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visible in the distance). His head is turned and his face pinched in a disdainful and somewhat bitter smile. The king was famously sensitive about his height, and the painting compensates by placing the viewer at a low-angle point of view, looking up at the king. A Latin inscription on a rock in the
68:
Van Dyck gives his naturalistic style full expression: "Charles is given a totally natural look of instinctive sovereignty, in a deliberately informal setting where he strolls so negligently that that he seems at first glance nature's gentleman rather than
England's King". The 266 cm by 207 cm
147:, apparently resting during a day of hunting. He is girt with a sword, with one hand resting nonchalantly on a walking stick; the other rests on his hip, holding his gloves as a sign of his sovereignty and assurance. The painting also shows a young
69:
painting depicts
Charles in lighter colours to the left of the painting, standing against the darker ground and the shadowed servants and horse under a tree to the right; his dark hat prevents his face from appearing washed out by the sky.
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in Paris. It depicts
Charles in civilian clothing and standing next to a horse as if resting on a hunt, in a manner described by the Louvre as a "subtle compromise between gentlemanly nonchalance and regal assurance".
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Charles paid van Dyck £100 for the painting in 1638 – although the artist originally requested £200 – but it is not mentioned in the inventory of his collections after his
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had united the crowns of
Scotland and England, and proclaimed himself King of Great Britain, and nearly 70 years before the
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Charles is dismounted, and stands as if surveying his domain and the sea beyond (perhaps the
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The Art of the
Portrait: Masterpieces of European Portrait-painting, 1420–1670
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Charles is dressed as an aristocratic gentleman in a wide-brimmed
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Crucifixion with the Virgin, Saint John and Saint Mary
Magdalene
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and
Charles' picture-buying agent and favoured courtier,
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Thetis
Receiving the Weapons of Achilles from Hephaestus
286:"Anthony van Dyck’s Equestrian Portraits of Charles I"
896:
Lord John Stuart and his
Brother, Lord Bernard Stuart
424:
Saint
Ambrose barring Theodosius from Milan Cathedral
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lower right corner establishes his rights as a king:
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The Tudor and Stuart Monarchy: Jacobean and Caroline
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906:
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344:
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679:Venus Asks Vulcan to Forge Arms for her Son Aeneas
240:, Weidenfeld & Nicolson, London, 1971, p. 128
93:legally created the Kingdom of Great Britain).
290:Concordia Undergraduate Journal of Art History
313:
8:
762:Equestrian Portrait of Francisco de Moncada
185:in 1649. It was in France by 1738, and the
1065:Paintings in the Louvre by Flemish artists
320:
306:
298:
481:The Vision of the Blessed Hermann Joseph
18:
888:Mary Villiers, Lady Herbert of Shurland
214:
935:Self-portrait with Sir Endymion Porter
811:The Three Eldest Children of Charles I
802:The Three Eldest Children of Charles I
655:Diana and a Nymph Surprised by a Satyr
162:, van Dyck had already made two other
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1050:Portraits of the British royal family
852:Queen Henrietta Maria as St Catherine
282:, Norbert Schneider, pp. 128–130
203:List of paintings by Anthony van Dyck
7:
968:Mucius Scaevola before Lars Porsenna
46:, also known under its French title
778:Thomas Francis, Prince of Carignano
60:, dated to c. 1635, and now in the
828:Triple Portrait of Henrietta Maria
52:, is an oil-on-canvas portrait of
14:
489:Madonna and Child with Two Donors
16:1635 painting by Anthony van Dyck
820:Equestrian Portrait of Charles I
532:Lamentation over the Dead Christ
