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295:, London, in a terraced house that housed three generations. He lived in an inner city environment of street markets and working horses that would inform his work his entire life. Charles and his elder sister, Grace, drew and made up stories from an early age, on surplus newsstand placards brought home by their father, Charles Keeping senior, who distributed newspapers to shops and newsstands in the area and boxed under the name Charlie Clarke. He later described his upbringing as "comfortable working class".
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302:, North London, leaving at the minimum age of 14, after which two of his aunts paid for him to take a correspondence course in art. He took a job with the book printing company William Clowes & Sons, and after the outbreak of the Second World War joined Durrants, an engineering company producing munitions. He also spent some time working as a gasman. In 1942, when he turned 18, he joined the
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689:, meaning the illustrations must be pure line drawings with no tones or washes. When they came to be published more modern printing techniques were used which would have allowed Keeping a full range of tones, but he had started with line drawings, so he used the same technique for the entire series, illustrating two books a year until he completed the task with
331:, but was initially turned down, so he read meters for a gas company during the day and took art classes in the evening. He finally got his grant and studied full-time from 1949 to 1952, completing the two-year Intermediate Examination in six months before specialising in illustration and lithography. His teachers included illustrators
628:. He disliked the book, finding the characters unconvincing, and so illustrated them in two-colour lithographs in an expressionist style, paying little attention to the faces. He had been contracted for twelve illustrations, but delivered twenty-two, and asked the publisher to choose the twelve best. He followed this with
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as an artist. ... he was all the time growing and developing as a man whose whole life, heart and mind, was dedicated to exploring the human situation in a universe that he found both beautiful and terrifying." His former teacher and fellow illustrator Nigel
Lambourne has described him as "one of the few
982:• No one has won three Greenaway Medals. Among the fourteen illustrators with two Medals, Keeping is one of seven with one book named to the Anniversary Top Ten (1955–2005); one of seven with at least one Highly Commended runner up (1974–2002); one of six with at least three commendations (1959–2002).
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in particular showcases many of
Keeping's techniques and themes. Told through the eyes of a small boy watching events in the street outside from his bedroom window, the illustrations are full of intense evening light and colour, movement, and even, when a horse-drawn dray rattles across a double-page
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Keeping's former editor Mabel George said of him, "I have always had a strong feeling that
Charles was a true genius... it is my belief that he came to maturity very slowly (not in terms of technique, at which he was a master from his earliest days) but from the point of view of his self-confidence
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and a belief that a head wound he had sustained had disfigured him on the inside as well as (temporarily) on the outside, and would cause him to turn evil like Dr Jekyll becoming Mr Hyde. He received treatment, was institutionalised for a time, and made a full recovery, but perhaps his sympathetic
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Today there are usually eight books on the
Greenaway shortlist. According to CCSU, some runners up through 2002 were Commended (from 1959) or Highly Commended (from 1974). There were 31 high commendations in 29 years including Keeping alone in 1974. There were 99 commendations of both kinds in 44
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His formidable originality within the picture-book convention may not have been altogether apparent to
Keeping himself, which is both a strength and a weakness: the strength that he could communicate with unrivalled emotional intensity - but possibly only with one child in twenty; the concomitant
738:, a lavish 190-page volume collecting and illustrating the traditional songs of the family singalongs of his childhood. A record of some the songs was also released, featuring the voices of members of Keeping's family. Charles himself sings "They're Moving Father's Grave to Build a Sewer!"
339:. He also worked as a life model, and on one such occasion in 1949 his demonstration of the functions of the muscles of the back attracted the eye of Renate Meyer, a fellow student who had left Germany with her family in 1933. They married in 1952 and four children.
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is the highest recognition available to a writer or illustrator of children's books. Keeping was one of three runners-up for the illustration award in 1974 and was the
British nominee again in 1978. He won a Golden Apple award at the
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At the invitation of Henry
Trivick, Keeping continued to use the printing presses at Regent Street Polytechnic after his graduation, and from 1956 to 1963 he lectured there one day a week. From 1963 he was a visiting lecturer at
477:, which depicts the gradual disappearance of the London of Keeping's childhood, a theme he would persistently revisit. The full-colour illustrations are messy and spontaneous, using intense colour, sponge texturing and
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is said to have referred to him as "that vulgar artist". Others felt that the frankness and violence of his work, and his taste for the morbid and macabre, were unsuitable for children. His biographer has commented,
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illustrators we've got. A superb draughtsman, and he had – for all his marvellously brash, outgoing manner – an ability to tear up purposively anything that didn't work."
