Linda Nochlin 1160: 1157: 1156: 1152: 1140: 1138: 1135: 1132: 1131: 1127: 1122: 1120: 1119:Joseph Kerman 1117: 1114: 1113: 1110: 1107: 1105: 1104:Leo Steinberg 1102: 1099: 1098: 1094: 1089: 1087: 1084: 1081: 1080: 1076: 1071: 1069: 1068:Luciano Berio 1066: 1063: 1062: 1058: 1055: 1051: 1049: 1046: 1043: 1042: 1038: 1033: 1031: 1028: 1025: 1024: 1020: 1015: 1013: 1010: 1007: 1006: 1002: 997: 995: 992: 989: 988: 984: 981: 977: 975: 974:Italo Calvino 972: 969: 968: 964: 961:Working Space 959: 957: 954: 951: 950: 946: 941: 939: 936: 933: 932: 928: 923: 921: 920:Charles Rosen 918: 915: 914: 910: 905: 903: 902:Helen Gardner 900: 897: 896: 892: 887: 885: 882: 879: 878: 874: 869: 867: 866:Frank Kermode 864: 861: 860: 856: 851: 849: 848:Northrop Frye 846: 843: 842: 838: 835: 831: 829: 826: 823: 822: 818: 813: 811: 808: 805: 804: 801: 798: 796: 795:Charles Eames 793: 790: 789: 785: 782: 778: 776: 773: 770: 769: 765: 760: 758: 755: 752: 751: 747: 742: 740: 737: 734: 733: 729: 724: 722: 719: 716: 715: 711: 706: 704: 701: 698: 697: 693: 688: 686: 683: 680: 679: 675: 672: 670: 667: 666: 663: 661: 659: 656: 655: 652: 649: 647: 646:FĂ©lix Candela 644: 640: 637: 634: 632: 629: 626: 625: 621: 616: 614: 613:Carlos Chávez 611: 608: 607: 603: 598: 596: 595:Jorge GuillĂ©n 593: 590: 589: 585: 580: 578: 575: 572: 571: 567: 562: 560: 557: 554: 553: 549: 544: 542: 539: 536: 535: 531: 526: 524: 521: 518: 517: 513: 508: 506: 505:Aaron Copland 503: 500: 499: 496: 490: 488: 485: 482: 481: 477: 472: 470: 467: 464: 463: 459: 454: 452: 449: 446: 445: 441: 438: 434: 432: 429: 426: 425: 421: 416: 414: 411: 408: 407: 403: 398: 396: 393: 390: 389: 385: 380: 378: 375: 372: 371: 367: 362: 360: 357: 354: 353: 350: 345: 343: 340: 337: 336: 333: 327: 325: 322: 319: 318: 314: 309: 307: 304: 301: 300: 296: 292: 284: 282: 279: 276: 275: 272: 266: 264: 261: 258: 257: 253: 248: 246: 243: 240: 239: 235: 230: 228: 225: 222: 221: 217: 212: 210: 209:Eric Maclagan 207: 204: 203: 199: 194: 192: 189: 186: 185: 181: 178: 175: 172: 171: 162: 160: 158: 153: 150: 146: 135: 132: 124: 121:November 2020 113: 110: 106: 103: 99: 96: 92: 89: 85: 82: â€“  81: 77: 76:Find sources: 70: 66: 60: 59: 54:This article 52: 48: 43: 42: 37: 33: 19: 2196:expanding it 2185: 2157: 2146:. 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