175:Equestrian Portrait of Charles I
158:In his three years as England's
104:
754:Charles I with M. de St Antoine
473:The Coronation of Saint Rosalia
369:Saint Martin Dividing his Cloak
255:Charles I: The Personal Monarch
169:Charles I with M. de St Antoine
83:Carolus.I.REX Magnae Britanniae
927:Self-Portrait with a Sunflower
353:Entry of Christ into Jerusalem
258:, Charles Carlton, p. 145
1:
1025:Portraits by Anthony van Dyck
497:Rest on the Flight into Egypt
160:Principal Painter in Ordinary
986:Hendrick van Balen the Elder
794:Charles I in Three Positions
622:Munich (autograph or studio)
266:, Roy C. Strong, p. 177
1030:Charles I of England in art
274:, Richard Cust, p. 159
271:Charles I: A Political Life
1081:
730:Cardinal Guido Bentivoglio
143:, and turned-down leather
836:Mary Hill, Lady Killigrew
335:
103:
393:The Crowning with Thorns
868:Magistrates of Brussels
860:Luigia Cattaneo-Gentile
746:Gaston, Duke of Orléans
521:Madonna with Partridges
1040:17th-century portraits
960:A Soldier on Horseback
706:Cornelis van der Geest
449:Susanna and the Elders
400:The Betrayal of Christ
166:of Charles in armour:
38:
786:Charles I at the Hunt
631:Mythological subjects
617:Palermo (studio work)
583:Saint Rosalia series
465:The Mocking of Christ
292:, Issue #1, June 2005
189:sold the painting to
112:Charles I at the Hunt
43:Charles I at the Hunt
24:Charles I at the Hunt
22:
770:Francisco de Moncada
738:The Lomellini Family
164:equestrian portraits
132:, shimmering silver
54:Charles I of England
741:(c. 1625–1627)
647:Jupiter and Antiope
427:(c. 1619–1620)
388:(c. 1618–1620)
385:The Apostle Matthew
222:Charles at the Hunt
191:Louis XVI of France
873:Preparatory sketch
813:(Royal Collection)
663:The Shepherd Paris
431:Samson and Delilah
377:The Brazen Serpent
345:Religious subjects
49:Le Roi à la chasse
39:
28:Le Roi à la chasse
1012:
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992:Peter Paul Rubens
844:William Killigrew
457:Madonna and Child
338:List of paintings
288:, Alena M. Buis,
234:Painting at Court
187:Comtesse du Barry
122:
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1060:1630s in England
1045:Portraits of men
687:Cupid and Psyche
513:The Resurrection
329:Anthony van Dyck
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58:Anthony van Dyck
32:Anthony van Dyck
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248:Further reading
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153:Endymion Porter
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99:External videos
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1004:Van Dyke beard
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880:Olivia Porter
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875:) (1634–1635)
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78:Isle of Wight
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62:Louvre Museum
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126:cavalier hat
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117:Smarthistory
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998:Paul de Vos
930:(1632–1633)
922:(1620–1621)
916:(1613–1614)
823:(1637–1638)
690:(1638–1640)
682:(1630–1632)
674:(1630–1632)
658:(1622–1627)
585:(1624–1625)
516:(1631–1632)
505:Crucifixion
484:(1629–1630)
468:(1628–1630)
460:(1621–1627)
416:Minneapolis
396:(1618–1620)
364:(1617–1619)
128:, teardrop
110:Van Dyck's
34:, c. 1635,
1019:Categories
528:Deposition
209:References
963:(c. 1616)
899:(c. 1638)
891:(c. 1636)
863:(c. 1622)
789:(c. 1635)
733:(c. 1623)
698:Portraits
557:1629–1630
193:in 1775.
183:execution
76:with the
994:(master)
988:(master)
920:New York
607:New York
197:See also
141:breeches
979:Related
883:(1630s)
804:(Turin)
592:Houston
406:Bristol
137:doublet
130:earring
944:(1640)
942:London
938:(1635)
914:Vienna
855:(1639)
847:(1638)
839:(1638)
831:(1638)
815:(1636)
806:(1635)
781:(1634)
773:(1634)
765:(1634)
757:(1633)
725:(1622)
717:(1622)
709:(1620)
666:(1628)
650:(1620)
642:(1620)
602:Madrid
597:London
524:(1632)
508:(1630)
500:(1630)
492:(1630)
476:(1629)
411:Madrid
372:(1618)
356:(1617)
139:, red
74:Solent
36:Louvre
612:Ponce
145:boots
134:satin
87:James
572:1640
567:1635
562:1634
552:1629
547:1619
542:1618
537:1615
441:1630
436:1620
149:page
26:(or
56:by
30:),
1021::
530:/
236:,
115:,
871:(
321:e
314:t
307:v
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