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In the 1980s Oxford
University Press created a new format for Keeping - the black and white picture book for older children. Keeping created four books in this format:
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Charles
Keeping died of a brain tumour on 16 May 1988. His widow, Renate, ran the Keeping Gallery, displaying his and her own work for many years. She died in 2014.
473:, a modern fairy tale about two children who grow up in the same street, are separated when one family moves to a new tower block, and are reunited thanks to a pet
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for the Folio
Society. His knowledge of the vanishing world of industrial London made him the perfect man for the job. The books were originally to be produced by
455:, took advantage of advances in printing technology to move from black and white work to adventurous colour techniques. In 1966 he created his first full-colour
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416:. This began a professional relationship with Oxford University Press, for whom he illustrated more books than for any other publisher. Keeping, along with
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In 1956 he began to work through the artist's agent B. L. Kearley Ltd, whose rep Patsy Lambe referred him to Mabel George, editor of children's books at
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weakness is that there was not a lot he could do to broaden this minority appeal and ensure that his books remained in print over longer periods.
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Keeping was also a runner-up for at least three Greenaway Medals, which then recognised the year's best children's book illustration by a
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one of the top ten winning works, which composed the ballot for a public election of the nation's favourite. He also illustrated
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602:(1984), about a subway busker's rise to fame as a pop star and subsequent return to happy obscurity; and his final book,
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He also worked for another publisher of classic fiction, the Geneva-based Heron Books, for whom he illustrated works by
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The Pied Pipers: interviews with the influential creators of children's literature by Justin Wintle and Emma Fisher
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for children's literature. For his contribution as a children's illustrator Keeping was a runner-up for the
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was the first runner up "Highly Commended" for the Medal. Both distinctions were abandoned after 2002.
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concluded a very short review, "Intense colors in striking combinations overwhelm the minimal story."
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and the U.S., including at the 1958 Fifth International Biennial of Contemporary Color Lithography in
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Keeping's work was controversial in some quarters. Some felt his work too flashy, and illustrator
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519:(1975), on the transient but magical effect on two young boys of the circus coming to town; and
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Michele Anstey and Geoff Bull, "The picture book: modern and postmodern", in Peter Hunt (ed.),
606:, another story of the changing landscape of London, which was published posthumously in 1989.
1369:. Living Archive: Celebrating the Carnegie and Greenaway Winners. CILIP. Retrieved 2012-07-16.
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1036:. Living Archive: Celebrating the Carnegie and Greenaway Winners. CILIP. Retrieved 2012-07-16.
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Keeping went freelance after graduation, and spent four years drawing a comic strip for the
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in 1953. He also did some work in advertising, and illustrated some educational textbooks.
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855:(New York: World), tunes "arranged for voice and piano by K. Neil Slater" (
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for the best children's book illustration of the year, for his own story
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English illustrator, children's book author and lithographer (1924– 1988)
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for integrated of writing and illustration in a British children's book
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502:(1970), two of his finest, were also produced as short films for the
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The Telling Line: Essays On Fifteen Contemporary Book Illustrators
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1055:. The CILIP Carnegie & Kate Greenaway Children's Book Awards.
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1008:. Living Archive: Celebrating the Carnegie and Greenaway Winners.
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638:(1966) in a similar style. For the same publisher he illustrated
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in gruesome detail, for which he won his second Greenaway Medal;
467:, both about mistreated working horses. He followed these with
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Dictionary of British Book Illustrators: The Twentieth Century
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1269:"CHARLEY, CHARLOTTE AND THE GOLDEN CANARY by Charles Keeping"
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International Companion Encyclopedia of Children's Literature
1091:"Candidates for the Hans Christian Andersen Awards 1956–2002"
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From the later 1960s Keeping, alongside illustrators like
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London Borough of Bromley marker at Keeping's former home
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In 1975 Keeping produced perhaps his most personal work,
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years including two for 1969, three 1970, and two 1974.
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Douglas Martin, "Charles Keeping"; in Douglas Martin,
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Charles Keeping, "Illustration in children's books",
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He returned to civvy street in 1946 with a profound
614:In 1964 Keeping illustrated his first book for the
515:(1973), about a day in the life of a police horse;
511:spread, virtual sound. Other picture books include
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1299:. 2007(?). Curriculum Lab. Elihu Burritt Library.
662:(2 volumes, 1976) in two-colour lithographs, and
490:Keeping created 15 full-colour picture books for
298:He attended the Frank Bryant School for Boys in
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267:His lithographs have been exhibited in London,
1224:The History of Oxford University Press Vol III
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906:Charles Keeping's Classic Tales of the Macabre
862:1977 Francis Williams Award for Illustration,
851:1972 Francis Williams Award for Illustration,
523:(1980), a romantic, dreamlike tale of a young
190:for children, and he created more than twenty
1095:The Hans Christian Andersen Awards, 1956–2002
1076:International Board on Books for Young People
824:International Board on Books for Young People
481:, and won Keeping his first Greenaway Medal.
440:, which Keeping illustrated in 1970, won the
324:, owes something to this period of his life.
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1046:"70 Years Celebration: Anniversary Top Tens"
834:He won several awards for particular books.
306:as a wireless operator, serving four years.
194:. He also illustrated the complete works of
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167:(22 September 1924 – 16 May 1988) was an
1226:, Oxford University Press, 2003, p. 481.
845:Charley, Charlotte and the Golden Canary
470:Charley, Charlotte and the Golden Canary
402:. George commissioned him to illustrate
291:Charles Keeping was born and grew up in
262:Charley, Charlotte and the Golden Canary
216:Charley, Charlotte and the Golden Canary
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1275:15 February 1968. Retrieved 2012-12-02.
1189:Brigid Peppin & Lucy Micklethwait,
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219:(1967) and for a new edition (1981) of
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1145:Charles Keeping: An Illustrator's Life
1105:(literature.at). Retrieved 2013-07-28.
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536:(1981), illustrating the 1906 poem by
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1568:Craft Centre of Great Britain member
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527:boy's dream of being a firefighter.
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1553:Deaths from brain cancer in England
1323:. Julia MacRae Books. p. 202.
829:Biennial of Illustration Bratislava
571:(1986), illustrating the 1833/1842
1383:Children's Literature in Education
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1193:, John Murray, 1983, pp. 168–69.
1101:. 2002. Pages 110–18. Hosted by
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182:. He made the illustrations for
406:'s historical children's novel
1473:: Charles Keeping illustration
1458:: selected pictures by Keeping
853:Tinker Tailor: Folk Song Tales
635:All Quiet on the Western Front
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1078:(IBBY). Retrieved 2013-07-28.
820:Hans Christian Andersen Award
561:(1985), an original story by
251:Hans Christian Andersen Award
165:Charles William James Keeping
1543:Kate Greenaway Medal winners
1413:Children's literature portal
1388:(1970 March), pp. 41–54
952:(Oxford), written by himself
908:, written by various authors
640:Ghost Stories of M. R. James
587:can most clearly be seen on
149:1967, 1981
1147:, Julia MacRae Books, 1993.
872:1981 Kate Greenaway Medal,
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1538:English children's writers
1259:, Routledge, 2004, p. 332.
1103:Austrian Literature Online
506:'s "Storyline" programme.
390:Rosemary Sutcliff (1976),
281:Victoria and Albert Museum
1477:Charles Keeping at artnet
1295:16 September 2014 at the
893:(Macmillan), with writer
672:(1971) in line drawings.
546:(1982), adapted from the
376:Why Die of Heart Disease?
329:Regent Street Polytechnic
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1365:22 February 2012 at the
1307:). Retrieved 2012-06-25.
604:Adam and Paradise Island
394:, book jacket by Keeping
1350:. Retrieved 2012-07-16.
1317:Douglas Martin (1993).
1207:Renate Keeping obituary
1059:. Retrieved 2012-06-30.
1051:27 October 2016 at the
1027:(Greenaway Winner 1981)
1012:. Retrieved 2012-07-16.
1006:(Greenaway Winner 1967)
930:The God Beneath the Sea
797:Douglas Martin (1993),
730:Other book illustration
675:Beginning in 1978 with
492:Oxford University Press
437:The God Beneath the Sea
400:Oxford University Press
260:Charles Keeping (1967)
234:The God Beneath the Sea
122:The God Beneath the Sea
1479:: past auction results
1360:(Carnegie Winner 1970)
1344:"Kurt Maschler Awards"
1290:"Kate Greenaway Medal"
1032:7 January 2013 at the
891:Jack the Treacle Eater
868:Kevin Crossley-Holland
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749:Croydon College of Art
720:Robert Louis Stevenson
555:Kevin Crossley-Holland
465:Sean and the Carthorse
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1240:"Celebrating Keeping"
1222:William Roger Louis,
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649:The Castle of Otranto
577:Alfred, Lord Tennyson
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366:Middle Eastern Review
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245:, which won the 1970
207:Kate Greenaway Medals
103:Children's literature
1533:English illustrators
924:, written by himself
904:Illustration Award,
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840:Kate Greenaway Medal
687:letterpress printing
630:Erich Maria Remarque
521:Willie's Fire Engine
314:visual treatment of
146:Kate Greenaway Medal
1523:Artists from London
1513:People from Lambeth
1487:Library of Congress
1456:The Keeping Gallery
887:Kurt Maschler Award
766:at 16 Church Road,
712:W. Somerset Maugham
678:The Pickwick Papers
568:The Lady of Shalott
318:, the monster from
211:Library Association
1563:Royal Navy sailors
1471:"Poles for Dinner"
1427:Visual arts portal
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664:Fyodor Dostoyevsky
600:Sammy Streetsinger
517:Wasteground Circus
508:Through the Window
500:Through the Window
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1330:978-1-85681-062-3
1246:No. 86, May 1994.
822:conferred by the
770:, Bromley BR2 0HP
736:Cockney Ding Dong
692:Martin Chuzzlewit
625:Wuthering Heights
559:The Wedding Ghost
409:The Silver Branch
404:Rosemary Sutcliff
188:historical novels
184:Rosemary Sutcliff
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58:, London, England
53:22 September 1924
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361:Jewish Chronicle
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180:lithographer
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85:lithographer
68:(1988-05-16)
15:
1508:1988 deaths
1503:1924 births
1348:bizland.com
864:The Wildman
764:Blue plaque
724:H. G. Wells
716:Nevil Shute
654:Victor Hugo
652:(1976) and
548:Anglo-Saxon
498:(1969) and
461:Black Dolly
432:Greek myths
178:author and
172:illustrator
81:Illustrator
66:16 May 1988
1497:Categories
989:References
768:Shortlands
585:John Bauer
479:wax resist
392:Blood Feud
348:Early work
311:depression
304:Royal Navy
300:Kennington
287:Early life
277:Cincinnati
83:, writer,
77:Occupation
49:1924-09-22
1099:Gyldendal
902:W H Smith
831:in 1975.
778:Reception
695:in 1988.
669:The Idiot
573:Arthurian
525:Edinburgh
253:in 1974.
223:'s poem "
209:from the
94:1952–1988
1363:Archived
1293:Archived
1097:. IBBY.
1049:Archived
1030:Archived
857:WorldCat
795:—
742:Teaching
642:(1973),
575:poem by
198:for the
1437:at the
589:Beowulf
581:Swedish
543:Beowulf
513:Richard
321:Beowulf
316:Grendel
293:Lambeth
273:Austria
169:English
133:Beowulf
56:Lambeth
1464:Elidor
1394:(1974)
1327:
948:1974,
927:1970,
920:1969,
882:(1906)
814:Awards
565:; and
475:canary
364:, the
343:Career
155:Spouse
91:Period
1057:CILIP
1010:CILIP
963:Notes
900:1988
885:1987
838:1967
808:great
371:Punch
269:Italy
237:, by
99:Genre
1325:ISBN
1305:CCSU
937:and
722:and
551:epic
463:and
451:and
426:and
241:and
63:Died
43:Born
1485:at
666:'s
656:'s
646:'s
632:'s
622:'s
553:by
504:BBC
186:'s
1499::
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1303:(
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51:)
47:(
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